LITERARY ANALYSIS (2)

Author: GÓMEZ INGLADA PERE.
Year: 2004.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: FACULTAT DE FILOSOFIA I LLETRES.
Place of preparation: ESCUELA DE POSTGRADO.

Author: BATISTE MORENO JOSÉ FRANCISCO.
Year: 2004.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: ESCUELA DE POSTGRADO.

Summary: This is a study of documentary, and secondly, analytical about the cultural ramifications in the Western tradition motivated by the special properties silofisiológicas Cannabis sativa L. Order chronologically ab initio until today, it is proposed to analyze the consistency of the main epistemological critical to the identification and understanding of this pharmacology, sumíendolas numerous references ignored so far by specialists. It focuses mainly in the field of literature and art, however --- of the considerable scientific records until the sixteenth century.

Author: GAZDA DOROTA.
Year: 2004.
University: OVIEDO [www.uniovi.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis project stems from the need to levar a study through a comparative method, based on internal and external reconstruction, and a detailed analysis of the literary sources that have come down to our day, the texts in the this is the heroic theme in the early manifestations of literary peoples Germanic and Slavic East, because there is no, we know, no paper handling the case to deepen. It seems also necessary that argument as turning point in comparative studies of some areas rarely connected previously in Spain, even in the expression of English Language. The outline of the thesis is as follows: 1, - "Myth and heroism." Includes: analysis of the theory of Dumézil, study the code of the heroes and discussion of the rites of initiation. It has been cereferencia to travel to the underworld and death dragon as the most representative of all the adventures experienced by the heroes. 2, - "The inexorable fate in the heroic era." Includes: the issue of the future given birth, (Standards Moirae, Rodzanice), the relationship between fate and value, references to religious rituals and divine protection (Fetch, Valkyrias, Zorias) and numerous references to the Swedes prophetic and prophecies. The process of the gradual assimilation of ideas pagan by the Christian theology is also shown here. 3-Dignity, loyalty and the art of war. "Includes: a description of the life of the heroes in the heall the lord, the bloody battles and bravery of the men. Was also referring to the figure of the lord, the The ideal Sapientia et Foritudo and a wide range of weapons used by the heroes. 4, "The notions of fame and honor in the changing reality of their existence heroic" includes: references to the importance of fame, the desire to dying in the name of honor, revenge as an obligation of the living, the role of women in protecting the family honor, the transmission path for peaceful solutions, and the idea of natural law. 5, "The trip to the abode of the Gods ". includes: reference to Valhalla, ****, to Hel and Pieklo. mention is made of incineration as a ritual for heroes, and the cult of the dead (human sacrifices volunteers, the banquet funeral, cries and obituaries. 6-Conclusions. heroic legacy and syncretism Christians in the thirteenth century. The results of this thesis will enable us to check the possible direct causal relationship between the epic and the primitive Germanic poetry with regard to the slave East .

Author: REAL NAJARRO OLGA.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD FILOLOGÍA.

Summary: Invitation to read Savitri, poetic summit of Sri Aurobindo, poet, philosopher, educator, political and mystic of the first half century XX.El study began with a presentation of the figure of the poet, the impact dela work aurobindiana and introduction of nuance spiritual which puts the author in the line of renowned poets of literature in English as William Blake, Walt Whitman or Yeats.Realizamos a tour of the original legend of the Mahabharata and presented recreation developed by Sri Aurobindo.Asimismo our research analyzes the language mántrico and character as the basis of objectivity spiritual dynamics of the soul of a people, and raises the possibility that the poem in the creation of a new language and cultural integration. Our study analyzes the characteristics of Sri Aurobindo as epígono of tradition Kavia, its relationship with the Vedas, the Upanishads, the epic tradition and puránica and the elements that make it the rishi of poetry of futuro.Por other hand, the place at the crossroads modernist poet, the defining encounter of traditions involving Savitri, the concept of modernity in the poem and the duration of the term epic raised its creación.Revisamos the pael of Savitri map as existential thought aurobindiano, his illustration of the awareness autobiographical inthe mystic poet and characteristics that situán our author on the border of misticismo.Finalmente, we analyze the sadhana or practice of yoga mètodo creative characteristics of poetry future, the elements that define a transmutation dela legend and symbol the characteristics that make the Veda Savitri in the future.

