LITERARY ANALYSIS (5)

Author: ALVAREZ CASTRO CAMINO.
Year: 2005.
University: OVIEDO [www.uniovi.es].
Place of defense: DEPTO DE FILOLOGIA ANGLOGERMANICA.
Place of preparation: DEPARTAMENTO DE FILOLOGIA ANGLOGERMANICA Y FRANCESA, UNIVERSIDAD DE OVIEDO.

Summary: This dissertation presents an analysis of the future tense in French, as part pragmático-inferencial of the theory of relevance Sperber and Wilson and the optical procedure developed in recent years. This kind of analysis is proposed as an alternative to other attempts to study strongly supported in an ontological dimension or a conceptual perspective, for example. The difficulties observed, after a critical review of other tasks are addressed in the context mentioned, whose performance is demonstrated most satisfactory. Areas of research presented is as follows: i) advocacy of a non-modal position regarding those contained in future not in use interpretive ii) application of a procedural model to the analysis of the meaning of the future, iii) arguments for joint among temporality and modality in the language, particularly in the case of the future.

Author: CORBÍ MARÍA ISABEL.
Year: 2005.
University: ALICANTE [www.ua.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FILOSOFÍA Y LETRAS.

Summary: Valery Larbaud and the adventure of writing a thesis is that as its title suggests starting with some of the design parameters of literature from the years 60/70 French demonstrates that our author participates in a fermentation artistic and intellectual of the first quarter of a century XX prepare an entire literature to come. Our four chapters writing reflective, "plaisir du mot" and the writing of the violation, the game / I of writing and spaces of me, the game in the trilogy intertextual Amants, amants heureux? Let us see how this literature transitive obsolete giving way to a literature as construction, gambling, exploration, emphasizing the playful side that made both in its literary component of the act of writing as an act of reading.

Author: GUTIERREZ PARDINA EVA.
Year: 2005.
University: ROVIRA I VIRGILI [www.urv.cat].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: Over the thesis "Four Sides of Hermes in the narrative work of Flavia Company" is the study of eight novels and two books of short stories by the author Flavia Company Navau, with occasional references to his poetic and two facets most of his work: the writer of stories for children and the journalist who writes opinion articles and short stories in the press. After an introduction to the life and work of the writer is the study of four basic characteristics of the narrative of Flavia Company related to four basic aspects of the god Hermes: the ability to lie, the craft of messenger of the gods, regarding alchemy, androginia and / or hermafroditismo. For each of these aspects have implemented various methodologies: hermeneutics, aesthetic theories on the receipt and fictional worlds; studies on personal letters and epistles; works that are part of the school Eranos and performing rapprochement hermenéutico-simbólico or, as other definitions antropológico-imaginario to texts studied; mitocrítica studies on symbols and alchemy, as well as works that explore sex, gender and queer, as well as literature in androginia and / or hermafroditismo. The application of these methods in the narrative of Flavia Company allowed me, on the one hand, list the features thematic core novels and collections of short stories by the author and, secondly, to establish a line between novels and collections of short stories prior to the novel Melalcor and subsequent to it, without any question, in my view, a completely clear separation between the two stages, but rather intensified elements that were very secondary in some of the previous works.

Author: LARA RALLO CARMEN MARÍA.
Year: 2005.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA.

