DECORATIVE ARTS

Author: MANCERA MARTINEZ MANUEL FERNANDO.
Year: 2003.
University: SEVILLA.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: Speaking of wall decoration is talk coating, and vice versa. But what can be admitted to such a question is unclear. The acquisition, or a rejection of certain materials within this field of decoration, do inconclusive or lacking critical judgment and permanent. The evolution of the different elements that have developed throughout history, is a warning to expect the unexpected. At present, advertising is a well-known brand drinks, launches a slogan that under a reality disguised, leads to a premise in a man's life, adapting to all fields: 'people are unpredictable. That argument supports us under his slogan of freedom inherent in being himself, as a condition for conduct, not with respect to the production, development and acquisition of existing data, including everything that surrounds us, is admitted as an engine of that Formal development and aesthetic, which produced the so-called coatings. It is true, however, that injustice is always operational throughout this journey constructive. Without going any further, one of the laws of creativity is the chance molded by chance. Put another way, and understanding the previous arguments, as a basis, in consideration for wall decoration, we should note as obvious that, if a tissue, consisting of a frame and a fabric, which in its early days was no less than the replacement the skins, which hold roughly the bodies of our ancestors, moved to reline the walls, then perceived as an upholstery, should give a conceptual leap. From cover to cover to the man 'I do that habit'. As subconscious of this freedom is formalized at the expense of the same, protecting the man, who admits confinement under a protective roof insulation though, custodian although oppressor. Regardless of differing views as to arouse these arguments, posicionaremos these arguments as prerequisites for understanding subsequent results within dela own mural decoration. Under this conception of 'freedom', in the development of the mural decoration, as a separate section within the conglomerate more civic society that surrounds and recreation plastic walls were lined with porcelain, brickwork, mosaics, embroidery, vidrioâ | glass as a resource to be protected and may even participate in the nature abroad; embroidery, perhaps as a chance for a colgadura distinctive admitted as a rich skin for our 'internal I', which envisages reflected in our 'I dwelling'; the mosaics, perhaps by drawing a negative clumsiness their creativity positively, the brickwork as the simplicity of a poverty that was exposed; porcelain as a descontextualización the continent or its contents ..? The causal whim is based on the aforementioned 'I dwelling. But what we can prosecute under this theme, such as Da 'internal I', is none other than the understanding of the coating as a apófisis over our body, disconnected and almost independent, but with an annex union invisible. Antonio Gala, in one of his short stories included in his book 'The duel of the wound,' and under the title: 'The tyranny of the architect', shows us the strange case of a family who lived outside of life, to accommodate vagaries of an eccentric architect as if the pleasures of oneself is involved. Never further from the truth. Like all their domination end is immoral. What started was a delicacy contemplative beauty, succumbs to the misfortune to be assaulted within the 'internal myself', particularly and indivisible; making this display and vengeful murderer, expose their particularities and their appetites pressed by other outcomes for the needy 'I dwelling' shaped by our mind. You, you, you and I, on many occasions we entered the house of a known or unknown, is irrelevant to the case, and without further hesitation, before the Inquiry motivation to show almost prayers of our partner, or know that we that seemed to stay, which was built for himself with the most superfluous detail unbecoming of a personal life .., not 8 kill him. 1 ff8., We told disguised under an irony that those beautiful walls reminded him .., with the known, accurate color .. Ultimately, no one loves what 'other', and if it is desired always undergoes a change on the underlying personality. Everything around us, when we can apprehend what will work in our own image and likeness. And the coating, as wall decoration for the walls of our rooms, it is nonetheless a clear objective within this purpose. To observe such speculation may be needed to be made complicit in a story that until now was only relegated to the relatives and acquaintances of a neighboring mine. Over the years, there is always a neighbor to which it grabs more appreciation to another. A neighbor with which small since you felt very united ... Well, not to wander, placed on situation: on one occasion, I said, 'manolo, you must come and see what I have done in my living room' on the way at home I said: 'I stuck a beating, between last weekend and this, I changed the color salon five times .. I do not like to see you think?, you know that most of colors' â | What you need to know see the color. Requesting advice to a stranger on the color you put in a room that only inhabit our own self and our desires is like asking a daltónico we notice when the traffic lights change. Once arrived at the hall, I found a peach indefinite embriagaba the hearing, and what made me reassure rather than say that I seemed to contemplate ñoño was that I did not know if she or talking to the wall because almost lost by among its shadows because her skirt was the same color and blouse were almost raw sisters .. I remembered