THEORY ANALYSIS AND CRITIQUE OF LITERATURE (2)

Author: ANDRÉS MARTÍN OFELIA EUGENIA.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGIA UCM.

Summary: THIS research focuses the state of affairs, namely the scope of the Magic in the literature of the Golden Age. Analyzes judiciously lingüstico structuralist, the nomenclature mágina, and lays the foundation of the semantic esoteric terminology. Set boundaries cut synchronous whose research arises. Isolates institutions of the time to refine their tickets with the Magic. The result of these relationships allowed a flam historical sketch in which underpin literary creations contaminated Magic. Below are selected areas for cultural vertebrate Magic: Cabala, Hermetics, Necrofilia .., and those, such as astrology, medicine or not hipocrática Numerology, institucinalizaron secretly. The body of conclusions summarizes these contributions. With them, and within existing budgets established under investigation on the presence of magic factor in a range of literary genres. Ultimately, the thesis of this research has plantedo question Do you Literature Spanish structurally frequents the phenomenon of Magic), which has responded documentándola institutionally and testimoniándola in paragraph Applications.

Author: BENITO GARCÍA LUISA.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The hero of the epic and the character of the novel, they are built following the creation of different grammar. The basic structure of the mythical hero in the epic follows approaches directed towards hope in man, the human being in general. However, the character we find in the novel remains constructive another scheme which gives an eclipse of that hope. However, starting in the second half of the twentieth century, to such narrative where there is a breakdown in the structure mítiva's hero, and his creative grammar oriented d esesperanza, we warn another trend in fiction writing women, which is trying to save this total destruction of the female character (not to masculino9, which acts as pivot and protagonist of the story. In this paper we propose precisely try to support our thesis that there is this trend represented by writers and consider the most important characteristics of these heroines who do not fall into the deseperación, nor nihilism, or in the suicide disintegration and a structure that still creative path towards more halagà ¼ eños and satisfactory. Our purpose is, therefore to consider this female character, yes manteiene the structural principle of the classical hero directed toward hope, in fiction written by women from the time of the post, which has its origins until today, deteníendonos expressly in the period of political transition to democracy, which is when it deploys its maximum development.

Author: CALONGE GARCÍA GENOVEVA.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis consists of an edition of the Theater of the Gods of Gentilidad of Baltasar Vitoria on his manual of Spanish mythology that exerted greater influence in the various artistic expressions of the Golden Age and beyond. The edition has been carried out taking into account the oldest of the two sides, the first dated in 1620 Salamanca and the second in 1623 in the same city, since according to the following facts were not made on the author's life. The text has been punctuated and heightened following the current rules of spelling for ease of reading. The Introduction is a study of the author and his work and compares with other manuals mythology that existed at the date of publication of The Theater of the Gods of Gentilidad. The editing of the text is enriched with notes that you will make a true and accurate study of the sources used and cited by the author both in the text and on the sidelines. Also, the study adds that without sources appear with all data are supplemented in this thesis. Whenever possible source has been found with contemporary issues and the author have been collated editions of the National Library, the Old Fund of the Complutense University and the Library of Salamanca.

Author: MAHSAS SAYD.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA ESPAÑOLA IV.

Summary: The subject of my doctoral thesis includes a comparative study between Mexico and Algeria in the twentieth century through two contemporary authors a Méxicano Octavio Paz and another Algerian Frantz Fanon.Desde then hincapíe in anthropology from the two companies focusing on the cultural identity of two pueblos.De fact, everything is based on the two nations nationalism while the study focuses towards fundamentalism social each esayista.Por course, the work of peace The Labyrinth of Solitude and Ogro Philanthropic well how mla Fanon The Convicted of Earth represents the symbiosis of an entire system that revolves around a culture conyutural involved in the evils of a society that works socially disproportionate manner inconsistent because it is at the service of the imperialist elite hence, the interests of national cohesion and spirit of both nations are diclive because estacan on labels and values alien to the traditions of ancestor Historical. All of this leads us to say that our study makes manifest two countries whose socio-cultural roots of their civilization have suffered obtáculos inherent to underdevelopment the continent conlo which persist within their static identity in a state that constantly cyclical. Briefly it is a sketch on the various stages of evolution of every society and that based on the writings of both essayists from his literary approach.

