SCIENCE OF ARTS AND LETTERS, 2

Author: MARTÍN CONTRERAS ANA MARÍA.
Year: 2004.
University: GRANADA.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: Critical Edition of the three orders of the birth of Mira Amescua, with a broad introductory survey which addresses the following points: * Look for Amescua as a religious author. * Towards the indictment Christmas (defining characteristics). * Areas of the art of Christmas in Mira Amescua: study of the metric, the character and the proposed performing arts. * Conclusions. * Bibliography.

Author: RODRÍGUEZ DELGADO ROSARIO.
Year: 2004.
University: SEVILLA.
Place of defense: CIENCIAS DE LA EDUCACIÓN.
Place of preparation: CIENCIAS DE LA EDUCACIÓN.

Summary: In-depth study some aspects of the person and work of the writer Montserrat del Amo. Author that by the word of his art and his dedication to the literature, deserves a prominent place in the field of child and adolescent literature. In addition to research her contribution to children's literature and literary youth and education, we do a tour of the Theory, History and Criticism of Literature universal European and Spanish, and we try to emphasize the archetypes, motifs and symbols that appear in its literature. We have also investigated the fact from their literary origins, where the privilege of knowing how to read and write was in possession of a few. That is why we have conducted a comprehensive study on what is in their literature aspects of education, teaching and literary criticism, from its beginnings until today. We use the integrated model to the analysis of the content stylistic: Conceptual factor, a factor cash and imaginary factor. Finally, as an application of this method exposed analysis of five works for children and five for young people.

Author: GUERRA DE HOYOS CARMEN.
Year: 2004.
University: SEVILLA.
Place of defense: ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA DE SEVILLA.
Place of preparation: ESCUELA TÉCNICA SUPERIOR DE ARQUITECTURA DE SEVILLA.

Summary: The thesis deals with the study of the reality of rural architecture from a multidisciplinary vision assuming the perspective of different sciences working in the rural area, to propose a deep reading of their problems and establish modes of operation architectural resolve the negative effects detected . Such an architecture is argued from an analysis of the relationship between man and land that rests on philosophical and poetic formulations and that is contrasted in two case studies on specific architecture.

Author: ROSA GARCÍA JOSE ANTONIO.
Year: 2004.
University: SEVILLA.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: DEPARTAMENTO DE DIBUJO. FACULTAD DE BELLAS ARTES.

Summary: Our research focuses on locating and (with certain composition studying) the stucco best applicable to certain mobile carriers. Indispensable research on the compatibility of the stucco, with certain procedures graphics plastics. On the other hand, arose transfer photographic - color or black and white as a new procedure applicable to the stucco. With all this will get mixed results, and establish relationships soporte-técnica order to get maximum expressive potential in each case, studying the behavior plastic that both techniques can be separately at first, and jointly as breakthrough in the study.

Author: KORDIC RIQUELME RAҏSSA.
Year: 2005.
University: AUTÓNOMA DE BARCELONA.
Place of defense: DEPARTAMENTO DE FILOLOGÍA ESPAÑOLA.
Place of preparation: UNIVERSIDAD AUTÓNOMA DE BARCELONA.

Summary: It was edited and annotated manuscripts of sixty-five cards confessional unpublished Sister Dolores Pena y Lillo. It introduces the issue with a study lingüstico and other literary, characterized the language of the colonial era in Chile and literary influences in this nun writer.

Author: Bargalló Sánchez Isabel.
Year: 2005.
University: AUTÓNOMA DE BARCELONA.
Place of defense: Facultat de Filosofia i Lletres, Departament d'Art.
Place of preparation: Facultat d'Història (UB).

Author: GOMEZ ANGEL BRISA.
Year: 2005.
University: VALENCIA.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACIULTAD DE FILOLOGÍA DE LA UNIVERSIDAD DE VALENCIA ESTUDI GENERAL.

