SCIENCE OF ARTS AND LETTERS, 4

Author: Pávez Reyes Ma. Isabel.
Year: 2006.
University: POLITÉCNICA DE MADRID.
Place of defense: E.T.S. Arquitectura.
Place of preparation: E.T.S. Arquitectura.

Summary: It describes and interprets:-the formation of the modern concepts Highway Administration and Transportation reporting Works 1950-1979 to Santiago in the context of 50 years of the State Planner (1929-1979); - relationship and consistency of the concepts underlying the work in the Highway Administration and Transportation 1950-1979, with the concepts involved in the projects of City and Regional Planning of the time, the innovative quality of the concepts underlying the work 1950-1979 while initial body of a speech today on mature and globalized sustainability in Urban and Regional Planning and Highway Administration and Transportation. It captures persistencias and changes in the post, the State Subsidiary and urbanism done by the private sector. Are your assumptions: 1 .- The gestation of modern concepts of Transportation Highway Administration would have originated within the body of Chilean architects engaged in Urban and Regional Planning, who demonstrated thoughtful and critical of some of the statements the Modern Movement, and the road networks considered as a principle of territorial ordering the technical possibilities relating to the service of urban regions. 2 .- To work 1950-1979 in the Highway Administration and Transportation would have been consistent with the forms coordinated growth proposals to the metropolis of Santiago in the intercomuna and in the region by the City and Regional Planning 1950-1979, constituting a system properly structuring connected to the national territory, and allowing access to the new human settlements and equipment arranged in metropolitan and regional urban territory, helping to set up a modern urban region which considered all its fields as an 'internal' in the perspective of sustainability and permanence the whole. 3. That conception after work 1950-1979, it would have provided its projection on a macroregión central Chile, gravitate around an economic region binational trinucleada, including Santiago, Valparaiso and Mendoza, the latter in the republic Argentina, which is cornerstone Corridor Transandino Central Valparaíso-Buenos Aires. 4 .- And that from the years 1990, the book 1950-1979 for Santiago is undergoing projects around which is taking place a new and different stage of the process metropolitanisation, which is deploying the population on the territory his region generating islands of urban land, but not city .- The thesis provides an 13% of the total number of documents cited, as an unpublished original sources Chilean and foreign and 65.5% to Chileans and foreigners not published relieved or combined so far. Narration demonstration is organized around five processes interact - urbanization, industrialization, professionalization of the disciplines of interest, urban and regional planning and transportation planning in metropolitan Santiago, Chile, for the purposes of proof the scenarios.

Author: CENTELLAS SOLER MIGUEL.
Year: 2006.
University: POLITÉCNICA DE CATALUÑA.
Place of defense: AULA PI CALLEJA.ETSAB.
Place of preparation: ETSAB, EDIFICI A Campus SUD.

Summary: In the period between 1945 and 1975 were built in Spain almost three hundred people colonization, scattered by most provinces and usually associated with river basins, which are an architectural very interesting result of the possibility of irrigation resulting from water policy promoted by the Franco regime. The twelve villages built by Jose Luis Fernandez del Amo, spread throughout the southern half of Spain is thoroughly studied and are the most significant contributions throughout that period; they relate three fundamental aspects: architecture and art in churches. Comparatively their layouts are analyzed in relation to more than two hundred people of colonization studies the geometry of raster and the separation of circulations between humans and animals. Moreover, the position of the equipment, especially the church and town hall, and its relation to public spaces. It compares their villages on the same scale, considering three major issues: roads, buildings and land division level. Of the thirty thousand houses were built across Spain, about two hundred thousand are Fernandez del Amo, which is studying plants and elevations, which are set to scale 1:300, as well as the dimensions of the plot and their relationship with home. Equally relate plants churches and shows the evolution of the first plants basilicales of the fifties to posconciliares of the sixties, considering the position of the tower in the whole parish, which represents a landmark in the landscape of the land in Spain . It highlights the transformation of rigid geometries of the fifties in the ordinations organic sixties for projecting peoples as bright and as different as Villalba de Calatrava (1955) or Cañada Agra (1962). The way to interpret the character of the local architecture, the use of indigenous materials and esencialización with that on the architectural solutions freeing itself from formalism, lead us to classify it as a precursor of the abstract architecture. It is remarkable naturalness that is rooted to the spot and his intemporalidad; their peoples, built now, fifty years later, with similar techniques, continue to be of great modernity. It details the contribution of Fernandez's Love to the introduction of non-figurative art in churches and supporting young artists who made a series of works: murals, pictures of saints, stained glass, via crucis, altars, sagrarios, etc.. In the most varied techniques. Several members of the group El Paso are among the more than eighty artists whose work in the churches of colonial heritage is a little-known and under-appreciated. Served with pictures of all the artistic elements in the churches of Fernandez del Amo.