then that usually wear this color range almost always .., it is true, is happy as well, it would be if she had made another color. Having said that we must make a clarification with regard to the material before we enter more fully detailed in a deduction of the various conditions attached to the lining and wall decoration itself. In the case of my neighbor, the material used is painting plastic. If we stop to think, there is only one motivation for that use .. What economic .. if not, think that the five had made the changes made with fabrics .. or tiles ..! In admitting a material as a coating must be formal tender several aspects into consideration. Materials + man is equal to door. Casualidades attached to the effectiveness. Have you ever thought the walls of his bedroom were covered with a poor cardboard? But this is the mural decoration in a chavola. By strange as it may seem, you would take your walls excrement? However, some African peoples, treat it as such, once they enter their homes, feel free to the inhospitable flies by the minute they subyugan. What would become the first conclusion we got? Everything around us can be used as coating capable of bearing our homes always accommodated in a well-aya formal, aesthetic goals, it is irrelevant. On one side, because Materials, 'known as such,' and even 'unknown to'. As unifying The man, who acts under the prisms of comfort, beauty, aesthetics, complicity and subversion (taking here with a positive trends). And on the other side: The causality, as a symptom of projection, performance, realization and visualization. We talked about the economic sense as a condition favorite in the election of a decorative coating for use. But the activity, the time of completion, the process since its opinion through its implementation until his delight formal conclusion, it is also a condition that could certainly apply when choosing the same. Do not say that, like my neighbor, assuming it had taken money to realize their 'internal I' at the reflection of his' I dwelling ', instead of painting plastic, used, for example, fine bread on a gold stucco painstakingly polished, and in its polychromatic mitigated by a delicate veladura peach treated to stud, however, had repaired its determination as end-use technique itself .. clear that if we talk about these decorative delicatessen, we should position ourselves to a person who he may delegate its creation in the hands of a professional. But the issue here because it is not the money, not lose the thread is the time. Would you believe, the four days she used to do what could well have extended to months, with the resulting waste of time, money and guess of apathy towards the result. Many think for this that are decorative projects. Today panegíricos at its recreation .. but let us end of sandeces. One sample, or a project that may be of questionable pure reality does not fit with the display of such conclusive realization. In other words, the rejection or acceptance of bearing result in a concurrence by sudden fatigue after seeing that after the costly temporary employment, what we see is not what you understand. Second conclusion: the materials to be used must provide pronitud the outcome and acceptance in their adjetivaciones aesthetic. A show almost beforehand its valuation on an estimated agony of ephemeral temporality. The wall decorations are rarely lasting. Let's say at the expense of the whims, needs, misfortune or disaster, not merely remain in force er in sécula seculorum. Of course, the exception that proves the rule are ever present. So might appoint, as an example of steadfastness and the desire for satisfaction final abduce any improper position within the reluctance by its completion, the Board of Porcelain Real de Aranjuez which took four years to see the light. Or the chapel sixtina, known by all as the end result deserved pending. It should also be noted that these examples are lawful to show their enduring image, and that its preservation is necessary. But to contemplate wall decorations that have stood the test of time, we must not go too far: almost next door, on the streets Alvarez Quintero, we can see how the halls of a private home, designed for stays of a select jewelry, its walls decorated with modernist paintings of the nineteenth century. There are many examples, and even more unknown, but in everyday life, the most common is a need to recognize, others in the early estimated earlier, the inevitable change. Again advocate the resource which provides us with an advertisement. A known brand, in this case of vehicles, we see that we are never equal. If we identify our personalizes our 'internal I' and their representation in the plastic compound our staff retreat in our 'I dwelling', and we understand that we are different from each step, that life momentarily makes us different, and that what today we have no desire why tomorrow .. before this fleeting estimate of the concept set forth in the man today, our rooms proclaim the same need. Perhaps this is small sense of the concept of a superfluous identity. But nothing beyond the truth. I have no hair the same color, that when he was three, and not how many meters I will cut my nails since I was born, for example ... in the little finger, but nevertheless I remain the same. An ephemeral be with the condition of existence enduring. We have done with toys, we have been with 'friends', we wanted to relatives, wanted to work with our cars, our clothes, our perfumes, our tastes, or our appetites .. And yet we do not qualify as customization, a synthetic atrezzo for thinking divagante, incostante and impersonal. We accept that we have changed and that even we 8 to change 1ff8 