CRITICISM OF TEXTS

Author: FERNANDEZ RODRIGUEZ ADOLFO.
Year: 2002.
University: BARCELONA [www.ub.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA UNIVERSIDAD DE BARCELONA.

Author: RODRÍGUEZ RISQUETE FRANCISCO JAVIER.
Year: 2003.
University: GIRONA [www.udg.es].
Place of defense: LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: The thesis proposes ceñor two nuclear aspects of the figure of the writer Catalan Pere Torroella (XVc.): Bio his career and the setting of a text critical of his complete works, both in catal 'as an `in Spanish, to compose your biography used hundreds of unpublished documents from various archicos Spaniards; these ducumentos offered in regesta at the end of the thesis, while enclosure offers editing a selection of the most importantes.Respecto the critical text, the study is textual studying the transmission of their poems in Spanish, Catalan and his works in prose, both in Catalan as castellano.A from all known manuscripts and printed and other unpublished testimonies, sets a text accompanied by aprato critical and annotation. In appendix includes a full apparatus which includes variants graphics and details paleográficos of different manuscripts. Also includes a rimario Catalan and Spanish, and the bibliography of works cited.

Author: MORA DE FRUTOS RICARDO.
Year: 2003.
University: LA RIOJA [www.unirioja.es].
Place of defense: CIENCIAS HUMANAS JURIDICAS Y SOCIALES.
Place of preparation: UNIVERSIDAD DE LA RIOJA DEPARTAMENTO DE FILOLOGÍAS HISPÁNICA Y CLÁSICA.

Summary: The thesis aims to raise a theoretical framework in which certain mechanisms intertextual are contemplacios in light of the History of Literature and singled in the narrative work of one of the most important writers from exile Republican españos of 1939. This will put the énfais three points fundmentales: demonstrate the validity of the story dela literature to address any literary phenomenon; overcome inadequate interpretation purely ideological, historical or sociologíca and claim the exceptional quality of Serrano Poncela gracías Study a lot of his procucción as momentous as little studied. The thesis discusses literary references and select those that most have left traces in its own voice Serrano Poncel along its entire prosucción narrative so that they become not only a artificío literary, but a substantial and insolayable in a creative work in which life and literature as by the hand.

Author: MIRIZIO ANNALISA.
Year: 2003.
University: BARCELONA [www.ub.es].
Place of defense: FILOLOGÍA.
Place of preparation: UNIVERSIDAD DE BARCELONA.

Summary: This dissertation examines the theories developed by some women, particularly in the field French and Italian, about a desire specifically femenino.En particular, it examines how the alliance between conceptual allegations of Luce Irigaray (1974) and the image of desire of women as "unexpected subject" of society patrialcal proposed by Carla Lonzi (1974) has emerged in Italy, that whole theory and practice has been called "politics of hope" and how the invitation to enter into writing by Hélene Cixous in those same years has become, for this writer, in a poetic practice also examines how the feminist discourse, understood as a political discourse, can be configured as speech can cover their channels in the complex, and the often contradictory desire, and what advantages presents theoretical and analytical discourse literary regard to political discourse, to give voice to a desire specifically feminine.

Author: SANTAMARIA DE MINGO VICENT.
Year: 2003.
University: BARCELONA [www.ub.es].
Place of defense: FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: The thesis is to highlight the mayorsito conjunctive i philosophy that drives the work of Salvador Dali in his early suprealistas ia through the femmevisible, the first of Dali's book published in late 1930 where they are the fundamental ideas that the Catalan painter qualifying will be developed and subsequently throughout their work. The basis for this theory is therefore considering Dali as a thinker who thrives on the most diverse sources of knowledge.

Author: PLANS GIRABAL LLUISA.
Year: 2003.
University: BARCELONA [www.ub.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAT DE FILOLOGÍA.

