AESTHETICS OF THE FINE ARTS

Author: GAITEIRO PÉREZ FRANCISCO JOSÉ.
Year: 2003.
University: BARCELONA.
Place of defense: BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.UNIVERSIDAD DE BARCELONA.

Summary: The rationale behind this thesis are: Helping compression work performed by the designer and coordinator of the area in a media organization; reflect and disseminate knowledge developed on the social culture delos professionals dedicated to the realization multimedia; deepening relationship both multimedia the reader as a personal capacity, provide knowledge on how to write these multimedia applications in an enterprise. The purpose of this research responds to the next general question: Do you Develops coordinator tests and quizzes structure interactivity? To answer this question it will help discemir whether or not this individual performs a job cognitive or is reduced to a simple translator concepts taken from other members of the organization with which it works, it raises other questions more specific to help first to analyze what is the coordinator of the area multimedia.Son the siguientes. What activities performed by the coordinator of the area multimedia?  what kind of information handled?  articulates how the area's media coordinator in the organization where you work?  how it will be linked to other computers in your organization? Do you work with who?  when?  how often?  what roles played by the media coordinator of the area?  what is the process followed in developing an interactive multimedia product in the organization?  to what extent the coordinator of the area develops multimedia structure interactivity?. These are the questions that this research tries to give respuestas.Para coping has not been studied in this individual on an aisladd but related context, framing a reality with a certain social and cultural discourse, with a complex reality, simgular and cambiante.Así, the contents of this study falls under a naturalist or ethnographic approach, specifically under a case study. The report starts from the investigator enters an organization located in the city of Barcelona with the aim of analyzing the characteristics of work a deseñador multimedia approach managers focused on one element of his descurso: interactividad.El result shows by tanato essential issues that are considered important both for the area's multimetia as coordinator for the multimedia designer. One of the main conclusions is that the structure of the inquiry is one of the elements that the coordinator and designer gives more atención.El establishment of the navigation structure is part of its work habituales.Pero is the coordinator who has more power to the when definirlo.Este element rests squarely ensu competition.

Author: CHAO CASTRO DAVID.
Year: 2004.
University: SANTIAGO DE COMPOSTELA.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA DE LA UNIVERSIDAD DE SANTIAGO DE COMPOSTELA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA DE LA UNIVERSIDAD DE SANTIAGO DE COMPOSTELA ..

Summary: This Doctoral Thesis has focused on the search and study of different types cinográficos of you the Trastamara monarchy in the kingdom of Castile 1369-1474, taking into account all possible media where the image regia took place, sculpture lígera and stone ( especially the funeral), painting on board, miniature, metalwork, sigilografía and numismatics. Hence, from the iconography of power mayestática or equestrian above all to the mercy of the leisure of humility, several possibilities were used by kings Trastámara Castilians to record his "portrait" and recreate a particular image that is often mediated by the historical conditions of each reign.

Author: COLINAS MARCOS CLARA.
Year: 2004.
University: SALAMANCA.
Place of defense: FACULTAD DE GEOGRAFIA E HISTSORIA.
Place of preparation: FACULTAD DE GEOGRAFIA E HISTORIA.

Summary: The doctoral thesis space of the painting: a constant search of infinity, is intended to raise all grounds to demonstrate that, throughout the history of Western painting, has been the constant concern of the artist by the concept of infinity. From a more typical of the Aesthetics that the history of art (and not become a definition of the concept), this letter relates artistic creation in thoughts and guidance provided by the Science, as well as in their natural environment and spiritual. This research, closely linked to the writings of the artists themselves (and after making a brief run to art from certain concepts already exist in the Antigà ¼ age), highlights the works of painters like Kandinsky, Mondrian, Malevitch and Rothko to finish with the minimal art, where the concept of infinity again occur. Always defending the different visions that embraces the concept of infinity. After being placed indefinitely in its core dimension, the space -temporal (and once it is linked to the variety of spaces that accompany the creation of the world), the research was halted in connection with the painting of infinity and the same so, linking both with the universe in which the artistic expression takes place. Then, the approach focuses on the human being and his constant flight from reality, culminating in the last two chapters, based on the fact artistic and its ability to evoke interest in the infinite. These sections are discussed different ways of expression, both artistic manifestations guided by the form and influenced by certain symbols, like other expressions freest, carrying abstraction more refined and, always, within that process desmateralización closely linked to development of art.