Author: LÓPEZ COBO M. AZUCENA.
Year: 2004.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS UNIV. MÁLAGA.

Summary: This research focuses on stress that the collection Nova novorum (1924-1935) of the Magazine of the West, was designed to show that certain prosistas were on the trail of how to end the crisis in the nineteenth century novel, and therefore, a new kind of prose was marcha.Una prose that it did not use those narrative elements that had led to the genre to a dead end. The prose of art is presented as a new product unimportant and creative youth, who turns upon various resources narrative minusvalorados by aesthetics as realistic are the predominance of a formal structure, fragmentation of the plot or even the absence, the supremacy of the image and metaphor, the alteration of reality or desautomatización the processes that make the book reflects the reality. Of the three chapters that make up this work, the first explores the run of new art from the search for practical and theoretical references anticipate some of its propuestas.El second chapter reviews the genesis of this prose from the perspective aesthetics and since its implementation práctica.El third chapter examines the collection Nova novorum from two vertices from the receipt and contemporary criticism from the theoretical and practical contributions to the works and their authors (P. Salinas, B. Jarnés, A, Espina and V. Andres Alvarez) made for the consolidation of new art.

Author: AGUILERA GARCÍA JAIME.
Year: 2004.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD FILOLOGÍA Y LETRAS..

Summary: The first part of this research deals with preliminaries major theoretical, as the concept of thriller or black cinema, as well as its impact on contemporary authors Spaniards were also traces of the poetic Munoz Molina particularly in the light of parameters expuestos.De more concrete and deep, a second part houses the consideration of some stories and most of the novels of the writer jienense through the prism of the influence and shape of género.La conclusion is that almost no work can be labeled policíaca.La third and final part is an analysis of the influences of the police from seven points of view: the metaficción, music, film, cronotopos, the characters form of expression and management narrativo.En this regard , we concluded that the police element is a ingreediente more from the varied resources autro as well as a sustratao aesthetic, engine production, as allegory of the relationship between truth and fiction, between life and includes as an appendix literatura.Se an unpublished interview that Munoz Molina concedío the author of this work with enriching arguments in relation to the objective of the study.

Author: GARRIDO DOMÍNGUEZ ANTONIO.
Year: 2004.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS UNIV. MÁLAGA.

Summary: Asentada within a mountainous terrain, not just communications, Ronda was in the nineteenth century most famous strangers, as a romantic symbol than within the country. And this, despite its contribution to the future of Spain not only with outstanding figures like Antonio Rios Rosas Francisco Giner or Fernando de los Rios but with a journalistic production, from the local level and without losing the national reference, surpassed in quality and volume to some of Andalusian cities. This thesis addresses the birth and development of the press in a wide spectrum ranging from publications marked by purely political tint information through what will be the real center of the study sections with literary content and periódisticos literary themselves, among them Ecos del Guadalevín (1874-1877). contained in its pages vesos and prose by authors Andalusian low draft but also the signatures names like Bécquer or Clarín.Se offers for the first time a record hemerográfico such publications as well as a select appendix with reproduction of text.

Author: CARRASCOSA TINOCO JOSÉ ÓSCAR.
Year: 2004.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD DE MÁLAGA.

Summary: This thesis explores the presence, the meaning and role of the feminine aspects in the story of Miguel de Unamuno.Para it has been established, firstly, the corpus of all stories written by the author has known today. Upon reflection on the concept of story as a literary genre for Unamuno, presents a study on women and the feminine in the work of the author advocates a destinción between women and scope of the feminine, space, the latter, which includes both sexes . then explores all texts members of the corpus cronológicamente.El analysis combines the revision of the criticism that has been involved in the stories and words of the author himself, introducing both references de Unamuno about some of the stories as the relationship intertextual that occurs between them and the rest of their production narrative.