Author: BRITO DE FREITAS CONSUELO.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This paper aims, on the one hand, highlight the importance poetic creations of the writer of poetic writer Galician Rosalia de Castro (1837-1885) and writing Goiás Cora Coralina (1889-1985) occupy the field of literature. Opting for poetry was reinforced with the approach that we were making in our academic life over the years. At the same time, studies led us to choose this search for the poetic work of these two creative because we have sent a very personal and authentic voice. The interest of conducting an investigation into the two writers lies in the possibility of contributing to the disclosure of his poetry, of Rosalia in Brazil and of Cora in Spain, and bring a new look to our reading. There is, moreover, intended to bring literature to the Brazilian Galicia, both from a particular perspective and from a more global. From the methodological point of view, the present study we intend to make from a comparative perspective and an open approach to the poetic rosaliana and coraliana. The check bearing in mind its historical importance and literary and try to dig into their imaginary following plurality thematic and discursive offering their creations. This paper therefore seeks to occupy a space in these literatures as far away geographically but at the same time so close to be written in languages like. In this sense, our critical reading meant to be a small contribution for all those interested both in the literature and by the Galician Brazilian literature.

Author: MOHAMMED MOHAMMED ALAIWA MOHAMMED.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This study consists of five chapters. In the first chapter, entitled The mood in Arabic literature: the creation and research, as there is a historical survey covering the topic of humor in Arabic literature, we made a brief history of how the topic of humor in Arabic literature has been studied over the centuries since the antigà ¼ age actulidad. We have shown the most prominent authors of classic and modern Arabs. We have courted all opinions on this matter. As árebes disagree on the matter of there humor in Arabic literature, we have begun outlining the views that deny the existence of humor in Arabic literature, and then you say. After we talked about the contribution of Arab classical authors in this issue. We concluded the first chapter crawling Arab studies on the most prominent modern mood. The second chapter, the blossoming of humor in al-Andalus, deals with the causes that led to the extension of this genre in Arabic literature at Al-Andalus. That is why we refer to political and social circumstances that sugieron the fall of the Caliphate of Córdoba and the division of al-Andalus in realms taifas. This resulted in a notable impact on the lives of genetic andalusíes: some of them took refuge in poetry ascético-mistica, and most were delivered to the fun and humor. We cite numerous examples in this chapter of humor in the different social classes Andalusí and expose the views of researchers on the extent of gender humorous in al-Andalus. Although these two chapters are highly theoretical texts humorous cited therein have been analyzed deeply. The three remaining chapters specialize in the analytical study of practical works humorous andalusíes belonging to the period studied, emphasizing three points in the mood. The third chapter: humor and pain, discusses the mood of Ibn Mas'ud a result of the anarchy that swept in al-Andalus during the civil war (fitna), the early kingdoms of taifas. The fourth chapter: humor and satire, is dedicated to the spread of satire in al-Andalus: its causes, its image and its classes. We have spent most of this chapter to the study of the Epistle burlesca Ibn Zaydun, reflecting conflicts políticos-sociales the era of the kingdoms of taifas: Chapter fifth: humor and pleasure; is dedicated to the study and analysis works humorous baqico-eróticas. Adding an index with the technical terms on the topic of humor, outlining the work in which they occur, as well as pages, to highlight its importance in the literary field.

