THEORY ANALYSIS AND CRITIQUE OF LITERATURE, 6

Author: SANMARTÍN ORTÍ PAU.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGIA 10500.
Place of preparation: FACULTAD DE FILOLOGÍA DE LA UCM.

Summary: The aim of this paper is a study and a theoretical reflection on the concept of desautomatización (ostranenie), as set forth by the Russian formalist Viktor Shklovski. In the first part discusses the background and charts a conceptual map that shows the complexity and the wide range of phenomena covered by the term. In its simplest formulation, desautomatización is an idea that the literary theorist are many thinkers and critics from the antigà ¼ age to the present day, but only in the works of Shklovski the concept is established as a center of a poetic organizing and orchestra around yes numerous literary phenomena. Following this argument, acometemos a study of the works of Russian formalist to show carefully guide the role of the concept of desautomatización well as developments in the same over his long career as a literary critic 81914-1983). Then we look at the main contributions from the rest of genetic formalistic Russians (the theory of verse, the concept of skaz, the principle constructive, etc.) to see how the concept of desautomatización also plays an important role in formulating these ideas . All this leads to the conclusion that the model of literary criticism formalism proposed by the dynamic and functional part of the work of Opojaz and reaches investigations of structuralism Czech be kept quite separate from developed by estructuralismos post of lineage saussureana, beyond the issues of poetic literary purpose. In a second part, we take the concept of Shklovski and tried to extend it to other areas suggested by the Russian approach but never approached directly by him. Thus, we propose an outline for a theory of the effects estético-literarios that ejemplificamos with analysis of three works; Aura Carlos Fuentes, Three novelists bourgeois Jose Donoso and New York Trilogy by Paul Auster. Also, we raised the possibility of considering the desautomatización as an essential phenomenon not only in the reception of artistic works but also in its creation, and we went to the latest advances in neuroscience to try to find the fundamentals psico-físicos of aesthetic perception described by Shlovski.

Author: GIL VALDÉS MARÍA JESÚS.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNIVERSIDAD COMPLUTENSE DE MADRID.

Summary: The research presented is the result of many years of observation for the difficulties articulatorias of university students Spaniards faced learning the German language standard. In the classroom is not enough to apply a fonétia corrective which is intended to change the articulation of the student. It is necessary knowledge of the phonetic features of the language learned and the practical difficulties presented by students of this language due to the base articulatoria and the characteristics of its own. To address the issue of the German phonetic Spanish students and their difficulties is desirable from the theoretical approaches on phonetics and phonology German, and make from them on an empirical basis and the study of its characteristics articualtorias and perceptive. Thus has been made on the one hand, the review of existing theoretical approaches around the phonetic German. Since they made a proposal metalingüstica with intent methodological and didactic and looking contrastive. It proposes the syllable, not the least phonetic sound as a unit. From a body made Ad Hoc read in the laboratory of hearing and language of the faculty of education of UCM by a group of informants homogeneous features, so that the results are as potential targets, are observed and analyzed the difficulties of the Spanish students from a perspective articulatoria and they were found later in an acoustic analysis. This concludes in identifying specific features of the sounds in the syllabic structure of the German language standard posed the greatest difficulties for university students Spaniards.

Author: BERMÚDEZ ANTÚNEZ STEVEN.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNVIERSIDAD COMPLUTENSE DE MADRID. FACULTAD DE FILOLOGÍA.

Summary: This dissertation presents research on one of the most recalcitrant interests of literary theory: ficcionalidad. Among the various currents of the theory of ficcionalidad current elected semantics Lubomír Dolezel literary critic as the main driver. This choice was based on the fact that the author proposes sobrela notion that, to tell stories and they sena understood by readers, requires the development of certain macroestructuras. The macroestructuras proposed by Dolezel responded to two types of semantic relationships: relationships extensional (world narrative and narrative patterns) and intentional relations (depending on authentication and saturation). Structuring methodological research demonstrates the need for a guiding triangulation categories: fiction world (text as world), which we heuristics as a tool for explaining the fictional narrative, story (as a practice discursiva- generic literature) and literature Venezuelan (as a corpus histórico-contextual specific). This procedure is forced to develop each of these aspects in its particular dimension. Finally, offered their integration into some critical comments on the models and trends developed in the Venezuelan story of the last fifty years, seen through the stories of the winners of the annual competition newspaper El Nacional (Caracas). KEYWORDS Theory of fiction, literary discourse, semantics, story, fictional world, Venezuelan literature.