Summary: THESIS ON THIS IS STUDYING THE FEATURES OF THE WRITING OF ELUARD WHICH INVOLVE POÉTICA ELEMENTS OF CULTURE IN SPAIN. IN THE FIRST STRAND CONTEMPLAN THE THEORETICAL ASPECTS OF THE RETÓRICA AND THE POÉTICA; CHAPTERS IN THE SECOND AND THIRD IS NECESSARY TO ANALYSIS PORMENORIZADO OF A COMPREHENSIVE CORPUS SELECTED POEMS BETWEEN THE WORKS OF PAUL ELUARD RELATING TO THE CULTURE IN SPAIN. EVIDENCE IS IN THE SENSITIVITY TO POÉTICA ELUARDIANA AN ENGLISH AS A DIFFERENT LEVELS AND VARIOUS WAYS AS THE WORK OF ITS moments. IN POÉTICA OF ELUARD STRESSES A SPECIAL COLLECTION OF THE CREATIVITY OF POETS AND ARTISTS SPANIARDS: A CREATIVITY POLI FACÉTICA THROUGH THE REMINISCENCIAS BARROCAS ARRAIGADAS IN SANTA TERESA OF AVILA, THE SOUVENIR OF GOYA AND MIRÓ, SECURITIES AND MYTHS CLÁSICOS SPANIARDS ON THE TAUROMAQUIA, INTERACTION WITH HIS FRIEND PICASSO AND INVOLVEMENT IN THE SOCIETY OF POLITICAL PERSON AS CREATOR.

Author: GRAÑA ZAPATA ISABEL.
Year: 2005.
University: AUTÓNOMA DE BARCELONA.
Place of defense: FACULTAD DE LLETRES.
Place of preparation: FACULTAT DE LLESTRES.

Summary: The poets of the School Majorcan and the Association for the Culture of Mallorca is the result of study of a historical period and contemporary cultural life of Majorca which begins toward 1916 and ends with the conflict war of the Spanish Civil War. It is a study of the cultural history and literature of that period, which begins with a review of the concept of School Mallorquina, des period known as "The Renaixença" until our days, passing through the various uses that have been made of the term a lo largo del siglo XX. Since the implementation of the concept is also studying the formation of the group of poets of the School Mallorquina, its origin, and initial proposals confluence aesthetic through the monitoring of their joint action, either in entities formed by the mísmo group (Center Regionalist Mallorca, Secció Mallorquin Parla Nostra), or through its collaboration in the press of the time (magazines: "Ofrena", "Parla Nostra," "The Correu de les Lletres", "Almanac de les Lletres" newspapers: "Sóller", "The Almudaina", "El Correo de Mallorca", etc..). Through the study ideological and literary collaborators of the group reaches the climax of the trajectory of mísmo, with the creation of the Association for the Culture of Majorca (1923-1936), to study their formation and characterization of entity, first steps, internal organization, platforms outreach program of cultural activities and the political ideology of the entity and its difficulties, first with the dictatorship of Primo de Rivera, and then with General Franco's regime, which will destroy their existence in losprimeros days of the military uprising. The relationship between the poets of the School Mallorquina and their active participation in the entity occupies an important part of the general thesis, because the association was a haven and ideal platform for the development and dissemination of literary and cultural his group intellectuals distinctly catalanista and conservative. Similarly, devotes much of the study to deepen relations between intellectuals and Mallorcan Catalans from the first three decades of the twentieth century. Full research an appendix material on the poets of the School Mallorquina and activities of the Association for the Culture of Majorca from the Catalan press and Majorcan of that era.

Author: RODRÍGUEZ VILLAR ALEJANDRA JUNO.
Year: 2005.
University: SANTIAGO DE COMPOSTELA.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE HISTORIA. USC..