Author: TOUBES GONZÁLEZ PATRICIA.
Year: 2006.
University: LA LAGUNA.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGIA, UNIVERSIDAD DE LA LAGUNA.

Summary: Analysis of production Essay and poetry by Eduardo Wsterdahl in the period from 1926 to 1936, and projecting these elements to the various theoretical foundations of the Vanguard in the Canary Islands (especially Gazette magazine Art) and its impact on the development of vanguard dues in regard to architecture, literature, art and landscape.

Author: Valdés AgÒ¼ero Claudio Enrique.
Year: 2006.
University: AUTÓNOMA DE BARCELONA.
Place of defense: Facultad de Ciencias de la COmunicación.
Place of preparation: Facultad de Ciencias de la Comunicación.

Summary: The thesis explores the pragmatic and poetic documentary of the series South of the World, produced in Chile between 1982 and 2001 from the analysis of a sample of 31 documentaries. It describes the uses of documentary style of the formal voice from the analysis of the formal structures and uses of resources discursive. The thesis presents a discussion about the roles of the film image in the construction of the speeches of the documentary nature and anthropological.

Author: GARCIA IBORRA JUAN.
Year: 2006.
University: AUTÓNOMA DE BARCELONA.
Place of defense: FACULTAT DE FILOSOFIA I LLETRES..
Place of preparation: FACULTAD DE LETRAS. DEPARTAMENTO DE FILOLOGIA INGLESA.

Summary: The objective of this paper is to demonstrate that the use of the Mediterranean scene in a significant amount of Gothic novels of the classic period, from 1764 to 1820, makes us consider this element as part of the inclusive Gothic fiction universe. This exploitation of the scene in southern Europe allows us to establish a causal link between the anti-bias, political and cultural rights of the people towards English Catholic countries of the south, and the use of such a scenario in the Gothic fiction. In the context cultural-religioso English, the Catholics of Europe were different and lower, but with a large and menacing power. This thesis aims to elucidate what were the causes that led to the English Gothic novelists to place much of his work in a scenario Mediterranean and what is the political background, religious and cultural behind this election. We studied the different elements of the Gothic novel English and well established their importance and functionality outside of the geographical environment, in other words, what were the traits sociological and cultural factors that affected the process of adopting it as a feature Latino fiction.

Author: ÁVILA ROCA DE TOGORES MARÍA PILAR.
Year: 2006.
University: MURCIA.
Place of defense: Facultad de Letras.
Place of preparation: UNIVERSIDAD DE MURCIA / DEPARTAMENTO DE HISTORIA DEL ARTE.

