THEORY ANALYSIS AND CRITIQUE OF LITERATURE, 3

Author: MAHMOID ALY MEKY MARIAM.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FILOLIGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The myth of Don Julian and the loss of Spain has been one of the most widespread myths in Spain in the Age Media.La evolution of the same has been very slow over the centuries pasados.En the twentieth century when changes puento sight towards this mito.Juan Goytisolo is the best ejemplo.Mediante some chronicles of the history of the history of Spain, Romancero and novel Goytisolo Claiming the gift Julian Conde, will provide an overview of the evolution of this myth. Work collect some of Freud's ideas about the psicoánaleisi to study the psychology of the characters, Mircela Eliade to study the inicianción and dominant religious sense at the time and Gilbert Durand for alnalizar the estructurasa anthropology of the human imagination creates the myths. We discuss some romances closing cycle myth of Don Julian, who represents another myth: Sin Original.El analysis of the novel would lead to the same conclusión.Con this background study and in the case of the novel, so too discover the evolution of our myth.

Author: HERNÁNDEZ DE LA FUENTE DAVID.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis is devoted to the poem "Dionisíacas" Nono of Panópolis, and the last great epic (more than 20,000 verses in 48 songs) of the Antigà ¼ edad.Se proposes a new interpretation of it in relation to other works attributed to the author, a paraphrase homérico verse in the Gospel of St. John, in the context in which they were written (Egypt's sv). after considering the historical context, geopolitical and religious, the thesis provides a detailed commentary of the poem, style, structure and content , and a thematic analysis of the plot (and epic myths of Dionysus) divided into 6 sequences míticas.Todo it characterizes the "Dionisíacas" of a work of Nono com syncretism estético-literariro (through a poetic "barroquista") and religioso-subjetivo (through a certain spirituality and the presence of the author). Ultimately, the aim is to reinvidicar "Dionisíacas" as one of the great works of Greek literature, in an era of hybrid and transition, and provide a exégisis valid work of Nono of Panópolis.A this is added a study of the survival of the poem in the arts and letters and a epílogos on its presence in Spain through genetic codices of El Escorial and certain literary echoes. (It comes as annexed the primiera translation Castilian of the songs 37-48, designed to complement the Spanish version of this long poem.)

Author: PÉREZ PÉREZ ELIA.
Year: 2004.
University: OVIEDO.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis is a systematic study and exahustivo of female characters in the drama of Ben Jonson from a structuralist. The study is divided into three parts: comedy, tragedy and drama of court because of the clear differences that presents the female characters according to the literary genre. The characterization of women in Jonson is determined primarily by the nature and purpose of the book: the comedies are realistic and estirizan flaws of the characters, the tragedies are faithful to history and the theater cutting the choice of characters an idea of praising the king and his court and present a perfect world and idealized. The analysis of the female characters in the light of literary genre conventions and ideas and social status of women in the era of Jonson possible to assess the importance of gender in the characterization of the female characters and how the literary conventions affect the representation female in the theater of Ben Jonson.

Author: ARMENDÁRIZ ARMENDÁRIZ CLARA IRENE.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: In a globalized world of desmitificacines, Mexico is no exception, in this country gave derrolta of mythical invincible PRI political party in the election year 2000.En an environment desacralizande universal theme of demystification as literary analysis study is very escaso.Por this reason, this paper proposes hacr a contribution to that effort, which shows the process desmitificador through lujso some narrative strategies by four novelists mexicanos.La dismitificación the Mexican reality is directed to the areas historical, political and social, for taking this important moments of the past three Mexican whose tickets are reflected in six novels seleccionadas.Este work is not a historical study, political or sociological, but analysis literario.El primary objective of this research is to demonstrate the use of novelists who make some narrative strategies to achieve the demystification and, with it, trying to get readers to think in a different version of the last of Mexico offered by history oficial.La raw material of the study comprises six Mexican novels cutting histórico.Tres of them are Joge Ibargà ¼ engoitia: Steps Lopez, The lightning August and Kill the lion, which are the backbone of trabajo.A these are matching other three other authors studied in pairs The seducer of the motherland Enrique Serna, Columbus Ignacio Solares and Arráncame life Angeles Mastretta.Su joint is because each pair of novels contains a subject or a period semejante.La methodology for anánlisis is based on six traits that Seymour Menton attributed to the new historical novel of Latin America and that, in this study, are seen as narrative strategies to achieve desmitificación.A these tactics is compounded irony, satire and humor, to be with matizan the inclusion of certain features of the Mexican idiosyncrasy.