Summary: The present study focuses on the analysis of dialogue with the past that the British author Antonia Susan Byatt (Sheffield, 1936) engaged in the novels that make up his tetralogy: The Virgin in the Garden (1978), Still Life (1985), BabelTower (1996) and A Whisting Woman (2002). Such dialogue, boosting that the series is part of the trend of renewed interest by the memory feature of the contemporary English fiction, is divided into two levels: the historical - where the experiences of the characters are on the downside of the recent British history, from the coronation of Elizabeth II in 1953 until the dawn of the feminist movement at the beginning of the 70s-and intertextual, where past literary, pictorial, and plenty of speeches of human knowledge emerges in the present low the form of a complex web of events, echoes and allusions. These two levels serve as the axis of articulation of the doctoral thesis, which is divided into four major blocks, one for each of the novels of cuarteto-, divided into chapters investigating intertextual and historical dimension of the various works. In addition, these blocks are preceded by a section on theoretical intertextuality in which the author offers a brief update on the various approaches to the phenomenon intertextual that have been developed since Julia Kristeva, coined the term in 1967, as well as a typology the intertextuality that it is useful to study the strategies Byatt implemented in your quartet. This typology, which distinguishes between literary intertextuality, painting, and other speeches, vertebra intertextual analysis of the level of individual volumes in the series, so that if Chapter of The Virgin in the Garden reflects the interaction of three areas of the Still Life and Babel Tower devoted respectively to links with the painting and literature, while the A Whistling Woman focuses on the connections with the discourse of science and other disciplines. Through this analysis, which takes place in parallel to review the historical background of each of the novels, the doctoral thesis "Intertextuality and history in the tetralogy AS Byatt" not only makes clear that the tetralogy must register with the flow recreation past characteristics of the current narrative, but also lays bare allusive and referential richness of a monumental project creative British writer who has spent more than forty years of his artistic career. Against this background, the present study, which is among the first efforts of the full quartet, which was conceived as a whole unitario- claimed contextualization criticism of the tetralogy underscores both in the field of production of Byatt in the broader context of contemporary literature.

Author: OSUNA CABEZAS MARÍA JOSÉ.
Year: 2005.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: The Doctoral Thesis aims to contribute to a better understanding of the so-called controversy gongorina, namely that arose as a result of the dissemination of handwritten Polyphemus and Soledades circles in Madrid, back in 1613. The outcry that led to its appearance was such that it can be said that the literary world was divided into two: those who admired a Góngora and his art and those who threw critical furibundas against the author and his poems. The debate originated is one of the most important controversies in the history of English criticism for its intensity, size and height of the speakers. One of the shortcomings that showed the vast and complex body of texts that make up was the need to explore and investigate private and even public libraries in search of unpublished testimony, because unfortunately there are many which are not fully cataloged, in a situation which makes it impossible many find key evidence. In this regard, the Doctoral Thesis studies and edits a full unpublished material: The Loneliness first enlightened and defended, which is a response to the Antidote Jáuregui and comments to Soledades. In addition, this text should be contextualized within the controversy, therefore, in the first part of the thesis was to study a total of eleven testimony of another denomination, gender and length. This will analyze both the testimony of the first phase of the controversy (ie from the Opinion of Pedro Valencia until moments closest to the dissemination of Antidote) as constituting a response to Antído, context in which somewhere in the testimony that we know. The successful implementation of these objectives, we have studied all the documentation that exists on the subject, taking into account both the primary and secondary sources. Among the conclusions drawn, it should be noted the state of affairs and new data that is brought to the texts of the first phase of the controversy, and especially the importance that implies learn a new language of the controversy, and the data were provided on the date, authorship, in theory, reviews of gongorinos verses, and so on.

Author: ABEDALKAREEM TAHA ABABNEH IMAD.
Year: 2005.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The core of the thesis is the translation from Arabic into Spanish book Risalat al-gufran title that could transliterated into English as "Epistle of Forgiveness", a work of multifaceted and instructed Abu al-'Ala 'al-Ma'arri. This translation has been carried out as faithfully as possible with respect to the Arabic text, thereby seeking to reflect all its contents, which expresses cultural values of civilization árabel the eleventh century. The thesis is divided into four chapters. In the first chapter, has been presented the first complete translation in the English language of a letter from the scholar of Aleppo Ibn-al-Qarih addressed to al-Ma'arri. In that raised questions of literature, philosophy, history, religion, jurisprudence, grammar and lingüstica. In fact, the letter of Ibn al-Qarih contained evil intentions, and it deals with taboo topics and issues which seem to want to involve al-Ma'arri asked to respond and reveal their true character and thought, as it were rumors that al-Ma'arri was Manichean and atheist, accusations that were considered indisputable crimes indictees who were being convicted and punished them with death penalty. The second chapter contains a translation of the response "fantastic" al-Ma'arri aIBn al-Qarih under the title The Espístola of forgiveness, an extensive response that contains both a description of an imaginary journey latter by Paradise and for the Hell of the Muslim tradition, as a rebuttal of the arguments of defense Ibn al-Qarih. The third chapter contains the translation of the responses and comments al-Ma'arri wings questions raised in the letter of Ibn al-Qarih. Eta is the first complete translation in Spanish. In this part, al-Ma'arri replied promptly at each of the questions Ibn al-Qarih and suggests new questions that his inquisitor had not raised, but that he was not beyond him. In the last chapter of the thesis, it has tried to shed light on the phenomenon of cultural influences Arabs in Western literature, and in particular to highlight the influence that it has on exercise thinking and the ideas of the work of al-Ma ' arriv. On this topic has been chosen three works universal, Dante's Divine Comedy Aligheri, Paradise Lost by John Milton and the Aleph of Jorge Luis Borges.