Author: SÁNCHEZ TALLAFIGO CRISTINA.
Year: 2004.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: We present a theoretical study practical vertebra three chapters. The first of these presents the theory original FOURTH GRADE FICCIONAL, platonic roots and whose reminiscences up modern theories of anthropology fiction. Once exposed the theoretical model that will be the basis for the comparison between Quixote and its imitation French seventeenth century, reaching the second chapter, dedicated to Don Quixote. There is analyzed fictional model underlying the work of Cervantes, focusing the Fourth Degree of the Ficción.El Quixote represents both its origin and its sublimation. Once illustrated the theoretical model with the text of Don Quixote, we turn to the third and final. It provides a comparative study on innovative and original influences cervantino text in French literature novelistic of the seventeenth century. Through a large body of works are detectable influences multiple, profound and relevant Quixote in French letters century XVII.Los results allow a restatement of real influence cervantino in French literature.

Author: REY CANO JOSE LUIS.
Year: 2004.
University: CÓRDOBA [www.uco.es].
Place of defense: FACULTAD DE FILOSOFIA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFIA Y LETRAS.

Summary: The Doctoral thesis is a comprehensive study of the author's complete poetry Catalan Pere Gimferrer i Torrens, both in Spanish and in their language materina. It highlights the division of its extensive poetic production in three stages and spaces: the "poetic space," "space in the world" and the "space-being." It tested a novel method of literary analysis, since the distinction between a "flow communicative" and a "common objective", which will Gimferrer alternating in production, without a precise distinction between successive stages. The first raises the current thinking of poetry as something prior to the poem, which focuses on his presentation, the second flow of the poem itself makes the act of thinking about poetry. In both cases, but especially in the second, the poetry of Gimferrer stands as fully representative of aesthetics movísima and, within its framework, in close liaison with the renewal of modern Spanish poetry in the last decades of the twentieth century, connecting with the legacy of the vanguards and flows more advanced Western poetry.

Author: LOPEZ PÉREZ ALEJANDRO.
Year: 2004.
University: ALICANTE [www.ua.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: In this thesis attempts to analyze and compare the Historical novel dedicated to Jaime the Barbudo, focusing on the tension between reality and fiction, major themes, literary and historical sources and the influence of these novels in later works.

Author: GARCÍA IBÁÑEZ DOMINGO.
Year: 2004.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA DE LA UNED.

Summary: The thesis demonstrates that the dictionaries of the Academy maintains about specifics themselves along its various editions. This feature is what allows us to say, according to the tenets of Formulismo Russian, and in particular the argument Tomachevski, which the dictionary of the academy (through its various editions) behaves as a literary genre specific differing from the other ( Procedures own story)

Author: PÉREZ SANTAMARÍA MARIANO FRANCISCO.
Year: 2004.
University: LAS PALMAS DE GRAN CANARIA [www.ulpgc.es].
Place of defense: CENTRO SUPERIOR DE FORMACIÓN DEL PROFESORADO.
Place of preparation: CENTRO SUPERIOR DE FORMACIÓN DEL PROFESORADO.