Author: TORRES PRIETO SUSANA.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The bylinas Russian long narrative poems survival oral have raised numerous issues about its origin and transmission in the past two siglos.En our work we have tried to bring a new perspective to the application coming to these texts the methodology applied successfully to etudio comparative Indo-European story structures in order to try to give a definition of typological the bylinas as gender. This reference is made to the hero and his choice of hero viajes.La was imposed in a literary tradition like this in which the hero, as an individual, personifies the values and aspirations of the elite social and cultural Russian centuries XI-XIV.Los travel hero, as a key element in the structure of the story and as an essential element in the presentation of the hero as the fate that awaits him, we come upon our analysis as the reason Central and propose even that is the "dominant" (within the meaning assigned R. Jakobson) of artistic creation. Similarly, the internal analysis of the different travel versions analyzed, ie, the structure and internal and external motivation and the fulfillment of these objectives, we have been revealed as a useful and relevant to the revision of the classification of bylinas by their subjects and try a new grouping. It also addresses the problem in the aforementioned thesis on the origin and transmission of bylinas, trying to bring this major problem results from the comparison of these genres parallel with the different versions of epic gentlemanly and popular medieval Europe, as well as the detection of these references from sources cultured and religiosas.Éste this issue is a step in the argument and that is offered as a starting point for further development.

Author: CURROS MAZÓN FRANCISCO JULIÁN.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FILOLOGÍA.

Summary: This thesis deals with the strong relationships and interdependencies between the acquisition dela cultural competence in learning a foreign language, factors sociolingà ¼ isticos within the teaching / learning of a L2 and the image of a country and its culture and their applications in the class of a second lengua.Todos these issues, framed in a very definite: the teaching of Spanish to American students in two fundamental vertices (teaching in Spain in a state of immersion) and teaching students in the United States and learning inheritance. This offer teachers that Spanish teachers with these two types of students reference material, both theoretical and practical, they can serve for an improvement in the quality of teaching and it is, at the same time, supplement to ensure that their students will acquire the marvelous achievement of a personality much more open and humane through learning our language and culture.

Author: NARANJO VALENTÍN JOSÉ RAMÓN.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.

Summary: The thesis is an investigation into the mythology in literary fiction in Latin American culture maya-quinché specifically linked to his work summit, the "Popol Vuh," and the analysis and comparison with other mythological and literary documents Quiché. The thesis deals with the specificity of culture mythical maya-quiché, as well as their affinity with mythological constructions of other times and places, from the perspective of imaginary mythical common, psychology, anthropology and comparative religions through an interdisciplinary approach and the search for identity and creative mythological creature of the human and timeless ahistórica.

Author: GARRIDO LÓPEZ M. DEL MAR.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: I.U. ORTEGA Y GASSET.
Place of preparation: I.U. ORTEGA Y GASSET (UNIVERSIDAD COMPLUTENSE).