Author: CEPEDELLO MORENO M. DE LA PAZ.
Year: 2005.
University: CÓRDOBA [www.uco.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: The thesis that we have done has focused primarily on the study of narrative work of the author Elena Soriano, bearing in mind its contribution to the discourse female. The fundamental objective that has been pursued in this research was to demonstrate how creative prose in Helena Soriano reflects a certain conception of the world, it is particularly striking because the author of interest anticipates his time. This means that we are going to find in his work not only ways of writing but also themes and content that are of particular interest to the generations that followed his. Suffice it to recall titles as the name of his trilogy "WOMEN AND MEN" or as the mother of his novel Testimony to get an idea of how the author leads us through some issues which are central concerns of today. This followed a methodology that could be outlined in the following points: 1-First, for the analysis of the work of Ellen Soriano, it was on approaches narratológica epistemological nature. As is relevant in the theory of literature, what interests us is the literary discourse. Sectional therefore history as a chain of events where they reside characters, settings, etc.., And the speech as an expression of structure through which it communicates a sense. 2-Second, this analysis was carried out by overcoming the inherent design structuralist - type, heavily influenced by currents of thought as Phenomenology (which also is projected on the lingüstica). We talk about overcoming adversity, because as I have pointed out some theories, it is questionable concept of "literariedad" and the exclusivity of the formal method to settle the status of a literary text. Some of these theories was back to the sixties (time domain structuralist theories) as Pragmática literary, and others such as the production of theoretical Bajtin are chronologically very early (years 30 and 40), but recovered late as coinciding years seventy. It is precisely from the theory of fiction and the literary Pragmática from which justifies the title of this thesis is that the theory is covered in the literature to CONSTUIR WORLDS. 3-believe, moreover, that should take into account the relationship that this work may have narrative film that has exerted influence on the contemporary novel. Consider that the magnitude of the events of the story is the time, the existence of the story is space. And as can distinguish his time in the history of the time of the speech, we must distinguish the space in the history of space discourse. The difference can be seen most clearly in visual storytelling. In the space explicit movies in the history of the world is the snippet shown on the screen at that time. The space history in the film is "literally", ie objects, dimensions and relationships are similar, at least in two dimensions to the real world. In the oral narrative is abstract and requires reconstruction in mind. 4-Finally be considered receipt of the work. Only when a book is read reaches its aesthetic achievement, only then becomes the reader's consciousness in the aesthetic object. Along with aesthetic perception is the assessment regarding gender and contribution to the female voice, deepening especially on the issue of CANON and the NARRACIONES AUTOBIOGRÁFICAS as Witness mother.

