CINEMATOGRAPHY

Author: SANCHEZ SALAS BERNARDO.
Year: 2003.
University: LA RIOJA [More theses of this university] [www.unirioja.es].
Place of defense: CIENCIAS HUMANAS JURIDICAS Y SOCIALES.
Place of preparation: CIENCIAS HUMANAS, JURIDICAS Y SOCIALES.

Summary: The thesis examines the meanings of the Frankenstein myth in the context of the history of Spain, both in film and in literature and others before, perspecitiva conpartista. The symbolism metafilmico franquesmo-Frankeistenismo, moustro transhumano-posguerra dictatorial transition democrática-alejamiento of mythical coordinates, I have worked consitentemente and mencie exheustvo in the period bounded ,1971-1994.

Author: SANCHEZ SALAS DANIEL.
Year: 2003.
University: LA RIOJA [More theses of this university] [www.unirioja.es].
Place of defense: CIENCIAS HUMANAS JURIDICAS Y SOCIALES.
Place of preparation: UNIV. RIOJA.

Summary: The thesis discusses adaptations of narrative texts by Spanish cinema Spanish between 1921 and 1930. This involves analyzing the 20% of the overall induction of cargontraces fiction made in this decade. The results of the analysis confined the critical importance. The literary adaptation as a strategy institutiva during the years in question; himself shows how the decade of next year is the morenfo key arrival at the Spanish film content, ideas and style traits that have served to form continuous core of our film and that reduction for decades.

Author: CUADRA DE COLMENARES ELENA DE LA.
Year: 2004.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD CIENCIAS DE LA INFORMACIÓN.

Summary: Documentation in the preproduction phase in the development of cinematographic works is a task that filmmakers should play often without the help of a professional Documentation. This study proposes a model of Online Documentation to centralize in a single professional all work related documentation preproduction, aided by digital technologies and the Internet.

Author: CASCAJOSA VIRINO CONCEPCIÓN CARMEN.
Year: 2004.
University: SEVILLA [More theses of this university] [www.us.es].
Place of defense: FACULTAD DE COMUNICACIÓN.
Place of preparation: FACULTAD DE COMUNICACIÓN.

Summary: The work is dedicated to analyzing historical perspective, industrial and recycling narratológica formulas used by the American audiovisual industry. The first chapter is dedicated to raise the methodological foundations and thematic through a review of academic research in this area of study. The following is a summary of the relationship between cinema and television in the United States. The following chapters are dedicated to the study of different forms of recycling: the use of modes of representation external (novel, drama, poetry, games, comics, etc.), the formulas for feedback (sequels, versions), exchanges with the TV film and television series, films based on TV series, the TV series based on films and adaptations multiple reversible between films and television series. Each section provides a theoretical context and analysis narratológico a series of examples. The conclusion raises a defense of formulas recycling as a core element of the cultural industry and claimed as a field of research within the relevant studies on popular culture.

Author: ARNAU ROSELLO ROBERTO.
Year: 2005.
University: JAUME I DE CASTELLON [More theses of this university] [www.uji.es].
Place of defense: FACULTAD DE CIENCIAS HUMANAS Y SOCIALES.
Place of preparation: FACULTAD DE CIENCIAS HUMANAS Y SOCIALES.

Summary: This research seeks to approach the study of the link between political activism and film creation, concretándose in cinema militants who develop a particular period of history that stretches from 1967 to 1982 and which coincides with the depletion of the regime and the time the transition to democracy. The structure is organized into three main parts: the first covering the first and second chapter focuses on establishing a theoretical framework that builds rapprochement post-cinema intervention policy and review the history of cinema militant with the objective of placing the Spanish experiences in relation to the body of international productions. The second part, comprising the third and fourth chapters, is devoted to locate the context in spain at the time at hand, while the study and analysis of some of the collectives and filmmakers militants, in order to verify their ways operating and scope of his proposals, The third part is explained by analyzing film of some of the most representative films of the period, through which it is intended to verify or disprove the working assumptions that have been handled during this investigation.

Author: Nieto Ferrando Jorge Juan.
Year: 2005.
University: VALENCIA [More theses of this university] [www.uv.es].
Place of defense: Facultad de Filología.
Place of preparation: Facultad de Filología.

Summary: Historical Approach to the cinema as a place of memory from which evoked the war and managed his memory.

Author: HORMIGOS VAQUERO MONTSERRAT.
Year: 2005.
University: VALENCIA [More theses of this university] [www.uv.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The thesis is based on the analysis of the figure of terror in the cinema and science fiction, although it is true that there have also been analyzed literary and other artistic expressions such as painting, sculpture and music, to demonstrate how the figure the terrible mother is omnipresent in Western culture today. The thesis is divided basically into three parts: What we have called monstrous biological motherhood, which focuses on those representations of biological processes and female generative such as menstruation and childbirth (for which we based works científico-médicas) ; intrauterine routes, where a series of spaces and objects representing the female uterus (following the psychoanalytic theories) and the hero must embark on a journey to discover their secrets and access individuality and maternity technology, which represents the couvade envy male or female birth, and who are already in the mythological stories and becomes important because of assisted reproductive techniques. Following the works delos perinatalistas have discovered as many times artworks are postal and intrauterine memories of the trauma of birth.

Author: MASEDA GARCÍA REBECA.
Year: 2005.
University: AUTÓNOMA DE MADRID [More theses of this university] [www.uam.es].
Place of defense: FACULTAD FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD AUTÓNOMA DE MADRID.

