LITERARY ANALYSIS

Author: SANTA MARÍA FERNÁNDEZ MARÍA TERESA.
Year: 2000.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: DEPARTAMENTO DE FILOLOGÍA ESPAÑOLA.
Place of preparation: ESCUELA DE DOCTORADO Y FORMACIÓN CONTINUADA.

Summary: The thesis provides an overview of the theatrical production of Joseph Bergamín during the years of his exile, after the Spanish Civil War in 1939. The study is published in two volumes. In the first of them, have desgranado various issues that respond successively to the titles of the four chapters that make up the "theatrical production of Bergamín in exile", "The ideas on the theater and the obligatory dramatic Jose Bargamín "" Outline of his theater "and" Identification of each of the nine works that make up the theater in the banishment of Jose Bergamín. " Over these four chapters have done a chronological journey on the "pilgrimage" of Jose Bergamín by French and American lands. We also concerned about the Bergamín "preceptista" or theoretical House, and so it really has been the "dramatic pieces he wrote or premiered. Lastly, we examined each particular work, especially in relation to its historical or literary sources, the origin of the characters and conflicts that arise and have, in many cases, a long literary tradition. In the second volume we have included the critical edition of the nine pieces that make up the "body" drama of the period studied. This will facilitate reading, because almost all the works are difficult to locate or consultation, scattered as they are constrained by other countries and a population in magazines or limited editions few copies. In addition, editing annotated and commented allowed us to offer compensation to the same abandonment in which they find themselves. Indeed, we believe a way of rescuing from oblivion edited in the most rigorous and careful as possible.

Author: MERCHAN ALCALÁ JUAN.
Year: 2003.
University: ALMERÍA [www.ual.es].
Place of defense: HUMANIDADES Y CIENCIAS DE LA EDUCACIÓN.
Place of preparation: FACULTAD DE HUMANIDADES UNIVERSIDAD DE ALMERIA.

Summary: Interpretation of the poetry and prose of Antonio Machado from the ideas of F. Nietasche, A. Bergson and M. Heidegger.

Author: AVILA CABEZAS MIGUEL.
Year: 2003.
University: ALMERÍA [www.ual.es].
Place of defense: HUMANIDADES Y CIENCIAS DE LA ESUCACIÓN.
Place of preparation: FACULTAD DE HUMANIDADES Y CC. EDUCACIÓN.

Summary: We have focused our field of study in the semiotic analysis of that mounts on the Trotski and plain performed, respectively, Cesar Oliva (1992) and Helena Pimenta (CTA, 1999), among other reasons because we know that in the specific area the dramaturgy of joe Martin recalls, and to date, almost nothing has been investigated in a plot the relationship 2texto literario-texto espectacualar. "That gives us virtually unprecedented for it locate the keys ylos concerning semiotic that make up this close relationship between obres written and staging For our semiotic analysis primarily interested both syntactic, semantic and pargmático a contínuum textual allowing allector recompose at any moment each paripecia or particular time of the reprensentaión, both in its horizontal axis (history), as in the vertical (each and every one of the signs that establish a corpus comunitativo determined). fundamental objective As our work we present the following: 1. Recognize and consider contextualization biobibliográfica Joseph Martin Reminds. 2. Recognize and appreciate, in its entirety, receiving critical gracious work of Joseph Martin Rueda was essentially flat in its staging. 3. Reconecer also throughout his extendión referee and values semiotic dela dramaturgy Jose Martin Rueda, especially in the mountings for the works titled The Trotski and plains. 3. Establish a catalog of metatexts on Jose Martin recalls, his works criticism and comments arising from the staging of the same. 4. Leave this project would open an avenue of investigation essentially inserted at the semiotic, of the work of Joseph Martin recalls and its staging. 5. Establish relationships contrastivas in semiotic analysis of different mountings on works of Joseph Martin Rueda. Eventually , we contribute APPENDIX DOCS VISUAL in support CD Rom organized into two folders bearing the title "SUMMARY GRÁFICOBIOGRÁFICA" and "ATERIAL GRAPHIC ON STAGE OF PUESTAS", with 55 and 190 files, respectively.

Author: MARQUÉS LÓPEZ EVA.
Year: 2003.
University: LA RIOJA [www.unirioja.es].
Place of defense: CIENCIAS HUMANAS JURÍDICAS Y SOCIALES.
Place of preparation: CIENCIAS HUMANAS, JURÍDICAS Y SOCIALES. UNIVERSIDAD DE LA RIOJA.