Author: RÍO TORRES-MURCIANO ANTONIO.
Year: 2005.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The thesis examines the way in which, in Book I of the Argonáuticas, and more specifically in the first 573 verses of it, Valerio Flaco restores causation epic traditional abolished by the Farsalía of Lucan. "Causality epic" means dual motivation, human and divine, which was itself the subject of mythical epic poem from Homer; well, the dimension d motivated purely narrative, which involves the necessary causal chain of events reported, it adds a specific realization, born of the stock of literary genre. Compared with the Argonáuticas of Apollonius of Rhodes, the poem by Valerio Flaco extraordinarily slows the onset of the narration of the journey to Cólquide, and does so with the intent of tematizar the difficulties posed by the author will flavio restoration pos-lucanea of causality arena virgiliano (the comprehensive plan providential Jupiter), hardly consistent, moreover, with the story argonáutico received from the tradition. Accordingly, the "causation epic" focuses not only as a requirement for consistency intratextual, but also and above all as an intertextual complex problem, in so far as it reflects the way in which Valerio Flaco up their own work intextrícable connection with the previous literature. The thesis is divided into an introduction and eight chapters, through which runs the development linear narration valerian until v.573 book. The first chapter examines the proemio of the work, that the reader hurta any reference to the motivation of the epic feat. In the second and third chapters, examines the prevalence initial motivation purely human substantiated found in the wills of Pelias, the tyrant who imposes browsing to Cólquide, and Jason, the hero who must cope with the añagazas of his uncle. The fourth chapter examines the arrival on the scene of divine apparatus, with the intervention of Juno and Pallas, while the fifth chapter returns attention to the human level, in order to study the taimada attitude of Jason in front of his cousin Acasto. Chapters sixth and seventh respectively motivation divine studied from the point of view of mortals and from the gods, and show how, in Argonáuticas, the design of the latter remain completely inaccessible to the former. Finally, the eighth chapter is devoted to trace the resurgence over the work of some of the issues discussed in the book I In conclusion, it is intended to show that, in Argonáuticas Roman, the restoration of traditional epic double causality is not due to a naive profession classicism virgiilanizante (and consequently anti-lucaneo), since Valerio Flaco has employed the traditional option to propose a poetic word itself, deeply reflective.

Author: LÓPEZ QUINTÁNS JAVIER.
Year: 2005.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis analyzes the characteristics of the characters in the book failed to Pardo Bazán from budgets structuralist, in particular from actancial scheme proposed by Greimas. This scheme sees the character as an autonomous entity, which can be systematized through certain functions. In this way, it breaks with subjective and biased analysis that used to make characters thematic elements. The first chapter of the thesis focuses on 15 novels extensive, which has three main stages analyzing the evolution of actantes failed: the initial building and decadence. The second chapter examines twenty and a short novels; it systematizing the basic features that allow the characterization of the characters doomed to misfortune (schedule analépticos, symbolic objects through detailed descriptions, the figure of the narrator witness, the weight of narrators homodiegéticos ..). The third chapter deals with 265 stories, and suggests a classification of this sector of its production is distinguished in this way stories focusing on the ups and downs of a narrator homodiegético; from there delimiting disparate groups (with stories narrator heterodiegético; stories focusing on disruption and neurastenias the protagonist; texts that stands true collective ownership ..). With the findings, it is intended to emphasize that Pardo Bazán opts for a pattern of recurring characters over time, influenced by mixed literary currents (romanticism, naturalism, decadentismo, modernism, symbolism, etc.) and for the demands and tastes of the reading public. So are defining a series of constant talk of allowing certain topic in the design of the characters.

Author: FERNÁNDEZ PÉREZ JUAN CARLOS.
Year: 2005.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: OBJECTIVES This research aims to study the style of the individual works that compose the corpus berceano relating to sources who served as a basis. This is undoubtedly one of the most neglected aspects of the critical bercena. We want to know to what extent, in the field stylistic (Figures and rhetorical tropos) is Gonzalo de Berceo debtor with respect to their literary models. In the end it was determined whether or not Berceo was inspired in style delas sources that took as a reference to build the ornatus of each and every one of their compositions. CONTENTS INTRODUCTION CORE Current status of the issue (review of those studies berceanos dealing with the ornafus, like those relating to the relationship between the work berceana and sources). It also explores other aspects critical to understand and evaluate the personality of literary Bercero, as the literature of Gonzalo de Berceo and cultural training, modes of translation in medieval times, the literary genres of the time and his audience, as well as the purpose of poems berceanos. ANALYSIS OF FIGURES AND TROPOS LITERARIOS central and most important block in which they reviewed one by one the various resources rhetoric employed by Becero and their sources. CONCLUSIONS Taking as reference apparently in paragraph 2, will try to show whether the cleric Riojan finally was inspired or not in the style of their models to develop the ronatus of his compositions. ESTRATETGIAS METHODOLOGICAL The basic method of work or analysis that is used is basically comparative, ie collation of the various works berceanas with their respective sources. By way of analysis retórico-textual is deslindrá debt poet with tradition and their own contributions.