Author: OCHOA SANTOS MIGUEL GABRIEL.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: CIENCIAS DE LA INFORMACIÓN.
Place of preparation: CIENCIAS DE LA INFORMACIÓN.

Summary: Analysis of the work of Vincenzo Consolo "At night, house to house," according to their insertion in the period particularly rich in literary criticism and theory Italian: 60. His work can be explained in terms of gracious crisis of contemporary culture and the desire to seek understanding before the return of barbarism and construction labyrinth of society / culture. Analysis hermanéutico inter-relacionado history, myth and language.

Author: ALONSO SUTIL MARÍA CRUZ.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA - UCM.

Author: PÉREZ GONZÁLEZ GRACIELA SUSANA.
Year: 2005.
University: NACIONAL DE EDUCACIÓN A DISTANCIA.
Place of defense: FILOLOGÍA.
Place of preparation: BIBLIOTECA CENTRAL DE LA UNED.

Summary: Analysis of the presence of the biblical images in the context of literary fantasy Charles Nodier. Study of the biblical and literary contexts that give rise to these images and structure. Nodier is set well within the tradition of fantastic fiction developed in the nineteenth century, some French authors. Nodier is involved not only in a personal project but also in a draft of his time. The images are presented in their entirety and also within the thematic contexts, within the narrative models that set a record of correspondence with the models selected in the fantastic tale thereby creating a rich intertextuality. The original images and their replicas literary establish a "dialogue" within a new image where two meanings coexist in a new structure. The fantasy world is enriched by the contribution of biblical pictures and worked carefully sculpted to achieve a form and content according to the author's creativity, which confirms that this "choice", these selections nodier are not causal or having no connection but, quite the contrary, are part of a strategy that incorporates literary aesthetics of horror.

Author: DOTRAS BRAVO ALEXIA.
Year: 2005.
University: VIGO.
Place of defense: FACULTAD DE FILOLOGÍA Y TRADUCCIÓN.
Place of preparation: FACULTAD DE FILOLOGIA Y TRADUCCIÓN.

Author: SANDOVAL GODINEZ MARGARITA.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FAC. DE CIENCIAS DE LA INFORMACIÓN. UNIVERSIDAD COMPLUTENSE.

Summary: Studying the work of Monterroso through three lines of inquiry: Relacionest intergenérica, strategies ironic and brevity.

Author: Vizcaino Fernandez Carlos Cayetano.
Year: 2005.
University: A CORUÑA.
Place of defense: Facultad de Filología.
Place of preparation: Facultad de Filología.

Summary: Since the end of the decade from 60 activity theatrical Galician saw a recovery process which saw its reconfiguration of a system in Galicia autonomous theater. Since the framework of theory, discusses his involvement in the process of setting up this system Galician Drama School during his 16 years of life.

Author: KHEDR ABDEL MONEM MOHAMED.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This paper refers to the fantastic taking into account a number of aspects that will allow us to answer some fundamental questions, such as  What are the characteristics of fantastic literature?,  How can we establish a classification suited to the fantastic and neighboring categories? ,  What narrative texts belong to the category fantasy?,  What neofantástico? And finally,  What is the reason why critics confuse texts of literature fantastic contexts of magic realism?. The work is divided into three parts. In the first part we address general aspects of the fantastic literature: histopria of the term since its inception as a way of fantasy until its conversion into the fantastic and the theoretical aspects of the chosen theme: thoughts on the term fantasy, reality, and mimesis, the credibility and truth in the works fantastic and gender fantastic, the type and the subject, while taking into account what Neofantástico and how it appears in the microrrelato. The second part will deal with the main features of fantastic literature and differentiate terms neighbors or fantastic, as are the real wonderful, magic realism, to discuss in depth the problem of confusion between magic realism and fantastic literature. In the third part we will focus on fiction and technical structure of the narrative fantasy, where analyze: issues fantastic fiction, the character, the narrator's technique. The corpus is used literary stories and microrrelatos of various Latin American authors. Through the literary corpus together with the interpretation of the theories mentioned, the aim is to arrive at a definition that would allow unravel mechanisms that make textual language is fantastic.