Summary: The research consists of three parts. The first includes the first three chapters and it develops the theory of counting (Chapter I), the Aesthetics of receipt (chapter II), and the Transtextualidad (Chapter III). The second part comprises chapters IV, V, VI and VII, and it conducts research itself, especially in chapter VII, which gave one hand, the words, phrases, semiologías of the novel and confrontation with the text by Andersen, and on the other, according to the comparative literature and intertextualizada Mendoza Fillola and Notes for a method of intertextuality in Literature, G. Perez Firmat, among others, according to a criterion or five times stages in its different aspects: patterns of application, personal approach to the text and systematization of data. Conceptual framework .- .- Rationale theoretical presentation slides: schemas 1.1, 1.2, 1.3 and 1.4, which represents the three theories: that of the count, schedule 1.1, and the Aesthetics of the reception, schema 1.2; and the Transtextualidad, schema 1.3. And the scheme 1.4, which summarized the three theories. Other important aspects to be taken into account in the theoretical foundation of our work would be to give some explanation, even briefly, concerning: a) Andersen and Martin Gaite. B) View the two fragments of the movies (5 'and 2' each). C) Key features of actantes: Kay and Leonardo, Gerda and Inés Guitián, The Snow Queen and Gertrudis. D) To clarify the purpose of our best work: PHASES. Phase a) First type of comparison, referred to the monocausal. Phase b) Second type of comparison, the existence of a causal relationship. Phase c) Third type of comparison, based on differences contrasted of phase b: First, Second, Third and Fourth. Phase d) The fourth type of comparison, analysis of texts from the point of view ahistórico patterns and their application. Phase e) Fifth and final type of comparison, and the option): literary criticism or comparison as compared heuristic procedure, ie addressed to the level descriptive or interpretive. In addition, a third party with the thoughts to keep in mind about all three theories, and a final with the findings.

Author: Domínguez Rué Emma.
Year: 2004.
University: LLEIDA [www.udl.es].
Place of defense: Facultad de Letras.
Place of preparation: Universitat de Lleida.

Summary: This dissertation examines the figutra of invalid as a symbol of the powerlessness of women in the United States during the turn of the century. In my opinion, this is an essential aspect for understanding the production of literary writer Virginia Ellen Glasgow (1873-1945). Although he wrote most of his novels during the first three decades of the twentieth century, was educated at Glasgow Victorian morality. Therefore, my analysis of disease and disability as a metaphor for the status of women has been carried out in the context of the cult of female invalidity of the time. The thesis focuses particularly on the image of the invalid as a manifestation of the ideals exaggerated male gender, defining femininity as a synonym for extreme weakness. The chapters of this thesis try to examine the figure of the void in some of the novels and short stories by Ellen Glasgow. In my view, this CHARGE operates as a mirror and reflects aspects of the personality of his players as well as the same author, and to some extent, women in general. While some of the female characters that are considered can not be classified as physically or medically disabled, my agumento is that Glasgow uses this cultural and aesthetic ideal as a metaphor to reveal the mechanisms of the male-dominated society in which he lived. The fiction Glasgow warns of the dangers assimilate these values, and that women of that time were educated to become a model of gentleness, innocence and selflessness, to the point of being reduced to invisibildad as individuals. Glasgow seems to suggest that this doctrine weakens women both physically and psychologically, because it condemns their needs and aspirations as invalid, ie no-válidas.

Author: CARRILLO TOREA M. CARMEN VIRGINIA.
Year: 2004.
University: MURCIA [www.um.es].
Place of defense: FACULTAD D ELETRAS.
Place of preparation: FACULTAD DE LETRAS - UNIVERSIDAD DE MURCIA.

