THEORY ANALYSIS AND CRITIQUE OF LITERATURE (4)

Author: AMAHJOUR AZIZ.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The oral tradition is a Mexican tradition very rich and complex, at the confluence folk elements from different ethnic groups. A sicretismo which was first among indigenous cultures and then enriched with another produced by elements introduced by the conquest. The Mediterranean tradition is a new tradition that has been adding to the complex fabric of Mexican folk culture. Our primary objective has been to study the oral tradition in Mexico. If we approached the Mediterranean is because we believe that in this way will clarify many aspects of the first.

Author: CAMPILLO ARNAIZ LAURA.
Year: 2004.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS, UNIVERSIDAD DE MURCIA.

Summary: The fundamental objective of this thesis is to explain the significance of cultural elements into three works of Shakespeare (Henry IV, Measure for Measure and The Winter's Tale) to subsequently determine whether translations of them intend to William Macpherson, Luis Astrana and Jose MÂ th Valverde, let readers know Spanish aspects of Elizabethan culture. The thesis is divided into the following chapters. The first chapter, "The translations of Shakespeare in Spain", provides a global perspective of how it has been receiving from Shakespeare's plays in Spain from 1772 to 2004 through one of its most important translations. The second chapter, "The culture and the cultural elements", focuses on defining the concept of culture for comment below a critical work dedicated to the cultural elements and suggest a definition. Chapter 3, "Study contrastive", sets out the objectives of the investigation, the method of data collection and technical analysis of the cultural elements. These are discussed in various sections relating to the selected entries and their translations into Spanish, elaborated on the analysis technique used for translation into Spanish and pouring the solution allows readers to meet Spanish cultural aspects of Elizabethan society. The analysis of each work concludes with a series of reflections on translations studied. The fourth and final chapter, "Concluding remarks", reflects the conclusions that have been obtained from the study of the cultural elements, as well as each of the selected translators and the impact that their translations have caused during the reception in Shakespearian Spain. The thesis includes a summary in English and a database on CD-ROM in which details all the translations that have been made of Shakespeare's plays in Spain from 1772 to 2004.

Author: D'Aquino Alessandra.
Year: 2004.
University: MURCIA [www.um.es].
Place of defense: Departamento de lengua española.
Place of preparation: Murcia.

Summary: This paper intends to analyze like Juan Ramon Masoliver been translated into Spanish novel Quer pasticciaccio brutto Via Merulana the Italian writer Carlo Emilio Gadda, his pastiche lingüstico and philosophical systems on which the novel 1957. At the same time proposes a vision of what has been disseminating the works in Spain and the receipt of the publishing world, in literary circles and the public at large Spanish

Author: GONZALEZ MARIA CLAUDIA.
Year: 2004.
University: SALAMANCA [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This thesis investigates stories of the Argentine writer Abelardo Castillo included in the volume Stories completos- The worlds real (1997). Proposes an analysis of these stories throughout the book Castillo, linking in a dialogue with the rest of their production. It aims to demonstrate the unique worldview that the author reflected in their stories, which recognize the anguish of human beings in full confrontation with the world. The ideological framework chosen for the analysis of the stories is the beauty of the absurd from a thematic point of view. Applying such a prospect looks at the rhetorical strategies that support the author's worldview.

Author: Pérez Bosch Estela.
Year: 2004.
University: VALENCIA [www.uv.es].
Place of defense: Facultat de Filologia.
Place of preparation: Facultat de Filologia.