Author: MAHMUD-MAKKI HORNEDO LAILA CARMEN.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: My work has been to study and editing of a work of adab call Talqih al'-uqul, Century IV / X, whose author is Burayya b.Abil l-Yusr al-Riyadi al-Ifriqi (d. 350/961 approximately ), a native of Ifriqiya, who traveled to East to get your literary background. This work of adab can consider it, even today, the first attempt to compose a compilation of sayings in North Africa, but contains a large percentage of material East, we can attribute the merit of being the first of its kind and that time so early, but so does the author's masterpiece Cordovan Ibn Abd Rabbihi (d. 328/940), al-'Iqd al-farid. The author, Burayya b. Abi l-Yusr al-Riyadi, is the son of the great writer eastern Abu l-Yusr al-Riyadi (m.298/910-911), who lived Ifriqiya in times of the emir Ibrahim b. 'Abd Allah b.al-Aglab II (261-289/874-902) and held senior positions in this time of the emir and the emir Ziyadat Allah b.al-Aglab (290-296/303-909), and then in the administration of al-Mahdi , the first caliph fatimí in Ifriqiya. Some modern historians and scholars have regarded as a mysterious character or a spy for the fatimíes before his conquest of North Africa, his trips to suspected al-Andalus in times of Muhammad emir and Egypt in time emir Ahmad b. Tulun. Data on our author in the sources are very limited, even more than his father. The copy of the manuscript that I own is described as unique in the Library of the University of Leiden, Netherlands, under the code Or.442 is the year 1033/1624, contains 134 pages.

Author: MARTÍNEZ CARRO ELENA.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: UNIVERSIDAD COMPLUTENSE.

Summary: This research work on the life and work of Antonio Martinez de Meneses, has sought sistemetizar and manage the existing material referred to the playwright in order to provide new data to the theater Aureus. The first part of the thesis is devoted to the biography -marcada so far. For empty documentaries and series of difficult jumps explanation. Regardless of the data already known, presents unpublished material that clears doubts and new features, with particular attention to documents autographs. In turn was imperative fixing its dramatic corpus, which would facilitate successive editions criticism and future studies on their comedias.De why they are abordar-de as fully posible-el catalog of comedies Antonio Martinez de Meneses, both of the works that escribío just like those carried out in collaboration. The prate third of the study is an attempt to get closer to the literary work of comediógrafo, which so far had not been abordada.Especial interest charged some theatrical forms, as a taste for historicism or refunciones. It performs a possible taxonomy, from comedies Martinez de Meneses, in order to clarify the major sources and genres in which the playwright. It is the fourth and final part of this work, texts and notes for a critical edition of the seven comedies Martinez and Antonio Meneses: Loving without seeing, Los Esforcias Milan, blamed the request justice, a silversmith from heaven, Queen in Buen Retiro, San Stadium and the chair of St. Peter. They close this thesis, the annexes to documents that relate to the life of the playwright and a study grafológico of manuscripts, which in some way related to the author.

Author: MARTINEZ DE CASTILLA MUÑOZ NURIA.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FILOLOGÍA ROMÁNTICA.
Place of preparation: FILOLOGÍA.

Summary: The purpose of this study is to edit a text aljamiado unpublished (BRAH T19) from a dual perspective: on the one hand, the classic transcription semipaelografíca, faithful to the original, in which all score peculiarities lingüsticas and fommles offered by the nunuscrito. On the other, his presentation criticism, in the (lue adopts a language regularized from the uses of the Moorish in their own manuscripts into Latin characters, while it intend, after collation with other materials from the núsma affiliation, editing each of you) .1: os (lue documented T19, based on the best evidence (the more refined teA1: ualmentey, equality in the plane, the most complete or submitting a stadium more archaic language) . Each of the parts includes a corresponding critical apparatus, which contained all the textual variations resulting from this match. criticizes This presentation is aimed at [wrong approach hypothesis on the origins and transmission of the texts that make up the codex. This has been essential to the conclusions that have been detached from the rest of the tests carried out in this investigation: An initial study codicológico me pernútido raise management original materials that today we retain some form of incomplete, biased and disorderly. Likewise, characterization lingüstica has offered me the possibility of the manuscript dating in the last third of the sixteenth century and raise training and cultural concern of the copyist. Lastly, the critical study of the various texts that has helped analyze the relationships of kinship between the pieces documenting T19 and other testimonies, as well as raise the existence of writing workshops between the Moriscos. A glossary of térninos chosen, an analysis and a bibliography end lexicométrico complete this investigation.

