THEORY ANALYSIS AND CRITIQUE OF THE FINE ARTS, 2

Author: TORREGO GRAÑA JOAQUÍN FRANCISCO.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES..

Summary: Using a theoretical model of descriptive analysis explores the fundamental processes by which the work of modern and contemporary art was, throughout the past century and particularly in its last few decades, leaving formats and means conventional plastics (from the drawing, painting, sculpture and the image) to spill into the three-dimensional space and constructive, thus creating what is termed environmental ojentornos artistic works now generally recognize as artistic transformations of the space, facilities and intervendiones.Denominamos to such events overflow space and occupation, spatialization artistic processes. Within the study of these processes is our special interest observation of what we have come to be known fact constructivo-arquitectural and art of the twentieth century and today. Through this constalan and cherish new relationships and interferences between architecture and the visual arts space and linked to your project, emerging in recent times Amen and relevant historical background. It also discusses the role and presence of drawing and the model constructuva in these transformation of contemporary art project space. Regarding the model, it analyzes not only as an instrument of processes, but in particular piece of art as an autonomous with its variants tipológias and scale that have great impact on the artistic discourse of the moment.

Author: SAN GREGORIO CID AUDBERTO.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES..

Summary: The investigation gathers information generated in the path of the "Spanish institutions" to identify and define training programs for artisans. Insight into studies to characterize the artisan industry and highlights the lack of tools to detect system qualification requirements. Gather the proceedings of the working groups set up to identify skills that should characterize the artisans Spaniards and exemplify criteria for evaluating them. Analyzes the results of the working groups to identify knowledge and define training programs best suited to achieve professional competence. It proposes a methodology and procedures for assessing and exemplifies designing training appropriate to the teaching of plastic expression; providing a reference to deal with the training of all those plastics go to the educational system regulated to update their knowledge with technological advances and those aspiring artisans who can no longer train with the traditional system (father / son, teacher / learner or guild / craftsman).

Author: MORA MARTÍ LAURA DE LA.
Year: 2004.
University: POLITÉCNICA DE VALENCIA.
Place of defense: UNIVERSIDAD POLITÉCNICA DE VALENCIA (DPTO. ESCULTURA).
Place of preparation: UNIVERSIDAD POLITÉCNICA DE VALENCIA.

Summary: This research falls within the cultural context of Spain in the mid-70's, the conceptual art that encompasses the body as a support artistic intervention in nature: body-nature-work, notably through the performances and the interventions either as sculpture or installation. Two artists are subject before us: Àngels Ribè, who now works with the 69 performs features that place it in the European land art, and Fina Miralles, who is the pioneer of Cos. -Natura or Body- Nature- Works and the timing of these works put contemporary Ana Mendieta, which was adjudicated to be a pioneer. Our main objective is to highlight the omission that the history of art in terms of land art in Europe and specifically Spanish, has made in relation to two land Catalan artists, aimed to be included in revised editions of texts alluding or where from that date is generated both on the issue of land art, as in the performances Catalan and Spanish. Also, referring works of various treatments of body and deepened in the achievements of Gina Pane, Ana Mendieta and Valiè Export, being creative agreement on visions and approaches with those of Àngels Ribé and Fina Miralles. Similarly, we will discuss the characteristics that define the land art European highlight those who differ from the American, and that placed within that genre of art, referring in particular the leftovers of Andy Goldsworthy, Richard Long, Guisseppe Penone and contrast some of its findings to the American Robert Smithson. And all of them, and others such as Vanessa Beecroft and Mexicans Carmen Neuhauss Arvizú, Yolanda Gutierrez, Omar Gonzalez and Morder Challenge, which will also have meeting points thematic or formal proposal in his works with the Fina Miralles and Àngels Ribé. Analyze the most representative works of Àngels Ribè and Fina Miralles of the decade of 70, which worked particularly conceptual art in various media and especially Cos-Natura: Body-nature-work and confirm their reputation and how anticipated time.

Author: SHULTE STEFANIE.
Year: 2004.
University: MIGUEL HERNÁNDEZ DE ELCHE.
Place of defense: UNIVERSIDAD MIGUEL HERNANDEZ.
Place of preparation: FACULTAD DE BELLAS ARTES. UNIVERSIDAD MIGUEL HERNANDEZ.