Summary: The first two editions of the overall songbook (Valencia, 1511 and 1514), the largest and most important collection of Spanish poetry of the fifteenth and sixteenth centuries, have between its pages a wealth of poems for a score of authors of origin Valencian as significant presence in the songbook can be interpreted not as a mere tribute to the locally produced by the compiler, but also as a sounding board for the literary and cultural activity that characterizes the Valencia entresiglos, which crystallizes in poetic competitions, private gatherings , poetic exchanges on topics varied, and so on. The castilianization cultural product of the social and political castilianization the kingdom under the reign of the Catholic kings is not synonymous with decadence during the period studied. The study of the texts reveals, among other things, that the contribution of Valencians documents not so much a shift in the attitude lingüstica as enriching the discovery by class counsel of some models Castilians of undoubted prestige. The roster of authors, which reconciles different generations of poets from very different social and cultural development, consists of Mosén Aguilar, Jeroni dÂ'Artés, Mosén Cabañillas, Lluís and French Castellví, John and Alonso de Cardona, the French Carroç Pardo Casta, Serafí Centelles (Conde de Oliva) and Leonor Centelles (marquis Cortón), the two Lluis Crespí of Valldaura, father and son Bernat Fenollar, Francesc de Fenollet, Juan Fernandez de Heredia, Jaume Gassull, French Mompalau, siblings Luis and Enrique de Monteagudo, Vicent Ferrandis, Miquel Peris, Joan Verdanxa, Jeroni Vich and finally Narcís Vinyoles. Poetry author Valencian, debit, however, the ethics and aesthetics of the fifteenth century Spanish song, is the starting point for this thesis, which has the slogan studying these compositions within its relevant historical background , social and cultural systems as well as the setting of texts -compuestos mostly tongue castellana- according to the parameters of textual criticism. The thesis consists of two parts, dealing respectively of the study and editing of texts. The first part describes and analyzes the framework within which carries the poetic work of the Valencian; provides a brief historical overview of Valencia on the Five Hundred, on the origin and development of poetry in the Crown of Aragon, on the tradition cancioneril Spanish, and finally on the songbook general framework text immediately. This first block of the study also contains a detailed analysis of the entire corpus of poems (themes and motifs, characters, styles, style and language, etc..). The second part contains the annotated edition of the texts, from the testimony provided by the songbook overall 1511 and 1514. The transcript of each poem, based on rigorous criteria edition as detailed in the beginning, is accompanied by a summary that meets the most relevant textual data: identification of the source and text, complete list of other witnesses coming or not songbook general and there are other modern editions. The poems, grouped by author, conveniently identified in the respective biographies, are subject to particularizada attention in this part of the thesis, which in addition to providing the text of the edition, it tries to establish the main foundations for reading and interpretation, since literary broader aspects to the most particular and specific to each and every poem in particular author (parallels with other poems of the songbook, intertextuality, balance between tradition and originality, and so on. thesis closes with some texts in an appendix and an index the first verses, apart from the usual bibliography end, which discriminate between primary and secondary sources employed as theoretical support of the investigation.

Author: LLORENS RUIZ MIREIA.
Year: 2004.
University: POMPEU FABRA [www.upf.edu].
Place of defense: DEPARTAMENTO DE HUMANIDADES.
Place of preparation: DEPARTAMENTO DE HUMANIDADES.

Summary: The title of this thesis presents the two-pronged nature of autobiographical writing. Indeed, Siegfried Sassoon is the author of the memoirs of George Sherston that narrate children and youth of the protagonist in the idyllic countryside of southern England, and then their participation in the First World War, especially in the desolate landscapes of the trenches of the western front. The figure did not match the real author, famous writer of poetry of war, along with other poets such as Wilfred Owen, Edward Thomas, Isaac Rosenberg or Edmund Blunden among others, and the narrator and the fictional character, George Sherston mark the distance determines the attachment of this fictional memoir, however, accurately describes the vicissitudes biographical documentary most relevant Sassoon. Therefore, we are faced with a typical case of fiction novel in the first person, or perhaps a fictional autobiography, since in both cases the asymmetry of the bodies of the author and narrador-protagonista punish the pact at the expense of fictional autobiographical pact as defined by Philippe Lejeune. However, the identity of the author, narrator and protagonist that legitimizes the way reading is an autobiographical reference or contractual effect subject to variability historic, in this case, has not prevented the compatibility between speech and his autobiographical fiction pragmatic function within the referential speeches. In this regard, the work of Sassoon uses the memoir genre as a strategic allows one hand freed from the matrix autobiographical through the invention of a fictional character, a fictional construction of its own self, and the deployment of narrative techniques that they had characterized the fictions of Modernism in the third person, such as the use of self monologue or indirect free speech. For another, this is an autobiography that while using the resources of narrative fiction, it is proposed as a true testimony of the First World War and as a constant reflection of the complexity of memory, the paradox between the fascination ethics, often unconscious, and the repudiation of war, or the urgent need to transcend and communicate the experience of war as a chronic pain and as a warning to future generations. Sassoon's work is so in the epicenter of the epistemological and literary renewal that took place during the period between the two World Wars, under the backdrop of the war with a political horizon marked by social turbulence and political and economic crises. Also, this thesis raises the relevance of the literature of war in the debate on modernity and the postmodern literary, as it is commonly referred to the writers of Modernism enshrined when, for example, the autobiographical trilogy of Sassoon introduced many features formal attributed to expressions narratives representing the modern and postmodern sensibility. Sassoon, like other writers, speaking on the emergence of hybrid forms autobiographical. One type of narration that vindicates its historical veracity and uses the techniques of prose fiction to transform the experience marked by chaos and confusion in a literary enduring and moving. Stories showing that the ethical commitment and literary vocation can contribute to the construction of memory.

