LITERARY ANALYSIS (7)

Author: PAZ GONZÁLEZ MARIO.
Year: 2006.
University: LEÓN [www.unileon.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS. UNIVERSIDAD DE LEÓN.

Summary: This thesis seeks to address in full the poet's work palentino Gabino-Alejandro Carriedo, analyzing, at the same time, the pre-eminent place it deserves within the Spanish poetry of the second half of the twentieth century. To that end, work has been structured into two main sections that refer, first, to "contexts" of the author, ie, biographical and literary. Along with the analysis of their life circumstances, entronque with currents of his time and with the Hispanic tradition emerges in a more clear in the second subsection of this block devoted to the author's literary context. It analyzes, so cursory and individualized, each of his books of poetry (including those who had never studied and remained unpublished until 2006) and the direct relationship with these movements poetic in which he campaigned at different times of its passage vital and artistic. The second section of the thesis is devoted to the exploration purely analytical their "texts", addressed as a whole, accurately studying all aspects of the recurring themes of his work and the ways in which literary structure its original poetic. It includes, as well, a small section final within the same block, which explores for the first time his brief but interesting and unique production prosística virtually unknown, even for those who love his poetry. Finally, after paragraph of conclusions, including the mandatory literature, and that could be expected in any work of this kind, and a section of appendices. It provides a detailed census of all the poems written by the author and the reference of the publications have been published. Moreover, it added, as a crowning achievement, several unpublished texts in prose and verse, and a couple of interviews, also unpublished.

Author: PÉREZ FERNÁNDEZ DESIREÉ.
Year: 2006.
University: LEÓN [www.unileon.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS..

Summary: The job offers, first, a review of fortune and critical editorial dramas Luis Velez de Guevara, conducting a preliminary examination of the body and the history of editorial production veleceña, in addition to an assessment of the edited pieces until then, a reflection on the technical and dramatic author's an overview of the trials that had raised their production, with special attention to the comedy in question. The second chapter begins with a brief review of the causes, development and consequences of the War of the Eighty years, as well as the different positions taken from the government, the Crown, the Peninsula and literature. Following the historical setting, work houses reviewing all those previous comedies in which somehow the war in Flanders was present, with the intention of establishing the diverse use of the art Flemish, and the removal of several common features posibilitasen talk of a subgenre. The third and fourth chapter focus on the study of the work. The argument, cataloging comedy, interpretation, the date of composition, characters, action, time, space and versificación are aspects about which look on these pages. Lastly, before presenting the text prepared, refined and annotated, it was told in the footsteps of publisher: description and consulting testimony, affiliation of stemma, selection of alternatives, amendments and readiness and preparation of the text.

Author: CARABANTES DE LAS HERAS ISABEL.
Year: 2006.
University: ZARAGOZA [www.unizar.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: -.

