THEORY ANALYSIS AND CRITIQUE OF LITERATURE (7)

Author: VARGAS CARRILLO MARIA SOLEDAD.
Year: 2006.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: FACULTAD DE CIENCIAS DE LA COMUNICACIÓN.
Place of preparation: UNIVERSIDAD AUTÓNOMA DE BARCELONA.

Summary: It consists of a systematic analysis and comparison, over the past 25 years, a period of major transformation historical, social and cultural rights in Spain (1974-1999). The objective of this research is to analyze how they have submitted Sunday, both at the information and opinion articles used in advertising, these social changes, putting attention on the new lifestyles, ethical and aesthetic values imposed by society consumption. Also, systematize some guidelines for the critical reading of the information and publicity in the press, giving a broader view of reality and plural society. Another aim is to contrast the journalistic texts selected with the historical context and historical explanation of the period, drawn up by historians, with the aim of publicizing aspects of social reality that the speech historiography has been obscured. The fundamental assumption of this research is that Sunday have played a key role in the consolidation of consumer society in Spain during the past 25 years, providing role models, lifestyles and ethical values and aesthetic directed mainly at dominant elites as a form of identification and society in general, as a control. The analysis shows the supplements are three Sunday newspapers published between 1974 and 1999 in national circulation (Spain). Para el análisis cuantitativo se revisaron 15 ejemplares, o sea, un total de 776 unidades comunicativas y para el análisis cualitativo se revisaron aproximadamente 440 ejemplares.

Author: Fuentes Ríos Arantxa.
Year: 2006.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: F.Filología.
Place of preparation: Facultad de Filología de la Universidad de Santiago de Compostela.

Summary: This paper focuses on the study of the ability to act on the past that characterized the speech modernist understood from the late nineteenth century until the early decades of the twentieth. The analysis part of a delineation between theoretical time / temporary, past / tradition, applied to a body of texts in which Antonio Machado is the main voice, as well as an understanding of Modernism as a supranational movement and plurilingüstico. In order to apprehend the proposal past literary Machado has responded to a dual reading of the past resulting from the construction of the Spanish nation in the nineteenth century, and a journey through the reformulation of the triad time in different areas of namely, as a philosophy, the philosophy of history and literary discourse. This theoretical background has been applied to the study of the prose works of Antonio Machado. His proposal was compared to past literary tradition model advocated by T. S. Eliot, both in their studies as critical in two of his poetic works, Land baldía and Four quartets. This framework for comparison was completed in parallel with authors such as Pessoa and Apollinaire.

Author: RECONDO MUÑOZ AINARA.
Year: 2006.
University: DEUSTO [www.deusto.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: In this thesis examines the receipt of Virginia Woolf in Spain from a diachronic perspective, in an attempt to determine how his work has been embraced over time and what place has been awarded to the English writer in the literary Spanish . By way of introduction, describing the situation historic Spanish at the time he started this reception, with special emphasis on censorship Franco and the status of women writer after the Civil War. It provides a closer look at the Aesthetics of the reception, literary theory from which to frame this study reception. In the part devoted to the publication of the work of Virginia Woolf in Spain, a catalog of translations to determine when they began to translate his works, how often and what works were selected. Data on the editorial or translators will be especially relevant, as well as the role played by Victoria Ocampo, real introducer of Virginia Woolf in Spain through its editorial in Buenos Aires. The third part of the thesis deals with the critical response given to the production woolfiana in Spain, since the first reference to the more specialized studies occurring at the present time. Different readings proposals to assess how it has assimilated the figure and work of Virginia Woolf in Spain. Finally, the fourth part of the thesis discusses the influence exerted by Virginia Woolf on Spanish writers who began running from the war. The existence of works that present echoes with the work woolfiana shows that Virginia Woolf has become a source of inspiration or a mother to many literary intellectuals of our country, without forgetting that some even explicitly acknowledge their debt. Based on the consideration of these three processes involved in receiving any literary, it is concluded that the receipt of Virginia Woolf in Spain has undergone an evolution in quantitative or qualitative terms, which has led to a growing interest in the work woolfiana and a canonization of Virginia Woolf figure in the last quarter of the twentieth century.

Author: RIVAS MÁXIMUS CARMEN.
Year: 2006.
University: ALICANTE [www.ua.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: HUMANIDADES.

