LITERARY ANALYSIS (6)

Author: SIMONSON MARTIN.
Year: 2005.
University: PAÍS VASCO [www.ehu.es].
Place of defense: FACULTAD DE FILOLOGÍA, GEOGRAFÍA E HISTORIA.
Place of preparation: UPV CAMPUS DE ÁLAVA.

Summary: The theory posits the hypothesis that "The Lord of the Rings" is a work sui generis, while shares many similarities with some modernist works belonging to what Northrop Frye called "Myth Irónico," such as "Ulysses" , "The Waste Land" and "The Cantos." Critics Tolkieniana is dominated by two main streams: the studies claiming a breakdown literary sources that served as a model for tolkien for certain episodes of his work, and approaches critics focused on finding their connection with historical and cultural events of the twentieth century. The purpose of the thesis is to find a formula criticism able to account for both interpretations at the same time, it is imperative to demonstrate that the play an important bearing on the flow of literary own twentieth century was characterized by much of the mainstream literary traditions of the West in a plane simultaneously. The works exhibited modernist mentioned treatment ironic mixture of generic and an abundant dose of elitism in references to works of the past. Tolkien's work also incorporates many different literary traditions in a plane simultaneously, but without recourse to irony to portray the dialogue between different traditions and genres, while evading the irony. This is due to two reasons: the author's refusal to accept certain conditions of modern life as something inevitable, and the creation of a world invented, in which the narrative traditions of our world can live without the need for a treatment ironic, since no need yuxtponerlas to life in the twentieth century. Avoid elitism in its references because they are "Intrahistóricas", ie belonging to the mythology invented for the world in question and that, in their capacity as such, require a context to be understood in the context of history. The central idea is that the dialogue between traditions narrative in "The Lord of The Rings" is different from the other works of ironic myth to the extent that the text itself becomes an exploration of the limits of the dialogue in question. Most of the thesis focuses on a textual analysis of "The Lord of the Rings", aimed at clarifying the general dynamics of dialogue intertradicional. It takes into account three levels: generic (what narrative traditions are present), situational (elements that act as vehicles for incorporating a tradition or another in a given situation dialog), and transitional (how is the dialogue and towards what carries the narrative tradition). The main conclusions are that "The Lord of the Rings" is a work Sui Géneris they had a significant relationship with some works of modernist myth ironic. This leads to a broader rapprochement critic, able to account for the diversity of interpretations - "Applicability" in terms of own-Tolkien's work. This puts the work in a meaningful relationship with both modernism with the literary traditions of the past. At the same time, this approach allows legitimize the critical importance of "There Lord of the Rings" in the context of English literature-and universal-of the twentieth century, which has so far been hampered by the lack of contemporary literary context that placed.

Author: PASCUAL BOU ANTONI.
Year: 2005.
University: BARCELONA [www.ub.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNIVERSIDAD DE BARCELONA.

Summary: This thesis presents a study of the novel The Life and Opinions of Tristram Shandy, Laurence Sterne (1713-1768) along the lines of the deconstruction of Jacques Derrida. The philosophy derrideana outlined in a lengthy introductory chapter. The first part, "Beyond Phonocentrism," explores the conflict between the written and oral language in the novel, covering aspects such as registration of conservation, experiments in typography, relations with other art forms, non-verbal communication, the uses of the metaphor and misunderstandings between the characters. The second part, "Centers Can Be Dissolved?" Studying the crisis in the concept of structure, resulting from the instability of language. It addresses topics such as the uncertainty of the narrator, digressive structure, the association of ideas and the concept of psychological time, and the nature primarily interxtual of this novel. "Metaphysics Full Circle" is the title of the third part, which studies the content of the satirical novel, with themes such as satire thought scholastic and speculative science, the figure of Walter Shandy and the return to form of metaphysical thought before the disease and death. The fourth part, "A World Without a logos," is shorter, and deals with the loss of transcendental meaning in the world novelesco of Tristram Shandy. In these final chapters dealing with the crisis in the disciplines of human knowledge, d the idea of truth and what teaching and studying as the characters are driven by their personal obsessions, "hobbyhorses."