Summary: THE PURPOSE OF THIS HAS BEEN THE THESIS STUDY AND ANALYSIS OF THE WORK OF NARRATIVA MANUEL DERQUI FROM A DOUBLE VISION: SITUANDO ITS PRODUCTION IN LARGE PART INÉDITA, DEVENIR IN THE SPANISH NARRATIVA OF FIFTY AND SIXTY YEARS, AND THE OTHER PARTY CONECTÁNDOLA WITH CERTAIN TRENDS ESTÉTICAS THAT RECORREN ESAS DÉCADAS, BOTH IN SPAIN AS OUT OF HERE. THE ESTABLISHMENT, GATHERING AND ACOTACIÓN OF THIS UNKNOWN CORPUS NARRATIVO INCLUDE THE STUDY OF ITS SEVEN NOVELAS CORTAS, ITS FIVE NOVELAS LONG AND ITS TWO OF VOLÚMENES RELATOS; THE SAME WAY HAVE BEEN ANALIZADO YOUR ARTICLES, FRAGMENTS, WORK INCONCLUSOS AND TRANSLATIONS. ON THE SET, ESTUDIADO HAVE BEEN A TOTAL OF MORE THAN SEVEN THOUSAND PAGES MECANOGRAFIADAS And CUARTILLAS MANUSCRITAS THAT HAVE BEEN formally CONTRASTADAS WITH CENTENAR DE CUENTOS THAT VIERON LIGHT IN PRESS, ALONG THE LIFE OF THE AUTHOR, AND THAT THE TWO UNIQUE NOVELAS OF FORM PÓSTUMA WERE PUBLISHED. WHILE THE ANALYSIS OF WHICH HAS BEEN LLEVADOA CAPE CUENTOS FORM JOINT, ACCOMPANYING NOW IN A VOLUME OF APPENDICES A CRITICAL ISSUE OF ANOTHER CENTENAR TEXT INÉDITOS, STUDY OF ITS NOVELAS HAS BEEN PORMENORIZADO, INCLUDING THE PROJECT DEVELOPMENT, INFLUENCES, EVOLUTION TECHNICAL AND STRUCTURES IN ON THAT FORM AWARE, USED AND REFLEXIONA THE AUTHOR. CAER SIN IN FALSE TESTIMONIALIDADES AND AFTER A COMPREHENSIVE ANALYSIS OF NOTES TO MANUEL DERQUI ESCRIBIÓ IN FOUR TOMOS, FROM 1952 TO 1973, TRUE BITÁCORA AND BOOKLET ON AN EXERCISE OF THE WHOLE LIFE, HAS BEEN HER CHECK YOUR PROSA SERVING AS PANTALLATRAS WHICH IS ESCONDE A AUTOBIOGRAFISMO SINCERO, REFLEX WRITER AS THEIR CONSCIENCE. IS THAT THE RELATIONSHIP BETWEEN ITS DEVENIR VITAL AND ABSTRACTION CONTINUED ON HIS CREATIONS OFFER AN IMAGE ONLY TRUE AND AUTHOR OF THIS. THE USE OF 'SYMBOLS, WORDS THAT WORK AS EPIFANÍAS And CLAVES-LLAVES, APPEAL OF THE WORLDS FICCIONALES, AS WELL AS THE CONCEPT OF THE ARTIST NOVELA, WHICH THERE ARE MANY OCASIONES DISCOVER IN AN EVIDENTE ROMAN A CLEF, ESTRUCTURAN A STAFF NARRATIVAHEREDERA OF FEW TEMPRANAS And PROVECHOSAS READINGS OF KAFKA, OR JOYCE FAULKNER. STUDY AND ANALYSIS ON A LIFE AND WORK FULL OLVIDADAS And SILENCIADAS REPRESENTING ONE OF THE LITERARY TRAYECTORIAS MORE PECULIARES OF THE SPANISH LITERATURE.

Author: BAELO ALLUE SONIA.
Year: 2006.
University: ZARAGOZA [www.unizar.es].
Place of defense: FACULTAD DE FILOSOFIA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: This thesis combines a cultural and narratológica approach to the analysis of the literary works of American author Bret Easton Ellis, paying particular attention to their most important novels: Less Than Zero (1985), American Psycho (1991), Glamorama (1998) and Lunar Park (2005). The debate on the culture of prestige and mass culture has framed the way in which they have received an author's works which form part of both areas and utliza styles, themes and references to popular culture in a fiction with claims beyond the entertainment. The thesis is combined analysis of the receipt of each of the novels, the study of the use of popular culture, consumption and the mass media that is done the same and, finally, an analysis of the aesthetics of each novel. Ellis has a particularly literary style known as "Blank Fiction." This is eun style that combines a minimalist prose, filled with references to mass culture and without an aesthetic position compromised with taboo subjects such as torture, rape, murder or drugs. His particular literary style, his controversial issues and their use of mass culture has led to a major controversy and has prevented an in-depth analysis of their works. This thesis seeks to provide that analysis, always taking into account the context that has surrounded his works and changes in the literary market in a time in which the boundaries between culture populr and prestige are increasingly blurred.