Summary: The thesis follows a model traductolográfico methodologically clear and precise whose efficiency is constatable. The model aims at the full vision of a subject taken as literature translated. The work is a bibliographical research field, developed mainly in Madrid, in the National Library in the Ibero-American Cooperation and the Library of the Church of Brazil. The main reason for starting this research was the need to establish an identifiable object strongly within the relationship hispano-brasileña. This distributed: a general introduction to the cultural environment, in its broadest sense, ie socio aspects, artistic, institutional, etc., in this area as a whole. In this Part is intended to define the framework, which gives reason for the existence of texts and activities for the Brazilian literature translated and published in Spain. In the Second and Third Parties, is the bulk of the research traductográfica organized, which follows the outline of the genres of literature taken in its broadest sense, to attain the vision of all existing productions. The research concludes with a complete "code of Brazilian literary works translated in Spain."

Author: PÉREZ VIRTANEN RICARDO.
Year: 2006.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.

Summary: This thesis presents two parts: In the first, "Context vanguard," analyzes the forefront of movements: Futurism, dadaísmo, cubism, creacinoismo and surrealism, and is a case study of ultraísmo. The second part, "The Adventure vanguard of Guillermo Torre," presents an analysis of the poetic and critical of that critical. Also included is a comprehensive literature on the period studied.

Author: HERMOSILLA RUIZ RAQUEL.
Year: 2006.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.

Summary: The study focuses on the comparison of the poetic work of Miguel de Unamuno and Jose Hierro around two core areas entitled "Roads" and "Realities". The first of these covers the outside world, focusing on Spain, music and painting, the nature and genesis of the poetic act, we, I social, and the self, and time. The second part, "Realities", is dedicated to the study of issues such as death, be nothing, the expression of both lyric poets, as well as analysis of mitemas basic sleep, childhood, love divine and human joy and pain.

Author: MARTÍN EZPELETA ANTONIO.
Year: 2006.
University: ZARAGOZA [www.unizar.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: The title of the thesis promises a tour of the "literary Stories" published in Spain in the first half of the twentieth century and particularly those whose authors, in addition to literature, writers are building. In this tour, on the one hand, seeks to give an account of the overall picture of the Spanish literary Historiography of the first half of the twentieth century, which connects to the trunk of Historiography Spanish literary precedent and valued the contribution of Historiography Spanish literature of the first half of the twentieth century wing light of the work historiográfico-literarios that have been published since. And secondly, it seeks to expand the little-served "Spanish literary stories" of some of these writers creation. To do so, take into account such aspects as the canon of works and authors suggest that the methodology they operate and their potential liabilities with respect to the flow of literary criticism, the original theory, not forgetting the relevant contextualization of all these historical aspects in the course and in the path of such writers Bio. With regard to the roster of authors of the first half of the twentieth century that is studied, is divided according to the temporal axis of the Civil War, which divided these authors of "Stories literary" socio in the following periods: before the Civil War (authors like Julio Cejador and Frauca and Angel Valbuena Prat, who discusses in detail his "History of Spanish Literature", 1968, 4 vols; 1 ed., 1937, 2 vols.); after the Civil War (authors like Ernesto Giménez Caballero, whose book "Language and literature of Spain, 1940-1949, 6 vols. explores in depth; Gerardo Diego, Antonio Machado, Guillermo Diaz Plaja, Gonzalo Torrente Ballester or Mana Jose Valverde, among others) and "literary Stories" written in exile American (we studied carefully both the "Contemporary Spanish Literature (1898-1950)", 1952, John Chabás, as the "Manual history of Spanish literature," 1966, Max Aub and also refers to other authors as Pedro Salinas, for example). It is, as might be inferred, that is relevant detailed study of these four authors: Angel Valbuena Prat, Ernesto Giménez Caballero, Juan Chabás and Max Aub, its relevance and socio the personal character of their production historiográfico-literaria so require. This is the case of John Chabás and Max Aub, and their publications before his "literary stories," such as anthologies "Poets of all time" (1960) and "Anthology overall Spanish literature (prose and verse ) "(1962), Chabás or studies Aub" Speech from the Spanish contemporary novel "(1945)," The Spanish prose of the Twentieth Century "(1952-1962) ... In summary, there is a combination, on the one hand, the route of historical overview of the Spanish literary Historiography half of the twentieth century and particularly the picture of "Stories literary" conducted by writers building, and another, the study of some of these hermeneutical relevant works and the role of its authors as long as writers within a generation and historical scholars at a time of splendor of literary criticism and Spanish philology.

Author: MASFER AL-MALKI SAEED.
Year: 2006.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA UCM.