r? .. For sorry that at times we may seem .. must be accepted. But within this apocalyptic description to humanity, we would like to be able to relive the past, desired, and several times recalled at any time? Vaaaale, accept, because 'fleeting memories' as a pet. Parafranseando Juan Antonio Ramirez: I do not believe, ladies and gentlemen, who have been ever in the private placement of the Queen Mother of England, or contemplating the walls of the tomb of Tutankamón, nor habréis state, surely, in the house of Pedro Almodovar , in the halls of recording of a music company, or in the cells of a cleric of the eighteenth century. And causality You have had the opportunity to visit and get to know their mural decoration of any of these places, it is highly unlikely that you may have personal experience of all of them. I am sure, however, that no state shall ever have in a room of my grandfather's house thirty years ago. And yet, we do have our lagoon idea of these places, and many other similar. Our physical limitations have been overcome for the decorating magazines, for the TV reports, MMS even by the representations in major film productions, and the descriptions in mouths of others. Despite these images have come from a piecemeal way, and is accompanied by complex and diffuse emotions, acted in a manner powerful in our collective unconscious. We can hardly be original today, off to the arguments of time and money, resources and formal aesthetic of you that you can use, we are part of a mass abstract aesthetic collective formed in a few variants. The paints, plastics, wood, glass and wallpapers copan the market, some more than others at the top of the estimated for decorative use. However wax, water, food, light eléctricaâ | Well could be regarded as a delicious coating yet discovered or treated as such. Just that destramar his appetite incongruous adaptation to a recognized need for our 'I do that habit'. Under these auspices, we can see houses that our contemporary architects are trying to create the image and likeness of the thatched cottage in the story of the three little pigs, or houses íntegrantes formed by glass partitions: or bags of cement arranged one after another until narrow space and isolate us from the outside world, as if a 'remake me feel' of trenches, wearing comfort, concerned, the creation of that house. Whether one of these unusual materials in its usefulness as a material and recognized, to perform their duties on the wall, often lead a process of adaptation and social acceptance. As an example, and perhaps because they consider himself as a revolutionary material with any other existing, and being a lover of the same, I will take the liberty of applying the concepts of evolutionary coatings on the Wallpaper. If asimilamos that is not the material itself, which should be understood as the condicen for effectiveness, but the contidianida and their use as a symptom of discoveries in the field of decorative wall, we will easily enter the devenier of own evolution and their circumstances, guided by the hand, as I said, the so-called wallpaper: Many know that the origin of the role is a little uncertain. However, in mid-fifteenth century, thanks to the printing press, the role is poorly produced and high prices, and resumed it rediscovers a new life in which the same starting to be understood as we know at present. Imagnínense a printing in the sixteenth century, is being run is a fastuoso book in which you can look beautiful ornaments that later will be illuminated. In the same process of enlightenment, suppose that for one reason or another, extending the different roles for drying in various areas, and in the absence of greater space begins to hang on the walls. Or imply that women's master printer needs to plug a desconchón with the first thing at hand. And most handy in a workshop print a paper. It could not be its inception? .. The technique developed poorly in its principles, did not facilitate the establishment of these papers to the size that we know today. The paper called 'Domino', which was another who serve on the walls through sheets of small format. Ingenuity later try to market these and compound leaves with a design on the surface longer, to make them easier to place, and hence happen in the nineteenth century to the role as we know it today, in industrialized coils metreadas, designs they can enlarzarse in an infinite continuity if desired. All this thanks to technical advances developed in its industrialization, progress that was achieved under a desire to overcome in view of an idealization of its manufacturing. Of course, in addition, one of the requirements demanded of him to the material, it was survival. He had to appear strong to the vagaries of everyday life. Both of the dirt from the homes of past centuries, so it might be washable, until the hardness of it, to give it resistance to friction and blows. Gradually the industry will be getting, like well-off as early as this evolution effectively, it believes that it can replace other materials becoming wallpapers with imitations of all kinds. And once achieved, apathy begins to make a dent in their production. Once you have reached the top in terms of technical development, as the impediment was never the design or aesthetics, or at least was not his biggest obstacle, the process degenerates. Inclusion in the market for new products is revolutionary infiltrate, supplanted ever kings of the wall decoration. The wallpaper can be seen in the walls of houses as modest in royal palaces at one time, but now it is not the use that is made of it. Money? Â | Time? Â | Variety? .. We do not know what are the conditions that make surrender to