Summary: The dissertation is inseta within the discipline of Tracdición Classic and aims to discuss to what extent the theater Plautus influenced the evolution and development of theater español.Teniendo into account elcción of times, authors and works, is the structure thesis into three chapters: the first, which deals with the transmission and valuation of the works of Plautus from Antigà ¼ age to the Middle Ages, followed by a second chapter on theater worship of the sixteenth century and the third chapter on the popular theater, especially the the centuries XVI and XVII. After the first introductory chapter on the transmission of textual comedies of Plautus, the following two chapters are devoted to an analysis of the works based on Spanish comedies plautins and who were the very heart of the thesis. Starting with the cult drama development at public universities and colleges Jesuits, this chapter covers the theater's degree in Latin written by J. In Maldonado, J. Perez "Petreyo" and J. Lorenzo Palmireno; university theater in Spanish, with translations of Host F. Lopez de Villalobos and F. Perez de Oliva, and three versions anonymous 1554 and 1555 and the Jesuit theater. In the chapter on popular theater discusses the early sixteenth century playwrights, J. Del Encina, L. Fernandez or D. Sanchez de Badajoz, a seminal work of Spanish literature as La Celestina of Fernando de Rojas, the works of B. De Torres Naharro, or the influence of the theater of Plautus through the Italian theater in comedies by Lope de Rueda or J. In Timoneda, both with undoubted influence plautinas up to Lope de Vega and Calderon de la Barca, in which the influence plautina is more indirect and diffuse. This work has demonstrated the persistence of Plautus largely House españos the centuries XV, XVI and XVII, as well as the manner in which this influence can help us to better understand the evolution of our national theater.

Author: ROIG BARDINA LIDIA.
Year: 2003.
University: BARCELONA [www.ub.es].
Place of defense: FILOLOGÍA.
Place of preparation: UNIVERSITAT DE BARCELONA.

Summary: The thesis focuses on three aspects: 1) Biography of the novelist. 2) Reading critical and interpretative narrative of the book. 3) Apéndicae of unpublished work and dispersed, as well as a selcción epistolary. (In volume part). The study highlights the literary career of Miguel Llor from his narrative, raised in three stages how working hypothesis. - Consolidation of the writer (1925-1933) - Continuity and Renewal (1934-1939) - Renewal and rectification (1940-1962) In the analysis becomes more important contribution of the appendix as such, with a range of documents: art, literary texts unpublished , psychological character sketches, letters, etc.., all primarily for the development of the life of the writer, as well as give us some clues in the interpretation of the works.

Author: LOPES DE SOUSA RAMOS LEITAO ISILDA M..
Year: 2003.
University: BARCELONA [www.ub.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA-UNIVERSIDAD DE BARCELONA.

Summary: In a comprehensive analysis delas major historical transformations of Europe, in siglosXIX and XX is the description of the political environment in which cultural lived authors Iberian before us, Antero de Quental and Miguel de Unamuno. That is why we attach special importance to pariodo between 1850-1936 (Capts.I, II, III). After revised some of the major critical studies on these two poets Iberian (Cap.IV), proceed to analyze the imaginary symbolic, as manifested in Sonetos Full and the Rosary of Sonetos Líricos. To this end, we used the mitoanálisis, understood as a methodological perspective, which is presented as a reference for compressing all manifestations of human thought, the structures of anthropological imaginary archetypes, the great images and its mythical and poetic narration, and the case in this research, analysis of the contradictions in immortal Antero de Quental and Miguel de Unamuno. As a basis, patimos the structures of anthropological imagination, as defined by G. Durand, namely Regime Mystic Night and Night Regime Synthetic or Copulativo (Chapters IV, V, VI, VII, VIII). We conclude with a few final reflections on the similarities and differences in thinking symbolic Anero of Quental and Miguel de Unamun, as expressed in the works analyzed.

Author: ALFEREZ ALFEREZ MARIA DOLORES.
Year: 2003.
University: CASTILLA-LA MANCHA [www.uclm.es].
Place of defense: FACULTAD DE LETRAS DE CIUDAD REAL.
Place of preparation: FACULTAD DE LETRAS DE CIUDAD REAL.