Summary: PARTIENDO FROM THE ORIGIN OF THE PHOTOGRAPH, IN WHICH THE PICTURE WAS UNITED TO ITS SUPPORT FOR THE CARACTYER OBJETUAL HEREIN, LLEGAREMIOS THE CURRENT STATUS OF THE FOOGRAFÍA, IN WHICH THE PICTURE MAY BE NCODIGO ABSTRACT Guardado IN SUPPORT ABTRACTO CALLING A MECHANISM DECODIFICACIN TO RETURN OPEN AU IMAGE IMPALPABLE. ANALIZAREMOS THE INFLUENCE THAT HAS HAD THIS CAMIO CHARACTER OF PHOTOGRAPHY TANTOE THE LOOK OF PHOTOGRAPHER AS THE LOOK OF ESPECTADOR.VEREMOS THAT NOSLO CONTENT AND PHOTOGRAPHY ON ALL OF THE ARTISTIC, HAS BEEN MODIFIED NOTBLEMENTE. THANKS TO ITS CHARACTER ABSTRACT THAT ALLOWS YOU TO GETTING AROUND THE ENTIRE WORLD TO GREAT SPEED, AND THAT LEPERMITE DECUBRIRNOS VISIONS OF INDIRECT DIMENSIONS TO SERÍAN INACCESBLES TO EYE WITHOUT THE HELP OF DISPOSITIVOAS TECHNICAL PHOTOGRAPHY HAS CABIADO THE CONCEPT OF WHAT WE MEAN BY REAL : DENTRODE LAMEMORIA SE VAN MEZCLANDO LOS RECUERDOS BTENIDOS THROUGH THE MIRAA DIRECT TO LOOK OF THE INDIRECT RECUERDOS.

Author: GALEGO CUIÑAS ANA MARÍA.
Year: 2004.
University: GRANADA.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: The work focuses on the study of the novel's trujillato from dictatorship (1930-1961) until today. It has carried out an analysis and systematization of the lines of development of the literary representation of the phenomenon of trujillato, depending on different criteria: type (according to join the marbete of novel dictator / novel dictator, or to historical novel / new historical novel) to the classification in decades (historical blocks) and the characterization, which covers the treatment of literary grounds of trujillato in os each of the works selected. The conclusions that emerge from the capital analysis is the great importance which has the trujillato within the Dominican letters, being one of the most prominent narrative speeches within the island. The people of the Dominican Republic has not restañado the wounds inflicted tyranny and therefore occupies a privileged place in the text (novel dictator), as the writer does not want island risking humanize sátrapa, stepping into the secrets his conscience and a foray into the field of novel dictator. Precisely, will be the novels of Trujillato written by the authors do not Dominicans take over the task of desmitrificación of Rafael Leonidas Trujillo.

Author: GIMÉNEZ ELORRIAGA MARÍA CRISTINA.
Year: 2005.
University: DEUSTO.
Place of defense: INSTITUTO DE ESTUDIOS DE OCIO.
Place of preparation: INSTITUTO DE ESTUDIOS DE OCIO.

Summary: Â What are the keys to this culture in the twenty-first century? To answer this question, analyzed from an interdisciplinary approach the reality of the culture and patronage in the field of new media, with a primarily qualitative methodology that, through the analysis and the personal experiences of leading experts in various strands of cultural activity, tries to access your deep meaning and its future trends. We find ourselves in a society full transformation. The universal coverage of the media, the globalization of information, global interconnection through the Internet, economic globalization, mass migration, intercultural coexistence, the growing number of people who enjoy a large amount of free time. .. These and other changes resulting in what experts called civilization Leisure and the knowledge society, whose most notable feature is its rapidly changing. In this context, the new electronic media and digital suggest new ways of doing culture, both in production and in consumption, the consequences of which we do not achieve even discern clearly. The culture, recreation and economy are intertwined as never before. The big economic players, businesses and public administrations, are going to do and are doing now, a strong believe in the culture in its broadest sense, with a dual purpose of presence and image and social responsibility. The first part of the study presents its theoretical basis in four chapters on the state of culture, the third sector and civil society, patronage and the new digital media. The second part is the quantitative analysis of the trials of experts as Miguel Zugaza, director of the Prado Museum, and Federico Mayor Zaragoza, Ex-Director of UNESCO. Among the findings highlighted the burgeoning economic dimension of the arts and culture, which may surround the key factors in the future. The emergence of civil society, with a market overflowing supported by new technologies, puts the culture in a position unstoppable development. The thesis is complemented by an extensive bibliography and a full annex on the qualitative study.

Author: FERRERAS RODRÍGUEZ JOSÉ GABRIEL.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD CIENCIAS DE LA INFORMACIÓN.