Summary: In this investigation we conducted a critical review of the most relevant proposals poetic, group and individual, in the sixties in Venezuela. authors who, without having joined these groups, began his poetic in this decade and whose books have had a major impact on the readership and literary criticism. The context was analyzed at the continental level because the events along the entire American influence so strong in poetry and literary productions in general. We conducted an explanation of the relationship between modes of literary production with other modes of production cultural, ideological and social America in the sixties before transferring to shape the cultural sphere that emerged in the national groups and literary revistes the decade. It continued with the study of materials program (manifests, proclamations, editorials) from the literary magazines from a comparative perspective and carried out a mapping of the field of literary productions of the sixties in Venezuela; became emphasis on the revision of processes receipt of the groups. Then we go into the analysis of texts creative writers selected published in the sixties. The following were chosen authors, representatives of the groups: sardio Ramon Palomares, Francisco Perez Perdomo and edmundo Aray, who also participated in the roof of the whale: Caupolicán and Juan Ovalles Calzadilla, the roof of the whale; Rafael Chains d Table round and Gustavo Pereira de Tropic one. We also include the work of Victor Valera Mora and Eugenio Montejo who, despite not having belonged to any group, which conducted a poetic resonance reached an important place in the literary field of the decade. We analyze the works of authors selected what we considered three fundamental poetic of the period: 1-Poetics of subversion. 2-Poetics of the fragmentation of me. 3-Poetics of the founding. These poetic were interpreted from chapter three. Finally, we conducted a comparative approximation of these poetic expressions encountered in Venezuela with other productions of other groups poetic renewal of the continent, such as Nadaísta of Colombia, Ecuador and the tzántzicos of Mexican poets of the spike amotinada to establish links to understand the poetry of the continent of the sixties as a network interdiscursiva who responded to the notion of breaking with tradition and proposed a new aesthetic best suited to the needs of social change that appears to require a more committed art. The revision cultural dialogue held between the poets of these countries, through the exchange of journals and publications allowed us to understand the changes and transformations that level poetic, were carried out during this period, both inside and outside national boundaries . The analysis of the poetic in question was conducted from study groups and literary movements whose manifestos and editorial approaches, especially in magazines, helped articulate proposals estético-ideológicas dissident and subversive and sought to break with the dominant culture and make a commitment social via a language closer to the conversational and colloquial.

Author: CLASTRE GARRIDO CONCEPCIÓN.
Year: 2004.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGÍA.

Summary: Analysis of Madrid decininómico in the work of Théophile Gautier associated with the city. Voyage en Espagne (1840), A Voyage en Espagne (1843) collection poetic Spain (1845), Les fetes Madrid (1846), Militona (1847) and Quand on voyage (1864). As far as the fetes Madrid is concerned, is a comparative study between the literary vision that gives us the author of the royal wedding and pictorial we move the photojournalists who also attend this event. We take this to comment on the relationship of this auator withthe painting and especially withthe Spanish housed in the Museo del Prado. In addition we wanted to analyze, although more general traits, which accounted for the author and his work in the nineteenth century, both in France and beyond, and the vision that we offer of Madrid of the time other authors fraceses, such as Alexandre Dumas and Charles Davillier. Nor have we forgotten the subject of interest in the search for the item in the eastern pintoresquismo and exoticism. We present and the different visions of Madrid isabelino of Théophile Gautier describes in different literary genres that this author cultivated: travel story, dramatic work, poetry and novel.

Author: GIL ABELLAN M. CARMEN.
Year: 2004.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETARS UNIVERSIDAD DE MURCIA.