Author: ANDRÉS CORTÉS JESÚS.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The language is subject to constant change, one of which is the neologism or formation of new words. When they belong to an area of specialty are called terms. The work presented is based on the location, identification and description of the new terms, which arise as a response to a need communicative caused by the emergence of a concept. The means that have been used to meet the goals include scientific articles journal in the field of agronomy, which is subdivided into more specific fields such as entomology. The thesis consists of three parts. The first describes the theoretical basis for the generation of new terms and pays particular attention to mechanisms for generating the same: composition, derivation, creation, neología sense and reduced forms. He also devotes about paragraphs to sentences nominal understood as a means of definition or description of the objects and new concepts. The second part is devoted to describing all the terms located in the above mentioned sources. To provide information according to the established parameters of the work, in each case includes, among other information, definition, the year and the source of appearance, as well as the frequency rate of the term. This second part is divided, in turn, into six sections that are devoted to describing new unit terms, compound terms and phrases nominal complex, in addition to the terms generated by referral and neología sense. The final section is devoted to ways condensed-ups. The results and conclusions are included in the third part. The first provides a comparative description of the terms described in the second part. Particular attention is given to the frequency indices of the new terms according to the area in which they live and how to generate them. The nominal complex phrases have a high frequency rate, while there is considerable complexity Formally regard to the components of the same. From the above, show that they have a productive feature of scientific articles. The work represents an additional test to previous research as an argument that the new terms are a reality that can be seen from articles related to the investigation. Another finding, as a consequence of the above, is that the new terms are directly related to the specific characteristics of each area, and therefore appear in a particular context. Annexes containing all forms nominal complex that has been extracted from current corpus, which are formed by three or more elements.

Author: MAHMOUD-ALIMEKKY FÁTIMA.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The dissertation consists of three sections: the first presents the life and work of this little-known novelist and reflects the opinions of critics and scholars about the value and quality of his literary output. The second chapter deals with the methodology chosen to develop and approach the issue based on the thinking of a prestigious mitólogo; Mircea Eliade. This second chapter offers an interpretation religioso-mística the myth through the commentary of a series of theoretical concepts that I have drawn from the vast work of Eliade and then could be applied in the study of narrative Alonso Nunez, demonstrating that it has a mythical world view essentially religious. The third chapter includes analysis copurs of novels managed on an outline structural mythical, examining the reasons, images, symbols and expressions used in the biblical story of the episode of original sin and reflected in the novels. This work reveals the metaphysical and existential concerns of the author and its result has been to see that through the reconstruction of an old, has been able to translate concerns inherent in the human being and therefore also affect the modern man. It has been possible to shed light on the concept of sin and the idea of guilt in Alejandro Nunez Alonso.

Author: DAHBI LEHSSEN.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: In this work of literature research, I tried to address the most significant in the experience of illustrious literary Syrian poet Nizar Qabbani called, and that so far they had not received enough attention by researchers. I tried to show that the writer, not only was a great poet, but also a peculiar critical. It is also noteworthy in this job I gave great importance to the poetic language: lexical and stylistic characteristics of the poetic writing of Nizar Qabbani.

Author: ELWES AGUILAR OLGA.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FAC. FILOLOGÍA DE LA UCM.