Author: NOGUERAS HERNÁNDEZ MONTSERRAT.
Year: 2005.
University: BARCELONA [www.ub.es].
Place of defense: UNIVERSITAT DE BARCELONA.
Place of preparation: UNIVERSITAT DE BARCELONA.

Summary: The purpose of this dissertation is to review the manner set out to raise the study of Greek drama and satirical guide an alternative line of work, focusing on the texts, perceived gender as a particular way of creating dramatic action through based on the interaction between referring universe of satyrs and semantic key elements of the characters in the myth that share stage with them. Through the analysis of Cíclope, The Trackers and Isthmiastai, depicts how the satirical drama is rebuilt literary tradition to honor dioniso. The discussion on gender is supplemented by an analysis of the schemes they could conceptualize the satirical drama in the antigà ¼ age, which indicate, through a symbolic language, the relationship between gender and dioniso.

Author: FERNÁNDEZ URENDA FRANCISCO JAVIER.
Year: 2005.
University: LA RIOJA [www.unirioja.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: This thesis proposes redefining a set of comedies, written in one or two events, reflecting the dedication to the genre of the theater of the author, Manuel Breton de los Herreros (1796-1873). The hypothesis that part of this work part of the process of self-censorship aware that the writer Riojan underwent his literary works, refusing even liability or responsibility for numerous stage plays. Thus, compared to the widespread belief until today that the drama shortly cultivated by Breton de los Herreros had a total of twenty-five comediejas-in the terminology of their own author, this thesis provides more: Forty-three . This corupues additional alq ue I gave the name "catalog autocensurado" was escamoteado by Breton de los Herreros with intent to conceal their contendios politicians. Critics later followed the dictates of the writer and ingnoró turn, the existence of these theatrical pieces that incorporate today to the body of studies on the dramaturgy of Breton de los Herreros.

Author: GARRIDO MIÑAMBRES GERMÁN.
Year: 2005.
University: BARCELONA [www.ub.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UB.

Author: DOMINGO CARVAJAL GEMMA.
Year: 2005.
University: BARCELONA [www.ub.es].
Place of defense: UNIVERSIDAD DE BARCELONA.
Place of preparation: UNIVERSIDAD DE BARCELONA.

Author: MARTÍN LÓPEZ CAROLINA INMACULADA.
Year: 2005.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The broader objective of this thesis has been to offer two different directions - lingüsticas, literary and musical-a joint vision of the triología operística Da Ponte-Mozart, because despite countless studies on LE nozze di Figaro, Don Giovani and Cosà ¬ fan tutte there is no relevant work that from different disciplinary approaches has conducted a comprehensive analysis of what can be seen as a project unit thematic evolution and implementation stage of the characters. Blending therefore all previous studies fragmented input original work has been instrumental in the development of this work, so you can display not only the perfect intersection dialectic between word and music, but also the history of thought that followed as librettist and composer Throughout the design of the three works. For reasons of structuring we articulated external analysis into three sections: sources for which directly or indirectly have been able to rely librettist and composer for the composition of melodramas, the same study under the perspective of the poetic translation of the text in writing music , and impact dela triología in subsequent artwork. Special attention we put into the canons of aesthetics poético-muscial eighteenth century to see to what extent can we talk about reform in terms of Mozart copernicana revolution and to what extent Da Ponte contributes to the renewal of melodramatic language used so far , especially in the melodrama century Baroque precedent.