Summary: Ditea (Dissemination of amateur theater) is the name of the Association of Theater Chamber founded in Santiago de Compostela in 1960 and still active. Founded by Agustin Magán Luis Rodriguez Miguez and Mariluz Villar Otón among others, and pre-movement Abrente (Mostras Ribadavia), is the birth of contemporary theater in Gallcia, understood as a spectacular. Its work is divided into two stages according to the criteria mentioned the political context. The first range from the year 1960 to 1975 and the second from 1975 to the present. Regarding the criterion lingüstico, the first phase runs from 1960 to 1970, with dedication to the theater in Spanish, and the second from 1970 to the present, with dedication to the theater in galician. With respect to the latter, he noted the introduction of the texts Irish drama Galician. On the first stage, Ditea makes "an eclectic theater with a theatrical interest spread based on a universalist approach, which represents yen colossal settings eight cars sacramental (represented at the Place de la Quintana, and appearance by which group is still present in the collective memory), great dedication to the new theater and Spanish Theater realistic (with representations of authors like Sastre or Arrabal), a comprehensive look at the theater world and of all ages (including art) , and generating a great theatrical culture by organizing workshops and conferences (promotes collective action by the Goliardos, among others, in Santiago and invited speakers as Jose Monleón Ricardo Domenech or Ricardo Carballo-Calero). Ditea involves the constant updating of Santiago and Galicia in the field of theatrical culture, with the introduction in 1963 of the World Day of Theater, or the staging of texts peers and decisive. Ditea also generates at this early stage a number of criticisms and pages engaged in media where often emphasizes the large number of spectators who were with their representations, seriousness and aesthetic scene of his mounts (with decorated corpóreos that sometimes reached 15 meters high), a perfectionist and striking their set arena, and especially the identification that the great city of Compostela feel with the group Ditea. directional This identification is because the group itself was born as a result of syncretism between class and class popular illustrated Santiago (all types of people and condition is among their ranks), while Compostela and its institutions consider Ditea as its flagship theater and theatrical culture. Between you) ctos represented by Ditea are sacramental orders Calderon as "The world's great theater "or" The lawsuit marriage of body and soul ", indictments Lope de Vega as" Siega, "and other indictments Mareta Jose Valdivielso or Mira de Amescua. also include in its curriculum" network "of Alfonso Sastre, "Prayer" by Fernando Arrabal, and works Rojas and Zorrilla, Pirandello, Cabral de Melo Neto, Lenormand, sborne, Eugene O'Neill, Moliere, Goldoni, Candoni, Sergio Vodanovic, Osvaldo Oragún, Mihura, Juan Antonio Castro, Jimenez Romero, Miguel Angel Rellán, Emilio Carballido, Henri Gheon (which read "dead horse" was translated into Spanish for the first time to Ditea), Aquilino Churches Alvarinho (which read "A comedy gives aliña" is the world premiere of hand of Oltea), Synge, O'Casey and Yeats, among others. Ditea also win prizes such as Hercules Silver for best actress in 1966 for A Coruna Mariluz Villar "Between walks fools the game" and prizes "Golden Mask Lugo "the best fitting, best direction (Augustine Magán) and best actress (Mariluz Villar)" Morte and life severina "Cabral de Melo Neto. summarize, the characteristics of Ditea as cultural promoter of the first order are: diversity in the origin of its members; amateurismo vocation and never professionalization; vocation school theatrical; strong personality of its dir 8 ector ar 716 tístico Agustin Magán; importance of the aesthetic factor above all other considerations; great identification with absolute independence and ideological Compostela that translates into a possibilism action. possibilism This gets in the Franco evade and circumvent the censorship and democracy materializes adapt to the characteristics of the theatrical landscape of the moment, for which: adopting galician as the sole language There is a tendency to choose texts that they cling to the social reality Galician; authors are on the scene in Galician and stimulating writing theater galician. Ditea also starring some of the polemics of the 70's when some platforms from theater requires its veto in shows and festivals, the group compostelano for refusing to make a statement pÚblica its exclusive commitment to the Galician language, since then the group still defendíendo a policy bilingÃe and freedom of choice for the different groups theater. Ditea received in 1986 the Silver Medal of Cultural Merit awarded by the City of Santiago de Compostela. De Ditea emerging personalities House galician as Mariluz Villar Otón, Euloxio R. Ruibal or Xosé Manuel Olveira "peak" and other names world of the Spanish culture as Alfonso Armada, Jose Antonio Silva, José Domingo and Juan Jesus Valverde Chestnut.

Author: ARLANDIS LÓPEZ SERGIO.
Year: 2005.
University: VALENCIA.
Place of defense: FACULTAT DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA..

Summary: The dissertation is clearly divided into two parts. On the one hand, a comment on the theories of literary analysis methodologies and determination of cuñales are, from this review, the more valid to analyze works whose structure reflects a complex and artiulado system symbolic as compiled macrotext poetic, apor tion a personal vision and a proposal terminological and theoretically substantiated. On the other hand, this whole review and methodological proposal is carried practice targeting study libroo the embers of Valencian poet Francisco Brines. A detailed analysis of the book (its constituents symbolic internal and external) gives, as a result, the keys most basic, elementary and defining the poetic, in whole Brines. Under this dual vision of the work, just to make a new background information critical not only about poetry Francisco Brines, but also on some methodological possibilities of literary analysis, valid in any event, if the path of a poet is capable of viewed through certain symbolic recurrences, which make the whole of his work a unique worldview unit.