Summary: Ricardo Rojas was an Argentine intellectual prestige of the first half of the twentieth century who, in spite of the abundant literature, there is not yet a systematic study and complete. This research is aimed at both primary draw a biography of the intellectual author. It seeks deeper and systematize the trajectory of an intellectual thinker known almost exclusively for their contributions to written Argentine nationalism. This goal was followed by two equally important: first, to bring new elements to the understanding of the history of Argentine first quarter of the twentieth century from the perspective of the intellectual elites and their influence on social and political life and then instead, understand the complexity of the various Argentine nationalism that was generated in the first half of the twentieth century. It is therefore based on the assumption that there was not a single nationalism although the flow of right-wing nationalism Argentine has fagocitado the concept. To understand Rojas explores their stage of youth and influences on the horizon intellectual peers common to other authors, called Centennial generation. It also investigated the influences intellectuals Argentina received from Europe, in the midst of a crisis positivist and efecvescencia spiritualist, together with the evolution towards more exclusionary nationalism. It examines the influence of French and German nationalism. Moreover, throughout the investigation concludes that these currents of thought did not come directly but through Spain. In this sense, are central personal and institutional relationships with Spain, both on the trip he made to that country in his younger years, and through letters contacts with representatives of krausismo regeneracionismo and Spanish. Another line is the key thematic analysis Rojas as a collective memory configurator around the Argentine nation, an imaginary national official to investigate not only in his writings but in its institutional work, seeing their possible involvement in the initiative conformadoras a argentina reforzadoras official culture and the role of intellectuals in society. It therefore demonstrates the importance that Rojas had as a diffuser of nationalist discourse, from this mission conformador public opinion, a collective historical memory and a cultural imaginary Argentine. To do so, not only analyzes their production oral and written, but their participation in the creation of educational and cultural institutions in the service of the project nacionalizador. It also deals with the late entry of Rojas in active politics. His affiliation with the Radical Civic Union was in the mid-30, at a time of crisis in the Argentine political system and a time of transition in his own radicalism. Their contributions within the intransigent radicalism are analyzed as a manifestation of nationalist project defended. The thought of Rojas was determined by his conviction and defend the democratic republic of Law Saenz Pena, as well as a sign of cultural nationalism. The grounds of infeasibility and no continuity of his thought seemed rather in relation to the tension between liberalism and nationalism inherent in their thinking, and a willingness to particular style that made aging too fast content housing.

Author: FERNANDEZ CHAPOU M. CARMEN.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE LA INFORMACIÓN.
Place of preparation: FACULTAD CIENCIAS DE LA INFORMACIÓN.

Summary: The thesis The New Journalism in contemporary Hispanic press is a comprehensive study of this journalistic trend called New Journalism, born in the United States in the sixties, as well as their influences in journalism writing Hispanic today. The research part from the fact that ordinary American was at the time an original formula and effective information mixed journalism to literature and fiction exercised research and complains that, although over the years it has losing vitality, its major aspects have gone beyond their context, as an alternative formula conforming to the style of the uniformed contemporary Hispanic press. The main issues that are addressed in this work, so are the relations and mutual influences between information and the creation, between the different genres and literary and journalistic concepts, as well as the media and its historical and social contexts. Over the work addresses the various definitions, characteristics and authors representing the trend in the United States, from Truman to Attract Tom Wolfe, as well as major works, publications and authors in Spain and Latin America have shown characteristics in common and influences of that style, from traditional confluences between the novel and the film, until the works literario-periodísticas most current. In addition, the research focuses on the analysis of Rolling Stone magazine, in its editions American and Spanish as a model example of the flow and its influence in other areas, and the newspaper El Pais for the study of different styles again Hispanic newspaper today. The main aim of the thesis is to show the validity and advantages of post-Nuevo journalism as an alternative model in the current context of the information in English.

Author: BLANCO FRESNADILLO LOURDES.
Year: 2004.
University: MÁLAGA.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: The work focuses on the analysis of the novel by Manuel Mujica lainez, a novelist in the Prado Museum, understood as a literary testament that hides a Poetics cifrada.Partiendo an inductive method, responds wing importance of symbolic language that serves as the nexus code iconic yel code lingà ¼ istico, in the service of the representation of Tiempo.El study is extended to the historical novels of European theme, Bomarzo, unicorn, and the labyrinth The beetle, from the unitary approach that comes from the primacy of the artistic. Considering Mujica Lainez as a writer mannerist, attention to the design tight, the value attached to the image and structuring on the code of melancolía.Éstas pose fundamental avenues of this investigation confluent in the representation of time, Saturn, planet regent of the melancholy that has served to the definition of the artist and the sublimation of art throughout history.