Author: SÁNCHEZ AGUILAR AGUSTÍN.
Year: 2005.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: DPTO. FILOLOGIA ESPAÑOLA (FACULTAD DE LETRAS).
Place of preparation: DEPARTAMENTO DE FILOLOGÍA ESPAÑOLA.

Summary: LOPE DE VEGA INICIÓ CAREER AS DRAMATURGO IN A TIME THAT EUROPEAN CULTURE VIVÍA CAUTIVADA THE HECHIZO OF MITOLOGÍA. SUMÁNDOSE In ESA PASSION GENERALIZADA THE MYTH, THE POETA COMPUSO A SET OF MORE THAN TWENTY COMEDIAS MITOLÓGICAS OF THAT BY DESGRACIA, ONLY CONSERVAMOS EIGHT: "ADONIS AND VENUS", "THE PERSEO", "WITHOUT WOMEN MEN," " THE LABYRINTH OF CRETE, "" THE HUSBAND OVER FIRM "," LA BELLA AURORA, "" THE VELLOCINO GOLD "AND" THE LOVE ENAMORADO. CORPUS THEATER THAT HAS BEEN REDUCED TO DETAIL BY ESTUDIADO Augustine Sanchez AGUILAR, WHO DESENTRAÑA AT ITS THESIS DOCTORAL STRATEGIES THAT ARTISTIC PUSO LOPE UNDER WAY TO BRING THE MYTH OF TIME TO THEATER. IS YOUR CONCLUSION THAT LED TO CAPE LOPE A TASK PERTINAZ OF REINVENCIÓN THE MYTH, BECAUSE ALIÑÓ THE ARGUMENTO OF FÁBULAS CLÁSICAS WITH A GOOD DOSE OF NOVELERÍA TO CREATE A THEATER EXCITANTE FOR UNDERSTANDING, APPEAL FOR SIGHT AND HIPNÓTICO FOR HEARING .

Author: STEPHANIE HUGUETTE PANICHELLI.
Year: 2005.
University: GRANADA [www.ugr.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FILOSOFÍA Y LETRAS.

Summary: In this dissertation, the novels of Cuban writer Reinaldo Arenas forming the Pentagonía were located within two literary genres: the testimonial novel and autobiographical novel. It is worth mentioning that in any case the name of the author appears in the Cuban literary theory on the testimony given that the novels of the island are part of this often testiomoniar on past injustices to the triumph of the revolution or on the achievements of this. This thesis is limited to Pentagonía by forming joint itself and because those five novels include lifetime Arenas that happened in his native Cuba. These five works are Celestine before dawn, The Palace of white mofetas again sea, the color of the summer and assault. In the first part of the thesis, provides an overview of the theoretical autobiographical novel and the novel testimonial. This was clearly define the traits of each gender introducing the first as a work of fiction in which the author recounts his character through his own life, and the second as a work of fiction in which the author, who is the informant own witness and therefore, leaves a witness on the persecution he suffered in the course of their lives or in a specified period of her. To this is added a tour of the plight of intellectuals under the Cuban revolution and a brief biography of the author. The second part of the thesis consists of a more detailed study of each novel separately. The Pentagonía represents the strongest revenge author's complaint because those who do not ceased to be a free man. In each of the five novels, is the testimony of a homosexual writer who has suffered rejection by his family and later the persecution of the revolutionary government of Fidel Castro. As the same Arenas explains that this is a autor-testigo in the prologue dela first and fourth novel, has completed the study with a party sobrelos autobiographical traits that appear in each work, and has thus been able to demonstrate that his whole work, and in particular Pentagonía, can be seen as a version ficticía of his life, which leaves a witness on the persecution he suffered in the island as a gay writer.