Summary: The work, which is part of the Project DGES PB98-0393, "Contributions of humanists to the Spanish classical philology V," whose Principal Investigator is Dr. Francisca Moya of Bath, involves the study and assessment of the edition of the History Evangelical Juvenco done by the neohumanista Faustino Arevalo. The structure of work is suited to editing juvenciana being analyzed. A general introduction addresses the cultural context of Arevalo, the figure of the editor and his literary production, and also the poet's work itself, providing a critical review of studies on it, in order to assess the contribution arevaliana. It provides a second chapter in the narrative of editing and issues covered in their run, which constitute real monograph on various aspects, emphasizing the study of manuscripts and editions addressed in the second and third chapters, and the method used in editing, treaty on the sixth and final chapter of his run. We conclude this section by linking the arevalianos with run-publishers upstream and downstream, constantado their potential liabilities and post their vengencia in publishers. Special mention must study the text offered by the publisher, the result of his meticulous collation of manuscripts and editions. The careful study of manuscripts consulted directly and the other of which by its indirect ways, reflect the interest of humanist towards be as reliable as possible. While the provision in this regard is well known, however devoid of scientific studies that show the strengths and weaknesses of work. The study conducted in this thesis has allowed to deduct the actual use and requires each source, follow-up on all of the manuscripts Vatican Reginense 333 and Ottoboniano 35, as well as their partial detachment of Roman, a recentior fifteenth century , who was at the Roman College. We have detected some errors humanist, small errata -lapsus calami-, reasonable in this kind of work. As for the indirect use of some manuscripts as Cantabrigenses, who was unable to read our humanist directly, it has tried to fill the job itself that the publisher would have wanted done. The manuscript Cantabrigense 304, the oldest and most valuable document to be kept at Corpus Christi College, Cambridge, supports some of the thesis arevalianas, among other authority juvenciana's first questioned average that starts with the work. Despite the shortcomings attributable to the author and, above all, the time at which this issue was conducted, the rating for this edition-can confirmar- is highly positive. It was also analyzed using editions sy warns, for example, the reduced use of the edition and 1500 by Fausto due to the abundance of mistakes that the publisher found it, or the continued and timely matching editions as aldina, tornesiana or by Poelmann or Fabricio, to cite a few examples. With the result of our research is providing the text arevaliano a critical apparatus that is collected, purified, the information given in their variae lectiones by the publisher, as well as readings, if any, taken publishers modern Juvenco, Marold and Huemer. Then it addresses the study notes the comment by Arevalo, stressing that it Arevalo refers to passages from the work itself juvenciana (Story evangelical) abundant, varied and rich. It stresses the study of those in which the editor and commentator offers its most unique and original vision: one in which Arevalo refers to passages in the works already commented previously edited by 8 him au 8ea ers Christians as Prudencio and Draconcio. Very important is also the contribution made by other sources, such as evangelical, that the comentarias precisely the argument theme each ticket accompanied by excerpts neotestametnarias accurate, timely drawing of the previous editions. The most important findings of the study conducted confirm that the work Arevalo is the culmination of a humanistic tradition Scholars. It is therefore valuable starting point for rapprochement to the poet, as erudition and criticism in the eighteenth century meet in Árevalo, both in his Prolegomena as textual notes, issues metric sintáticas, content, performs, etc.. Arevalo represents a peak in tradition and is required as a place of reference for scholars subsequent Juvenco. The winning arevalianos in the setting of the text is reflected in the large show affinities with the text arevalino in their respective editions Marold and Huemer. His texts are shown mostly coincident with that offered by Arevalo. The scholarship in editing the humanist is abundant, both in the Prolegomena as varied commentary offered in his notes and, with few exceptions, their present is very impressive. It finally offers a complete bibliographic paragraph reflecting primarily works properly arevalianas, followed by ancient works cited by the editor, as well as studies juvenicanos and arevalianos, more recent works and other works of a general nature. Thesis culminates four appendices which are particularly useful for the study was provided. They collected respectively for preliminary editing, the run, varie lectiones and notae that Arevalo nture your comment along the entire publishing.

Author: GONZÁLEZ PORTELA SALOME.
Year: 2004.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNED.

Summary: This thesis contains a body of oral stories loja and other villages in the south of the equator is publishing these stories, in compliance with the document fidelity sound. Have been classified according to gender on narrative prose and poetry and has made a scientific study of type "camparatista" with the oral tradition Hispanic and universal as well as the study of many parallels with the literature cultured.

Author: MARTÍ MONTERDE ANTONI.
Year: 2004.
University: POMPEU FABRA [www.upf.edu].
Place of defense: DEPARTAMENTO DE HUMANIDADES.
Place of preparation: UNIVERSIDAD POMPEU FABRA.