Author: LARA GONZÁLEZ BLANCA MARÍA.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA, UCM.

Summary: The drama of the nineteenth century-in particular, the melodrama - is a field of research feraz connecting with others like cinema and popular culture. Defined terms of departure, it is considered the context socioliterario House nineteenth century English. He then addresses the sources of the fantastic, influences of different cultures, reasons leading to include resources in the supernatural or wonderful dramatic work, and where, when and how they appear. Finally, we study representative works that allow more in-depth melodrama, its evolution, its staging and its audience. The English drama of the nineteenth century progressed in various aspects (number of viewers, improving the social status of the actors), but produced no perpetrators of international relevance to its final phase. The melodrama strokes fantastic met with a boom during this period. The Gothic melodrama typical of the early decades, is the fastest growing possesses supernatural elements, although presented so raw. The examples are studied A Tale of Mystery, The Wampire and Raymond of Percy. From nautical melodrama discussed The Inchcape Bell and The Dream Specter. Within the subgenus domestic St. Clair of the Isles, The Corsican Brothers, Lady Audley / s Secret, The Bells, Claudian and Trilby. Also, The Wraith of the Lake, The Shade, The Fiend and The Fairy Gold Circle. In this thesis aims to demonstrate: 1-That the fantastic elements of melodrama reflect the profound spiritual conflict of British society of the nineteenth century (before the Restless spiritism, advances in psychiatry, religious reform, anthropology, or evolutionist the new capitalism). 2, - That should not postulate a fantastic melodrama at the same level as him melodrama fótico, sailing or household. 3 - The presence of the fantastic requires qualify the defining characteristics of the melodrama scenic accepted so far.

Author: HOMBOURGER SANDRINE.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA FRANCESA.
Place of preparation: FACULTAD DE FILOLOGIA FRANCESA.

Summary: This study considered the background of the image of Spain in France, first from the Middle Ages to the eighteenth century, and secondly, because in the nineteenth century, it examines the widespread image of the recreated by Spain the romantic French. Specifically, it examines one hand, the reconstruction of the cultural image of Spain was forged generational group that belonged to Alfred de Musset, and secondly, the process of literary certain "myths" Spaniards in his work. It presents the fortune of the images and stereotypes of Spanish in the works of the author, to assess the political, ethical, cultural and literary. Musset, a good knowledge of classical literature and Spanish reprocessing by their French contemporaries, illustrates the cultural distance that separates what looked who looks, and the coping mechanisms of otherness in terms of identity. There are therefore three stages: the Golden Age of Spain, the Spain of the nineteenth century and Spain in Musset, all of which run the spectrum of relationships hispanofrancesas that, in its various hues, explaining the Spanish imagination in the author's work .

Author: MARTÍNEZ MARTÍNEZ M. ÁNGELES.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA DE LA U.C.M..

Summary: This dissertation compares the organization lingüstica two texts of narrative fiction: the short story "under the rose", written by American author Thomas Pynchon postmodernista in 1959, and subsequently amended for the author himself to become chapter three his first novel long, V. From a standpoint sistémico-funcional, analysis explores the possible motives for communicative differences lingüsticas between the two texts at the level of organization syntactic and discourse, and the effect that these differences could have on the perception of the universe of fiction by the reader. It is found that the principle of cognitive "highlighted" (foregrounding) as motivation underlying functional for the vast majority of these differences in organization lingüstica that what they do is highlight foreground or possess various characters and events in the mental representation universe fiction that builds the reader.

Author: ORDÓÑEZ DE SANTIAGO CARMEN.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: I.U. DE CIENCIAS DE LAS RELIGIONES.
Place of preparation: I.U. DE CIENCIAS DE LAS RELIGIONES.