Author: CASTILLO LANCHA MARTA.
Year: 2004.
University: MÁLAGA.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD DE MÁLAGA.

Summary: The thrust of this research is to implement a new literary historiography focused on the public as a producer of the multiple ways that the theater is capable of hosting lorquiano along its historia.Desde the core of the theory of receipt and using the methodology undertaken by the School of Constance (W. Iser HR Jauss and others) rebuilt hermeneutical dialogue established since 1920, when it is his first release, until the mid-70 when it is interpreted to Lorca from the paradigm of the symbol, as irrational and poetic, coinciding with the realization "exemplary" that the author wanted for their obras.Los twelve chapters that structure this thesis are shaped by synchronous significant cuts to show how Garcia Lorca breaks with his new theater different horizons of expectations, the refusal to pose such innovations and how they will be assimilated below its innovative concepts inserted finally tradition.

Author: CIENFUEGOS ANTELO GEMA.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: Francisco de Avellaneda (1623-1684) was one of the entremesistas most fertile of the season Calderón.La Most of his works remain unpublished or scattered in articles and anthologies, there were hardly any information on the life of playwright and theatrical body it attributed contained numerous errores.En this dissertation meet the biographical notes that aprotaban various scholars, as Cotarelo or La Barrera, and grabs contrast with the new data shows that research on the various facets of the author's personality: his working as a censor of comedies realizes its relationship with other playwrights peers (Moreto, Matos, Diamond, Quirós, Calderon, etc..) with one of whom, in addition signed several comedies colaboradas; his poetic shows its relations with the aristocracy and power. The study theater short of Avellaneda, once established body of attribution safe, it takes into account various aspects; genres, themes and characters, language and style, elements of representation and métrica.Por other hand, have been analyzed different the works that were written for the celebrations of the Palace and which were written to be represented on public holidays or in pens comedies. It was published three eulogies, twelve entremeses three mojigangas, seven dances, three jácaras and four works of attribution dudosa.La edition takes into account all the evidence found and includes a REGISTRATION VARIANTS and CONTENTS OF LETTERS; each of the pieces opens with a protadilla in which includes information on the circumstances of their representation, concomitances and differences with other works in the same case and features most of the rates involved.

Author: GONZALEZ CAMINO BERTIN M. PHILIPPINE.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD CIENCIAS DE LA INFORMACIÓN.

Summary: The realistic movement in the nineteenth S. will give the novel strong social content, has been undeniable source of inspiration for the authors of the narrative South American mid-S.XX. Stendhal, Balzac and Flaubert placed to society in the origin of certain assault to sexual freedom behind the figure of the marginalized, and Mario Vargas Llosa echoing the wise "vision premature" has made the exclusion related to the assault sexual freedom, one of the central themes of his novels. The social, psychological and legal addresses here very bravemente occurred between centuries that separate these authors, compel us to define aggression for sexual freedom to locate and place it inside the literary and measure and its impact on the environment social much of the novel as the narrator and the author. The conclusion that emerges from the comparative analysis is that society both in S. Nineteenth as at present, we are addressing both from the point of view of these subjetivada authors who represent the social conscience of its time - is at the origin of many of the violent actions and therefore measures to solve them should go through it. The testimony that we offer novels, texts and private epistolarios are an essential document for the study of many human behaviors, and in the case of attacks on sexual freedom promote reflection and discussion to move forward in the search for solutions.