Author: HERNÁNDEZ MAYOR M. DOLORES.
Year: 2004.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: The work aims at assessing the editing Sedulio published by Arevalo (1794). Following the introduction of humanist dela biography, description dela editing and studying the tradition in the editorial that is inserted Arevalo, the thesis focuses on the documentary the Scholia book's first Carmen Paschale. The Prolegomena are the basis for the study of the biographies and production seduliana. Along the analysis of its sources are extracted contributions from Arevalo. For example, elimna confusion of some authors who did not distinguish between the poet Christian Sedulio and exegete. Sedulio Escoto (s. IX). Arevalo establishes the canon of works sedulianas, later confirmed by publishers, with the exception of Epigrama (Haec tua perpetuae). In Prolegomena describes manuscripts, editing and comments Sedulio, which represents the most complete and valid even catalog sources. The Scholia offer thorough information about their sources. Arevalo mentions glosses, titles of chapters, and especially the uariae lectiones on which set its text. It gives an account in separate tables in the thesis offered an overview of the different texts Sedulio before Arevalo, which has been completed thanks to a matching staff sources by the author, they what is observed manuscripts mentioned how his citation reads, and reports of the omissions. It finds that the text arevaliano closely follows that of the Vatican manuscripts (including Reginensis 333 and Vaticanus 1665) and, in terms of issues, that are closer to those of Gruner, Cellarius and Arntzen. The value of the edited text confirms the coincidence with the release of Huemer 1885. The critical apparatus that the author adds an orderly and detailed reports of uariae lectiones they found Arevalo, which allows an understanding of how they read Sedulio in Humanism. It is also studying the annotations that among the varied information from Scholia, engaged in explanatio (metrics, places parallel, etc.), aimed at defending the exelencia dela poetry Sedulio. The study carried out suggests that the edition of Arevalo to Sedulio for completeness, great erudition and criticism, the culmination of a tradition begun in Humanism, and serves as a reference for studying modern criticism.

Author: PELÁEZ BENÍTEZ ANA.
Year: 2004.
University: AUTÓNOMA DE MADRID [www.uam.es].
Place of defense: DEPARTAMENTO DE FILOLOGÍA INGLESA.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: BE ANALIZADO THREE HISTORIC NOVELAS CONTEMPORARY ESTADOUNIDENSES WHOSE DIÉGESIS FICCIONAL SE LOCALIZA IN THE PAST OF THE HISTORY OF SPAIN (BETWEEN THE CENTURIES XII XVII). THE THREE HAVE BEEN ANALIZADAS AS CLEARLY EXPONENETES OF THE THEORY OF POPULAR CULTURE AND THE MASSES. And FELT IN THIS, THIS HAS BEEN UNDER USED THEORY, CONCENTRÁNDOME IN THE DIVISION PROPOSAL BY THE LINGUISA ITALIAN UMBERTO ECO, WHO ACUÑO CATEGORIES DICOTÓMICAS AND UP "APOCALIPTICOS" E "INTEGRATED. WELL, HE HAS BOTH HOW demonstrated the "HIGH" LITERATURE LITERATURE LIKE PEOPLE, AND ENDE, ONE OF ITS MORE CLEARLY EXPONENTES, THE BEST-SELLER, FULFILLING ROLE SIMILAR IN CONTEMPORARY LITERARIO OVERVIEW. PAULATINAMENTE, THROUGH THE ANALYSIS OF THE DIFFERENT FUNCTIONS LITERARY, HAS BEEN MADE OF RELIEF AS THE TWO TYPES OF LITERATURE AND CHARACTERISTICS OF PARTICIPATING FULFILLING ROLE SIMILAR. FINALLY BE ENDING AS ONE OF THE MOST RELEVANT FEATURES SHARED BY THE THREE NOVELAS IS YOUR CHARACTER REIVINDICATIVO AND WITHDRAWAL. FELT IN THIS, THE VISION OF SPAIN TEÑIDA OF BLACK LEGEND IS CONFIGURARÁ IN THE THREE EXPONENTES LITERARIOS, AS THE PERFECT PLACE FOR REINVINDICAR ISSUES SUCH AS VERY CURRENT: STERILITY OF THE WARS OF RELIGION, THE STATUS OF CERTAIN FEMENINAS AND MINORITIES HISTORICAL PERSECUTION OF THE VICTIM WAS THE JEWISH PEOPLE.