Summary: The main objective and general hypothesis of this study is to get to know if they can talk about religion in a film as Toro Wild, the biography that the American director Martin Scorsese premiered in 1980 on the figure of boxer ítaloamericano Jake La Motta. At its surface structure, the film is set, simply, as a boxing movie, and there is no indication in the film or any trace of wear a religious discourse to the forefront of reading fiction and argumentalmente is cinema gender boxístico without discussion . What is also -puestos to find a term in contrast with what religious in the sense of it profane, the action takes place within a context and decided voluntarily secular, which recounts a story in his secularida, which does not leave any loophole allowing desdecir this texture. Throughout the film, it is true, are scattered a number of icons and symbols direct evocation of religion, but religion never appears or as material story, or as conceptual ideas, in the literal expression of history boxística the film. And yet, deep in his path, we ended up seeing or barruntando in the film, just in spite of its apparent secular speech and secular, a premeditated intention of internal transition towards a religious meaning as it tells us, as always suspect that the socaire a story about a man devoted to boxing, what we really want is to have other internal history, subjective and moral character, which dilucidan values meaning diverse and opposed to being considered conventionally at the the success in life. What suggestive of the film, thus lies for us in that, unlike others, including some of the same Scorsesere, expresses texture and religious themes, this film turns out to be religious without appear as secret, inadvertently, yet what is the most intense and determined.

Author: SOLANO RAMIREZ JAIME.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.

Summary: D. Jaime Ramirez Solano shows the status of digital education in a university environment and current attempts to demonstrate the advantages of using the computer resources and interactive techniques Design of Information, to resolve, which in his opinion are deficiencies these systems virtual learning.

Author: PALACIOS GARRIDO ALFREDO.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: This dissertation takes as an object of study the relationship between arts education and the built environment. Under this concept englobamos practices and educational proposals that pose an approach from the arts and education on issues such as architecture, environmental design or property understood as architecture and urban art, from an overall framework environment. It conducts first analysis of the fundamentals of this epistemological and pedagogical approach eductivo. In this task establishing the relationship between arts education and environmental education today, examines the key factors in the learning environment built from fields like psychology or environmental geography and addresses aesthetic consideration of the urban environment and its social implications since urbanism and from the current proposals for public art. Secondly, it makes a critical review of the state of affairs in the landscape of arts education, drawing on the main contributions in this line of work, understood as practical experiences, as proposed curriculum. Thirdly, based on a synthesis of the previous chapters defines what is considered the core curriculum and axes lines of what should be the study of the built environment from arts education in elementary education and is a proposed objectives, content and methodology in this direction. Finally, the last chapter presents the design, implementation and evaluation of a learning experience, carried out in the initial training of teachers in primary, in the context of teaching practices. This experience has been intended to maintain the main conceptual and methodological guidelines of this educational approach.

Author: VIÑARAS ABAD MÓNICA.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.

Summary: The objective of this research is to understand and analyze the communication being made by museums -ubicados in the Community of Madrid at present. This analysis is very appropriate at this time, since the museums - from just 20 years ago are in a process of opening to the society, aware of the new demands of the public and competition cultural and leisure encountered . This leads them to establish new relations with the public, that are adequate to supply the museum and social expectations. To make this investigation has been the source of the communication of these institutions, their departments of communication, the staff numbers, training, etc.., And lastly, it has been found which models / s public relations are practiced in the museums. The in-depth interview, the content analysis, direct observation is not participating are some of the techniques that have made it possible to obtain the necessary information for further analysis and testing hypotheses. Knowledge of management communication, to discover trends in the management, as well as identify potential weaknesses and identify opportunities for the future.

Author: SÁNCHEZ TALLÓN EMILIA.
Year: 2005.
University: GRANADA.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: The contents of this thesis is divided into three sections: We have designed the first part: "Basement, sculpture and Remembrance" as an introductory chapter, which put our object of study, namely the basement, in the history of sculpture, but focusing on the sculptural monument, as it is in this area where acquires special relevance. First, we define the traditional monument, its meaning and function, then check the conventional design and historic updated with a definition consistent with our vision contemporary ie, in front of the dissociation between classical sculpture and basement, we advocated the system drive monumental. Then we tried broad issues as the verticality of the monument and its structure, and then, coming down to the core of our subject, the basement, in order to analyze their essential characteristics, their values and specific semantic tant