Summary: The purpose of the Doctoral Thesis is the critical edition of the two sets of articles "In defense própia" Jacint Verdaguer, priest, published in the Newspapers in Barcelona in August 1895 and between August and November 189. They have added six drafts of unpublished fragments by Vedaguer and three other unpublished. We have divided the study into two parts, divided into two volumes. The 1Â nd includes six lessons: 1/justificación; 2/marco historic; 3/de charitable organization to the worker; 4/En self-defense; 5/la prose Verdaguer; 6/conclusiones. The special situation of Verdaguer in the palace of the Marquis of Concillas has forced us to discard the ragos most important character and the life of Antonio Lopez, first marquis of Canillas and his son Claudio.Este approach assumes include many pesonas not studied so far, directly or indirectly tuvierón a role importanate in the tragedy verdasupcional while fall in the religious and social context of the time. The scandal that provocarón articles of the priest and poet has been compared with that also led to the case -- in France, among other things, why in the two cases are tried salbaguardar the loan of intiruciones: church in one case, military in the other. The second part of the study includes the meeting of the drafts so far known and annotation and edition of forty-six articles, published or no.Se abjuntan eighteen annexes unpublished documents relating to the environment of the tragedy.

Author: ANDRES GONZALEZ RODRIGO.
Year: 2003.
University: BARCELONA [www.ub.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA . UNIVERSIDAD DE BARCELONA.

Summary: The thesis argues that the American writer Herman Melville (1819-1891) is part of a literary tradition of love among men who question the hierarchical values of the patriarchal system and potentially serving as vehiculadora for building societies more igualitarias.La social dimension even politics of love between men in Melville's work is manifested particularly in his latest novel, Billy Budd, Sailor, incomplete death of the writer in 1891, and published posthumously in 1924.En her, Melville examines how institutions interpret the love between men as a threat to the hierarchical system, and to perpetuate, demonizan by homophobia. The study defends the validity of applying retrospectively the contemporary concept of love between men both at the time of writing of the novel as at the time of this action (the late eighteenth century) and even the origins of classical civilization thesis illustrates occidental.La the existence of a literary tradition of love between men putting manifiensto in the texts of the classical world and collected throughout history in the literary culture occidental.La literary production of Walt Whitman and Herman Melville his contemporary show that receipt the United States of the nineteenth century.

Author: ÁLVAREZ GARRIGA CARLES.
Year: 2003.
University: BARCELONA [www.ub.es].
Place of defense: FILOLOGÍA.

Summary: The thesis explores forewords by Julio Cortazar (1914-1984) works themselves or extraneous to prove that, even in a secondary specialty rendered, they may be discovered traits typical of any stage of the author. The first chapter is devoted to a state of the issue to highlight that despite the enormous literature aroused by their works, barely a couple of paragraphs have prologuista facet of the treaty, and also that literature usually always address same susntos with similar errors. The second chapter is an overview of the foreword as "paratexto" and a discussion of the lines proposed by gerard genette in Seulls. The third chapter sets the code of the forewords written by cortázar.En the fourth and fifth discusses the prefix to a book of poems Sunday zerpa and image Jhon Keats. The sixth chapter is devoted to the forewords galeatos and the proliferation after Rayuela the seventh, the fantasy of the city exposed in two forewords to two books of photographs. It adds an annotated bibliography with commodities, which occupies more than 170 pages.

Author: MOLTO MORENO MARIA ANGELES.
Year: 2003.
University: CASTILLA-LA MANCHA [www.uclm.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: THE EXISTENCE IN PARAGUAY TO DAY TODAY FOR AN ORAL TRADITION ALIVE IN THE TRANSMISSION OF VARIOUS FORMS NARRATIVAS (CUENTOS, FABULAS, MYTHS, KASOS) THAT PERVIVEN IN SOCIETY PARAGUAYA LINKED TO ITS FORMS OF LIFE AND TRANSMISSION OF KNOWLEDGE THAT AFFECTS ALL ESTRATOS SOCIAL

Author: PRATS OLIVҁN ARTURO.
Year: 2003.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOLOGҍA.
Place of preparation: UNIVERSIDAD COMPLUTENSE.

