THEORY ANALYSIS AND CRITIQUE OF LITERATURE

Author: ZABOKLICKA ZAKWASKA BOZÉNA ANNA.
Year: 2003.
University: BARCELONA [More theses of this university] [www.ub.es].
Place of defense: FILOLOGÍA.
Place of preparation: UNIVERSIDAD DE BARCELONA.

Summary: This thesis aims to describe and analyze from the perspective histórico a corrienteen literature Polish call by some critics of the current eastern edge. The reason the confines eastern lands ethnically diverse part of the multinational Polish States (centuries XIV-XVIII) and Polish (1918-1939), is one of the most recurrent in Polish literature from romance (although this is in the imagination of writers since the beginning of the literature in Polish, in the sixteenth century to hoy.La particularity the confines eastern poland is that they were areas where various ethnic groups converged, and therefore, cultures, languages and religions, but to be defended from land invasion (Tatars and Turks) convirtierón a symbol of the polonidad. This work is intended to examine the role of image in the confines eastern Polish literature over the siglos.El analysis part of the sixteenth century, which, in our view, the image of the eastern edge was instrumental in the formation of national identities and Polish state, passing the time by the absence of the Polish State (1795-1918), which the confines orentales, thanks to the romantic poets, became the center of the polonidad, to the years after the Second World War, in which the ends eastern annexed to the Soviet Union, dejarón to exist in reality, although continued to exist in the literature, Despite years of the regime prosoviético not permitío any reference to land anexonadas by the USSR, it was unable to remove from the literature Polish oabras more valuable from the past who spoke of them, nor canceled the picture the confines of the memory of those writers, or the collective consciousness of Poles. The second part of this work is devoted to analysis of the role, which we consider compensatory, the narrative of cinfines orentales created in Poland años60-80 of the twentieth century. According to our thesis, the presence of cinfines eastern in this narrative does not respond to simple nostalgia for the land and porpiedades, ultimately, a private universe lost, but expresses an acceptance ontológtica of complexity and multiplicity of the world, against any attempt to simplify the ideological actually dividing it into catregorías easy and insufficient social class or national.

Author: ABJA MOHAMMED.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNIVERSIDAD COMPLUTENSE.

Summary: The war in Morocco and the Civil War are two major events that occurred in Spain for the first quarter of the twentieth century. These are two historical events that calaron deep into all sectors of Spanish society. The present work has a particular significance in the political and intellectual where Sender moved hard. This distinguished writer lies in the incentive wars appropriate to join his staff with the tragedy of his people. This is shaping literary their memories and their personal experiences in the midst of two wars Spanish colonial and civil matters. Imam and Counterattack are tangible representations of these historical events that have affected the entire Spanish nation. They are stories that go beyond mere anecdote to stop war between transcend their new insights ideological lines capable of provoking statements of opinion. The author's intention is to penetrate the deeper levels, most complex and most significant wars. His interest lies on political, social, military, moral, and above all, human. They are expected the emergence of a new social consciousness capable of reacting against the promoters of the war. Although the Civil War weighed heavily on his conscience and more it hurts the soul rather than the war in Morocco, Sender, as a convinced pacifist, convictions alike in the sense of humanity. Aborrece all the institutions that make possible the wars since they do nothing but strip the man of their values, their passions, their rights and freedoms. Hence its attitude to war in any case is humanitarian.

Author: MARTÍNEZ CEBRIÁN M. ASUNCIÓN.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of preparation: FACULTAD DE FILOLOGÍA U.C.M..

Summary: Based on a conception of the communicative literary, the thesis identifies and describes the principal functions carried out by the sociocultural English ballad: maintenance of transmission and ways to understand the reality -relaciones personal, social behavior, beliefs, exemplary role-good and evil crimes and antisocial behavior and its castigos- and function psicológica.A turn examines, from a functional perspective, resources lingà ¼ isticos and literary through which are these functions.

Author: TUDORAS LAURA EUGENIA.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGҍA.
Place of preparation: UCM - FACULTAD DE FILOLOGҍA.