Summary: The architecture of leisure is included in the new study types and functions of architecture. The changing needs of recreation, leisure and fun of the bourgeoisie created the appearance of architectural spaces intended for such purposes. A varied architectural typology, developed from now, will generate a division of spaces for public use at the urban and burguesia going to be decisive in fashioning this new urban landscape and society. Appear new premises, some will be lifted in new plant and others will occupy buildings that had previously been dedicated to other purposes, but mainly linked to the enclaves argued that the bourgeois and enjoyed. Those responsible for these new constructions and alterations, which will take place at this time of major changes reflected in the landscape and urban planning, will be master builders and architects. The theaters will have a prominent place within the urban reforms. Theater ceases to be from the nineteenth century a espéctaculo courtly and aristocratic fun and becomes popular, the problems that have shaken the citizens are exposed to the public. It also places the Bulls were recorded in various locations of the Vega Baja. The first bullfights will be held in the public squares, closed conveniently for these took place. The feast of the bulls was one of the most important leisure entertainment of the époc, but in these enclosures is not only celebrated bullfights also acted companies gymnastics or circus. The Casino is one of the types most favored by the socio-political context of the moment, used by the bourgeoisie for its meetings and to assert its concept of class firmly established and domineering in the social and political life of the region. The casinos are a type of architecture that emerges in the late eighteenth century and will reach its consolidation in the nineteenth century. Another typologies very taste of the new social class are Spas that since the eighteenth century are undergoing a major transformation. Although the therapeutic properties of the bathrooms were known long is this eighteenth century when it starts to modern thermal design space. The bathers are demanding greater quality in treatment and stays, which entails that the architecture of the building and the treatment of the environment will be enriched. The resorts will reach its boom in the nineteenth century thanks to the development of scientific knowledge that would reveal the composition of the water and its medicinal actions, as well as have the means to facilitate its implementation tailored to each therapeutic need. Although it will be its use as a means of recreation for the people that will enhance their development must not be ruled out their use for washing of the population. The improvement of transport facilities, mainly the emergence of the railroad, a fact key to the influx of bathers to the beach resorts of Torrevieja, led to his becoming a revaluation way to separate places of work and leisure. Any infrastructure urgana necessary to provide recreation and entertainment will be available, in many cases, the very complex spa or in nearby areas. The Kiosos for music, very characteristic of gardens, malls and plazas also makes its appearance during the nineteenth century; Barracones or Pavilions film will be installed at different locations. Also significant is the imporancia that with the bourgeoisie commercial starting to cafes and hotels, apart from his usual role for as meeting places and conducting activities. And alongside the bourgeoisie we must not forget another social group that is becoming increasingly important and will have their own needs: the working class. These requirements conducive to prol 8 iferen and 551 n almost all localities Societies Obreras that although concerned about education and life of the workman was also geared toward the recreational and cultural. During the second half of the nineteenth century and early twentieth century is going to change the design aesthetics of the city. The construction of new walkways, plazas and gardens, or reforming existing ones, the people out into the streets to enjoy their leisure time. The lack of studies on the global architecture of leisure in the region of the Vega Baja enabling this research has allowed expose institutions, buildings that had fallen into oblivion and others but not forgotten barely knew his story

Author: AZCONA MONTOLIU MARIA DEL MAR.
Year: 2006.
University: ZARAGOZA.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: This thesis examines the proliferation of narrative structures corals in the American film of the decade of the nineties. Given the limited literature on the subject, the thesis begins with a description of the background and analysis of gender reefs through various uses and functions that have been assigned to this structure in films such as Grand Hotel (Edmund Goulding, 1932), La Grande Illusion (Jean Renoir, 1937), some of the films of Howard Hawks, movies or disasters like El Coloso in Flames (Irvin Allen and John Guillermin, 1974), among many others. Once analyzed the background, one of the key points of the investigation carried out in this dissertation is a review of the theory of genre film. The generic systems do not depend only on historical considerations and industrial but mainly emerge from the speech, which sets zeal taxonomic relationships among texts and others from the use of common elements or traits that will be understood as the conventions of the genre. This thesis defines gender film not as categories with clearly defined edges and a qualifying but merely as sets of conventions in the service of specific texts. The conventions of the genre reefs are extracted from the analysis of films such as, among others, Grand Canyon (Lawrence Kasdan, 1991), Magnolia (Paul Thomas Anderson, 1999), and especially Lives Crusaders (Short Cuts, Robert Altman, 1993 ). Because any form narrative has some ideological implications and relates to their social and cultural environment in ways more or less complex or indirect, in this part of the research also examines the consequences that entails the use of this narrative structure especially when it relates to the representation of interpersonal relationships and social conditions in contemporary American society. The last two chapters analyze the implications of the combination of some of the conventions of the genre reefs themselves with those from other genres such as film and the teen romantic comedy. As demonstrated through the analysis of American Pie (Paul Weitz, 1999), the use of a choral narrative structure in conjunction with the conventions of film adolescents is particularly appropriate to capture the conflict between group identity and individual identity inherent in the gender since birth. This combination also get generic offer a more complex view of sex through the inclusion of a plurality of sexual ethics that are equitably distributed between men and women. In the case of the romantic comedy, the conventions of cinema choral give you the opportunity to articulate an intimate picture Polyphonic have a place where most of the options that are seen as unique to the more conventional romantic comedy in which the number of characters concerns . At the same time, as demonstrated in the analysis of singles (Cameron Crowe, 1992), many of the structural features of the films corals, such as its episodic nature, the role of chance and the open nature of the process suggests that the most of its end, provide an appropriate framework for the representation of the protocols amorous and sexual contemporaries in a cultural context that has been altered by the impact of the social movements of previous decades and in which the ideals of romantic love are inadequate to explain the experience of contemporary relationships.