Summary: The thesis is presented in edicciÃÂ ³ n, traducciÃÂ ³ n and study of all texts in prose that appear in the Diwan of Selomo Bonafed, Hebrew poet of the crown Aragonese that desarrollÃÂ ³ its work literia during the first half of the fifteenth century. The thesis includes a study on the literary correspondence in Hebrew, a gÃÂ © nero very cultivated by the authors of this ÃÂ © little and has not been studied previously. The ediciÃÂ ³ n crÃÂtica of Hebrew texts estÃÂ ¡acompaÃÂ ± ada a traducciÃÂ charges the same in Spanish, which includes comments asÃÂ a summary of the contents at the beginning of each letter.

Author: GÓMEZ RAMOS EMILIANO.
Year: 2003.
University: ALMERÍA [www.ual.es].
Place of defense: FAC DE HUMANIDADES Y CC DE LA EDUCAIÓN.
Place of preparation: UNIVERSIDAD DE ALMERÍA.

Summary: In Part One of Volume I is devoted an extensive study biobibliográfico to the figure of Peter Navarre, where attempts to demonstrate the connections that bind the author's life with those acontevimientos that ralatan in Dialogues of the heresies of Francia.En the Part II provides documentation of the book printed and handwritten our author. In the second volume is a compilation of works hand-written and printed by Pedro de Navarra, catefando both those editions were published in Toulouse at the home of James Colomerio in Zaragoza in the printing of John Millán: Dialogue of everlasting soul, the Dialogue Unlike talk to write, what Dialogue should be the chromista Prince, Dialogues of the diferncia that is rustic life to the noble, Dialogue for preparing the muerte.Se also publish their works handwritten: Dialogue of grades perfeción that has to be courteous church pretending to be a Cardinal. Comments cristianísmo king of France Henrico 2. The volume III focuses on the demonstration of the authorship of the Dialogues of the heresies of France by Pedro de Navarra. We have divided the volume into two parts: the first part shows how the structural layout, the arguments and the contents of these talks have a perfect match withthe life and work of Pedro de Navarra.Ello leads us to draw a parallel when the proposal of authorship and dating intended to be indisputable.

Author: MATEOS APARICIO MARTIN ALBO ANGEL.
Year: 2003.
University: CASTILLA-LA MANCHA [www.uclm.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: This part of the latest trends criticism examining the privileged sistuación of science fiction into literature postmodernista to focus on four authors Americans and British that at the end of the fifties and early sixties, began to introduce elements and motifs own their works in this genre. The fundamental goal is to bring new light to the reasons for which Golding, Vonnegut, Bradbury and Ballard decided to include in his novels such elements, anticipating relationships between science fiction and postmodernism that were consolidated later. An analysis of a significant group of thinkers in the scientific context, philosophical, cultural and social development of the fifties, mostly Martin Heidgeer and Jacques Derrida, draws conceptual implications of the breakup of the rigid vision positivism and rationalism were trying to impose the reality, as well as the abandonment of some literary forms that had been associated with literary texts for a critique expresses are ideological and sociological reasons for the backlash against the ideology and literature immediately preceding and which contributes greatly the introduction of science fiction. The work also addresses other topics relevant to justify the incorporation of elements of gender in the works of these four escritorees, as criticism of the design of this through rivisión of history and the fruits utopian and, finally, the complaint the contribution of literature allied with the dominant culture rationalist to create and maintain a knowledge sometimes biased by other beings and of nature as a prelude to their exploitation by thinking technician.

Author: MONTERO REGUERA M. DOLORES.
Year: 2003.
University: AUTÓNOMA DE MADRID [www.uam.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FILOSOFIA Y LETRAS.