Author: PAZ MANZANO CARLOS ROBERTO.
Year: 2005.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: Inquiries about the poetry of Roque Dalton, his literary vision, characteristics and themes of his poetic work. Emphasis is placed on the author's literary commitment in relation to the reader, explains their influences, domestic and international, and highlights the autobiographical pact stipulates that through his literary work and extrapoética. Initially, the procedure is deductive, as it places the poet in his time to highlight the circumstances of life that affect your poetry, hence the importance of the influences received and the impact that art can be seen in his works. After extending the context about the dichotomy autor-lector, vida-poesía. To identify rhythmic and stylistic aspects, establishing the relationship between literary and pragmatic turns to the traditional rhythm and pace of his avant-garde poetry, with a predominance of free verse and an influx of minority but significant pace endecasilábico important at the emotional . Subsequently, to identify and verify the pact autobiographical and the merger dichotomous life and that includes poetry, contains a chapter about the time biographic, systemize poems and verify the circumstances giving rise to the lyrical and biographical subject. It expands the content through key issues, symbols, personally i impersonal of his work, with particular attention on the dramatic monologue and other relevant topics such as personal experience, the country, militancy, anticlericalismo, death, among other constants. The theory implies applied theoretical aspects of the metric Spanish, free verse, the leading literary elements of the theory of receipt, and specializes in poetry criticism of the author. It takes into account books as Metrics Spanish professor Stephen Tower and History and Theory of verse Professor Maria Victoria Utrera Torremocha, Reality and fiction literary text of Professor John Frau. In addition, several concepts Bajtín, emphasizing the characteristics of the hero, as the hero, as the author expresses attitudes epic in the wake of his political and his struggle against the dictatorship in El Salvador, in the sixties and seventies. It also considered testimony from some writers who attended to Dalton, as Julio Cortazar, Eduardo Galeano, Mario Benedetti, Victor Casaus, etc.. In short, avant-garde poet who uses rhythm endecasilábico committed to the revolutionary cause of his country, and ideologue propositivo respect to the incidence of surrealism, romanticism, realism, poetry testimonial. Through along the dichotomy of his work life poetry, author reader, as evidenced by the conclusions of the thesis. The coexistence with first-tier writers, especially those who were dedicated to the Cuban revolution, bearing, with his poetic work, the prestige achieved at the international level.

Author: HUSEIN ISSA AL-AFIF AHMAD.
Year: 2005.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The objective of this thesis is the comparison between two literary generations: Generation of 98 in Spain and modernists in the Arab world. That comparison is the narrative genre in both generations, incarnated among famous works: The tree of science and Pio Baroja The prophet of Gibrán Jalil Gibrán. On our topic, we found few references on the style Gibrán. Perhaps there is an extensive literature on his life and works in general, but studies have touched on the subject of his famous work The prophet are very few, especially in Spanish. However, the issue of Baroja, their lives, works and ideology is a field rich with references of various kinds: encyclopedias, magazines and books, but at the same time, like Gibrán, his tree of science have little studies conducted by researchers from Spain and until today, when it reaches my information so far on this, our comparison of the two authors is the first in the West and the Arab world. In this thesis, we added some ideas with great courage in the field of comparative literature. First, we have undertaken a curtailment between two worlds, Spain and the Arab world, which shares for centuries until today relations based on good roots of cultural coexistence. From my point of view, the comparison between modernists Arabs and novetayochistas headed by Baroja and Gibrán, is a new study that will open the doors for further research on other topics of the same type. In our view, we have tried to explore the genre narrative in Spain during the movement known as the Generation of 98, compared to the genre narrative in the Middle East, which is part of the Arab world during the same period. This part represents the area known as "Bilà ¢ d al-Shà ¢ m" and Egypt, formed by a group of Arab countries that took a literary revolution known as "al-Nahd: ah" or rebirth. Through the authors of this era appeared modernity that brought new styles and themes in Arabic literature. The development of the genre narrative during this period was very important in this era came the Arabic novel and matured, plus many of the works written in this era of modernity have traits which made us think of shedding light on this era.