Summary: The main objectives of this thesis can specify in the following aspects: to explain the concept of the detective story as the foundation for the analysis of the work of PD James; clarify the influence from other literary genres past and peers, demonstrating that such detective novels fit even literary canon and, as defending increasingly literary critics, whose opinion I agree, not a literary product, as it was believed about the detective novel as a whole until the opening of the canon from the mid-70's. I tried to determine succinctly the bigger picture that scholars d ela gender and literature have set broadly different topoi within the same, namely the combinations literary or artísitcamente instituted and repeated verbatim for various reasons. I have not left into oblivion summary retrospective of the evolution of the detective story from the 30's of the twentieth century to the present. Lastly, and most importantly, I discussed the work of PD James following a model of structural analysis to try to identify the components of their frames and textual mechanisms whereby these stories are inserted in the canon police said. The methodology I applied for this purpose is based primarily on a model estructuralista-formalista since it is one that I feel is more productive to investigate the characteristics and thematic estilísitcas of the work in PD James. After making a thorough analysis of all of this author's novels, according to the theoretical model chosen, I have reached the following conclusions: 1. Despite the prolifereción of writings that deal d ela issue, the study of gender detectivsco has so far been rather diffuse, and even sheds some light on its nature, does not solve the problem of inclusion as a literary genre itself. 2. The genre has undergone a clear evolution from the beginning until today, and it seems clear that it will continue this process, respecting the principles of the approach, middle and end. 3. Broadly and traditional gender asserts that its fictional character because it aims to do is create intrigue, surprise, analyze the beings that are affected by the crimes and assassinations and providing the reader with a way to (re) consider the fact that surrounding. 4. The criminals are able to withstand analysis applicable to real people. 5. The elements that appear in Gothic novels give the genre a entronque with the literary tradition of fantastic literature. 6. The motives for the killings are related to the deadly sins. 7. The chain of events in the form of a domino effect, acts as a trigger various actions by the characters. 8. The books reflected steadily. 9. The evolutionary process in PD James can trace so chronologically. The evolution has two substrates one, the material reality, and the other an analysis of the experiential reality. My job is completed with three appendices: the first is the list Haycraft-Queen collected from the books published in detective-crimen-misterio from 1848 until year 50 of the twentieth century. In the second, collecting all records and interviews appeared in the Spanish press about PD James. In the third, I include the personal correspondence that I have had with the author.

Author: MORAGA GIL MARIA LUISA.
Year: 2003.
University: CASTILLA-LA MANCHA [www.uclm.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: THESIS ON DOCTORAL IS DETERMINING WHAT ARE THE CHARACTERISTICS ESPECFICAS OF NARRACIONES POLICIACAS AND DEAL ON ALL THE RANKING THE STRUCTURE AND ANALYSIS OF THE WRITER MANCHEGO (ITEMS, THE UNIT NARRATIVAS UP, CHARACTERS, THE CRONOTOPO .. .)., AS WELL AS THE SEMEJANAS AND DIFFERENCES ENTRES THEIR RELATOS POLIACOS AND OTHER AUTHORS (GEORGES SIMEON, MANUEL VAZQUEZ MONTALBAN, LORENZO SILVA, DAVID SERAFIN, ARTHUR COANA DOYLE, ALICIA GIMENEZ BARTLETT, ETC.).

Author: GONZÁLEZ ARIZA FERNANDO.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.

Summary: This thesis aims to investigate the origins and causes that promoted the foundation of the planet prize, which has experienced the evolution from 1952 until 2001 and the characteristics of the prized works. The prize Planet is a great source, by its very essence, sociological interest, because it is an award not only appreciates the quality of literary novels, but this contrasts with the scale commercial interest they may have. It looks, therefore, the relationship he had with society and the cultural world in the second half of the twentieth century: the receipt of social novels ganadoreas and its impact on the publishing market.