Author: MARTÍNEZ ABELLÁN ANTONIO.
Year: 2005.
University: MURCIA.
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: THIS WORK ESTUDIA THE IMPACT OF DIFFERENT RELATOS TRAVEL TO FRANCE AND SPAIN IN THE SECOND HALF OF THE CENTURY XVIII. THAT HAVE BEEN SELECTED FOR A SERIES OF DAILY NAVIGATION REDACTADOS BY FRENCH AND SPANISH IN THIS PERIOD: THE FIRST, ESSAYS IN CONNECTION WITH THE ISSUE OF CIRCUNNAVEGACIÓN THAT REALIZÓ LOUIS-ANTOINE BOUGAINVILLE BETWEEN 1766 AND 1769, AND THAT TOCÓ THE ISLAND OF TAHITI IN 1768. THE SECONDS DEVELOPED DURING THE THREE EXPEDITIONS TO THE SAME ORGANIZED BY THE ISLAND OF PERU VIRREY, MANUEL AMAT, BETWEEN 1772 AND 1775. THE DISPAR FORTUNA LITERARY DAILY SHOW THAT TUVIERON THESE CLEARLY THE UNEQUAL IN IMPORTANCE TO FRANCE AND SPAIN IS CONCEDÍA IN THE PERIOD, THIS KIND OF RELATOS. THE STUDY OF THESE FACTS HAS BEEN MADE IN THREE PARTIES: FIRST, UNDER THE TITLE OF "COORDINATES HISTORIC AND SOCIAL, CULTURAL AND CONDITIONS NECESSARY TO ECONOMICS IN FRANCE, FAVORECIERON THE BOOM OF RELATOS TRAVEL, AND THAT IN SPAIN NOT THE PROPICIARON. IT IS ALSO EXPLAINS HOW THE HISTORICAL CONTEXT OF MID-CENTURY XVIII FAVORECIÓ TRAVEL OF FRENCH AND SPANISH TO TAHITI, gave PLACE TO TRAVEL TO THE DAILY NAVIGATION ESTUDIADOS. IN THE SECOND PART ENTITLED "THE DAILY NAVIGATION" DETAILS ARE STUDYING THE DAILY NAVIGATION PURPOSE OF THIS WORK. BY FRENCH, ARE STUDYING THE DAILY OF LOUIS-ANTOINE BOUGAINVILLE, CHARLES-FÉLIX FESCHE AND FRANCOIS VIVEZ. AND BY SPANISH, FOR THE SUNDAY BOENECHEA, Thomas GAYANGOS, JOSÉ ANDÍA AND MAXIMUM RODRIGUEZ. AS TRAVEL RELATOS, SE DISCUSS THEIR SIMILITUDES AND THEIR DIFFERENCES AND ALSO BE REMEMORAN, HAND OF VARIOUS AUTHORS, THE FACTS ACONTECIDOS DURING HIS STAY IN TAHITI AND COLLECTED IN YOUR DAILY. THE THIRD AND LAST PARTY, "IMPACT LITERARY," DA ACCOUNT OF MULTIPLE AFTERMATH LITERARY IN FRANCE THAT HAD THE TRIP OF BOUGAINVILLE; SHOW AND THE LITERARY ZERO IMPACT THAT BOTH IN SPAIN IN PERU AS, TUVIERON THE DAILY ESSAYS BY WITH SPANISH CAUSE FOR ITS PASSAGE BY TAHITI. CAN AFIRMAR THE DAILY ESTUDIADOS WE WORK IN THIS MAKES ONE VISION, BUT ALTERADA THE AUTHORS OF THEIR CULTURAL PRISMA, TAHITI FOR PURPOSES OF THE CENTURY XVIII, EVEN IF HE HALLABA FREE OF ALL FOREIGN INFLUENCE. THE QUALITY OF THESE DAILY WE ALLOWED TO ESTABLISH "Cinematographer" OF THE SOCIETY TAHITIANA IN A TIME OF ITS OWNER HISTORY. THE MERECIDA VALUATION OF THESE IS A WAY OF DAILY RENDER TRIBUTE TO THOSE TAHITIANOS, FRENCH AND SPANISH THAT BY END OF CENTURY XVIII ESTABLECIERON CONTACTS FRUCTÍFEROS OF WHICH HAS NOT BEEN TAKEN DEMASIADA THOUGHT SO FAR, OTHER BECAUSE EVENTUALLY ON RELATIONS HAVE OCCUPIED TAHITI ALMOST ALWAYS THE FIRST LINE.