Author: MALDONADO ARAQUE FRANCISCO JAVIER.
Year: 2005.
University: GRANADA [www.ugr.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: Survey and analysis of the concepts of "I" and "freedom" in the poetic thoughts of postwar Spain. It faced poetic ideas of Spanish literature of war, from the point of view away from the issues of formalism, social neorromanticismo and poetry, in its current formulation. It is a critical approach to the issue, innovative and incisive. The relationship between economic, political and ideological argumentative is the key upon which the theory is built. This methodology results in an attempt to explain the filias and phobias to the Franco regime from positions of the left and right, always based on the poetic.

Author: FERRÉ RUIZ JUAN FRANCISCO.
Year: 2005.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD DE MÁLAGA.

Summary: This thesis describes the concepts of postmodernism and allegory according to the speeches critics and theorists latest, and explores the autobiographical component present in the literature of Juan Goytisolo. In subsequent paragraphs, we studied the novel trilogy consisting of The saga of Marx (1993), site of the sites (1995) and Weeks garden (1997), to support its profound aesthetic unity and emphasize consideration of novels paradigmatic of the late stage dela production of its author. In addition, we studied about each of these novels reasons such as the treatment of time and history, postmodernism and its relationship to capitalism, the theories of Marx, the new global situation of the late twentieth century and the beginning of the century, Spanish history and civil war, and so on. In sum, this thesis aims to produce a new understanding and a new appreciation of the work and the figure of Juan Goytisolo in the landscape of academic studies.

Author: SALINAS FERNÁNDEZ MANUEL.
Year: 2005.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD DE MÁLAGA.

Summary: Analysis of poetic corpus from the author's letters. Chronology commented Juan Larrea. The poetry of John Larrea: language, music and silence. His version Celeste: the Italian and Spanish editions. Letters and documents version Celeste. Chronology and composition at Celeste version. Poems published and unpublished. Epistolary Juan Larrea: Luis Felipe Vivanco.

Author: PALOMO GARCÍA CARMEN.
Year: 2005.
University: LEÓN [www.unileon.es].
Place of defense: FACULTAD DE FILOSOFIA Y LETRAS.
Place of preparation: FACULTAD DE FILOSFÍA Y LETRAS.

Summary: Doctoral Thesis This is a journey through the works of Antonio Gamoneda produced from some basic aspects (inquiry and questioning the limits of the word) with special attention to relevant practices poetic as intertextuality and rewriting. As a starting point has been established a historical setting, which is to the end of the lyrical romantic tradition, and have been analyzed in four major blocs (representing the various poetic referred to) those areas of writing or presenting a another form a sample of radicalism poetic. The first set consists of a reading of Blues Spanish highlighting how little evident continuismo of this work with other youth after the author. We devote particular attention to the presence of multiple voices in the text (appointments, mimotextos, apoyaturas rhythmic ...) and the diverse textual configuration of the work over time, since 1968 (book censored, rescued here as unpublished document) until 2004 (This work included in light). Attached is an addendum on the issue of censorship of the works. The second section focuses on the stretch of writing that connects description lies with Arden losses. We look at varied symbolic universe populated these books (including Lápidas, Book of cold and Cecilia), setting you live with a deficit textual (explained here by a breakdown). Matizamos thus affecting critical analysis solely on the exhibition of coherence or consistency of the texts. "Cold limits" is presented as a real point of arrival, radical cleansing in the expressive that the author submits his writing. The third section is devoted to "changes". We offer several possible theoretical exegesis they have in common the consideration of these works as "musical interpretations" of poems by other authors. Among the changes, poisons book is addressed as a great aesthetic artifact which charges a force radical questioning pillars romantics such as authorship or originality. The fourth and final block, finally, is devoted to detailed review of a complainant's account, Relationship Don Sotero. The analysis consists of an evaluation of this story as the most extreme of radicalism gamonediano because it parody, from the inside, already alluded symbolic universe using techniques "degradation" (as the carnival laughter) that reduced ad absurdum. From our perspective, this masterful incursion into nonsense connects the work gamonediana a contemporaneity that distrusts irrelevant poetic and survived, precarious and paradoxically, in the depletion of the expressive possibilities. In conclusion, the thesis aims to place a bet on those areas of hermeneutics writing gamonediana less treated by critics, bet reflected in a more interpretative narrative (or glosadora), which highlights the breakdown than occasionally serving classic pattern the basis for this writing.