Author: SANCHEZ VERDEJO PEREZ FRANCISCO JAVIER.
Year: 2003.
University: CASTILLA-LA MANCHA [www.uclm.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: When century breaks in the Gothic genre in English literature, in parallel to the criticism goes harvesting occurs almost unprecedented boom in a literary genre of such magnitude. If you start from the same reason a mujere young preferably virgen- pursued by a tyrant will prevail as characteristic of this literary genre, that the overwhelming number (in proportion innimaginalbes hitherto) female readership is not going to be paid but the way for the female revolution in the making. Thus, women are seeing the light reflected in the works that she eagerly devouring spectral: that he has been vilipendiada and denostada by the bulk of society -masculina and patriarchal - historically. Therefore, in this whole picture, the Gothic genre is the ideal vehicle for a side channel to the most sublime eager for sex with women but is also the way that is used to express the position of féminas. From bottom to domineering, if asexurado see ravenously secual, women will be seen by the man as someone capable of the most sublime sensciones but also as being more powerful and destructive potential (and act). Faced with this conglomeration of visions that emerge archetype of the vampira is nothing strange at all, what is more, his appearance is logical and defensible. She, vampira, linking itself so varied and concepts such as opposing the fémina, carrying death, a being extremely erotic.

Author: VALVERDE VELASCO ALICIA MARIA.
Year: 2003.
University: ALMERÍA [www.ual.es].
Place of defense: FACULTAD DE HUMANIDADES Y CIENCIAS DE LA EDUCACIÓN.
Place of preparation: FACULTAD DE HUMANIDADES Y CIENCIAS DE LA EDUCACIÓN.

Summary: The main objective of this thesis is to investigate in the field of literary theories of the story in Spain between 1950 and 2000. During this period has been developed and consolidated a study confined to this literary genre whose origin lies in the nineteenth century. Therefore, the review and presentation of contributions teórico-críticas, which are part of the thesis, dating back to the first thoughts about the story as a literary genre by writers and preceptistas decimonónicos. And in the twentieth century, the fifties is the stage at which lays the groundwork for what will be the field of metacuentística, with the essential work on the story of nineteenth Mariano Baquero Goyanes (1949). From that moment on emerging gradually, until the end of the century, Horizons theoretical and varied notions that attempt to disentangle and explain the nature and operation de'las structures, codes and messages of literary tale. After collecting all this instrumentation for the abstraction and analysis, there is a second argument on the part devoted to select all items that are most operating from a methodological point of view, but also theoretical, as framed in the field of semiotics of text artistic, and ejemplificándolo with short stories of Francisco Ayala, the thesis provides a conceptual platform for the development of such theories, through the matching of differing perspectives, and to the expansion of knowledge about the literary genre story, with their own contributions from the texts studied (those listed in the section of the bibliography).

Author: GÓMEZ VALLECILLO ANA ISABEL.
Year: 2003.
University: EXTREMADURA [www.unex.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: CACERES.

Summary: The dissertation analyzes eight novels of American writer Paul Auster valuing their interest even within narratológica perspective and in relation to intertextos literary and historical underlying the fabric of his novels. The study facing strategies and textual notes core around which articulates his novel, through the analysis of gracious figure of the author and the functions exercised in his novels, the theme of otherness; study of town and postmodern discourse city of artistic activity that developed the characters and finally, the study of the statute's fictional narrator.

Author: MOLINA FERNÁNDEZ CAROLINA.
Year: 2003.
University: EXTREMADURA [www.unex.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS - UEX.

Summary: The thesis conducted a study of journalistic report of Garcia Marquez and its relations with the Colombian author's novel. After analyzing the relationship of journalism and literature from postulates semiotic, and discuss concepts of "journalism" and "literature" which is Garcia Marquez, elaborates stories from different eras with the methodology of structural narratology, and with concepts classical rhetoric and different schools teórico-literarias of the twentieth century. Finally he devotes a chapter to the novela-reportaje. News of a Kidnapping, a book that Garcia Marquez published in 1996. This is a breakdown of procedures narrative (novelescos), which has used the author, and his appearance feature, linking it to the so-called "nonfiction novel" itself in the last years of the twentieth century.

Author: IVANCIC TAMARA.
Year: 2003.
University: POMPEU FABRA [www.upf.edu].
Place of defense: DEPARTAMENTO DE HUMANIDADES.
Place of preparation: DEPARTAMENTO DE HUMANIDADES.