Summary: Bellaco sois, Gomez, "comedy attributed to Tirso de Molina by the most important scholars of creating tirsiana, is one of the many literary texts that, even today, continuán without being edited convenientemente.Así therefore, in order to fill this vacuum , has been designed this dissertation, whose goals have been setting rigorous text, fill the nearly four centuries that separate it from existing reader with an appropriate annotation, and how the development of a preliminary study revealing of the main keys of the comedia.En which in the first two points are concerned, it should be noted that the text has been upgraded in response to the strict, systematic and consistent and carefully annotated with the purpose of clarifying aspects of type lexicon, grammar, literary, historical, etc. . Moreover, the preliminary study has been divided into three main chapters, the first of which focuses on the examination of the source of handwritten "Bellaco sois, Gomez." All this closes with seven appendices, which can be additional information management of the basic bibliography consulted, as well as an index of notes, which will facilitate the search for the words, expressions or several reasons Scored over the issue.

Author: GARRIDO CHAMORRO M. DE LAS NIEVES.
Year: 2003.
University: EXTREMADURA [www.unex.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD DE EXTREMADURA.

Summary: This Doctoral Thesis seeks to show that the fear is one of the key elements on which mainstream of the various works of Tennessee Williams. Throughout his career as a playwright, Williams created characters and situations that perfectly embodies the theme of fear. So far, the fear has not received sufficient attention from the critical specialized and, while there were references to it, has not been considered as a factor that covers their entire literary output. Accordingly, I have found it useful to devote the necessary attention to see that this is a recurring element in his work. Reading most of the criteria in southern playwright proves that their heroes are all victims of fear, which separates some other works is the pattern of fear, ie reactive cause fear in the individual and their impact on the lives of those who feel. Knowledge of fear has offered me a different view of the author and his work. The methodology chosen for the realization of the thesis is consistent with the title of the same, as it has combined two different disciplines, psychology and literary criticism. For the first it has been necessary broad knowledge of different psychological currents, in addition to an in-depth study on fear. Names like Freud and Jung appear frequently in the critical work about Tennessee Williams. The psychological richness of the characters williamsianos brings them closer to reality and turns them into beings perfectly indentificables and authentic. This makes it possible to find them in very human emotions and reactions as fear and has made possible this kind of analysis from the current psychoanalytic theory sy. Fear referred to continuously in this thesis is a neurotic fear, irrational fear that largely determines the relationship between individuals and the world. The analysis of the characters has been able to show how this fear, their trigger mechanisms and the dangers for the individual. All this has offered us an entirely different picture of them, and has contributed to understand its most hidden. The thesis is divided into five chapters: The first has shown that the fear was present in the life of the writer, replicating the same in their compositions led me to analyze features biographical and I found that fear was not a literary theme but a reality personnel. The second chapter is organized into several sections, the first analyzes fear in general and its role in the works of Tennessee Williams, three below show fear in three works; Suddenly, Last Summer, The Night of the Iguana and Outcry. From the third chapter begins analysis of three of the best works of Williams, which represents a complete stylistic development and mark different stages as a playwright. In the three has been used the same method of work, has analyzed the family unit, then show how fear operates on some characters. It has included a section in which he had established the similarities between Tennesseee Williams and the characters analyzed and we have seen how relatively often reflect the experiences of the author and are infected by their fears. Although not all are victims of the same fear, I have a chapter titled with the name of fear in Central against each other in The Glass Menagerie speaks of fear to live in a Streectcar Named Desire fear of loneliness and Cat on a Hot Tin roof of the fear of accepting one's own sexuality. The thesis concludes with a series of reflections about what raised in the various chapters of the same. I have come to the conclusion that Tennessee Williams lived prey to irrational fears proceeds from their family situation, these fears deeply affected their existence and condition greatly his way 8 of acts 356 r, feel and write as a result of her work is the direct heir of those fears. Through this analysis I have tried to provide a different view of the author and his work.