Summary: The Doctoral thesis is a study of how casida in Ibn al-Jatib aimed at highlighting the achievements of the poet at the time to express themselves through that medium. In the first part of the thesis discusses the poetic experience Ibn al-Jatib, their concept of what is poetry, expressed both within their own poems as to some of his works in prose, the influences it receives from its Arabic literary tradition and his personal and political highlighted in the court Nazarene their own psychology. It also analyzes the formative stages of his poetry. The second part of the thesis is devoted to the external shape of the casida, and discusses its formal structure and thematic, with an analysis of the genres most frequent Ibn al-Jatib. And in the third part, we studied the building's interior casida, use of vocabulary, vocabulary, underscores the importance of psychological terms precurrente, syntax, as well as the use of figures, pictures and other resources stylistic To conclude with an analysis of the rhythmic structure of the poem. The study of this is accompanied by numerous excerpts from poems and poetic passages that are discussed and translated. The thesis concludes with a comprehensive bibliography which highlights the kind of theoretical works both European and Arab, with a significant presence of the latest trends in the Arabic literary criticism.

Author: SÁNCHEZ HERNÁNDEZ JUAN PABLO.
Year: 2006.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA / UCM.

Summary: Pausanias, as a large part of the members of this literary movement, it has a personality and a very defined, except perhaps its membership in Asia Minor, prosperous province in Roman times that experienced a renaissance artistic and literary and returned his gaze to the Mother Greece. We know much of his work and that reflects the reality, a work that has served as the source for classical philologists and historians, but they are very few in number and recent case studies dealing with the personalities of his time and Pausanias. This paper, however, stressed the need to reconstruct and to describe the "other Greece" or that Asian cultural world in which he lived and formed our author. This paper tries to be a monograph on Pausanias, not about his work, and tries to see how the character dela Periégesis, the availability of certain sources and destinations of certain peculiarities are first, a reflection of a cultural context, the Middle heleno under the Roman Empire, and second, the product of a specific training in the most prestigious cultural centers in Asia Minor, Izmir and Pergamum. The final results of the investigation are presented in the form of paper, distributing content into four chapters delve into the personality of progressively Pausanias: * Chapter I is redefining the personality of its author, its timing, the content of his work and its literature says a comprehensive manner until the year 2002 (although it has incorporated, as far as possible, developments literature until the year 2005). * Chapter II deals, integrating references to Pausanias, the stages of the history of Hellenism of Juvenile Thus, patría of Pausanias, and Greece, where he fixed his gaze our author, from the moment in which both territories part, as provinces of the Roman Empire. * Chapter III, in a specific manner and in relation to Pausanias, the importance of urban heleno, remnants of its past, both material (graves, relics, votive offerings, temples, long revered) as a cultural (illustrious historical characters, literary authors renowned locally born) and in the vitality of its civic institutions era (assemblies, sanctuaries, gymnasiums, libraries) in the hands of the class bienestante. * Chapter IV apply this general knowledge about the world heleno s II in the AD, the environment minorasiático training of our author, by linking the work of Pausanias with political activity of the emperors in the area minorasiática and socio life cultural esmirna and Pergamum.

Author: MARCHANTE MORALEJO CARMEN.
Year: 2006.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: COMPLUTENSE.

Summary: "Translations, adaptations, scenari, from comedies by Lope de Vega in Italy in the seventeenth century" is a research work consists of two distinct parts. The first is a catalog bibliographic entries are arranged alphabetically whose works source of Lope de Vega and the various adaptations to the Italian who gives do. For its design, has been taken into account by a party that the criticism has established so far, on the other hand, have been collated Italian texts with a large body of comedies by Lope de Vega. This has helped to check the veracity of many powers not given by certain so far. Have been identified for the first time sources of nine texts. The second part consists of a comparison of texts chosen from among those who until now had not been studied, which have found their placement in the catalog and related rewrites to those that have resulted. It showed the various strategies relating to the different types of public and genders. The analysis highlights the importance of the text and show how it actually confirms a rewrite is a double operation: from one language to another and a theater practice to another. The objective of this work has been to bring to light texts, both plays as scenari and melodramas, which lay in Italian and foreign libraries and those who are unaware of their relationship with the theater Aureus Spanish. These materials speak Italian and European tours and cross centuries and geographical areas. Here are updated sometimes tangled motives and that since the epic medieval Spanish, are passing through a series of intermediate steps to scenari of comic art and opera librettos.

Author: GÓMEZ AYLLÓN ELISA ENCARNACIÓN.
Year: 2006.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA. UNIVERSIDAD COMPLUTENSE DE MADRID.

Summary: It is this thesis is a body of the entries Arab toledadanas made in Islamic period (until 1085). Comprising addition, a revision of previous editions, the study of anomalies and peculiarities graphics and morphosyntactic, personal photographs and drawings for each piece. It is accompanied by a critical review and various indices (onomástico, toponímico of various phrases, etc..).