Summary: This dissertation concerns the configuraciÃÂ ³ n the image of the big city in the post-modern literature, to be a reading crÃÂtico -simbÃÂ ³ lica of configuraciÃÂ ³ n the concept of urban space, focused on reading literary image of the city of Madrid. The study examines how to travÃÂ © s of which, literature espaÃÂ ± current wave adopts new forms of representaciÃÂ charges, opting for the sustituciÃÂ ³ n literary language other especÃÂficos of demÃÂ ¡s arts, as the language of mÃÂ music or the image, for example. We approach problemÃÂ ¡tica of urban space from literary perspective, antropolÃÂ ³ gicas and sociolÃÂ ³ gicas. The combinaciÃÂ ³ n of these perspectives leads to an approach interdisciplinairo of nature simiÃÂ ³ tica, per approach allows for a rapprochement with the teorÃÂa of comunicaciÃÂ ³ n urban postmodern. The texts selected belong to the authors: F. Threshold, A. Great, JA MaÃÂ ± as, L. EtxebarrÃÂa and J. Ferrero. For a better understanding of intertextuality of different languages mentioned, we contribute anÃÂ ¡lysis of the related adjustments cinematogrÃÂ ¡graphic.

Author: PLATA RAMҍREZ ENRIQUE.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGҍA.
Place of preparation: FACULTAD DE FILOLOGҍA.

Summary: Speeches narrative finisecuares caribeÃÂ ± os appropriate, as a fact ficcionalizaciÃÂ charges, for various speeches, travÃÂ © s of ellos reconfigurar literature and culture caribeÃÂ ± a. These speeches narrative caribeÃÂ ± os the end of the century addresses ÃÂ ¡fields musical melodramÃÂ ¡ticos, erÃÂ ³ ticos, sports daily, ets., Holding within them a deep intertextuality and intense polifonÃÂa. The parody, irony, humor, serÃÂ now a part of the resources discourse through which the reader is given a percepciÃÂ ³ No one from the mÃÂ ¡s recent narrative caribeÃÂ ± a. The imbricaciÃÂ charges of the various elements, moreover, allows these speeches give an account of the subject that inhabits the periphery, resemantizar their culture, and mestizo hybrida resignificar and the literary process of regiÃÂ ³ n.

Author: SERRA MARTINEZ ELIAS.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGҍA.

Summary: In this paper we analyze the text books, artÃÂculos, cartas- of espaÃÂ ± oles that in the second half of the nineteenth century visited Lisbon. This is a group of passengers with sufficient homogeneity within the differences: cults, polÃÂticos, journalists, intellectuals, curious-and lusÃÂ ³ edges. They were, in fact, a number of writers or aspiring to such loved Lisbon and Portugal are worried about the relations between the two paÃÂses, under the polÃÂ © mica liberista. Moreover, as a whole gave us an image of the city sufficiently rich and varied truthful, ademÃÂ ¡s confirms the permanence over time a series of imÃÂ ¡genes and traits of the capital protuguesa, own stereotypes the cities marked by its history, its monuments or its carÃÂ ¡cter mÃÂtico, which have persisted over the centuries. From the literary point of view, these writers-in their mayorÃÂa "circumstantial" -utilizaron language that, in the midst of changes in the fee provocÃÂ ³ realism first and then the new retÃÂ ³ rich finisecular was nutriÃÂ ³ from the remnants of romanticism, language oratory and then language of modern journalism, not least of all the common parlance.

Author: TORRES FERNҁNDEZ MILAGROS DE.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGҍA.
Place of preparation: FACULTAD DE FILOLOGҍA.