Summary: The prognosis in astrology, why is the English-language edition of the sixth book conplido of Abenragel and its commentary, which was confined to the astrological techniques used in medieval times, all known as revoluitones annroum nati, ie prediction time of the events that happen in the life of the individual under consideration, especially in the course of a single year. The paper touches from the transmission of textual matter astrology, a process which, in its different stages, has been affected in some way its content and intellection. In a second part, it delves into the history of this text, which reached a high circulation in the Renaissance, based on data relating to the author and his translator to verify to what extent could be transformed. Finally, the commentary accompanying the edition, are studied one by one all the techniques described, referring to the sources, both evident as possible, we remontarán in most cases to the Hellenistic astrology.

Author: SALLEB SIHEM.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The purpose that we move in this research is to publicize the contributions abarcantes that come in our modern times and in fact maintained that the possibility of a reflection on the fundamentals of symbolic thinking, used by the poets and writers as a form of expression lingüstica . Hence our first chapter guides us towards historical approach to the literary currents in the western world (especially in France) and in the Arab world. Being the object of our work investigating a symbolic issue, the studies represent the second and third chapter gravitarán around two main poles: freedom and death. Thus we have adopted the same procedure for both symbols, the first part of nature and the second histórico purely practical in terms of symbolic design in contemporary Arabic literature female. They charge the poets particular importance: the Palestinian Fadwa TUQN, Iraqi Nazik al-MALA'IKA and prosistas immediate generation later, the Egyptian Nawal al-SADAWI and Syrian Gadat to SAMMAN. In our exploration symbolically, only a ranking issue as a first premise, we could make a success. Thus, it was necessary to bring some scrutiny the major texts that refer to both the freedom to death in the literature of our four authors. This procedure was able to show us that these two axes constituents of our thesis are inextricably linked. From this union should be understood rationality symbolic of the authors chosen and the polarization of their divergent perspectives.

Author: GARCÍA PASCUAL RAQUEL.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This work is part of the study of one of the lesser-known facets of contemporary theater: the presence of elements of the grotesque in the Spanish scene since 1940. These elements are well known in terms of the previous phase, the period between 1892 and 1939, thanks mainly to the large literature on the two most authors of these years, and Ramon Maria del Valle-Inclán Federico Garcia Lorca. However, it is much less explored the fate of this important aesthetic dimension in the theater that has been escribiéndose Spanish from the immediate post-war period until today. That is the purpose that is intended: to deepen, in the context of theater and author of neorrealista neovanguardista trend, in the form of aesthetic and ideological some works that have come to the theater and icons committed.

Author: LUGO CORDELLAT HUNGRÍA BEATRIZ.
Year: 2005.
University: PAÍS VASCO.
Place of defense: UPV/EHU VITORIA GASTEIZ.
Place of preparation: VITORÍA.

Author: EL-MAOKOURI MAATHAOUI MOHAMED.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FILOLOGÍA.

Summary: In the image of the Other: Arabic in what the Spanish press has tried to analyze representations to be made by the Arabs, their culture and their religion. To achieve the goals, this research has been divided into four parts: 1 - The Other in its political and civilization This part addresses issues such as representation that the press makes the theory of Samuel Hungtinton on the conflict between civilizations The presentation of the conflict Israel-palestino, convergences and divergences in the representation of each of the Arab countries separately, and finally, the representation of Arab women. 2, The Other in-Us: immigration and integration. Unlike the first, this second describes the representation of Arabic who live among us as an immigrant. They are highly recurring themes in this case concepts such as immigration and integration, and so on. It also has analyzed the image that presents delos Arab immigrants after the attacks of 11 September. This second part ends with the investigation of the image that the press presents the Arab child in the school system Spanish. 3 - The Other translated; Arabs in its intellectual dimension. The third part has tried to detect the image that prsenta of the Other in their intellectual and cultural dimensions. To do so, the analysis has focused on what leads to what they say or think Arabic and how it is done. Lastly, the representation of the Other culture and globalization. 4 - The image and its reflections in this quarter are crawled reflexes of the images that the press gives another of public opinion. To that end, it has analyzed the image of Spanish Moorish in the joke in order to determine whether there are parallels between the representations of the press is, however, different areas in which images are also different. The second chapter of this part of the thesis goes further to find out if the Arabs outside of Spain, are conscious of their image and images in Spain. The thesis concludes with a conclusion which reflects the results more representative of this entire investigation. There are a number of procedures constant discourse on the representation of the Arabs in Spain and presence of repetitive Palestinian issue and Morocco in a speech to the press that affect the overall representation.