Author: GARRIDO ARDILA JUAN ANTONIO.
Year: 2004.
University: AUTÓNOMA DE MADRID [www.uam.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: If the proposal is accepted by Fernando Lazaro Carreter, for whom the Lazarillo de Tormes has to be taken as the first modern novel, it gender picaresque erguirse the benchmark original prose novel in world literature. So, the critical Hispanic occupied the golden prose continues to this day, without being able to delimit consensus on the strict nature of the picaresque novel: while some refuse to Lazarillo as true example of the picaresque and reduce the group picaresque Lazarillo and Guzman, some people just by making this a catch-label where arrumar background such as La Celestina and a progeny seiscentina. Daughters of such discrepancies were controversies over the years maintained by critics as outstanding as Lazaro Carreter and Bataillon, on the one hand, Parker and the British school of the other. However, the excellent taxonomies proposed by several critics from Claudio Guillen have a valid starting point for dissecting the novel until golden Spanish diagnose the exact picarismo of works that are picaresque. This research paper intends to analyze the progression of the picaresque novel Lazarillo up from its consolidation in Europe as a narrative variety. Our itinerary will lead us from Salamanca and Toledo of Lazarillo and, at the hands of errant Estebanillo Gonzalez, our research will be Europe, where the picaresque engendered a kind of literature cutting picaral that are the greatest exponents Gil Blas French and Simplicissimus germano until arrivar to Britain setecentina. Delimiting the picaresque genre fiction, proposed by the critical English-speaking, we feel it is imperative from the perspective of hispanismo, which only has been addressed with reference to Moll Flanders, in the view of Javier Sanchez and some investigative story. Coincidiremos with Claudio Guillen and Harry Sieber put in our research among the publication of Lazarillo in 1554 and that of Roderick Random in 1753. Our research demonstrate the absence of a British picaresque novel per se, except in the work of Daniel Defoe and Tobias Smollett, although the influence of picaresque stories Castilians was instrumental in the creation of the modern novel in the English language.

Author: IRIARTE VAÑO MARIA DOLORES.
Year: 2004.
University: SALAMANCA [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This work aims, firstly, to contribute to the study of post-war Spanish story through thematic analysis of the stories published over forty years in the magazine Ínsula, and secondly, to verify whether some constants remain formal permit reconsider the story as gender, regardless of periods, authors and subjects, applying to the body narratológica a methodology of analysis. That is why the work is divided into two distinct parts. The first part includes a brief overview of the history of the magazine to locate the body, and then differentiate the literary currents of post-war birth, development and decline through the critical essays from the magazine. After we have established a classification of thematic stories Ínsula in connection with the periods studied. The second part of our work is focused on the technical procedures employed in the tales of the corpus through the analysis narratológico the same, differentiating levels corresponding to the history and speech. The conclusions arising from analysis lead us to consider the breadth and variety of resources that are used, and thereby removes the myth reducer traditionally attributed to the compositional elements of the story to justify their specific characteristics. The many stories of static body makes us doubt the importance of the "effect" and the uniqueness of the subject that many authors out as generic features needed. Thus we have also seen the need to adapt the history and speech for brevity and economy of the story, as much as the attention at the end. In conclusion, we verify the technical procedures misused leading to lack of interest by some of the stories of the corpus and analyze the causes.

Author: CARRASCO RODRÍGUEZ MARIA DEL MAR.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGIA.

Summary: In S. XVIII confluence of a number of factors that facilitate the birth of English children's literature. First, we analyzed the formation of public child reader, focusing on four key points: the development of an educational system that facilitates access for a large portion of the population to a basic literacy, and the possible influence of some thinkers who came out a series of criticisms and proposals, sometimes utopian, on education, focusing on the concerns of some philosophers to give to children readings appropriate, the development of the printing press which facilitated the production of publications accessible, being part of the development of a consumer society in which he becomes book for the first time in a leisure resort, the birth of a new concept of childhood, because of ideological and socio-economic factors. Secondly, we conducted a survey of the first publications that are newly released public child reads; distinguishing between those that are specifically addressed to them and that no estándoles intended part of their readings. Among the latter are the adaptations of Robinson Crusoe and Gulliver's Travels. In considering the adoption of these works, we have concluded that the contents are mythological and folkloric those remaining in skeletal narrative of these texts, which made them familiar to the reader of S. XVIII and attractive for children in the last three centuries.