Author: ALCÓN ALEGRE JUAN CARLOS.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: This study involves a review of the scene related to the field of visual poetry (PV), which uses the World Wide Web network for the creation / production, display / distribution, and promotion, on the assumption fertility potential the confluence of both fields, artistic and technological. This thesis is structured in three parts: First poses a closer look at the theoretical aspects related to the PV and publishing independent. Compared to the PV, theoretical study has mainly on aspects related to the problems of their marking as artistic practice, its relationship with language and the social and cognitive aspects of their practice, which were associated with the perception and sintestesia . On the separate issue has been discussed various aspects of technical and social problems and directly related to the web edition, the property within the scope of ideas. The second part relates to the field work done, which has resulted in the compilation of a significant number of samples of specialized publications grouped by trends (which are presented in the digital form of the thesis, a DVD with 3 Gigabites of documentation) and data on publishers. This phase ends with structuring a framework "topographic" classification editing PV on the network. The third part consists of proposals and conclusions of the thesis. It begins with the presentation of a theoretical model, which relate the elements of classification potential orgnizándolos in a three-dimensional model built on the pillars of social, technological and performative. This has served as a conceptual basis for the design of the structure of a database specialized in PV. Finally conclusion is proposed as a model of publication in the field of confluence between the www and PV, a web portal theme, which incorporates the structure of the database before. This editorial design proposed developments on existing publications and raises strategies construction and building collaborative adapted to the potential of the average www. We hope that this study, given the virtual absence of previous studies in this area of relations between PV and www be useful for future reference and research related to the topics discussed, and serve as a tool for a better understanding of the practice of the visual poetry (as a model custionador of practice poético-artística) and the potential of the web as editing support independent.

Author: MORA FERNÁNDEZ JORGE IGNACIO.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE CC. DE LA INFORMACIÓN.
Place of preparation: FACULTAD DE CC. DE LA INFORMACIÓN.

Summary: The timing of the object of study for a work on interfaces and expressions interactuadas by adolescents and their possible application to improve educational tools.

Author: ÁVILA VALDÉS NOEMÍ.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: The idea of integrating research and input from all areas involved in the child welfare hospital, has resulted in this thesis project. The thesis project is based on creating a network that will connect on-line services to pediatric research and experiences MUPAI (Museum of Art Teaching Children), as well as the development of activities in which children interact virtually to develop their creative abilities. The goal is to create a network that interact to allow everyone involved in the welfare of children hospitalized: teams pediatrics, educators, psychologists, experts in children's art and creativity, and of course the interaction of the children hospitalized. Seeking to establish a link between work and reciprocal telecommunication services delos pediatric hospitals and proposals of MUPAI. In view of the development of this RED LINE, is to create an interactive network to enhance the artistic and creative development of children, and not only in the traditional media but in the media world that imposes a Virtual and Telecomunicado. It seeks to enhance the creative use of genetic resources on-line considering the benefits that this type of network, linked to MUPAI and on the other hand to the pediatric inpatient services could pose. This investigaicón doctoral This has been based on studies on creativity, arts education and new technologies, using a methodology in the field of teaching and bringing new approaches and possibilities in this context.

Author: CASTILLO MARTINEZ DE OLCOZ IGNACIO JAVIER.
Year: 2005.
University: BARCELONA.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: This thesis focuses on the importance of light in the whole of civilization, especially in the field of fine arts. Study the light at the antigà ¼ discovering old ideas and myths, the symbolism of light and myths from the shadows. Investigates the light in architecture and painting. Go through the spectacles of light and shadow: The shadow theater, the camera obscura, the magic lantern landscape, the diorama. Investigates the light at the Teatro; Adolohe, Appia, Mary Fortuny. The light and music: LB Castell. The light and water: Carlos Buigas. All this in order to understand the sense of light and lighting in the film, seeing as illuminators (directors of photography) paint with light in their ancestors inspired painters.