Author: PEREZ ROLAN JOSEFA.
Year: 2006.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This thesis presents a new vision of modernist literary movement in Britain through the analysis of the poetic Charlotte New (1869-1928), Anna Wickhamm (1884-1947) and Sylvia Townsend Warner (1893-1978). The work is divided into five chapters. The first chapter discusses various issues surrounding the definition, nature, geographic boundaries and time of modernism, while discussions are reviewed historical, political and literary who have participated in defining the movement. The second chapter discusses the role of social and cultural constraints that have influenced First, in the constitution of the modernist canon and secondly, in the production and reception of the work of these authors. Drawing on theories Feminists, Marxistas and New Historicistas extracted the conclusion that the modernist literary movement presents itself as a discursive field ideological clearly marked by gender bias. Chapters third, fourth and fifth focus on studying the response aesthetics Mew, Wickham and Warner movement. Through the analysis of the poetry of these women, which poses a challenge to excessive emphasis on experimentation formal retrieve voices silencias Charlotte Mew, Anna Wickham and Sylvia Townsend Warner and arrived at a new approach to the modernist movement that allows us to speak with different modernismos, ringtones and multigenéricos.

Author: MARIN RUIZ RICARDO.
Year: 2006.
University: CASTILLA-LA MANCHA [www.uclm.es].
Place of defense: FACULTAD DE HUMANIDADES EN ALBACETE.
Place of preparation: FACULTAD DE HUMANIDADES.