a material assumption preferential decoration, but the fact is that it ceases to be the favorite. This evolutionary synthesis is similar to that of any material that we know at present. From one's own ignorance ingredient to be used as a coating, and their everyday use conspire with causation until you get a language that descodificamos. From there the material itself encourages us. The competitive market makes us engalanarlo, poderarlo, enrich .. Every once known its management and desentramados its technical details only becomes exhausting qualities is tétricas's own material. Hermanrlo with pseudo materials attached. And then, or both, are usurpers of other techniques and falsely mimic, in some instances more successful than others, to other materials to move in that formal competence on the wall. After sucumbirâ | and resurface with new fashions, purification techniques or remembrance of the material itself. Even the use of new techniques developed in exposures would result, if deemed worthy of this, as use of a new element to be included in the mural decoration. The beat would not like, next to always, their resistance to the passage of time. But who does not have to paint at least once a year to refresh their color, fill wetlands or protect the wall itself? Frescoes that mimic natures, wallpapers imitating cloths, tissues that mimic esgrafíados, wood representing restaurants, which create marble stone tapestries, carpets showing scenes â | Infinidad and lots of resources and all suplantadores what is not. That is the propi 8 or revest 1507 imiento as substance. In other words, the mural decoration interior is nothing more than a backdrop for a theater staff. His ephemeral existence, its fragility evocative doubling its staff who invokes his idiosyncrasies and do partaker of a new secret spot open ... In the words chosen, once again, Antonio Gala discovered in his book 'Now, I will talk about my': for each, is the place where he was waiting. Where is expected to children, and knows it. Or where adolescents find the lonely room like him, which continue buscándose. Or where the boy, but do not create or pretend not to believe it, find support against which reberlarse. Or where men and women are expected by their partners and children, though apparently not held, as they would want their arrival. The home is the place where everyone is with himself, in an intimacy that was lost: their favorite places, the rate of tea pot usual custom sometimes so subtle that neither of pitch is less. And those who are more fortunate. For those and others the case is that the house is a stage with a backdrop on which represent our most intimate life. And like what we choose to leave get to the street, cidimos at the time of placing a material or another on the wall for us harbors in that they allow sacrificial complicity. At this point. Noting that the ephemeral is a message implicit in the coating. And the mural decoration is no more, â | or unless the shelter of a story: My thesis is none other than the harbinger of a new coating, versatile, undeniably enduring in its ephemeral existence, and able to adapt our changes on sensitive its surface. The considerations that estimated Ray Bradbury on a wall equipped with sensors telepáticos not escape entirely my considerations. Per approaching further what science fiction may exist soared close to a reality. The materials are seen as pillars of change, capable of handling and adjusting to our guidelines, are none other than the elements lenticular by the nearby positioning in terms of the hologram. The hologram itself as a material that meets a subconscious messages. The role termo-cromo-sensible, as a resource changing. And as colofían the TMO, in other words: Weaving Mimético Interactive material capable of sustaining a medium caliber of a role, information that previously has been included by an infográfico mail. Finally again refer to a listing, in this case, I feel pride of a delicacy. The spot of a famous Utility, introduces us to a room where a young person starts to smile back to the words of her sister listened mouth off: 'brother: I echo of less? I echo to you very much. And I came up with the idea to send the bulb in your room. When you sit alone, turn on, and as is the light of your room is as if he were here. At home '. Prior to the final estimate that I will consider with respect to the deduction of this new material, as a fundamentally suited to occupy the most privileged position among the linings of the mural decoration, and subtly linked to the perception that voice off the aforementioned ad say that, for those unbelievers who sobreestimen the foregoing, my grandfather never could have imagined that we could do a photo today, here, and send instant several kilometers beyond us. With the conquest of the TMO in the market for decoration, the lining never again will be loaded with improper technical estimates, or unwanted changes in taste. Just have to get the image preferred digitalizarla, handling if our desire and written about the material itself to fill its surface. He may be a system of video, or still image. We can send it to us via mail. Or with the mobile, images of everything that we want our view rooms. And so may be changing and so rememorables how and how often because we just have to have a good file of these 'mirages individuals' to go to them and displaying them on our walls. The mural decoration is totally ephemeral, but given low dose of our 'internal I' in a constant support and perdurbale that holds our 'I do that habit'. Let's be men of the future. And that our walls would not be mere accomplices on which hang the known topic of 'if walls hablaran'â | and speak.