Summary: The theme of (dis) encounter between Russia and the West, or the Slavic world with the western world, marked not only by differences in their cultures and traditions, but also by many prejudices and talantes, is an issue that remains in force even taking influence direct developments immediate global scenario at the beginning of the twenty-first century. The Russian literature, which has always reflected the deep historical and social reality of the country, has also been concerned over its history, the relationship that Russia has maintained with the West. The works of Fyodor Mijáilovich Dostyevski is very significant to note reasons fueling the "duel" between Russia and the West, both rooted in irrational and more concrete. This work is carried out a study on Dostoyevski and the vision of the relationship between Russia and the West that is in his work, considering that there are, so emblematic and symbolic, introducing numerous key to the material and spiritual reality Russia, and also to the reasons for the eternal misunderstanding that has been maintained between the Slavic country and the western world. But in the process of the investigation was ever opened a broader canvas, which imposed the need to try to explain how this issue, which marks rapidly throughout the Russian culture, arrives Dostoyevski. Hence the first part of the thesis, entitled: Geography predostoyevskiana: "platitudes" of disagreement between Russia and the West. Myths difference addresses the issue in a broad sense, highlighting the key points in the development of Russian civilization (never simultaneous connection to Western civilization) that could illuminate the roots of this disagreement. Here is ascertained by the territories literary, philosophical, social-histórico, mythological, religious, psychological, geographical and anthropological widely (without pretending at any time regarded expert in any of the fields to give an overview) to illuminate some clues it seemed important, not only to enter the quarrel between Russia and the West but also to learn some aspects of Russian culture reflected in the work Dostoyevski to help the western partner to penetrate more deeply into the Russian spirit. The second part, and focused on the figure of Dostoyevski, is approaching its work, taking into consideration its philosophical aspect, literary and theological, trying to draw an analysis hermeneútico the subject of disagreement between Russia and Europe that the Russian writer addressed in all its complexity . This research extends to the body dostoyevskiano, and especially the works of its flagship narrative that mark different stages of their creative and existential way: Notes from underground, Demons and The brothers Karamázov.

Author: JIMENEZ GALLEGO PEDRO MANUEL.
Year: 2003.
University: JAÉN [www.ujaen.es].
Place of defense: FACULTAD DE HUMANIDADES.
Place of preparation: FACULTAD DE HUMANIDADES Y CIENCIAS DE LA EDUCACION.

Summary: Make an analysis of Shakespeare by studying different versions made for the movies and television. It shows the validity and relevance of a work written several centuries ago and which reflects the concerns and anxieties of the people today. There is a broad reflection on the relationship between cinema and literature also explored alternative reconstructions of this act of Shakespeare. The thesis is accompanied by about three hours estractos passages of the various adjustments that are offered in three CDs.

Author: JIMÉNEZ MANTSIOU ALICIA.
Year: 2003.
University: GRANADA [www.ugr.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: Theses done on the basis of a body of wonderful stories Serbs and Spanish selected collections Vuk Karadzic and Antonio Rodriguez Almodovar respectively. The thesis is divided into three sections: The first focused on delineate the specifics of the story wonderful with respect to different literary genres. The second consists of a comparative analysis highlighting the most significant aspects, both common and differential stories selected, a total of one hundred. We also, a joint screening of these stories follow the current criteria based on the theories of V. PROPP. The third chapter provides a comprehensive study of all the characters in stories of the corpus: name, description, functions they perform in the various stories in which they are present. We also think the presence of some other characters as well as the different functions carried out, based on different mythologies that have been able to make an impact on the culture Serbia and Spanish.

Author: ROOP MARTÍN ALEJANDRO.
Year: 2003.
University: GRANADA [www.ugr.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: Based on the concept of writing, an analysis of comparative literature who combines reflection on genetic processes of intertextuality, with a broader perspective on the interaction between hermeneutics treaty texts can be very productive. It makes review of some of the work that critics have compared - separately, since putting in comparison of the three authors of this study is unique writing E. Sabato and the A. Camus, and with the J.-P. Sartre. It analyzes in depth the relations between intertextual "tunnel" and "L'étranger" and between "tunnel" and "La nausée", considering that the first novel Sabato be considered "existentialist" in its own structure , unlike the other two novels by the Argentinian writer, which has sought to highlight the existentialist themes they contain. Along with the notion of writing as an option in our key methodological study, the gender distinction is crucial for this comparative study. Thus, it reveals the paradox by which Sabato, a level ensayístico and from a political standpoint, is to Camus and Sartre in the antipodes, where if we compare the writings of Sartre and literary Sabato, also discover a shocking proximity. At no time did these glosses concomitances receive consideration, but that highlights the novelty of the dialogue that Sabato engaged with the French literary existentialism. The findings, it reveals the complexity of the synthesis operated by E. Sabato regarding various ideological and literary hypertext. These synthesis can be identified at different levels: in art, surrealism and existentialist fiction, in politics, you are reading personality of Marxism -amén its affiliation anarquista- and in terms of philosophy, existencialismos atheist Catholic and also talk in writing sabatiana. Recalling the concept of writing combined with the emphasis sartreano that gender novelesco is incompatible with entrenched orthodoxies in their authors (criticism of Sartre to Mauriac, of which Sabato echoes), which advocate writing Sabato develops a genuine evolution that starting the anguish Sartrian leads to a form of existentialist hope. In a second part of the thesis is presented for the first time a contrastive edition of the three novels Sabato (vs. first edition. Final edition), preceded by an introduction in which he argued that the consideration of certain alternatives founded the theory of Part of our work.