Summary: THE THEME OF THE THESIS DOCTORAL IS THE STUDY OF THE VISION TO THE WRITERS ANDRE MALRAUX, GEORGE ORWELL AND ERNEST HEMINGWAY OFFER OF SPAIN INMERSA IN THE CIVIL WAR IN THEIR WORKS L ESPOIR (HOPE, 1937), HOMAGE TO CATALONIA (TRIBUTE TO CATALUÑA, 1938) AND FOR WHOM THE BELL TOLLS (BY WHOM DOBLAN THE CAMPANAS, 1940). BY END OF THE BEGINNING AND S. nineteenth century, SUPRA THE NOCION OF LITERATURE IS JOB AS ANTIDOTO AGAINST NACIONALISMOS. THIS WAY FORWARD IS FOR THE PATENT FIGHT BETWEEN THE ONE AND MIXED AS, THE DIFFERENCES BETWEEN THE LITERATURE Eran NOT MORE THAN NATIONAL INDIVIDUAL ASPECTS OF A UNIT MORE COMPREHENSIVE. THIS COSMOPOLITISMO, HOWEVER, TENIA THEIR WEAK AS OBSERVARON SOME OF THEIR DEFENSE. HOWEVER, THE COSMOPOLITISMO GOZO OF MANY APOYOS THAT TO YOUR TIME, LEGITIMABAN IN THE CONTEXT SOCIOPOLITICO POLICIES COLONIALISTAS LED OUT BY THE EUROPEAN POWERS. ABOUT IS FROM THE SECOND WORLD WAR IF YOU ARE CONTAINED COULD DENOMINAR A COSMOPOLITISMO EXTERMO (IRVING, GEORGE, WELLEK AND WARREN). TURNING THE RADICAL OF COSMOPOLITISMO SE ASENTABA IN BAD INTERPRETATIONS OF ESTETICISMO, THE FENOMENOLOGÍA AND FORMALISMO. IN ADDITION, COSTITUIA A CLARA MANIFESTACIÓN OF POLITICAL THOUGHT OF THE CLASS EMERGING MEDIA WERE DEVELOPING TO BE UNDER STATE OF WELFARE. THIS PERSPECTIVE ESENCIALISTA THAT CONSIDERABA TO LITERATURE SCIENCE AS A SINGLE, AUTONOMA AND UNIVERSAL DESLIGADA ANY NEW INTERNATIONAL ORDER TO SELL THAT SUCH AS VENCIDOS DEBIAN BOTH ABIDE WITH THE END OF NO RETURN TO CAER IN THE ARMS OF TOTALITARISMOS. BUT IS FROM THE DECADES OF 60 AND THE 70 IF BEGIN TO APPEAR CRITICAL AGAINST THIS FORM OF TOTALITARISMO LITERARIO THAT WAS THE COSMOPOLITISMO FAR, Advocating BY AN EQUITABLE FOR CONSOLIDATION AMONG THE CONCEPTS OF EQUALITY AND DIFFERENCE. RENEWAL IS WITHIN THE DISCIPLINE TO EXPERIENCE FROM THESE moments STRESSES, AMONG OTHERS THE FIGURE OF HUGO DYSERNICK, WHO REIVINDICA THE NEED TO RECOGNIZE THE DIFFERENCES EVEN IF COMPARATISTA BE BY OBJECT RESALTAR AS COMMON AMONG DIFFERENT LITERATURE. FURTHER INTRODUCES AN ORIENTATION REALLY FENOMENOLOGICA IN THE FIELD OF LITERATURE COMPARED; WELL IN THE FIRST PLACE OF STUDY AND UNITS AFTER THE ALL DYSERNICK PROPOSING THE PROCEDURE INVERSO, AND THAT THE ONLY DIFFERENCE CAN PERCIBIRSE WHEN CONTRASTA WITH UNIT. THE ASSESSMENT OF THE DIFFERENCE AS A SOURCE OF OWN IDENTITY IS THE MAIN PILLAR ON WHAT IS ASIENTA THE CALL LITERATURE DIFFERENTIAL. THIS WAY TO THE CONTRARY OF THE PROPOSAL TOTALITARIA OF WELLEK AND WARREN, LITERATURE DIFFERENTIAL NOT DISCRIMINA THE DIFFERENCE, BUT THE SOURCE OF MEANING IN turns. THIS ASSESSMENT OF THE DIFFERENCE CAN NOT CONSIDERED FOR THIS CONTRIBUTION ORIGINAL NEW LITERARY FLOW, AND THAT IT IS IN CONTRIBUTIONS OF ESTRUCTURALISMO LINGUISTICO, THE LANGUAGE IS A SYSTEM OF SIGNS INTERRELACIONADOS WHOSE SIGNIFICADOS THE ADQUIEREN BY THE DIFFERENCES THAT GUARDAN BETWEEN YES. BY ANOTHER SIDE, SOME OF MAJOR NEW APPROACHES TO WHICH HAS BEEN THE SUBJECT DISCIPLINE IN THE SECOND HALF OF THE SON twentieth century: INTERCULTURAL STUDIES, STUDIES POSCOLONIALES AND LITERATURE OF Heritage. THE IMAGOLOGIA IS ONE OF THE MOST PRACTICAL WAYS TO ALTERIDAD APPROXIMATION. ANALYSIS IS DISCIPLINE THE IMAGES OF ANOTHER THROUGH THE TEXTS LITERARIOS AND WORKS THAT PRECEDIERON AND RELATIONSHIPS THAT GUARDAN WITH OTHER MEANS OF ARTISTIC EXPRESSION AND IN SUM, ALL THOSE CAUCES BY A CULTURE THAT ARE IDENTIFIDA, CREATING AWARENESS OF IF THE SAME AND KNOWLEDGE OF ANOTHER. IN RECENT OVERVIEW OF THE IMAGOLOGIA STRESS TWO SCHOOLS OF THE AQUISGRAN, NACE THAT IN 60 AND WHOSE GREATEST REPRESENTATIVE IS DYSERNICK, AND THAT OF DANIEL-HENRI PAGEAUX. BOTH SCHOOLS POSE CLARA RESPONSE AGAINST IMAGOLOGIA TRADITIONAL THAT SINKING HIS ROOTS TO 8 FINAL 3f3 OF S. XIX. BETWEEN THE DÉCADA OF 50 AND THE 60, WELLEK INTRODUCED THE FIRST AND CRITICAL, ASI PROPOSES STUDY OF THE STRICTLY LITERARIO AND DISCARD ASPECTS SOCIOLOGICOS AND HISTORICAL IN THE ANALYSIS OF THE LITERARY WORKS. NO ONSTANTE, THE CONCEPT OF NATION AS WELL AS THOSE FACTORS ETHICAL AND POLITICAL CONTINUARON IN CENTRAL IN THE IMAGOLOGÍA OF THE SECOND HALF OF S. XX.