Author: SELLES RIGAT NARCÍS.
Year: 2004.
University: AUTÓNOMA DE BARCELONA.
Place of defense: UNIVERSITAT DE BARCELONA.
Place of preparation: UNIVERSITAT AUTÓNOMA DE BARCELONA.

Summary: The thesis presents the first comprehensive approach to the trajectory of intellectual Alexandre Cirici Pellicer in the fields of criticism and art history. They routinely discussed production artigráfica of Ciri, especially dedicated to the twentieth century, and intersects the contribution scholar and an activist with their cultural environments closer (personnel, family, career, etc.), with the development of the historical dynamic general who was immersed, with the backgrounds and political and cultural movements that participated and that it was conditional, and to events, the struggles and internal transformations that experiment the art institution. So that aneción toward individual serves as a unifying theme for adentrase on social issues and to account for the complexity that governs this dialectic. The study makes a full use of archival sources, hemeorgráficas and oral history, and uses a wide unpublished documentation, along with books and articles. Includes letters and the dietary Alexandre Cirici.

Author: SALAS ACOSTA LUZ MARINA.
Year: 2004.
University: SEVILLA.
Place of defense: FACULTAD DE BB.AA..
Place of preparation: FACULTAD DE BB.AA "SANTA ISABEL DE HUNGRÍA". SEVILLA.

Summary: Throughout this confluence of energies which spilled over us with the speed of lightning, and where time seems to run faster than ever, saying that "everything has its time," but his own individual look. A glance to be active and live in the submundos visual field which will form a state of continuing intermittently, forcing insecurity space as a way of turning desire into the real issue. We look to maker, to show us the meanings of the material world, where the image is the substitute for intellectual activity that specific dimensions of a universe that fit into their nature. All images forced, is the reality that creates a society that seeks the foundation of their own existence. We must not forget that the image is not objective reality but mixing one hand, the real perceived by the senses and on the other hand, the record of perception. Our experiences special and temporary, are legitimate matters in the handling of mathematical language or philosophical but not displayed as an objective reality perceptive. So I started to travel to the possibility of finding new ways to encourage creative thinking, the only possible recipe for creating individual free spirits. The thesis is a long way from the moment they set eyes that look up how to inscribe thought. A thought that widens toward intellectuals and different values translates into finding different systems of representation. Therefore, it has been necessary to study each element involved in the visual look plastic. When the eyes begin to receive power configurations within a space that is contracting inward and outward to build a place of different directions, each substrate condition of pilot training. All these studies directs us towards the understanding of the visual look plastic and their ability to learn other stocks to watch. Without forgetting that all our thinking stems from our own self and not from a real pure. It seems impossible for the moment to find our own refusal to assert an objective existence that we liberate ourselves, dirigiendonos towards coexistence of other understandings space. Therefore we concluded that the chances of finding other ways of seeing lies in ourselves and the need for justification for the changing reality. Not forgetting that what really pushed me to get here, has been the need to organize a teaching in the educational process, which encourages creative thinking. From my thoughts, try to contribute my grain of sand, whose intention was always find an answer to justify the search for plastics visual constructions of thought. Finding tools to allow students to progress towards a freedom of choice and understanding.

Author: HERNÁNDEZ NAVARRO MIGUEL ÁNGEL.
Year: 2005.
University: MURCIA.
Place of defense: HISTORIA DEL ARTE.
Place of preparation: FACULTAD DE LETRAS.

Summary: Faced with the vision hegemonic dada by much of the history of art of the twentieth century, especially by the formalismo- of modern art as apotheosis of the form and climax of sight, throughout the twentieth century has been a counterpoint he has denigrated the artistic vision and who has broken the pleasure to look at the artwork, sometimes coming to hide and do away with the art object itself. Through a series of strategies as "reduction", "concealment" and "dematerialization", a whole face of modern art has been troubled in principle against what seemed consubstantial art: its visibility. Leaving aside the ocularcentrismo of modernity, the works of artists like Malevich, Duchamp, Yves Klein, Piero Manzoni, Santiago Sierra, Mary Kelly and Teresa Margolles, to name just a few, is presented as an example of a course of action in the modern and contemporary art that sets the persistence beyond movements, trends and moments - a kind of optical unconscious, or better, unconscious antivisual that haunts vision. An unconscious in a way that could be the artistic correlate of what Jay Martin has characterized as a denigration of ocularcentrismo Cartesian of modernity that takes place in the advanced thinking of the twentieth century, authors such as Bataille, Lacan, Blanchot, Lyotard and Derrida . Based on the idea of regime escópico Martin Jay, and adding the notion of "file" and a priori historic enunciated by Foucault, in this thesis argues that changes in the visual archive of the modern world are on the basis of artists such practices "antivisión." Some changes have to do with modernizing the observer beginning in the early nineteenth century where it leaves the cognitive model of the camera obscura, which promoted a spectator descorporalizado, fixed and monocular, in favor of other procedures based on the physiology of the eye and the body of the observer. These new procedures end with the development of technology vision. A development on the one hand, opens what, in the next century, will be called "society of the spectacle," and that, on the other hand, also began a process of suspicion to visually show because what technologies the vision, especially but not only the photograph, is that the eye is wrong to capture the reality: what you see is not entirely true, and true it is not possible to see it at all.