Author: VÁZQUEZ DE AGREDOS PASCUAL MARÍA LUISA.
Year: 2006.
University: POLITÉCNICA DE VALENCIA.
Place of defense: Universidad Politécnica de Valencia.
Place of preparation: Universidad Politécnica de Valencia.

Summary: The dissertation "Characterization químico-analítica blue Mayan mural painting in the Lowland Maya" scientific research addresses one of the most complex colors of pre-Columbian art, and the ancient art in general. Its main objective was to optimize new analytical techniques to be able to identify the organic substance with the preparation of this color: indigo, which was achieved through the Voltamperometría of Micro. This is the first research on Mayan mural painting that incorporates electrochemical techniques to study the nature of some of their pigment, and its combination with other analytical techniques has provided important data on the stability and the optical properties of this color, all of great importance in fields such as chemical analysis of painting, art history and the preservation and restoration of historic and artistic heritage. In the latter regard, the analytical techniques with which they are combined Voltamperometría of Micro to study the Maya were the blue Optical Microscopy (LM), Scanning electron microscopy combined with X-ray microanalysis energy dispersion (SEM / EDX) The Electronic Transmission of Microscopy (TEM), Atomic Force Microscopy (AFM), the Spectroscopy Fourier Transform Infrared (FTIR) and Espectrofotometría visible (UV-vis). The results contributed to the investigation of this color through such a range of techniques, and their combination with the data provided by the study of manuscripts that were written in the New World in Spanish colonial times (siglos XVI - XVIII) as with the information that was obtained on the experiences of ethnographic type that took place in certain communities of indigenous Mayan area, make this a doctoral thesis unpublished document to be considered as a point of reference in future research on the topic .

Author: FERNANDEZ RODRIGUEZ NATALIA.
Year: 2006.
University: OVIEDO.
Place of defense: DEPARTAMENTO DE FILOLOGIA ESPAÑOLA.
Place of preparation: UNIVERSIDAD DE OVIEDO.

Summary: The fundamental objective of this dissertation is to elucidate the mechanisms dramatization of the legends hagiográficas depending on the parameters of the new comedy. The study focuses on a typology hagiográfica peculiar and with a heavy burden as the archetypal variant of the licentious life. We started with a presentation of the major cultural landmarks that could contribute to the development of comedy hagiográfica and then to synthesize components of the archetypal model of the penitent sinner that underlie different realizations legendary. To carry out the investigation, thirteen comedies are selected from different authors, dated in the seventeenth century and whose protagonist is unapecadora penitent of tradition hagiográfica (Mary Magdalene, Mary Egipcíaca, Pelagia, Tais, niece Mary Abraham, Teodora and Daisy Cortona). From a sequence pecado-conversión, which singles option hagiográfica, develops comparative analysis of the legends as set in a non-dramatic, and the procedures by which became theater as molds art again. The doctrinal and theological basis that underpins all these stories did not exclude the exigencies of literary, and at the same time, the dimension of hagiography is edifying compatible with the new genetically profane art. Thus, the components of the flagship comedy take on a new treatment unpublished tune with the essence of what hagiográfico. And the principle that determines what is the constant projection transcendent of matter legendary which serves as a basis. Thus, the springs antonomásicos of dramatic action, love and honor, are converted into prefiguraciones iróncia divine love and communion of God, so that the legendary stories to be theater, must activate a loving fabric that to some extent motivates a conflict dehonor. And beyond the fable, humor and resources eminently theatrical (music and visualismo) tmabién contribute, through various procedures, to confirm the scope of the transcendent own dramatic action.

Author: MATEOS MARTINEZ MARIA ANTONIA.
Year: 2006.
University: OVIEDO.
Place of defense: DEPARTENTO DE FILOLOGIA ESPAÑOLA.
Place of preparation: UNIVERSIDAD DE OVIEDO.