Summary: This thesis is the ediciÃÂ ³ n crÃÂtica book 17 File Chapter of Grenada, early sixteenth manuscript containing "good and praiseworthy customs and ÃÂ § erimonias" and demÃÂ ¡s statutes that the cathedral was passing along that century and early aÃÂ ± os the next, all this set of standards represents the Consueta of Grenada. As this important ceremony has left several handwritten copies that are stored in different files Chapter (Segovia and Zaragoza) and libraries (ParÃÂs and Madrid), ediciÃÂ charges reflected an apparatus crÃÂtico with all variants; asÃÂ as the study of some copies and Abbreviated a ediciÃÂ ³ n of the nineteenth century that was done for the College of AcÃÂ ³ litos. The purpose of this ediciÃÂ does not sÃÂ ³ what is to showcase this unique document, but consider the degree of theatricality offering ceremonies litÃÂ fourth rgicas the cathedral displays in different holidays (Christmas, Easter) and devotional celebrations (Corpus, recibimientos of archbishops) and cÃÂvicas (Fista of DediciÃÂ ³ n), which typically form cortejos and processions: In the present work has a twofold: 1-Set the text of the Consueta: A-Compare different manuscripts. B-establish its variants. C-Studying their content and formal aspects (descripciÃÂ ³ n codicolÃÂ ³ gica). D-Determine about their date and investigate the possible autorÃÂa. 2-Study ceremonies cycles litÃÂ fourth rgicos and relief ceremonial and ceremonious agree with the factors involved and that can bring the celebraciÃÂ ³ n al drama litÃÂ fourth rgico or espectÃÂ ¡ass (acciÃÂ ³ n, text, characters, oficiantes, rather than acciÃÂ ³ n , utilerÃÂa, ornamentaciÃÂ ³ n, mÃÂ music, clothing). 3-Coming to a conclusion on whether the ceremonial celebrations and collects Grenada drama litÃÂ fourth rgicas similar to those that took place in medieval times in other cathedrals and monasteries of EspaÃÂ ± ay Western Europe.

Author: IGLESIAS GARRIDO ANA BELÉN.
Year: 2003.
University: VIGO [More theses of this university] [www.uvigo.es].
Place of defense: FACULTAD DE PILOLOGÍA Y TRADUCCIÓN.
Place of preparation: FACULTAD DE FILOLOGÍA Y TRADUCCIÓN.

Summary: The thesis provides, firstly, a text reliable, clean errata and deturpaciones beyond the control of the creative playwright, based imprescisdible for any subsequent theoretical formulation on the dramatic piece. Rigorous setting of the text and systematization of a comprehensive device that allows the reader to know the process of the transmission of the work, are the most significant achievements in publishing refers to the duty. But, in addition, the extensive study preliminar-primer test specific about the weaver segovia-aporta multiple elements that shed light on the plurality of significant aspects involved in the interpretation of the comedy. The thesis provides, ultimately, a new text, recovered for the reader and investigation of the twenty-first century, a new reading, a critical and integrators around one of the comedies of Juan Ruiz de Alarcon and Mendoza, the most "bizarre "author dramatic century Spanish gold.

Author: TARIN MARTIN LUIS PABLO.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: The decree Graciano, drafted in the middle of S. XII is the most important collection jurídico-canónica medieval. In one of the paragraphs of this collection, Distinction 37, were collected and discussed the texts that the legal tradition was devoted to the problematic presence of the authors pagans in the world's cultural medieval times. In this work we analyzed the state of research on the text and source Decretum Gratiani, with the purpose of applying the latest developments of Distinction 37, trying to reconstuir its formation process. An analysis of this evolution is concluded that there is a substantial modification of the original ideological content of this paragraph, which originally was in favor of the letters Gentiles and was later overshadowed by the interpolations. The decretistas, commentators who worked on Graciano decree from the moment of writing, devoted many pages to glosar and develop various passages D.37. In this thesis are published for the first time the texts of decretistas Hugo Ferrara and John Faenza are presented thematically and comments from the main decretistas the first time on this part of the decree. The medieval and Renaissance literature went to decree Graciano especially for use him as a source of authority. The work examines the use, with special attention to two specific areas: the "mirror of princes" of the twelfth and thirteenth centuries, and the debate about the value of humanistic literature gracious. The Antibarbari of Erasmus of Rotterdam based an extensive chapter on texts from the D.37 and rereads its contents in a way that helps us to review the changes in perspective that had occurred on the argument.

Author: PIZARRO SANCHEZ JAVIER.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FAC. FILOLOGÍA.