Author: MORET VIÑALS ORIOL.
Year: 2005.
University: BARCELONA.
Place of defense: FACULTAT DE BELLES ARTS.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: The average typographical "puts typography lead in the discipline of design. Is intended to synthesize the" period of hand printing, "to organize a body of knowledge and tools independent disciplinary immediacy and productive materials in the art, but that can make those guidelines in that period, to establish relationships between periods. typography is seen as a means, since the notion of measurement. for the design, typography in Lead is a reference point, a pattern. this condition, contains the full range of dimensions of measurement, evaluation, or from the physical quantities, the relationship, and moral. In concrete terms, all these values are embodied in the spare typography. Ello open implies, or resituar, vision: the thesis looks at the figures, the average under these multiple aspects, as a filter and a subject of study in a broad framework, generally. typography is meant as a formalization of the processes of language oral writing, a process consisting of several stages, which are characterized by a graphical setup, instrumental, and some specific purposes. Therefore, it has developed a new systematic specific, which is subject typography and guide research. The basic sources of the study are the manuals and treaties typography that have been published over the centuries, and the samples and catalogs typographical, as well as peers who works and documents related to the previous ones, have already been published or just Projected. analysis allows such sources describing the various conceptions metric along the story, and relate to the uses and customs of motion: They trace the course of evolutionary design metrics in typography, and is presented as a "New" way logical and conjuntado. research follows three main lines of analysis. The first, a comparative metrics, which, over the ratios, proportions and equivalents concrete, it can be seen the evolution of the concept in relation to the field typographical production: how well is evident measures, the magnitude, they go from being simple figures, to be a system of syntactic organization, mold typographical, and the plane graph. The second focuses on the semantic values in the name used verbal to designate the magnitudes of the bodies typographical. name reflects the utility and the use of the measure typographical: proper nouns are indicators of a particular species of genealogy, which is divided, and usually nominal, in a verbal outline more significant comprehensive, which was reflected in the joint actions of the typesetting practice. The third refers to applications within professional practice dela typography, "reasons officially" next to them, provides equipment and instrumentation physical typography because they contain the customs and ways of doing that are linked, and determine, the last presentation of the letters typographical. The study is complemented by two appendices. The first appendix is a database, which aims to collect, link, and integrate the various concepts in the field of measurement typographical. The second appendix is a practical application, a proposal for measuring bibliographical according to the criteria outlined in the course of the study.

Author: SUBIRANA I TORRENT ROSA MARIA.
Year: 2005.
University: BARCELONA.
Place of defense: FACULTAT DE GEOGRAFÍA I HISTORIA.
Place of preparation: UNIVERSIDAD DE BARCELONA, FACULTAT DE GEOGRAFIA I HISTORIA.

Author: VADILLO RODRÍGUEZ MARIA LUISA.
Year: 2005.
University: SEVILLA.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: The thesis represents a major overhaul of the female presence along the three venues in which the Bauhaus (1919-1933). It is addressed from the overall presence of women in all the workshops conducted by the school until a thorough study of the individual cases which, in time, became renowned designers and artists in the twentieth century. Organizing in two volumes, the first consists of the entire text while the latter shows a series of unpublished documentary and photographic attachments.

Author: RUÍZ MARTÍNEZ NATALIA.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: The Histoire (s) du cinéma, video made by Jean-Luc Godard between 1988 and 1998, are not only a larger work within the filmography of its author, but one of the key works in the late twentieth century. Over the eight chapters of them, Godard carries out its plans to develop a story told by the images of the pictures themselves: in the Histoire (s), Godard explains his particular vision of what outside the cinema at the same while showing the history of his century, establishing connections with the various arts and thought Godard composed this great work through a complex assembly in combining different types of images (film, archive, art history) words (texts are largely citations, whether literary, philosophical, ect. who appear both read as a sign that cross the screen), noises and music (ranging from key pieces dela classical music to popular songs) . As its title indicates, this study considers part of the Histoire (s) du cinéma as a book of poetry and a book of memory, with both intimately linked: if these chapters video must save what were the memories of the cinema it is precisely because of his status poetic, while artwork that will remain through the ages. From this double it, the argument is organized like a dictionary of concepts, such conceptos-apartados derived from keywords that are repeated throughout the book under review. This organization allows contemplate the Histoire (s) from different angles, through which gives a full explanation of the work, this would give it a more comprehensive poliédrica this work. The fourteen paragraphs that articulates the thesis are: Art (history), Beauty Control (of the universe), Criticism, History, Image, childhood (S Art), Memory, Mounting, Museum, Poetry, Redemption, Resistance and Work inprogress. These apartados-conceptos are complemented by an extensive annex which is so opposite, namely chapters are discussed in detail, identifying the various elements that component and explaining how the various series.

Author: FLORES GALÁN ALBERTO ELICIO.
Year: 2005.
University: EXTREMADURA.
Place of preparation: CENTRO DE DOCTORADO.

Summary: The dissertation analyzes the set of interventions and installations carried out by the visual Spanish conceptual artist Concha Jerez from 1976 to 20063, as well as their intastalaciones sound signed alongside Jose Iges-