Author: FERNÁNDEZ BERROCAL MARIA DEL ROCIO.
Year: 2005.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis presents the relationship between literary and biographical writer Juan Ramon Jimenez and Seville, come from a study introductory on the presence of the city as its theme literature, cities delas speaking poet in his work and the treatment of city Seville in the work of other writers. Juan Ramon Jimenez came to Seville with fifteen years to study law and painting, but when they enter the Ateneo de la ciudad, starts reading to Bécquer and other classic authors and decides to become a writer. It starts running your first texts and receives early praise as a poet. Here is forging its ideology and literary staff to be assessed in all his work back from the influences of popular (through Rodriguez Marin), krausismo (by Professor Federico Castro), and stimulation of social concerns (with the reading of Ibsen and his friend Timothy Orbe). Since then keeps Seville with a special tune reflected in the constant references to the city in his work that are reflected as in the anthology thesis, including versions that include the National Archives and the Board Zenobia-Juan Ramon Jimenez of Puerto Rico. His devotion to the capital Sevillian culminated in his book Seville, unpublished draft, which was released in 2002 that introduced a series of impressionistic and poetic prose acute where the writer shows his admiration for the Sevillian capital, as in "pájinas sevillanas ", as he called for Diary of a poet newly married, which extols the Giralda to which compares with Zenobia calling Seville" divine city. " In manuscripts of the Chamber Zenobia-Juan Ramon Jimenez for a declaration of parentage of a poet to the city you are still remembering intensity in exile until the end of his days, when he wished to return to Seville with Zenobia.

Author: MIGUELEZ CAVERO LAURA.
Year: 2005.
University: SALAMANCA [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: School Nono "is a name often used to encompass a group of authors tardoantiguos from Tebaida Egyptian who are assumed to have in common the imprint of Nono of Panópolis in his style and method of composing. Essentially these Trifiodoro, museum Coluto, Ciro de Panópolis and Cristodoro of Coptic, although this influence extends to other authors beyond Egypt, as Agatías and poets gathered in their cycle. This paper examines the literary landscape of the area south of Egypt in centuries III - VI through retained by the authors transmission handwritten, remnants epigraphical and papiráceos and indications in others, to get a broader view. Here are studying the style of Nono in its metrics, morphology, syntax, vocabulary, poetic and stylistic and compared where possible with other texts of the corpus defined above, to conclude that the style of this author is a point in the development of the epic and whose features are perceived in the past and later in authors who knew Nono and others who knew him not. seems that in their development and dissemination played an important role school. was also reviewed documentation relating to Panópolis of ss. III-VI to check that there were some educational infrastructure explaining that there arose such poets. Lastly comparing the texts of the corpus defined the theory of progymnasmata practiced at the school, implying that many common features of these authors have their origin in their time of training. It concluded that there was not a school of Nono, but a set of authors whose style responds to the tastes of the time and presents a strong imprint school.

Author: SANCHEZ PEREZ MARIA.
Year: 2005.
University: SALAMANCA [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This dissertation consists of two volumes and consists of four parts. The first two focused on the relationships of events preserved in sheets loose poetic sixteenth century, while the third and fourth parts pose a thorough and detailed study of the "shocking and horrific cases" Five hundred preserved in these leaflets loose. The first part of this dissertation consists of three sections; they perform a review to see how they are at present investigations into sheets loose poetic and relations event, how these works emerged, and finally how important was the printing press in the sale and distribution of these pieces. The second part consists of a portfolio that contains bibliographic description of all relationships of events preserved in sheets loose poetic of the sixteenth century that, so far, it is reported. The third part of this work is a comprehensive study of all the "shocking and horrific cases" kept in loose sheets poetic sixteenth century. These relationships tremendistas form a fairly homogenous group in the popular literature printed Five hundred, as they all realize crimes, penalties, judgments cruel and atrocious, and so on. A quarter of this dissertation is the systematic publication of corpues from all parts truculentas above.

Author: OLIVEIRA BRANDÁO Ma. DO SOCORRO DE.
Year: 2005.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTADE DE FILOLOXÍA.