Author: PUCHADES HERNÁNDEZ FRANCISCO JAVIER.
Year: 2005.
University: VALENCIA.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis deals with the emergence in Spain in the mid-80, a group of playwrights attached to the so-called "new drama" and its impact on the phenomenon of "back of the theater text." In the first part, from a corpus of nearly one hundred authors critically reviewed some of the causes commonly identified to explain the emergence of these playwrights: writing workshops, awards, lectures dramatizadas and production service. It analyzes the impact of the work of these authors in the three subsystems of production and theatrical exhibition (public, private commercial and private alternative) in Barcelona and Madrid through the assistance of the public, the number of the functions performed and production conditions. Finally, it raises the state of affairs on the issue of dramatic texts of the "new drama" and investigations on the matter until today. In the second part of the thesis discusses in detail the record of five authors representing different kinds of theatricality (Sergi Belbel, Ernesto Caballero, Rodrigo Garcia, Juan Mayorga and Lluà ¯ sa Cunillé) since its inception to almost change century. In addition to studying the textualidad dramatic, it is proposed a method of analysis of the staging (with the video as a document) and the critical reception (with reviews media and specialized studies). This study presents, in addition, a section of documentary: a database containing 1,675 documents visual and textual help reconstruis the theatrical trajectory of the five authors chosen.

Author: Monterde Farnés Pau.
Year: 2005.
University: AUTÓNOMA DE BARCELONA.
Place of defense: F.de Filosofia Lletres.
Place of preparation: Escola d'Arquitectura.

Summary: The thesis examines the textual elements and musical shape from a dramatúrgico opera "Il trovatore" and "La traviata" by Giuseppe Verdi. Both operas examines the role that meet certain dramatic elements: the librettos and their relationship with their literary and theatrical sources, the versificación; structure dramático-musical; harmony, through the study of sounds and tones, the melody with attention to the recurring themes, melodic figurations, "declamato" and intervals; pace, through the study of rhythmic motives, the movement and the relationship between the underground musical movement, the nature and metrics; instrumentation, through the meaning of the various instruments, accompanying the formulas, and the tremolo didascalias musical; vocalidad, depending on the quality of voice, language and vocal indications dynamic, and the characters the musical aspects that contribute to their characterization, and morphology in relation to some structures dramatico (great duo, "cabalette", "racconti" and songs). In his final thesis proposes a reading specifies each of the operas, based on a synthesis of the elements discussed above.

Author: Miranda Mas Carlos.
Year: 2005.
University: GRANADA.
Place of defense: Facultad de Bellas Artes.
Place of preparation: Facultad de Bellas Artes de Granada..

Summary: This research proposes the category of invisible art, in relation to their modes of expression and action in the public space. The invisibility as a condition of art that we see in these behaviors public art is analyzed as problematization of modern art that distinction in terms of their works to other things in the world. It poses a proposal for overcoming critical and therefore the idea of autonomy of modern art (perfectly valid in the contemporary art) from the dissolution and visual integration in the urban landscape involving interventions invisible art. This is a tour of five vectors of substantiation of this figure, referring first to changes in the contemporary aesthetic subject to whom it is addressed, second to a critique of the thesis essentialist and trascendentalistas advocating eternity of art, third to the very problematization of the autonomous status of art, fourth to the description of the process that we look pragmatización of artistic operation, and fifth to exploring new territories demonstration involving these modes of art that are analyzed. The thesis notes as a particular case intervention WORD WORD $ $ $ WORD (1994) artist Rogelio Lopez Basin, and includes a comprehensive compilation of the author's public works from its inception until January 2005.

Author: ROSAL NADALES MARÍA.
Year: 2005.
University: GRANADA.
Place of defense: FILOSOFÍA Y LETRAS.
Place of preparation: GRANADA.