Summary: This thesis investigates the relationship between British writer Virginia Woolf and the cinema. It pays special importance to the analysis and critique of the film adaptations of two of his novels: Mrs. Dalloway (Marleen Gorris, 1997) and Orlando (Sally Potter, 1992) and Biopic the hours (Stephen Daldry, 2002, based himself in a Michael Cunningham novel. To do this, go to study both the historical context of the production of novels and adaptations. use as research tools theories on gender, feminism and post-modernism.

Author: FERNÁNDEZ ZULUETA FRANCISCO JAVIER.
Year: 2005.
University: SEVILLA [More theses of this university] [www.us.es].
Place of defense: DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL.
Place of preparation: FACULTAD DE COMUNICACIÓN.

Summary: The artistic experience of Western culture, heir to the classical Greece, traffic is shown as a complex process with dramatic potential communicative intent: a recreation of the action of man on the reality that reconciles thought and sensitivity to expose their vital. The reasons, directions, explanations or figurations are proposing objetivan conyunturales moments in life circumstances marked by concrete and practical purposes, affirming the paradoxical bounds of human conflict. The aesthetic experience tragic employs several languages and is manifested in various areas of expression: poetry, drama, philosophy, opera and film. This varied set of stimuli unveils an author who say ontological and existential concerns. These interpretations on the enigma of the man acquired full social sense, the effect of representation and reproduction, after being collected, identified and apprehended for the collective consciousness. Apart from the industrial, economic, artistic and spectacular, some films are also aesthetic experience: spaces symbolically recreate reality through specific use of language and the audio-visual narrative. Specifically. The Gospel according to Matthew, King Oedipus and Meedea, Pasolini, pose a thoughtful dialogue, in line critique of Modernity, on the tragedy of contemporary man: the transmutation of the human condition in mechanical device and the loss of their sacred dimension. According Pasolini, the man is unable to live in the future and to create something new unless it relates to the past. In his film puts into practice the proposal neorrealista depending on the historical, social and political cinema. But that Pasolini makes reinterpretation of tradition should not be understood simply as a return to the past, but as a collective backlash against integration in the "culture" yes "describing Marcase: a review of historical and cultural awareness to try to rediscover and recreate the sanctity of man and universal structure. In the Gospel according to Matthew represents Christ as a free will and determined by the availability amínica. His existential conflict is determined by the desire to live and the recognition of the obligation to die: defining moment that defines and transcend his being. Christ, according to Pasolini, is not a divine being, but sacred: their humanity is high and ideal because it reproduces the enigma of the man. In King Oedipus myth tragic used to recreate the process of self-discovery I, while reproducing the psychic organization of men and interprets their conflicts universal. Finally, in Medea addresses the issue dela collision between barbarism and civilization with the mechanism dialectical thesis / antithesis. The tragic action that recreates lays bare a conflict that develops between levels: anthropological, epistemological and psychoanalytic. To express his particular vision of what tragic Pasolini used "writing magmatic" (mixed languages, forms of expression, sources aesthetic and cultural elements). This style or method of work highlights the similarities of the anthropological and cultural diversity, the universality of myths traffic recreated and the temporary nature of their mimesis film. Also, it used a unique narrative audiovisual antinaturalista which left uncovered cinematic artifice.

Author: ROMO MELLID MARISOL.
Year: 2006.
University: PAÍS VASCO [More theses of this university] [www.ehu.es].
Place of defense: FACULTAD DE CIENCIA SOCIALES Y DE LA COMUNICACIÓN.

Summary: The thesis presents a historical overview of the representation of the body in the photograph from the perspective of the accident. The content ranges from the very beginning of photography to the present day and has been taken as a point of reflection main delos different paradigms through the analysis of specific photographs. The paper proposes, therefore, a journey through the analysis methodology, the fundamental theoretical paradigms and how to sew analysis in this type of representation, under a timeline that sponsors throughout the investigation. This would have seen what levels of articulating what sinister in the photographic image, as well as different configurations of the body and particularly its relationship with the accident. The radical expressions of violence, pain and anguish have created in the whole material of graphic work that has been divided, in effect analysis, in two broad headings: documentary photography and photographic art in successive historical phases. The results of the investigaicón have been exposed in six chapters, where it is also evident the need to take charge of the analysis of such inconografía outside, where the political and the aesthetic cross so inevitable. From the macro-estructuras analysis of claims (aesthetic, discursive and psychological) to the most basic configurations of the body, all form the basis epistemological to take into account work Doctoral Thesis deals with a study of that body and the casualty in the picture.

Author: RODRÍGUEZ MATA SARA ESTHER.
Year: 2006.
University: MÁLAGA [More theses of this university] [www.uma.es].
Place of defense: FACULTAD DE CIENCIAS DE LA COMUNICACIÓN.
Place of preparation: FACULTAD DE CIENCIAS DE LA COMUNICACIÓN, UNIVERSIDAD DE MÁLAGA.

Summary: All film genres evolve as a result of changing social, political, economic, etc.. The cinema of horror and terror are examples of this and have taken steps to splendor and decadence. In this sense, "The characterization of characters in the horror movie classic" examines the change and evolution of characters who starred in this genre over three decades (during which time gestó and developed in Hollywood). Whenever there has been talk of lighting, art direction and soundtrack elements that have coded terror and horror, however, has never been discussed in depth the physical characterization of the characters as a resource essential to the horror there as such. It is therefore a thesis focusing on the makeup and characterization, which analyzes the changing aesthetics of the characters that populate this film (Dracula, Frankesnstein, Mummy, Man Labor, Dr. Jekyll and Mr. Hyde), to show that there is no characterization horror, and by betting frame to films made in Hollywood until the fifties, in the genre of horro and distinguishing cinema of horror and terror cinema.