Author: FLORES MORENO DOLORES.
Year: 2006.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The doctoral thesis, contains the results of an investigation on romancero traditional in the geographical area covered by the easternmost part of the province of Seville, which consists of a total of twelve locations: Ecija, La Louisiana, Cañada Rosal, La Campana, sources Andalusia, Lentejuela, Marchena, Osuna, La Puebla de Cazalla, Rubio, Marinaleda and Herrera. The work is structured into two distinct parts. The first involves the study based on the results of the field work carried out in full in the locations mentioned, ie has been developed after obtaining the collection of texts. It consists of several chapters: Introduction where a defined geographical area explored in its most salient aspects: historical, social, economic and cultural as well as a description of the various stages of investigaicón: justification of the project and its development. It closes this chapter with a set of maps and graphs that help them understand the data exposed. Then there is a philological study of character and versions on the items that constitute the body, with the emphasis on comparative aspect thereof with respect to other parts of Andalusia. The second part provides the body itself, which appears all versions compiled in my surveys, which have been incorporated from other sporadic work earlier. The collection, as presented in the thesis is the result of two processes leading a fieldwork, collecting oral romances mouth of the informants, and the transcription and classification criteria filológicos of recorded material. This was followed by preparation of the corresponding indexes and relationships to facilitate the location of the texts, which constituted the final chapter.

Author: FERNÁNDEZ GAMERO MANUEL.
Year: 2006.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: It consists of a double-sided printed volume, 941-page folio size, which is complete with a DVD of field work, which are some samples of audio and video with chicks interpretations of popular modern tradition in the voice and image of the Andalusian own informants, as well as musical and textual transcript of a group of songs from the repertoire. In the first part of the text is a study of the history, evolution and pervivencias this subgenre lyric from oral tradition that begins with a brief tour of various cultural and distant, in which, despite their differences, a common sentiment has Indeed surface similar themes and expressive forms from the primitive world to this day. Here are investigate possible traces grecolatinas and Mozarab of these songs mother and continued doing a more thorough study of the first songs in English and later birthplace of the golden era through authored texts vary in which envisions the aesthetics traditional or there are certain Survival lexical or textual. End this part of the study provide an overview of the work, and collectors of the nineteenth century, some of which, such as Seville Marin Rodriguez and Machado Alvarez, are the initiators in Spain, under the auspices of the emerging science folk, modern research of the root of popular literature, one manifestation of which has deepened this thesis. The second part contains, classifies and analyzes the corpus of Andalusian cradle songs collected at various stages by the author over two decades, through direct surveys in the field, which accounts for half of the portfolio, whose total is near the eight hundred thousand versions. The other half of the portfolio have been selected from more than twenty different collections of the moderate tradition of Andalusian popular songbook, with texts in all provinces of this community. It is "lyrical in Andalusia" in simple language and syntax little complicated, which is built primarily with verses of art minor seguidillas and quatrains. The subjects, whose extensive content surprised at times because not always mean an incitement to dream of a child, you are no different from other regions Hispanic, but the support of melodic interpretation it offers many songs cradle enough differences. This analysis is supplemented by literature, the relationship of informers and pictures of some of these informants.