Summary: Under the title poetry and poetry in Spanish writers current (1970-2005), we worked on analyzing a vast corpus of poems and poetic authors who have published and are published since the democratic transition until the early years of the twenty-first century. Understanding that cultural texts are an important basis for historical and ideological foundations of a particular time and place, we have approached the poetic and critical of contemporary writers from budgets literary, historical and ideological perspectives trying to avoid essentialist . The thesis is divided into two parts: a) Production poetics in Spain from 1970 to 2005. B) Study of poetry and poems of the authors of the period bounded. The first part, in turn, is divided into two chapters, the first dedicated to the general aspects of the production and reception-poetic construction of the canon and female representation and the second to various aspects of the process of institutionalization of the work the poets, from speech to speech critical anthology, without forgetting fundamental issues pertaining to root historic discrimination against voice "poet". La segunda parte, dividida también en dos capítulos, se centra en aspectos concretos del estudio de la poesía escrita por mujeres y del pensamiento literario, abordando cuestiones de reflexión y práctica poéticas: concepción y función de la poesía, la lectura de la tradición ; para finish with the analysis of key issues in the current poetic to writers: the construction of the subject lírico, revision and subversion of topics, procedimientosmétricos and rhetoric, the speech metapoético and classical motifs and thematic clusters or unpublished.

Author: FUSTER LÓPEZ LAURA.
Year: 2005.
University: POLITÉCNICA DE VALENCIA.
Place of defense: UNIVERSIDAD POLITÉCNICA DE VALENCIA.
Place of preparation: UNIVERSIDAD POLITÉCNICA DE VALENCIA.

Summary: One of the most common alterations and characteristics of the paint on canvas, in his appearance brittle as a direct result of the passage of time. Deterioration which often shows its hand more dramatic in the form of landslides and loss of pictorial layer, resulting in often very difficult to recompose the original image damaged. This thesis presents a study of the fillers used in the replacement of missing paint on canvas from the perspective of Mechanics, in order to determine which formulations are the ones that work best behavior and the structural response dimensional paintings canvas. The thesis is divided into three parts very different at the same time complementary to each other: a first section presents the context under which this investigation. It is a historical review of criteria, processes and materials for the treatment of employees gaps. The second chapter deals squarely fundamental concepts of mechanics, explaining to turn in more specific structural behavior of a painting on canvas. The third and final block presents the research methodology raised and the results obtained.

Author: COLOMINA SUBIELA ANTONI.
Year: 2005.
University: POLITÉCNICA DE VALENCIA.
Place of defense: UNIVERSIDAD POLITÉCNICA DE VALENCIA.
Place of preparation: UNIVERSIDAD POLITÉCNICA DE VALENCIA.

Author: RAMOS DE OLIVEIRA SOARES MARIA LUISA.
Year: 2005.
University: POLITÉCNICA DE VALENCIA.
Place of defense: UNIVERSIDAD POLITÉCNICA DE VALENCIA.
Place of preparation: UNIVERSIDAD POLITÉCNICA DE VALENCIA.

Summary: Discuss the (un) roads conservation -restauración of works of modern art and / or contemporary supposed to go further, as it requires a little thought. Punta an apparent "Iceberg" invaluable proportions, the same contemporary art, assumes many inquiries, not only in their appearance estético-histórico, but also by the different interventions that often changes the nature of the work; The work is ephemeral work becomes permanent, suffering further damage so traumatic for interventions and essentially adding a new identity in order. The ownership of the spaces, the indiscriminate use of all or any material that could convey a message, it creates an aesthetic own for the moment. The transition from an aesthetic and chaos statement of appropriations conceptual generated controversy that delimitarían "the meaning of art for the years 1970". From here, two guesses: First, that the traditional notion of art, defines a conservation action through the analysis and identification of criteria estéticos-históricos precursors creative act. The permanently in the time-enables a historical attraction, forged in the materials selected for the original representation. The second assumption, that the breaking of established standards creates a multiplicity of interpretations of artistic endeavor, leading to false conclusions that can be devastating in the valuation process and appreciation directed toward conservative interventions. Such guesses are recognized taking into account the existence of a dialectical relationship that covers both dimensions; the traditional concept of art and the new symbols derived from the conceptual art. This thesis proposes a synthesis of the historical spread of the concept of conservation of origin and socio-cultural implications of the policy on heritage sites and dual polarity estético-histórica contemporary art specifically in the moments that marked the aesthetics of the years 1970 in the city of Rio de Janeiro. For this research are theoretical references: the history of Brazil in the restoration, conservation policies, philosophy and aesthetics of the arts, movement neoconcreto and draft concreto-Paulo Roberto Leal. Concrete Project (Paulo Roberto Leal, artist neoconcreto born in the city of Rio de Janeiro), had as its main objective in its creation, research, inventory, conserve and restore his work. The project was the basis for the investigation techniques -científicas in the field of conservation science, with applications in preventive maintenance.