Summary: Based on all the studies performed to try to identify echo "escarnios love" in the lyric gallego-portuguesa, and all texts analyzed with this goal, is conducted in this thesis a new approach to this issue, which continues a double line: A-On the one hand, this is to find out what constitutes the "text" of the cantiga love to be able to establish from him its "context". B-In addition, special attention is given to the location in the songbooks of these compositions in a sense "border" from the standpoint of literary genres. Thus, the first part of the thesis focuses on the analysis of gender characteristic of the lyrical gallego-portuguesa and especially in the study of the parody, satire, contratexto. The second looks at the distribution of songbooks in areas to find out whether the texts under review (expanded significantly in relation to the starting point) were copied in the corresponding to the cantigas love or assigned to the catigas of escamio ; lends further attention to the position each of them within the set pieces from the same troubadour and the presence or absence of explanatory headings that provide the clues they need to appreciate the escamio. Additionally, we analyze the proposals Carolina Michaà «llis to fill in the spaces of the songbook of Ajuda that gaps with the aim of finding clues enlightening on the perception or reception of these contratextos at the time it was collected.

Author: VALLVERDÚ BORRÁS MARTA.
Year: 2005.
University: BARCELONA [www.ub.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNIVERSIDAD DE BARCELONA.

Summary: The core of the study is an analysis of two books on travel to Polynesia: Paradisos oceánics, Aurora Bertrana-published in 1930 i Route White Josep Maria de Sagarra-published in 1964 but written during 1937. As an introductory apunto some features common to both works, notably the exoticism and the myth of gracious Polynesia's paradise. Secondly, as sociohistórico context, presenting the fashion of exoticism in the Catalan cultural landscape between 1918 and 1938. He did after reading the two texts, guided by three pillars: the confrontation between the expectation of writer-traveler and the reality that discovers, treatment personnel myth of Polynesia and the projection of creative individuality in the selection of a certain tracks expressive.

Author: PEREZ ROLAN JOSEFA.
Year: 2006.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This thesis presents a new vision of modernist literary movement in Britain through the analysis of the poetic Charlotte Mew (1869-1928), Anna Wickham (1884-1947) and Sylvia Townsend Warner (1893-1978). The work is divided into five chapters. The first chapter discusses various issues surrounding the definition, nature, geographic boundaries and time of modernism, while discussions are reviewed historical, political and literary who have participated in defining the movement. The second chapter discusses the role of social and cultural constraints that have influenced First, in the constitution of the modernist canon and secondly, in the production and reception of the work of these authors. Drawing on theories Feminists, Marxistas and New Historicistas extracted the conclusion that the modernist literary movement presents itself as a discursive field ideological clearly marked by gender bias. Chapters third, fourth and fifth focus on studying the response aesthetics Mew, Wickham and Warner movement. Through the analysis of the poetry of these women, which poses a challenge to excessive emphasis on modernist experimentation formal retrieve voices silencias Charlotte Mew, Anna Wickham and Sylvia Townsend Warner and arrived at a new approach to the modernist movement that allows us to talk about different modernismos, ringtones and multigenéricos.

Author: Mijares Verdín Enrique Armando.
Year: 2006.
University: VALLADOLID [www.uva.es].
Place of defense: Facultad de Filosofía y Letras.
Place of preparation: Facultad de Filosofía y Letras.

Summary: The study on the production of Carlos Fuentes as an essayist and literary researcher over his academic life in Cambridge and Harvard, through the courses he has taught and the essays and articles on Latin American literature has published in various newspapers and magazines along his life and the essence of which is compiled in five books: The new novel hispanoamericana and House with two doors, which were published at the end of the sixty-therefore contain a kind of balance of this decade of change, so important to understand the beginning of the century XXI-; Brave new world of the novel and Geography, dating back to the beginning of the nineties, with a theoretical vision more acute and especializada-, and Cervantes or criticism of the reading text which is the backbone novel and the criticism of Carlos Fuentes and therefore primary source of this trial. This paper considers such material foundation volumes and gives a chapter to each of them in an attempt to determine the manner in which the eyes of Carlos Fuentes is projected onto the literary production of others and, through an inevitable game of mirrors , are refracted toward his own work to become an integral part of his creative process, a phenomenon of recursion or continuous learning, a shuttle back and forth through these books code or master key, which gives meaning to the figure and analysis of critical content that the writer used to look at the same time being watched.