Author: ALI AL-SAID ALI DABBOUR MOHAMMED.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The objective of our work focuses on the one hand, the study of economic theories and situations overall prices in the normal circumstances, and secondly, the study of the main factors influencing negatively on its change because we have sought to explore prices and some economic theories related to Arab sources, especially the question of pricing and price controls, as we try in this part three main points; The lawfulness of the pricing, valuation and wrongfulness of unification price souk, then economic theories deducted Ibn Jaldà ¼ No on prices and the main elements to consider in setting prices. We have also tried, within which it, collect all possible data from various sources to form a textual image on the cost of living, prices of foodstuffs and manufactured goods, because we talked about the prices of real estate, prices utensils and household items such as furniture in the house and kitchen utensils, prices of clothing and textiles, prices of the instruments and working materials, prices of gold and jewelry, prices of livestock and Finally, prices of foodstuffs. In addition, we will see, through the textual references, factors that have a direct or indirect influences on the economy and provoke subid, at the prices in the Maghreb and al-Andalus during the period studied, then try the political upheavals, the agrarian crisis and depression and its influence on the economic situation in general and on prices in particular have spoken of the unrest weather disasters and famine. Also, and finally, we talked about the disruption of war, the war of siege and the rising prices; because we talked about the siege as a serious political war and its influence on the economic situation in the besieged city and in particular on prices . In addition, we tried the issue of the devastation of farmland caused a serious economic depression, a terrible lack of economic resources and thus, an extraordinary rise in prices.

Author: REY TORRIJOS ESTHER.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The doctoral thesis under the title The Narrative Elizabetb Bowen: Exploring Cultural Aspects and Formal poses a critical reappraisal of the work of Elizabeth Bowen's fiction, one of the most prolific writers and respected by the public for his time and more unjustly forgotten critical trends dominant for much of the twentieth century. This study has emerged as its main objective to analyze the extent to which the work of this author, apparently a model of stability and submission to the literary conventions of the novel is realistic, however, the forerunner of the fundamental changes that prompted the development of contemporary fiction, proved to be as focused on the issue of the identity of the subject, communication difficulties of modern human beings and the concern about the passage of time. Using different approaches teórico-críticos, this study part of an exploration of the topics discussed more often in their stories, continues with an analysis of the literary landscape in the most recurrent literary author of this and just focus on the peculiarities of the characters principal of his novels, usually female characters, as well as the relationships established with these characters other minor characters, usually maternal figures alternatives. Then the critical analysis raised here is focused on exploring the fundamental significance of the so-called static characters (landscapes, places, buildings and objects), and outline the use of an abundant wealth of symbolic and mythical references as mechanisms to evoke all elements extrasensoriales or subliminal underlying description of the commonplace of the characters. In close connection with the myths and symbols has conducted an analysis of the ability that the works of this author have to evoke literary own or outside in a constant expression and creation of a literary own identity. Finally, a detailed analysis of all these aspects has allowed decrypt the keys of his own literary literary universe, observe its profound artistic uniqueness and value the importance of their contribution to the Western literary tradition.

Author: MORENO JIMÉNEZ M. DEL ROSARIO.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.

Summary: The objective of this dissertation is to study the issue and Infanta seduced, cycle romancístico that documented since the sixteenth century through three models textual designadoscon the incipit ancients Parida was the Infanta, Well thought the queen and Time, the gentleman, to the present day in the five languages of Romancero traditional oral transmission panhispánico (Castilian, Catalan, galician, Portuguese and Judaeo-Spanish) for a total of half a hundred modern versions released in the body. The complexity of the cycle is provided by a wide variety typological: from a core argument seemingly simple pregnancy illicit an infanta and conflict means that the girl is not married, or at least, have not been made public their weddings, which obliges it to try to hide, no fortune, his embarazoante their parents, the king and queen, the narrative tradition has explored developments very diverse, drawing on all elements drawn from more than ten different romances (Tamar, Delgadina, The Count Alarcos, The Count Claros habit defraile, The slander of the queen, won the bet, Polo, etc..). Once edited with a comprehensive apparatus of footnotes, indexes and glossaries, and studied in detail the different subtypes that match at The irifanta seduced, discusses the vision of the family offered by the transmitters, creators and / or recreadores of modern oral tradition, from study of the body and other items romancísticos related, demonstrating the variabilidadque characterizes Romancero is also very evident in the structures of kinship behind the llarración, acting with particular detail to the figures of the father, mother, the concept of the nuclear family and extensaya endogamy, exogamiay incest. The thesis is completed with a Excursus intended to demonstrate that parthenogenesis or pregnancy miraculous documented through incipit The Weed and The source fecundante majority in the área.castellana, is a form of poetic euphemism since the Middle Ages and in different cultures.