Summary: This thesis is in the commentary filológico of the 89 poems that make up the book 4 of the epigrams of Marco Valerio Marcial, Latin poet of the 2 meetings, half of the century IDC First we offer an introduction to the general aspects of book 4 as a unit which is part of the total production of poetic marcial.Estudiamos dating, the formal metric, the dominant themes and motifs, structure, tradition and handwritten text offered. Then, in the main section of the work we have dealt with the review of each of the 89 epigrams that make up the book 4.Para every epigram offer an introductory note, which gives an overview on the composition analysis of the structure of the poem and the commentary promenorizado, verse to verse, the corresponding epigram: From textual criticism, from the sociological aspects of daily life (realia), Historical, political, etc.., not less, records lingà ¼ isticos (colloquial language, turns language, obscenity, neologisms, etc.), Estilísticos (rhetorical figures, mixtures of levels of style), metric, etc.. Finally, we offer the literature, divided into different sections, and an index verborum.

Author: MUÑOZ CARRASCO OLGA.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FILOLOGÍA ESPAÑOLA IV.

Summary: This dissertation is a study of poetic subject throughout the work of the Peruvian Blanca Varela (1926). The hipótsis reading proposal argues that the poetic voice is built over the books as a path-finding and subsequent assumption of reality. The first part of the thesis provides a context for locating the creation of the author. It includes a biography, an analysis of some of the movements and most influential figures in his work (surrealism and existencialismó; Cesar Moro and Emilio Adolfo Westphalen), and finally an approach to the generation of Fifty Peruvian controversial group that is usually attached White Varela. The second part goes into some fundamental aspects of the figure of poetic subject in order to provide a theoretical framework suitable for the post textual analysis. First, it highlights the importance of the subject in the poem, and hence the relevance of their study. It also tries to point out how it is configured and that voice in what sense is different from actual writer. Since the White Varela is a poem questioning, an analysis of the poetic word understood as a special form and matizadísima knowledge. Poetry is presented then, as an exercise in constant exploration leading finally in the questionnaire's own words from the word - that is, in a proposal metapoética. All this second block, but highly theoretical, provides constant connections with the poetry of Blanca Varela, whose analysis has been created in the end. The third goes into the poets of the Peruvian to track the subject verbatim from the first book (The port there, 1959) to the last (The fake keyboard, 2001). Very fragmented at first, the voice takes constant vigilance on the world involving a challenge and register the relentless reality. This move aims at monitoring the world to text with autencidad, which also means the inclusion of daily life in the poems. As they move on the poetry poetic subject assumes the ferocity of tiemo and physical deterioration, and this acceptance is a key gesture for the rest of the work. Recent books Blanca Varela abound in this assumption of the reality with all its edges, although it is always an active attitude, a rebel and never resigned. The quarter reflects the conclusions drawn from thorough tour of the verses. The final part, finally meets literature consulted during the investigation process.

Author: FERNÁNDEZ SAN EMETERIO GERARDO.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: The thesis begins by reviewing the sources and variants of myth since the Antigà ¼ Age to the Renaissance to go to his studio in lyrical as Fernando Herrera, Francisco de la Torre, Francisco Aldana, Luis de Camoens, Lope de Vega or Luis Martin of the Plaza, among others, and see how the myth apply these authors to their poetic universe. Subsequently, are studied and published three fables (work Gaspar Aguilar, Marcelo Diaz Callecerrada and Carlos Praves) that implement the myth narrative form. They will be added as an appendix, a fragment of Epítome of fables of Ovid John Pineapple, which recounts the myth with the peculiar style of this author.

Author: SALAM NAAMAN RAAD.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FILOLOGÍA.
Place of preparation: FILOLOGÍA.