Author: BERNAL MARTÍN MARÍA.
Year: 2005.
University: ROVIRA I VIRGILI [www.urv.cat].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: The thesis provides important information on the poetry of the Jesuit Baroque and mechanisms educational literature on the "Ratiom Studiorum." It also provides information about the use of literary genres minors as hieroglyphics, emblems, etc.. At the same time, the text editing has a literary value itself and makes known texts unknown until now.

Author: SOGUERO GARCÍA FRANCISCO MIGUEL.
Year: 2005.
University: DEUSTO [www.deusto.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFIA Y LETRAS.

Summary: The phenomenon of renovating the biographic genre in Europe during the first decades of the twentieth century, by the hand as the British author Lytton Strachey, the French Andre Maurois, or Central Emil Ludwig and Stefan Zweig, resulted in a major boom such works in the publishing world to make them more accessible to the public, since that renewal is based, so essential in the subordination of cold discourse and historical documentary to novelesco and subjective, resulting in a kind of artistic biography, closest to the literature that history. The new biography thus became a major literary event, which arrived in Spain at the end of the decade of the twentieth. The Spanish non-narrative then crossed for good moments: The renewal of the novel, advocated on several fronts - The trials "The dehumanization of art" and "ideas on the novel" (both 1925), Ortega and Spending, among others not just bear fruit among young prosistas, unable to write the novel prototype truly novel. It is the same Ortega -atento always the cultural routes from beyond our borders who urged practice Bio to pioneering storytellers, aware of the double benefit of the company for a separate accounting for the final settlement of a gender without tradition in our country, to wake Renaissance who were living in much of Europe, and also involves the training of a wide range of writers, from the ranks "dehumanized" in the spring of narrative exercise. The result will be a series of biographies, due to Benjamin Jarnés Antonio Espina or Cesar Munoz Arconada, importing the narrative avant garde styling and its greatest artistic achievements, and combining the biographical and novelesco, forming a hybrid product that received during those years, arquiescencia from readers and criticism. The central purpose of this thesis is, therefore, the study of this series of biographies, the debtor advanced aesthetics, and immersed in turn, in the renewal of that genre was taking place in Europe; one aspect of the literature from that era that has not been, so far, properly analyzed and assessed. One can not ignore all this production Bio, born in the same spirit of innovation and inconoclastas that informed the rest of literary and artistic events of the early twentieth century. As in recent years have not been limited work dedicated to the prose of 27, he and the possibility, therefore, of placing the pioneering biography on the ground that it is, seen as an outgrowth more, not menor- of Concern that hit a whole generation of young writers, and whose study is essential to the understanding of the history of Spanish literature of the twentieth century.

Author: DOMÍNGUEZ GONZÁLEZ FRANCISCO.
Year: 2005.
University: LLEIDA [www.udl.es].
Place of defense: FACULTAT DE LLETRES DE LA UNIVERSITAT DE LLEIDA.
Place of preparation: FACULTAT DE LLETRES. UNIVERSITAT DE LLEIDA.

Author: LEAL BONMATI MARÍA DEL ROSARIO.
Year: 2005.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: In this paper, we study the theater courtiers from 1700, the year of the enthronement of a new dynasty represented by Felipe de Borbon, Duke of Anjou, until 1724, the year of the king's abdication in his son Luis. Research in this period involves not only observe the possible ramifications of the latest proposal scenic Baroque, but also check the extent to which political change contributed to innoar - or not-drama, and if only implicitly, facilitated the emergence of the new vision scenic both in the theatrical celebrations in the parateatrales. Within delos first, we see the figure of playwright Jose de Canizares (1676-1750) which is situated in its specific historical and cultural moment, turning to documentary sources, manuscripts and printed at that time: his presence and action in the Court of Charles II and Felipe V, closely linked to the butler older, and at least since 1717, with his work as Commissioner for the festivities actual participation in the War of Succession as a lieutenant captain of coraceros; its long exercise as Prosecutor comedies the service of the Council of Castile and Madrid (1702-1750) and, above all, its production of playwright in the Court. In this work to obtain a doctorate degree (PhD), we demonstrated with the study and critical edition of Acis and Galatea (1708).