Author: CARLAVILLA ASENSIO MARÍA PILAR.
Year: 2005.
University: POLITÉCNICA DE VALENCIA.
Place of defense: UNIVERSIDAD POLITÉCNICA DE VALENCIA.
Place of preparation: UNIVERSIDAD POLITÉCNICA DE VALENCIA.

Summary: The corpus of this dissertation is to assert the importance of a type of furniture popular great artistic beauty as well as practical and useful, since today many of these furnishings are still in the interior of some houses, playing the role for they were created. We refer to DORADO FURNITURE AND POLICROMADO located in the village of Iniesta, in the province of Cuenca. This type of furniture features very personal, it is well known and beloved by all iniestenses and surrounding villages, but it is a great unknown in general terms to a broad number of people and also within the historical heritage. The investigation has been divided into four phases: the first focuses on the historical and geographical context of the furniture under consideration, considering this opportune for the reader may have knowledge of how it has evolved socially and culturally this town through the centuries . The second is to collect as much information necessary about these workshops: oral reports, documentaries, etc.. In addition, after an arduous field work, it has been able to study a large number of pieces (a total of more than a hundred), on which we can appreciate how the furniture has evolved technically and artistically over the centuries by various causes, until arriving at the moment almost entirely to a disappearance of the same. Once systematized and evaluated all of this information collection, has made a description of location and use on the furniture more characteristic in this town, as well as a study and construction and ornamental decoration. On the latter, it has sought to take a different approach, very technical, following the course of action that takes this investigation, which focuses on perception and visual communication that exists under internal decoration reflected in the furniture. The third is a completely technical. First has conducted a study rigorous, while descriptive, on each of the materials and techniques used for the development of this popular piece of furniture that not only comes from the people but is in fact the people and for the people. It then provides a methodology based on a technical analysis focusing on methods científico-analíticos available to us, enabling us to hear each of the materials that compose this kind of furniture (as it lacks technical studies), helping us to identify with more accurately what is the current state of conservation of the pieces. In addition to these methods científico-analíticos, was devoted to conduct a series of tests with different materials, both natural and synthetic, used in the treatment of conservation, subjecting them to a program of accelerated aging chamber or air conditioning. The fourth and final phase is a continuation of the third in which it brings the practice. There will always be a diagnosis on the state of conservation pieces.

Author: IRANZO BENITO JOSÉ V..
Year: 2005.
University: MÁLAGA.
Place of defense: FACULTAD DE CIENCIAS DE LA COMUNICACIÓN.
Place of preparation: FACULTAD DE COMUNICACIÓN.

Summary: The paper tries to collect, catalog and claim films cinema abstract and formal conducted in the historical period of 1910 to 1975, with the intention of establishing the history and origins of the practices audiovisual forefront of abstract and formal has been developed to Currently in the ground electronic and digital. To that end, the work focuses on the concept of time as duration, developing theoretical concepts that the matter sets the French philosopher Gilles Deleuze in their studies film, The imagen-movimiento (1984) and The imagen-tiempo (1986), based in turn theories on the movement of Bergson. Under this theoretical framework has been classified and cataloged the works and authors of the abstract cinema response to the evolution of imagen-movimiento to the image while the three ages Deleuze provides for the movies in general and this film abstract, or eídetico in his own terminology. It concludes confirmation and ieonidad model Deleuziano, but also the anticipation of the imagen-tiempo in film astracto, which are already in the 20's in Leger and Man Ray, for the date proposed by Deleuze for cinema in general, that sets in the years 40-50.