Author: GENÍS PEDRA MARTA.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGIA - UCM.

Summary: The main objective of our work is to establish that advertising by showing a picture perfect, improving over the real world, a positive influence in the social fabric that drives a gradual shift of existing stereotypes, in this case of the elderly . Stereotypes, conceptual elements that structure reality, part of our system of categorization learning, helping us to interpret the stimuli perceptive previously selected and organized. In advertising, as in everyday life, stereotypes are used as outlines information that anticipate pro its simplicity, understanding of the information. The study is divided into five main blocs. * A first block, entitled ISSUES PRELIMINARY, which reviews the demographic concepts involved in the study, it provides an overview of the evolution of the global population, in Spain and the United Kingdom, in order to provide a framework sociological item and takes stock of the state of the art in terms of greater and the media. * The second block, FRAMEWORK THEORY, which reflects the doctrinal basis on which supports research: concepts of organizing as a stereotype thinking, and prototype scheme, the nature of prejudice and discrimination, negative stereotypes of sex, race and age, the main lines of investigation of Cognitive Linguistics around categorization, as the theory of the prototype and Baseline, cognitive idealized models and the nature of cognitive and metonimia metaphor. It describes the elements that make up and different communication models, analyzes the Advertising and its characteristics, considering the characteristics of television as a means of mass communication with special attention to the peculiarities of advertising in television advertising. It includes a review of the literature on greater communication and in order to place this study within the overall framework of similar research conducted in different countries. * The third section, which deals with the methodology, describes the various methods of analysis used in research on media, and explains the model of analysis that we used in our study. * In the next block, RESEARCH STUDY EMPÍRICO Or, it includes a description of the elements of the study to make it easier to understand and follow. It describes the preparation of content analysis, explains how the Semantic Differential provided and the results obtained, and finally shows the process of calculating the data and the results of analysis of content. * In the last block, Conclusions, provides a brief summary of the data analysis and interpretation of the same. Finally exposing our conclusions on the study. * In the last part of the job include LITERATURE and REFERENCES consulted together with the appendices which provide documents deemed relevant.

Author: HUET CHARLOTTE.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: In this dissertation is devoted to the study of some forms of popular theater cycle Christmas, located mainly in the province of Leon, called pastoradas and orders of kings. This is a research fragmented into three steps: the first, I spent time exploring pastoradas and orders of kings in its entirety, apoyándome in some body of the broadest possible. In the second, profundicé my consideration to the study of seven texts collected during a field work: three pastoradas, two cars of kings and two performances that unite a pastorada with a car of kings. Testimonials very valuable in itself, because six of them remained unknown until today. Thus, this dissertation is not only a study of pastoradas and orders of kings León, an annotated edition of seven texts. In the third and final step, I decided to expand the subject of my investigation and place it within a Spanish context. This thesis is divided into seven chapters: 1-Geographical situation. 2, - Structure of traditions. 3, - Description of traditions. 4-Year composition and authoring. 5-Editing texts. 6, - Analysis: evolution and survival of the traditions leonesa. 7-Opened: playwright popular Christmas in Spain. In the first chapter, I set up what was the area leonesa extension of the traditions and what was its outreach center. Averigüé its methods of transmission. They also discussed whether the two traditions had several model. In the second chapter, I discussed in the texts of pastoradas and cars of kings, which was their basic structures and what were the elements that had been added over time. The third chapter got into the composition and staging of works leonesa. Presented models related to what the characters interpreted and what major influences were exposed to Christmas traditions. The fourth chapter closed in a way the previous chapters and been nurtured by the lessons learned so far to discover the dates of birth and authors delas leonesa traditions. The fifth and sixth chapters devoted to the editing and analysis of the seven texts that brings this dissertation. Their study revealed how leonesa evolved traditions. Also, I referred to the survival of the works studied and presented an overview House Christmas leonés at present. The last chapter provided an opening towards a broader context. By cataloging the various manifestations of popular theater cycle Christmas collected in Spain, appeared identical formulas, some comparable with the traditions leonesa. It emphasized that the theater leonés, part of a long and broad tradition that implied a certain homogeneity. Despite a uniformity, this chapter also showed the particularities of pastoradas and indictments kings León.