Author: ROSCA ANGELA.
Year: 2006.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: DEPARTAMENTO DE FILOLOGIA ROMÁNICA, FILOLOGIA ESLAVA Y LINGÃœÍSTICA GENERAL.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The theme of the thesis is an issue in the investigation unpublished literary prose traveling that includes the study of the life and work of Mihaí Ticán Romanian, escritor-viajero period intervélico and posbélico, contributing to the evolution of the literature travel Spanish and Romanian. The paper gives a description of the linguistic and literary stories of the author mentions the importance of his figure in the development of relations Romanian and Spanish beginning of the twentieth century. The corpus analyzed includes nine books of the writer, classified in accounts of trips Africa (books written in Spanish) and chronic Spain (books written in Romanian). It semiotic analysis, literary and specialized components involved in shaping the image of a literary Spain and black Africa; is evidenced by the common and unique characteristics of the narrative of M. Ticán, the specifics of the powers lingüístico-literarias Writer bilingual (rumano-castellano) and self marking his journalistic activity, social and literary. It provides a taxonomy of textual and discursive texts M. Ticán, proposes a thematic classification of the speech literario-documental of the stories behind the systematization of information ethnological.

Author: MARTÍN HERNÁNDEZ RAQUEL.
Year: 2006.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTA DE FILOLOGÍA.

Summary: The study of magic and religion in the ancient Greek and Roman is enjoying in recent years a major boom. The application of new streams of research studies on the History of Religions and calving of new discoveries that tell us about the activities of magic Greeks and Romans have contributed to the expansion of our knowledge about the attitude of the Ancients to the magic . The dissertation presented that focuses on the study of magic in the context of mistéricas religions, in particular the Orphic religion, from the review of written documents. We develop in the first place, a philological study of Greek vocabulary that share the magical texts and testimony related Orphic religion to debate the possible explanations for this phenomenon, since, from a modern point of view, the contradictory the use of common terminology for two disciplines that few of us are even antithetical. or herbal), laminated órficas gold rites órficos described in the Papyrus Cerveni or platonic vision of priests órficos and their rites.

Author: PASTOR TINOCO JOSÉ MANUEL.
Year: 2006.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This study aims to present an outline of the figure and the poetic work of José Cadalso, inserted at coordinates military and poetry of the second half of the eighteenth century. The solid training humanistic gained during his teens abroad, he allowed encourage Tertulia dela Fonda San Sebastian in Madrid and interact with a large group of writers scholars. During his stay in Salamanca was a mentor and guide of a group of academics who instilled self-identity and a dedication to the literary activity. Neither his play nor his stylistic metrics represent a new formal classical antiquity exists that the verse should be transmitter of truth and moral assessment tool. Still, the study metric and here are a stylistic original contribution. Her poetry is neoclassical because their sources are in classical antiquity and the Spanish jurists of the sixteenth century. We analyze models through thematic and stylistic own lyricism of its day. It will intersect the bucolismo, romanticism and surrealism, expressing the poetry of the picture. Within dela assessment of the Spanish poetry, the poetry of Cadalso represents a link between poetry and the Golden Age of the nineteenth century.

Author: ORO PIQUERAS MARICEL.
Year: 2006.
University: LLEIDA [www.udl.es].
Place of defense: UNIVERSIDAD DE LLEIDA.
Place of preparation: UNIVERSIDAD DE LLEIDA.

Summary: Aging Corporealities in Contemporary English Fiction from the premise that, despite the progressive aging of Western society, a growing number of negative connotations and contradictions that surround the critical stage we call senior citizens. Historically, art and literature Westerners have submitted aging as a time of loss and addiction. At present, a growing consumer culture has contributed to bombardearnos with messages of eternal youth with a wide range of products and techniques. Thus, the body stays young is considered virtuous while the aged body has been reaffirmed as a synonym for infertility, illness and dependency. Taking interaccionismo symbolic as the theoretical framework of fourteen and twenty-six novels by contemporary British author known for his literary career, this thesis aims to demonstrate that the negative connotations that surround the body are based on old cultural beliefs-without exempting the biological element. The interaccionismo symbolic, established by George Mead and developed by Herbert Blumer, believes that the constant interaction between people and objects that surround-other beings, concepts, the physical-contribute to the creation and negotiation of each of the meanings part of our lives. The constant interaction between the person and mature society contributes to this perception that your body is changing, and therefore redefine the foundation of his personality. However, Mike Hepworth and Mike Feathearstone, among other scholars, have detected a basic contradiction. Despite the fact that the bodies age and society responded negatively to these physical changes, the elderly person continues to feel young and active. Hepworth and Featherstone have given such a contradiction on behalf of the mask of aging. On the other hand, when the older person tries to match his physical appearance to me with their use of products and techniques for rejuvenation