Author: Gómez García José Miguel.
Year: 2006.
University: GRANADA [www.ugr.es].
Place of defense: Facultad de Filosofía y Letras.
Place of preparation: Facultad de Filosofía y Letras.

Summary: The Doctoral Thesis' Welcome Theater in Cordoba (1939-2000) 'is a

Author: Esteve i Mestre Cesc.
Year: 2006.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: Facultad de Filosofía y Letras..
Place of preparation: Facultad de Filosofía y Letras.

Summary: Study of the role of historical knowledge exercised by stories about the origins of poetry in literary criticism of the Italian Renaissance.

Author: GARCÍA MÍNGUEZ SEBASTIANA MARÍA.
Year: 2006.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: The thesis presented, text and image, as the illustration component semiótico-discursivo of a novella (1900-1936), intended as essential purpose, semiotic consideration of the values that the language of artwork is on the phenomenon of the novel short, occurring in the initial years of the twentieth century. The objectives were planned from its inception, among others, receive and interpret the images on these collections of literary short story in its plastic qualities, aesthetic and functional, always in relation to the texts to illustrate. I also proposed to observe and describe the expressive modes used in the visual messages and explore possible meanings of the images according to their context expressive, emotive and referential. For an exhibition of clarity, we have focused on those considered to be "large collections" from which we selected a total of 2496 illustrations spread among copies of The Story Weekly, The Contemporary, The Novel Cut, The Book People, The Novel Weekly, The Novel of Today and The Global Novel. In addition to all this study, I made an exhibition of graphic images, content and significant grounds, which are accessible through a simple software spans two disks. The first CD contains a selection of some of the authors and illustrators. The second CD includes pictures of the covers and a brief summary of each of the collections, as well as a collection of illustrations relating to what I considered major reasons, first of all collections novella already outlined.

Author: CAPPUCCIO CHIARA.
Year: 2006.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: UNIVERSIDAD AUTONOMA DE BARCELONA.
Place of preparation: UNIVERSIDAD AUTONOMA DE BARCELONA.

Summary: The aim of the thesis is based on an investigation into the presence and use of the musical lexicon in the works of Dante Alighieri and part of a anállisis systematic all reference to the music contained in the works of Dante and mainly treat, the "vulgar eloquentia" and above all, the "comedy". The thesis focuses on the possibilities cocnretas of reconstuir a speech Dante on the music to identify its role mainly narrative, aesthetic and ideological within the oragnaizaicón structural comedy. The thesis is divided into two main parts that follow a broad theoretical introduction on the state of criticism on current studies on the relationship between literature and music in the Middle Ages. The first part dealt with in the study "vulgari eloquentia" and "treat" with regard to the presence of a theoretical discourse Dante on múscia. In the case of "vulgari eloquentia" favors the description of the system compositvo métrico-Melodico gender of the lyric "canzone" ascendenica trobadórica and in the case of "treat" shows as dante possesses specific skills teórico-fisiológicas in the field of music, mostly transmitted by rewriting boeciana of psotulados neopitagoricosy platónicos on "scientia musicae". The second part of the thesis is limited to the study of "comedy": the presence of the lexicon and delas musical ideas in the works dantescas comes analizda relatively theoretical system and made his poetic narrative and as a unit that takes the form of establishing reason dela "fabula" of the poem. The methodological foundations of the thesis are clear comparative and interdisciplinary nature by linking powers teórico-literarias, philological, musicológicas and histórico-musicales.