Summary: The thesis is an approach to history, names, qualifications and characteristics of a little-known phenomenon: the theater represented over several decades by the tables artistic amateur linked to active labor movement Asturian. Both centers in the early laborers from the early twentieth century and in the magnificent People's Houses of the twenties and thirties, there were spaces for the holding of a theatrical frequent that sought to combine several purposes, from economically meet corporate needs or solidarity, offering up a kind of civilized entertainment that depart from the workers taverns or finally make the kind of theater represented a message ideological nature of teaching and propaganda. This latest order is an essential interest in the theory, which provides a wealth of information about little-known titles and authors of a unique theatrical canon worker uneven and multiform.

Author: SILVESTRE MARCO MARIA.
Year: 2006.
University: POLITÉCNICA DE VALENCIA.
Place of defense: Departamento de Pintura. U.P.V..
Place of preparation: Universidad Politécnica de Valencia.

Summary: The Juniors had no iconography itself in art until the mid-eighteenth century, when it originated as a concept of childhood state human biological different from adult. During the nineteenth century in England, the baby picture and in particular the "girls", was developed markedly through literature, painting, illustration and the emerging picture. The cultural phenomenon, almost obsessive, the baby picture by many intellectuals and artists, including John Everett Millais Victorian or Lewis Carroll, she came to llamr "Worship for girls," that dotaba kind of innocent, pure and idealized, but on the other hand, they gave mystery and perversity. As of the twentieth century to the present, the arts and media take the preadolescent image generated during the Victorian stage as a basis for the construction of various icons and stereotypes of femininity child as innocent ambiguous Shirley Temple film the decade of 1930, the provocative scenes with naked girls of the painter Balthus, the realization of a female icon of sensuous nature and nínfica with its own name through the novel Lolita by Vladimir Nabokov, and the impact of this, especially in the last decade in demonstrations and visual arts as manga, or Japanese pornography on the Internet.

Author: LASTRAS PÉREZ MONSERRAT.
Year: 2006.
University: POLITÉCNICA DE VALENCIA.
Place of defense: Dep. Conse. y Resta. de Bienes Culturales.
Place of preparation: Universidad Politécnica de Valencia.

Summary: One of the most common features in ceramic archaeological objects are retrieved gaps. That is why among the various phases involved in the restoration of archaeological ceramics formal reintegration is one of the most important, providing stability and providing proper readability to the piece. Throughout history and at present have been using varied materials for the replacement of missing archaeological ceramics. At present research offers new materials to the field of restoration countless products being gradually replaced traditional. This thesis presents a study of the fillers used in the replacement of missing archaeological ceramics from the vision of behavior in the short, medium and long term. The thesis is divided into three parts very different at the same time complementary to each other: a first block where there is a historical review of treatments for the conservation of archaeological ceramics. A second block where he elaborates on the criteria, processes and materials used in the course of history in the treatment of restoration, specifically the treatment lagoons. And a third section which describes the experimental research methodology and the results obtained from various aging tests to those who have exposed the various fillers experienced.

Author: Mensa Torras Marta.
Year: 2006.
University: AUTÓNOMA DE BARCELONA.
Place of defense: Universidad Autonoma de Barcelona.
Place of preparation: Universidad Autonoma de Barcelona.

Summary: The thesis investigates the relationship between art of Rene Magritte and advertising today. The aim is to discover whether over a period of time there is a permanence of art magrittiano pieces graphics and, therefore, can determine the existence of "publicity magrittiana." To confirm this objective, utilzia analysis methodology content with a muetras of 6360 ads published in the press Sunday's Spanish for "The Country Weekly" (El Pais). In turn, conducts a tour comparative advertising and pictorial stages of Belgian artist, making a epsecial mention of the recurring objects that are part of the so-called ABC magrittiano

Author: PEDRERO MUÑOZ ENRIQUE.
Year: 2006.
University: CASTILLA-LA MANCHA.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTA DE BELLAS ARTES.

Summary: THE ISSUE IS A STUDY CONCIENZUDO OF ARTS plastic IN THE PROVINCE OF TOWN DURING THE REAL AND PART OF THE CENTURY XX century, ITS RELATIONSHIP WITH OTHER FACTORS AS THE CULTURE, ECONOMY, DEMOGRAPHY, POLITICS, THE ACADEMIES, THE CERTAMENES OR THE MUSEUMS AND AS THE SITUATION IN THE PROVINCE OF SPAIN AND ITS PROXIMIDAD WITH THE CAPITAL OF THE KINGDOM.