Summary: This work, once exposed our initial starting points as well as a state of affairs surrounding studies on Ramon Gomez de la Serna (1888-1963), consists of four distinct parts: all of them under the parameters any study of nature comparativista. The first one deals with the study imagológico-under budgets Daniel-Henri Pageaux- the city of Paris in our texts author of various kinds such as narrative (Russian, the white and black widow, incongruous, The villa roses and Policéfalo and lady), autobiographical (Automoribundai), criticism (Ismos) and greguerística (Paris). This is textual analysis of the City of Paris-real and figurada- their trips to the French capital and the significance of it in their lives and their work. Next, we pause in effigies or portraits of French authors that Gomez de la Serna conducted through various works of biographical mood: Efigies, Portrait Artists, New portraits and other contemporary portraits, to move to the analysis of poetic parallel Ramon with regard to the canon of the nineteenth century French culture (Baudelaire, Rimbaud, and the circle of Mallarmé decadentistas) and the coeval (Gide, Apollinaire, Jacob, Cocteau, Giraudoux and Breton). Thirdly, after having analyzed the French press of the twenties, we analyze the impact of translation of Gomez de la Serna French as the real impact of his work in the French press written until the eighties of the twentieth century. We ended with part of this strictly unpublished doctoral thesis: the finding, fixing and philological study of unpublished correspondence of our brilliant Ramon with his two top French translators: the writer Vichy Valery Larbaud and notable Hispanic Jean Cassou; interesting material allowed us to reach conclusions more restrained on the alleged "myth of glory in Paris" of the pope Pombo.

Author: MARTÍNEZ PEREIRA ANA ISABEL.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This research work, dissertation, arises from the need to deepen one of the most neglected aspects of the formation of the writer in our century Gold: learning one's writing. Our purpose is to investigate methods of teaching of writing that was used in these two centuries covered in the study, and the evolution over these 200 years, both in the type of letter and how to teach it. This analysis will do from their own manuals that offer this type of education. Our aim is therefore necessary knowledge and the bibliographic all the manuals and art of writing, or printed manuscripts were shown on the Iberian Peninsula in Spanish. The repertoire will collect all editions of each work, locating and describing possible variants copies or Unlike states. The description shall include sufficient data to identify the issue and also provide bibliographic information that we consider most important: references in other codes locating copies, modern editions.

Author: MARIN GARCÍA M. MERCEDES.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNIVERSIDAD COMPLUTENSE DE MADRID.

Summary: This is an analysis of the vision of certain social aspects relevant and controversial in the first half of the eighteenth century, such as justice, marital relations and the social and legal status of women, according to Henry Fielding reflected in his fiction most important. The analysis of these issues and the dispute of which were the subject at the time to help establish the close relationship between them and how the legal measures aimed at protecicón of property affected directly and indirectly to these issues and many others configurando un modelo social peculiar que aparece reflejado y criticado con mayor o menor intensidad en las obras narrativas del autor, que adquieren una doble dimensión como obras literarias y documentos históricos en los que además el autor introduce propuestas y actitudes también doblemente importantes por tratarse no sólo a great literary author, but a judge in direct contact with all social classes. It also analyzes the contribution of Fielding both the debate and the introduction of new ideas about the topics mentioned and their impact on the reforms that would be made in the periods immediately following his death.

Author: ZEDAZI RADJA.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: DEPARTAMENTO DE ESTUDIOS ARABES E ISLÁMICOS.

Summary: The subject of this thesis has been split stressed that the wise among twelfth and sixteenth centuries of our era, and to highlight their role intelectural and socially. The main thesis is divided into four main chapters. The first is devoted to the history of the Adb al-Wadies in the Maghreb Central during the centuries earlier citados.Empieza by a short summary of the period immediately preceding the period under review interesa.Viene followed by the detailed history since its emergence until his downfall at the hands of the Spaniards and later the Ottomans. The second chapter is devoted to biografias of 204 scientists who have regrouped of different payrolls biográficos.Cada biography contains personal data, cultural and professional individual. The third chapter, and perhaps most important of the thesis, it is in fact the survey of 204 ulema. The fourth and final chapter is dedicated to the families of the 204 sabios.Viene headed by a survey of researchers and conducted on topics parecidos.Son 18 families. The biography ends with the thesis that we have handled.