Author: DOMÉNECH RICO FERNANDO.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNIVERSIDAD COMPLUTENSE DE MADRID.

Summary: In the last days of 1702 arrived in Madrid from Italy, a company of commedia dell'arte to work at the court of Philip IV. The Italians were very popular among the public soon Madrid, which drew Trufaldines by derivation of the name of a mask, Truffaldino. For more than twenty years the company of Trufaldines represented in court and in two theaters public their Italian farce, leaving ample evidence of their activity in documents of the time. The traditional interpretation of these documents believed that Trufaldines were opera singers and introducing Italian opera in Spain. In this thesis attempts to demonstrate that Trufaldines were, in fact comedians dell'arte. It analyzes it for the characters and their masks, noting how almost all the players had a long career in comedy when they moved to Spain, as well as the short portfolio involving the works preserved in the Trufaldines, which are discussed under the Italian and French repertories of commedia dell'arte. One issue of particular importance is the possible influence of the Italian farce and the theatrical art of Trufaldines in Spanish theater of the early eighteenth century, and he devotes a vast part of the study. At least two playwrights Spaniards, Antonio de Zamora and Jose de Canizares, wrote imitations (or "trovas", as they call themselves) of "comedies trufaldinas." These comedies had a key role in creating a new genre, the "comedy magic," which filled scenarios Spaniards throughout the century. No less was the presence of Trufaldines in the theater soon, or even a very special event like tarascas Corpus, where the Italians appear to nenos three times. The Trufaldines built a theater in a former laundry public theater Caños del Peral, which is the origin of the current Royal Theater. In this thesis is rebuilt theater from documents and drawings preserved.

Author: AZCUNE FERNÁNDEZ VALENTÍN.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This Doctoral Thesis is on the one hand, a study by the House and unpublished works by Lope de Vega, and, second, a case study of two works very rare: Don Diego de Noche and never took little much. The text sets from all existing manuscripts and printed, scoring alternatives examination of elos are. The entry is wide, both for filológico as histórico-literario. The thesis is completed by the literature in order to perform the same has been used.

Author: HERRERO DE JÁUREGUI MIGUEL.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGIA - UCM.

Summary: This thesis tries to systematically analyze all references to Orpheus and Orphism on authors Christians, concentrated entirely in literature apologetic. This requires a prior research on the imperial era in Orphism allowing calibrate the distance between the portrait offered by the testimony literary, epigraphical papirológicos and pagans, on the one hand, and by the authors Christians. Following is done in-depth study of the sources of Christians and the role of references to Orphism in their texts, which is the central part of the job. From it emerges a twofold study that brings two new perspectives to the old question of the relationship between Christianity and Orphism: on the one hand, a systematization of the different Christian attitudes before a similar motion in part and in a very different part, on the other hand, through analysis of citations in which elements of orfimos old were similables to Christianity for the apologists and partly by the influence of his writings, also for the modern. Thus, the study seeks to provide a better understanding of Orphism old as religious and literary phenomenon, and at the same time, apologetic Christian literature as invaluable source of knowledge for him in particular Orphic tradition and religion and Greek culture in general.

Author: MAESTRE BROTONS ANTONI.
Year: 2005.
University: ALICANTE [www.ua.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD DE ALICANTE.

Author: BECERRA BOLAÑOS ANTONIO.
Year: 2005.
University: LAS PALMAS DE GRAN CANARIA [www.ulpgc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The doctoral Graciliano afonso (1775-1861) was an author little valued by the university generations of the twentieth century, and thus by the company canary, and this, despite all the efforts undertaken by some scholars who tried to undermine prejudices for his work meant that the trial negative Menendez Pelayo. The following research work of doctoral thesis facing the study of the following facets of doctoral: poet, translator, theoretical literature and ideologue. They were rescued his literary figure, with a consequent review of his creativity and critical clean ideological connotations easily questionable in the context of literature Canaries. It presents for the first time the inventory of the complete works of doctoral, as well as a proposal for editing with a view to possible publication.