Author: KIM KWANG-HEE.
Year: 2004.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOXIA.

Summary: The film takes on during the Franco regime significance unprecedented, as the shortage of time and socio-political repression imposed did more than exacerbate the plight in which it was plunged the people español.En these circumstances filmic entertainment notably, the film classic Hollywood (1930-1955) -irrumpieron as a real safety valve, giving expression and encourage the dreams of their espectadores.Dicha situation allows, on the other hand, rebuilding the horizon of expectations from both the author who creates the work, and the public that the recibe.Marsé resort constantly to the elements film because he knows that the receiver identify them easily, as most people went to the movies ávida-como him - movie, especially those americas.Marsé knew aware of the time horizon of expectations of its contemporary coinciding with theirs, relieving the problem has had to confront the system of the postwar literary: how to get successfully to the public.

Author: DIATTA PASCAL.
Year: 2004.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD FILOLOGÍA.

Summary: The conflict in the drama of Garcia Lorca has been, throughout history, taking several definiciones.A spite of the many approaches to this issue, it seems to us, without wishing to cancel all previous readings made on the conflict in the theater lorquiano that conficto is structured around the concept of dignidad.O words, the denial of what seems to make us different from others and, therefore, just as similar or equal to the others. Hence, the exchange of social values between heróe and its environment becomes a elmento important to understand the conflict raised in the drama of Garcia Lorca.El conflict arises whenever the environment heróe refuses to accept the social value of change (known incorformidad or subversion of the existing social order) proposed by it. To this end we are committed to approach the concept of dignity through the evolutions of the main character in the five works (The curse of the butterfly, Mariana Pineda, Yerma, Blood Wedding, The House of Bernarda Alba), which have served us matter of análisis.La choice of these five works are explained by the mere fact that we believe that there is where the concept of dignity is better development. The vital role that represents both time and space and / or structures in our attempt to approach the concept of dignity.

Author: GARCÍA MONGE CARLOS.
Year: 2004.
University: PAÍS VASCO [www.ehu.es].
Place of defense: HUMANAS Y SOCIALES.
Place of preparation: HUMANAS Y SOCIALES (UPNA).

Summary: The thesis runs in the first place and the pattern of life and bibliographic Garfías, stopping at certain moments in the same -adolescencia and first youth madrileña- that remain obscure, with its abandonment of the "literary world" capital in 1923, or the breakdown of its relationship with Gerardo Diego. It also examines the importance of their "adventure editorial" Focus, as well as its silence poetic mid-decade of the twentieth. Here are collected chronologically all collaborations press poet, providing some text hitherto unknown as their collaboration on The magazine Jeune Europe deTzara. It also reviews the complicated path Garfías during his Mexican exile ordering, and clarify the news to be had on it; confirms one of its authors platonic and rescue some news on its production as a poet and lecturer. The study also affects the so-called "unpublished works" Garfías, reviewing them, only one of which could be described as such. The rest are works project that the poet did not conclude or lost. Secondly, he goes through the author's work in order to fix his poetic, considering both explicit demonstrations, which were also included in a anexo- as implied in the poetic corpus. In this regard, the study shows that the work of Garfías has since its inception a formal consistency, as evidenced by the repeated use of own forms of folk poetry, and thematic. It focuses, in a deep sense of loneliness that leads to the poet delivered a double commitment -ético and estético- man and the floor. Precisely this ethical commitment made Garfías seek direct contact with the man, which would explain "orality," another of the characteristics of his poetry. That quest for communicability with his audience that prompted the poet not their works to printing, clarify, along with other factors in which we pause-author absent in the Anthology dieguina or the known position of the literary historiography and the critical oblivion and the profound ignorance which has been under the poet.