Author: DÍAZ MARROQUÍN LUCÍA.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The term of affection is a universal concepts within the European artistic history. Its history stretches from the days of aristotelismo until the updating of the classic poetic and pathetic theory in a world Rationalism and the expansion of thought Jesuit postridentino. In trying affections from theorists, musicians and librettists of the Italian Renaissance to the Baroque Spanish playwrights, passing through hundreds of musical scholars and teachers of rhetoric and poetic Italian, Spanish, English, French and German:) which works composed between centuries XVII and XIX. The dimension is affectionate and inescapable in the interpretation of the textual heritage, music and visual heir of humanism. The emotional dimension, codified under the ethical aspect at the outset, and extralimitada as passionate in a world Rationalism is what gives rise to any reconstruction contemporary techniques for interpreting classical repertoires as Baroque music drama. Techniques sign describing the treaty classical rhetoric and descriptions of the techniques of public speaking sacral, along with several witnesses present in treaties and poetic music Spaniards, Italians, French, Germans, British, etc.. Used to set up a theory of interpretation vocal, musical and gestural similar to the one at the time could serve for theatrical interpretation. These sources are useful also for the entire reconstruction and staging tctual the dramatic baroque repertoire.

Author: BAUDET FRANÇDISE ESTHER.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The huge gap that men feel is, at times, overwhelmed. Then I have the intuition of a unit that filled and what you want to capture. This experience is the possibility of salvation, the starting point toward something unknowable that the poet calls "the mystery" and that gives man his weight of reality and its true greatness. The Mystery reveals first, the great man's wound without which it would not attempt anything, and then, little by little, for a movement that seizes the world and the word, also reveals the sacred which inhabits, in Beyond here they are. The Mystery articulates all the stages of this great adventure that is the spiritual poems. This dynamic concept represents God in abstentia, what is accomplished, the man's identity secret. It also indicates an encounter possible, some Weddings that exist in a delicate balance Yque never would consummate. The nature is fraught with this mystery that man must learn to discover. Light, fertility, smells, tastes, all of Provence children's poet emerges again around the world. The challenge of the poet is saying that unspeakable reality-hence the critical role of language in his work, we show how it does and what it brings to the mystery man.

Author: AL EWAIDAT ALI.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FILOLOGÍA.

Summary: Our work consists of five chapters; The first is divided into two parts: the first part is devoted to al-MaqqarI talking about his life, family, travel, teachers, and works disciples, and the second part is dedicated to his work Na.fl : zal-Tib on the history, content, valuation issues, summaries, translations, studies on Na.fl: zy fm by the Manuscripts of it. The second chapter deals prison captivity and in the early days of Islam, the Koran, the Prophet's tradition and in the era of orthodox caliphates. The third chapter speaks from jail and captivity in al-Andalus, talking about jail and captivity in al-Andalus, the kinds of prisons, privileges and rights of captives and prisoners, the punishment they receive both. The fourth chapter contains the Dfwan of writers imprisoned and held captive in al-Andalus that appear in Na.fl: zal-Tib, tried to shed light on their biographies, bibliographies and sources, detention or captivity, or studied his works translated, his verses in jail or in captivity that appear in our book, which works with the account al-MaqqarI and their poetic works with a short commentary on each piece or casida. The fifth chapter is a critical study, in which we talk about the topics covered by the captives and imprisoned, also provides an analysis poetic trying chain musical, poetic images, the use of animals and colors fm.

Author: DIAZ DIAZ JUAN ALBERTO.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD CIENCIAS DE LA INFORMACIÓN.

Summary: This thesis: Profile Íntegro of Gaston Baquero, as its name implies, reflects the life and work of renowned journalist, essayist and poet Cuban purposes of disseminating their work relevant and important to the letters hispanas.Divulganción that was denied in life during his long and painful exile in Spain. It begins with his biografía.Se discusses various facets creative: lecturer, essayist, articulista, prologuista, art commentator and poet. It adds an exhaustive bibliography case that reviews their publications around the world: newspapers, magazines, books, catalogs, etc.Soló are excluisas those publications that can not be found outside Cuba, and that we were unable to gain access on the grounds obvious. In the absence of any reference of this kind on the author, this book is a mandatory consultation document for future scholars and researchers around the world.