Author: RODRÍGUEZ QUINTANA JOSÉ YERAY.
Year: 2005.
University: LAS PALMAS DE GRAN CANARIA [www.ulpgc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: Saul Torón Navarro (1885-1974) swelled the roster of authors that comprise modernism. This movement, characterized particularly intense in the Canary Islands, reserved for the inhabitants of the so-called Nova Romania to consolidate its voice, a voice that dissents from the originally expressed by the area traditionally regarded as a center. Modernism thus acquires letter nature in that space that needs to be the word. That space, the Atlantic Area, will invest at this time the usual inertia aesthetic to incorporate the voice of another total of writing in Spanish. In the Canaries, as authors Sunday Rivero, Tomas Morales, Alonso Quesada and himself Saul Torón are called to the refounding of a space, the city of Las Palmas de Gran Canaria, which is permeated by the idea of Progress and catapultada by the strength of his Port, a possible existence multiple and writing that nomine artificial world, which has intervened decisively man. Saul Torón essentially poet, overturned concerns similar to those of his poetry in his chronicles, in the three plays he wrote in his satirical poetry, gender combined with exercise during lyric few years of his life. His prose develops novelty of modern life. His theater, defined himself as costumbrista, hiding content with what undertake everyday inhabitants of the city of Las Palmas de Gran Canaria and nuances houses bordering what has been termed social writing. His satirical poetry represents the development of their intimate mischief and care with which the authors canaries watched the development of the Great War. Her lyrical poetry reveals transit between expansive and intimate. Among the copper coins and face the wall, Resurrection and other poems half a deed committed to modernism, with the decoding of modernity, with the biography of the poet and with the formulation of a poetic, opened by Sunday Rivero, continuing until our days.

Author: TUR PLANELLS ELENA MARÍA.
Year: 2005.
University: LAS PALMAS DE GRAN CANARIA [www.ulpgc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This work begins with a search for the components and mysteries of Beauty and the Sublime. The investigation has led to observe that, in the aesthetic experience, is always a veiled claim and that this sinister element, it is necessary to enable the "catharsis". Here are undertaking an investigation into the incident from the feeling of fear. To this end, establishing the link between the human condition and fear, which is based on the awareness of death. It was also discovered that the expiration of Life refers to the sense of quality, intensity and authenticity of the same. From there, a study of the literature showing greater feeling of fear: the Gothic literature of terror and fantastic. Once the literature focuses its intent in the sense of fear. Discovering the link between that literature and the social context and, therefore, on that basis are detected several cases that infringe on the individual authenticity of the existence and the difficulty of being realized. Also highlighting the elements used to create such emotion and what connections mental develop from them. We refer to the separation, death and its elements, and the demonic monster. Each of these factors is discussed below from various literary works, from where it can be seen that the element or symbol in question is plurívoco and adapts to different lines of research. However, the ontological character and appeal to the authenticity all of them remain in the same way as all are born from a discomfort with the historical and social contexts. Discovering what other literary forms, such as the futuristic science fiction and reveal traits in common with writers and, in them, the attack on the progress, as an enemy of the individual, is greater. This paper also points out other interpretations linking ethics and aesthetics and, after mentioning its most characteristic features, are seen as reductionist. Before concluding, it reveals why the literary and poetic language are able to transcend the language itself and discusses how to act "get in the game", being awakened by the reader or receiver. The paper concludes with the assertion that the aesthetic experience, thanks to its sinister element, it carries in itself a "voice" that requires the search for the man himself, and makes it more open to free him on the possibility of authenticity. And it does so at the expense of the destruction of some fixed schedules and the possibility of risk.

Author: MOLNAR KATHARINA.
Year: 2005.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The sentimental narrative of s. XV deserves intense study and a critical appreciation, as its immediate future has been transcendent to the evolution of Spanish letters. Reflections and studies on the female representations in some works of the ages means guided our interest to the phenomenon in the broader context of its genesis European and Spanish hacie its internal evolution and his projections in the subsequent narrative. The study authors more representative s. XV Alvaro de Luna, Fray Martin de Cordoba, Diego de Valera, Juan Rodríguez Padrón, Alfonso Martinez of Toledo (Archipreste Talavera) and San Diego peter led us to confront both the contributions of her writings as actual limitations of the genre. During our analysis we have come to a revaluation in terms of critical perspective from which presents the female figures of this century.

Author: HERRERO ALVAREZ JOAQUIN.
Year: 2005.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD CIENCIAS DE LA INFORMACIÓN.

Summary: Through careful study of the poetic work of Anibal Nunez sets corpues lyric of Nunez in a time (1967-1987) and a poetic generation specifically, from 68. We analyze and interpret conveniently nuclei thematic core and the expression of the lyric of Nunez and thus provide a path poetic vigorously interesting in the context of Spanish Literature S. XX. Special attention is given to the Poetics of Nunez and personalizes it with a fundamental aspect of the Lyric nuñeciana little heeded by critics.