Summary: Figures from the past in the Koran can be considered a double vista.La point of the first course of action is to go and take one after another, highlighting the portrait that makes them materially the Koran. This study is possible only with the characters displayed certain personality in the Koran; ie anto around with Muhammad who deal directly and indirectly a vast mass of versículos.A then, but far behind in terms of number of verses, Moses and comes later Abraham.Todavía more Jesus come back and Mary and finalmenta Jacob and Joseph, whose story took a hundred versículos.Los other characters appear either in a particular anecdote or embody the story took a hundred versiculos.Los other characters appear either in a particular anecdote or embody the robot story of the prophet enviado.Tan only puts a traditional feature of its history, such as Noah's Ark, Jonah and the whale. Another approach would be to see how, in the Koran, each of the prophets preached Islam, the words and deeds of each other and confirm what he says Muhammad. For example, in the Koran, Jesus refuses to be more than a man and predicts the arrival of Muhammad.De this way would be stating the principles that have guided the Koranic readings of the past or, if you prefer, theological positions that try to test the , as well as the attitude esperitual it preaches. The manuscript of Abu Rifá a.que have been translated and analyzed so far was saved without giving any impotancia.En reality is of great importance in the history of Arabic literature. This valuable manuscript composed of two large volumes, the first no trace nor know anything about him until ahora.La segúnda hand, we have a copy in our hands, and we have translated, begins with the history of A1-Judr and temina with the story of Adam pact with her son in September.

Author: GOICOECHEA DE JORGE MARÍA.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNIVERSIDAD COMPLUTENSE DE MADRID.

Summary: The reader on a journey through cyberspace trace the origins of cyberculture and by the communities that populate, for the new rites and writing introduced by electronic means and by the narratives that form the symbolic universe of cyberculture to lead at its core myth embodied in the figure of the cyborg. Using an interdisciplinary methodology in place where ethnography and literary criticism, the investigator has conducted a study of changes in the activity of reading within the new media ecosystem generated by digital technology and the Internet. To carry out this study has analyzed a variety of cultural artifacts of cyberculture, stressing the role of metamedio exercised by the American science fiction novels representative of this new culture, as are Neuromante William Gibson, Schismatrix of Bruce Sterling, Synners d ePAt Cadigan, and Snwcrash Neal Stephenson.

Author: SALIVA DOMINGO ALICIA.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FILOLOGÍA ESPAÑOLA II.

Summary: Study of novelísta Rafael Sanchez Mazas, framed in a comprehensive account of its obra.Análisis of Life new Pedrito of Andía since the character as a key interpretation narrativa.Previo theoretical framework in which this category provides a narrative tour by texts relevantesw of criticism of the twentieth century on the character novelesco.Exposición a proposal metodológia from central aspects of the texts described and application of this method to the analysis of the novel by Rafael Sanchez Mazas.

Author: GUIRAO GODÍNEZ GINÉS.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: Study documenting events on the cultural life abulense during the Civil War, well described by its characteristic elements: education, conferences, workshops, meetings, weeks, cultural evenings, study circles, ..; cinema and theater; story printed; printed poetry recital and, on the restoration of intellectual life, artistic, literary and scientific and art exhibitions, contests and prizes; magazines and books: elements that make a single and exclusive ideology. Coupled with this is an appendix that gives news of the search for the file brought to Manuel Ciges Aparicio.

Author: TEJEDOR COUCEIRO M. PILAR.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This research work revolves around the influences from literatures grecolatinas on the issue Paso del Trasmundo on writers Castilians of entresiglos (ff.del XVc. and pp. C.XVII Del). El Paso's Trasmundo involves translating ideas about reasons beyond either from the idea of death itself, or from the path dreaming or visionary. The text consists of two parts, the first being the study of classical sources and Italian (capítula 1), and how the analysis of a number of reasons literary considered as universal as it relates to the topic (Chapter 2) and finally collation of a number of authors XVc. basically on the road cancioneril, using themes Trasmundo (Chapter 3). The second part provides the Paso del Trasmundo in ten authors of the first half of the sixteenth century, covering genres fundamentales.Así prose is represented by two works La Celestina and gender dialogic, Dialogue and Mercury Carón (A. Valdes ) and El Crótalon (anonymous), the dramatic aspect is embodied in two comedies, Egloga of Plácida and Victorian (J. Del Encina) and the Glory Boat (G. Vincent); finally poetry includes the names of J. Boscán , G. De la Vega.D. Hurtado de Mendoza, G. In Cetina H, De Acuna, respectively. It includes a bibliography general and specifically on the topic.