Summary: The Doctoral Thesis Marges literaris of nacionalisme. The relació between Espanya i Catalunya through deis seus escriptors, (1898-1975). I documentació Estudi has a twofold objective: to rethink the history of comparative literature so as to make a proposal comparatística specifically Europe from the constitutive relation to the same comparative literature had with the idea of nation and nationalism, and from this proposal, allow the readability of a specific case, the relationship between the Spanish and Catalan literature. First, the study introductory  "The Comparative Literature, nacionalisme i les comunitats interliteraries in conflicteÂ" revising history of comparative literature from their unprecedented in the Weltliteratur goethiana to this day, through their first course postúlaciones academic and university at the end of] the nineteenth century. The objective of this study is to rethink comparative literature as a more appropriate perspective to study relationships among the various literatures, which can not be done without fully considering the role that the idea of nation and nationalism has played in its constitution, and definitions successive methodologies. Thus, considering the international tensions as the conflict in that it represents comparative literature, and from which he seeks and] dialogue, and from the awareness that nationalism made possible at the same time that it became the object and need to overcoming and its deepest condition, explores how advanced comparative literature for over a century, which have suffered enormous transformations as the notions of identity and cultural difference, otherness and supranationality. Checking approaches Brunetiére, Texte, Baldensperger, van Tieghem, Carré, identifying intlexiones of Croce, Farinelli, WelIek, and pointing to new directions proposed by Bajtin, Pageaux, Said, Gnisci, Durisin, Even-Zohar, and Bourdieu, introductory study concludes with a proposal to redefine European comparative literature, returning its core values do not exclude their relationship to the idea of national literature while overcoming such an idea can not occur, especially in a Europe that, in recent decades , seemed to have ceased to be the object and subject of his own understanding, but that it was urgent to re-think. The findings lead to a redefinition of the Comparative Literature in ideological terms, although its scope extends far beyond politics, to address this challenge and opportunity. The second part The relació between Espanya i Catalunya through deis seus escriptors. (1898-1975) documenting the relationship between nationalism Spanish and Catalan nationalism through the writers, in the period from the late nineteenth century and 1975, gathering testimony from authors like Unamun6, Maragall, Azorín, Pijoan, Carner, Ors , Baroja, Martinez Sierra, Camba, Foix, Sagarra, Salvat Papasseit, Ortega y Gasset, Pla, Gimébnez Knight ... Until Gaziel, Badosa, Marias, Fuster, Aranguren, Moix. That is to say: the best of Spanish and Catalan literary thought putting in motion his ideas and his writing to make understandable, and sometimes to defend the relationship between literature and nationalism in a community interliteraria in conflict as they belong, along with others, Catalan and Spanish in the historical and political framework determined by the Spanish state and its continued cuestionamento in the period studied.

Author: NOGUEIRA PEREIRA MARÍA XESÚS.
Year: 2004.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTADE DE FILOLOXÍA.
Place of preparation: FACULTADE DE FILOLOXÍA.

Summary: The thesis is a study of the main strategies operating in the narrative Alvaro Cunqueiro. The analysis includes all the works of fiction writer, Galician and Castilian. The work is preceded by an introduction in which, in addition to exposing the methodology and theoretical foundations, is a state of affairs of the studies cunquerianos. The core of the work is divided into sections "corpus paratextual O" and "O textual body." The first section deals with the analysis of the extensive paratexto of the work cunqueiriana. The study of paratexto public (interviews, articles and letters) and the so-called "peritexto" (titles, dedications, appointments, notes and indexes introductory and concluding Onomastic), reveals a remarkable consistency in their use and supports key strategies in the narratives Cunqueiro. The second examines the strategies in the textual level. In this space, the work deals with the analysis of the many characters in the book cunqueiriana: the elements involved in its construction, its operations and its onomastics. The survey is a typology of characters model to be repeated across the narrative writer. Furthermore, the thesis examines the relationship of narrative literature Cunqueiro with popular tradition ral and identifies strategies orality used by the writer. Finally, this section focuses on strategies used by realism narrators cunqueirianos and its operation. The thesis includes a final chapter devoted to the study of receipt in which, starting in critical texts appeared in the literary galician systems and Spanish, identifies the main axes on which has been shaping this speech.