Author: MOHAMED SAID ABDEL FATTAH AMR.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis consists of an introduction and three chapters, in addition to the findings, a collection of poems arábigo-orientales, which are scattered throughout the various poetry books of the poet and literature. The first chapter deals with] exoticism Arab-Muslim between rejection and] fascination. In this first approach trying to explain the term and its connotations exoticism, focusing on the Arab-Muslim. Also try the origins of exoticism in Europe, the rediscovery of] Arab-Muslim through travel and expeditions to the Orient, and the genesis of such exoticism in the European romantic literature. In the second chapter, we address the issue of Eastern exoticism and arábigo-andaluz reflecting the modernist works. In this, we will, in principle, a journey general] to European literature, ending with the figure of Villaespesa Francisco, as an author árabe-español that excels in singing the glories of their race, clarifying the causes of their particular passion for the Andalusian Arabic. Also, on the one hand, to show the different viewpoints of the writers and critics of contemporary poet on his work and his poetic and, on the other hand, will comment a speech by e] poet containing a very clear its ideals and aesthetic preferences and thematic. In the third and final chapter, will deepen in the poetic work of Villaespesa and, more specifically, in its cycle arábigo-andaluz, undertaking an analytical study of semantics and morphosyntactically court of works within the same lyrics. We ended with the conclusions of our work, followed by an appendix of the organization and titles of the various sections of poems and books discussed, as well as an anthology of poems by the author Orientalist themes that are scattered throughout different books of poetry obviously non-books that we feel representatives of such thematic and analyzed in this paper, and finally consulted the relevant literature.

Author: JUAN GINÉS LUIS J. DE.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: U.C.M..

Summary: The thesis discusses three aspects of space fiction applied to the contemporary English novel, namely the configuration space, the role of theory in the space of all possible worlds, and its constitution as an essential element of the concept of cronotopo coined for M. Bajtin. Since our work is part of the discipline of Literary Theory, the inquiry procedure we followed consisteen a review of the relevant studies on the matter, set against, whether by marriage or by constraste. These theories are exemplified through analysis applied to the area of a cast of novels published between the years 1980 and 2003. The goal towards which the thesis is aimed at showing the importance of space as a constructive element of the novel and specific contribuación the consistency of the novel.

Author: RAMOS GARCÍA HELENA.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The emergence of a utopian stories in Greek literature has commonly associated with the figures Hipódamo of Miletus and Faleas of Calcedón, especially Plato. However, all these are elements that are common literary undoubtedly related to the mythic tradition earlier. This enables us to ensure that there is an important relationship between myth and continuity utopia. As proof of this, the present study focuses on four legendary communities of special relevance in Greek culture: feacios, cíclopes, Ethiopians and hiperbóreos.

Author: DAMSESCU ADRIAN.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FAC. DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The theory proposed by the present writer's literary Romanian VASILE VOICULESCU (BUZAU, 1884 - BUCHAREST, 1963), one of the most important figures of the Romanian literature of the twentieth century, yet little known in Spain, despite the recent translation of part of its narrative and its publication by the publisher ESPASA - CALPE in 2002. The main focus is, as the title suggests on the aspect of realizing the fantasy element, which is a kind of magical and wonderful folk inspiration, becoming clear space / time typical of the author. At the same time, the genus to which most attention is given prose is not overlooked by the fact that VOICULESCU was also a prominent playwright and poet whose work, cutting mystical and spiritualist, was awarded two major literary prizes. The final chapter compares and approaching VOICULESCU to Spanish-speaking authors of a similar style, especially linking it with the flow of the so-called American magical realism.