Author: PEÑALOZA MENDEZ RICARDO.
Year: 2006.
University: CASTILLA-LA MANCHA.
Place of defense: FACULTAD DE CIENCIAS DEL DEPORTE.
Place of preparation: FACULTAD CIENCIAS DEL DEPORTE.

Summary: SE ANALIZO THE VISUAL PERFORMANCE OF TAEKWONDISTAS OF DIFFERENT LEVEL PERICIA (INCLUDING THE CAMPEON WORLD ESPANOL 2005)

Author: ÁLVAREZ BERCIANO ROSA.
Year: 2006.
University: AUTÓNOMA DE BARCELONA.
Place of defense: SALA DE GRAUS DE L'ESCOLA DE POSTGRAU.
Place of preparation: UAB.

Summary: The thesis examines how the new non-fiction television productions fall within certain traditions of documentary and how its materialization is a reformulation of the questions implied that have been at the center of the debate about the definition of documentary and its enrollment the pair fiction / non-fiction. Rather than defend the "territorial cohesion" of the different spaces (fiction, non-fiction, hybrid forms) against "external aggression", in this thesis explores the elements in each of them showed the fragility of that border, and its not so much dilution as its problematic assertion. Aim of this thesis has also been convened as important players in the fields of non-fiction, like television journalism, usually do not appear in studies of the documentary, thus establishing a bridge between speeches -- the film and televisivo- - that have occurred routinely go their separate ways.

Author: Trujillo Culebro Francisca.
Year: 2006.
University: AUTÓNOMA DE BARCELONA.
Place of defense: Facultad de Ciencias de la Educación.
Place of preparation: FACULTAD DE CIENCIAS DE LA EDUCACIÓN.

Summary: The thesis "Practices literary reading in two classrooms of a second high school" describes, analyzes and interprets school two situations where there reading literary texts. A classroom of Barcelona (Spain) and a classroom of Puebla (Mexico). The thesis consists of three chapters. The first of these is the framework (theoretical and see the teaching of literature in secondary education from the theories of reading, from literary theory from the curriculum, from the textbook and from educational practice everyday. Way also consignamos terms of literary education and the training of literary readers as the target to reach in the teaching of literature. The second chapter is the research design type cualitativo-interpretativo. The third major chapter contains analysis and discussion of the data obtained during the observations of the practices of literary reading in the two classrooms. each of them, from the literary corpus formed, describes, analyze and interpret how to read and the objectives pursued, both explicit and implicit, to reveal the real. also explores the reception and show how the real readers appropriated the literary texts and the influence that it had on how to read managed by the teachers. Findings allow warn that the teaching of literature in high school is a matter of urgent attention to the educational agenda of both countries.

Author: CERRA WOLLSTEIN JOSE LUIS.
Year: 2006.
University: OVIEDO.
Place of defense: FACULTAD DE GEOGRAFIA E HISTORIA.
Place of preparation: DEPARTAMENTO DE HISTORIA DEL ARTE Y MUSICOLOGA DE LA UNIVERSIDAD DE OVIEDO.

Summary: This work consists of a systematic study of the importance of the sea in the painting of northern Spain in the last 70 years. This is not a generic survey, it's all about focus, not contemplating the works and authors in which the sea is a mere accompaniment, as it could be anything else, or where treatment of this kind has been casual or punctual. In other words: the sea should be the protagonist, although sometimes it is parallel or even secondary to another potential player in the same way that a picture of the landscape consists of a representation of nature with other elements, even with prominence . We can see more items, but occupy less space, have more importance initial. But the actor remains nature. After collecting painters who have addressed the issue of the navy, directly and in the figurative paintings - well proceeding of the same provinces Cantabrian either having worked with some attendance in the zone, we will make an analysis of the general construction work , and placing it in its historical context in order to establish the process of creating pictorial on this issue and in this area. To do so we must find the hay if the relationship between artists and establish possible influences, as well as find out if there is any group that you can call school, either by mentada relationship or affinity intellectual, conceptual and creative. The main obstacle to overcome is the lack of literature because, unlike in the Anglo-Saxon countries, the Netherlands, Belgium or Germany, where there is not only generic literature, but also by authors specified times or schools, For our country, the reality is very different. The bibliography is a generic low, usually referred to schools and Mediterranean as complementary exhibition. As for the specific, the better only in cases of teachers absolutely embodied.