Author: LISTER BRUGAL ELISSA.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: That sea that I live: in the Caribbean Narrative Mayra Montero, it is an approximation, since several approaches and methods of analysis to the production of this literary writer Antillean with propóstio analyze the intertextual relationships that are established in several of the planes from the speech: the context-cultural, geographical and literario, the symbolic and imaginary, stylistic, lingüstico and generic. This is the unraveling of the grid codes and cultural and ideological systems that interact in the novels of intertextual dialogue and visions of the world that is recreated. It explores the relationships and similarities that exist in the entire Caribbean writers of contemporary fiction, its connections, interactions, footprints, and reflujos flow, its membership and registration in the Caribbean literary, narrative resources and the diversity of languages, voices and genres employed in the construcicón of narrative universes recreated in the various novels. The contemporary Caribbean Literature, which is part Mayra Montero, realizes what plurilingà ¼ e and the Polyphonic: integrates expressions of culture who were excluded or ignored by the official language and culture-music, magic-religious, eroticism This carnavalesco, groups marginales- giving them space and its own voice. The writers sondean Caribbean in its history, its identity, its culture and its spiritual and literary tradition to create all possible worlds, nurture their creative work and find there the seeds of innovation in the ways of narrating, in content and proponents approaches through their texts.

Author: AGUSTÍN FERNÁNDEZ SUSANA.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This work includes the study of the poetic work of Anthony Hill from the early writings of 1967 until the book Garden Orfeo appeared in 1988. For its development, have continued methodological approaches of Gaston Bachelard, Gilbert Durand, Jean Burgos and Antonio Garcia Berrio on anthropology and poetic as imaginariio, mitocrítica symbolic and imagination. Thus a study has been made of interpretive production of poetic Hills focused on the imaginary symbolic component. Estudiados the many symbols used in this poetry, they are grouped in a series of isotopías that join to form larger units called regimens. In these poems are divided into two, the regime night and day. It has also studied the poetic expressiveness of Hills following approaches from Balbín and Jose Rafael Dominguez mainly Caparrós. The relationship between thought and poetic work of Antonio Hills is evident in three constants thematic spaces founding Mircea Eliade, the concept of the archetype of Carl G. Jung and the poetic reason Maria Zambrano. A significant contribution of this work is finally, the literature that contains virtually all of the work written and published by the author, as well as critical support directly linked to it.

Author: HOOSHANGI SAEID.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The daily lives of Iranian Zoroastrians was based on religious ceremonies, the commitments and obligations which required a large number of cults to worship the forces of good against the forces of evil, namely rituals and prayers to ward off this latest and ask aspirations to the good. There are differences between the beliefs of Native Americans and Iranians, especially in terms of the demons ylos antidioses.En relationship aeste item no hotline in religious thought indo-iraní.Entre demons of Mesopotamia and Iran are some differences that have to do with their sources and the alterations that have suffered religion after the migration of the Aryans the Iranian plateau. In the sacred texts, the forces of evil all together or not presented in a logical order and its qualities, appearances and missions nor do an orderly fashion. Despite this, we know that Ahirman or Angra Mainyu is the main force and beyond, is the group of seven Daevas, known as the Dives Kamalag and after these other creatures malignas.Podemos classify the forces of evil in various estates along their degree of importance. The presence of either (Ahura Mazda) in the apotheosis of the presence of evil luz.La (Ahriman) is in the depth of darkness, and between the two there is a space vacío.La force against each other is the limitada.Ahura Mazda is eternal but Ahriman will be annihilated a día.Ambos existián from principio.Gracias his wisdom absolute Ahura Mazda aware of Ahirman although it is unaware of Ahura Mazda. The struggle between the forces of good and evil will take place the appearance of the Messiah in Zoroastro.Los messiahs are regarded themselves as the children of Zoroaster, are sent one by one to earth with a millennium of difference. With the advent of the Messiah and the process of eliminating the evil forces, ending the life of the material world, and the resurrection in each of sinners or the pious receive what they deserve hell or paradise.