Author: URROZ OSÉS ANA.
Year: 2005.
University: BARCELONA.
Place of defense: FACULTAT DE BELLES ARTS.
Place of preparation: FACULTAD DE BELLAS ARTES, UNIVERSIDAD DE BARCELONA.

Summary: Research around ARTIVISMO, artistic practices specific to the Internet combining art and political activism. In the search for specific characteristics that give artistic value, analyzes the social practices on the Internet looking for matches in both processes. Similarly, there is a tour of some historical background of the relationship between art and politics, and between art, politics and technology. Finally, a characterization of demonstrations artivistas justifying the relevance of art in the Red social development of the Internet, and the degree of effectiveness of the same.

Author: WU HSIU-HSIAN.
Year: 2005.
University: SALAMANCA.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Author: MIRANDA DE ALMEIDA DE BARROS CRISTINA.
Year: 2005.
University: PAÍS VASCO.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: Despite contrary evidence, both theoretical and poiéticas, we are still immersed in a myth, the myth of visuality retinina, which affirms the centrality of the vision of perception in art. In this investigation poses the assumption that art is always, to some degree, a multidimensional process, trans-sensorial and intersubjectively. For the reconstruction of the myth of visuality retinal I chose to build an alternative way to define the perception through the creation of the Matrix Arbor Art. This matrix, which allows for multidimensional analysis of art. It consists of two models, the model of the Tree of Art and the model of tractor Intersubjetivo. Made from modes of thinking typical of art, has as one of its objectives to facilitate links between art and science. On the other hand, the Matrix is the result of the assumptions of reality from the paradigms used for creative artists. This matrix is based on various theories, but sometimes made from opposing views, composed of a mosaic in which each piece also helps people understand and construction. The Matrix Arbor Art seeks to respond affirmatively to the question of whether art can provide models of reality.

Author: MÉNDEZ FERNÁNDEZ MOLGA.
Year: 2005.
University: VIGO.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: Within the limits of Paradise rate of two movements brought to paradise in three different ways: a paradise ensured, and another revealed a paradise unveiled. Prime displacement as a veiled revealed; from paradise ensured contextualiza our contemporaneity and the artwork this evening by an excess sense of overexpression of reality. And paradise is revealed through seduction in the artwork to regain lost time. Second shift is revealed. In paradise unveiled is the time of profound thought myth through traffic, and there is the leap that brings us to the other side to make death more chance our own in the hope of disappearing in the works

Author: SÁNCHEZ ARGILÉS MÓNICA.
Year: 2005.
University: AUTÓNOMA DE MADRID.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVESIDAD AUTÓNOMA DE MADRID.

Summary: This thesis deals with a possible history of the facility in Spain since the year 1970 until 2000. Taking account of the theoretical problems that the phenomenon of the facility opens in the thinking of contemporary art, this thesis is coming into the field of artistic events, constituting the only systematic study that addresses the phenomenon of the facility in Spain.

Author: LÓPEZ MARTINEZ MARIO.
Year: 2006.
University: EXTREMADURA.
Place of defense: FACULTAD DE FILOSOFIA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS - CÁCERES.

Summary: The relationship between art and literature in modern times takes some peculiar traits, the reason is that, on one hand, the desire to overcome the barriers that separate is on the principles of breaks that separate them are in early breaks pioneering and on the other, when both arts are what are going to do in their respective search and interrogation on their expressive means. Also unsettled is a theory that seeks to introduce art into the orbit of the significance and language, while there is the so-called "crisis of language." In this context, the metaphor plastic becomes effective way pair collect these tensions in a creative way. As we considered preliminary step methodological relevance of the use of concepts from the language and the poetic in the visual arts, particularly that of metaphor.