Author: MORENO FERNANDEZ JOSE.
Year: 2003.
University: ALMERÍA [www.ual.es].
Place of defense: FACULTAD DE HUMANIDADES Y CIENCIAS DE LA EDUCACIÓN.
Place of preparation: FACUALTAD DE HUMANIDADES Y CIENCIAS DE LA EDUCACIÓN.

Summary: The thesis attempts to contact the benchmarks attending some poetic texts taken by children with the overall poetic arise where not always comsideradas within a certain literary tradition. At the same time, it seeks to find a series of previvencias poetic serve for the current construction of a reliable and adequate literary competition. On kernels covered in each section which divide-obras building, anthologies and textbooks for children, the research seeks to combine ensu configuration aspects filológicos and teaching with being characterized his study. The frame of reference of the first chapter. A boy in the last poetic literary humanism (poetry children to childhood poems) appears determined by the line describing M. Luisa Munoz of Buendia from Forest without exit until Princess of salt. In its evolution are also cites other inputs, some as decisive as Nanas of the onion Miguel Hernandez, the sun, moon and stars of Salvador de Madariaga and Afternoon circus Jaime Ferrán. The next paragraph-selections of poetry for children in the second half of the twentieth century. It tries to provide an overview of the major anthologies emerged in that period; is the case, among others, Cordialidades, Poetry child Verses for children, selection of poetry for children, silbo the air, Spanish Poetry for children and Song and story. The last paragraph poetry for children focuses on textbooks, finally, the outlook suggests that the canon of training offered in almost a hundred textbooks of EGB and Primary Education.

Author: Federico Anna Laura.
Year: 2003.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: FTI Universidad Autónoma de Barcelona.
Place of preparation: FTI Universidad Autónoma de Barcelona.

Summary: The general hypothesis of this research is that the mood of the ...

Author: HALATSIS GEORGIOS.
Year: 2003.
University: GRANADA [www.ugr.es].
Place of defense: FACULTAD DE FILOSOFIA Y LETRAS.
Place of preparation: UNIVERSIDAD DE GRANADA, FACULTA DE FILOSOFIA Y LETRAS.

Summary: It is a comparative study of the poetry of Constantinos Cavafis, Luis Cernuda, Luis Antonio de Villena, from the point of view of gay literary theory. She explores the cultural images of gays, and gay literary canon stylistic traits common to all three poets mentioned. It also explores the theme of dandysmo, the closet gay, gay death in the poetry of these poets.

Author: GIMENO PUYOL MARÍA DOLORES.
Year: 2003.
University: ZARAGOZA [www.unizar.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: This thesis is divided into two blocs: the largest is the annotated edition of 1070 letters written by the diplomat José Nicolás de Azara since 1784, the year of his appointment as minister plenipotentiary of Spain to the Holy See, until his death in Paris in January 1804. It is a heterogeneous body written in Spanish primarily, but also in Italian and French; largely is unprecedented and is intended for various correspondents whose letters are arranged chronologically, there are characters related to the arts (such as Bodoni printer, painter Francisco Javier Ramos), members of the Roman Curia (the Pope Pius VI and various cardinals), general and French politicians (the same Napoleon Bonaparte, Charles-Maurice de Talleyrand), Spanish political (Counts of Aranda and Floridablanca, Manuel Godoy Francisco de Saavedra, Luis Mariano de Urquijo, Pedro Cevallos, Jose de Galvez), other diplomats (Count of Campoalange, John Bouligny) and characters of the Enlightenment Spanish friends or relatives of Azara (Eugene, Llaguno, Bernardo de Iriarte and Eusebio Bardají). Below is an appendix with 45 responses from any of the previous ones. The text was transcribed from original manuscripts wherever possible, and is noted as a dual system notes: on the one hand the location and hermeneutics textual (footnote) and the other kind of historical, artistic literary and in the end, these are supplemented with a section of biographical notes, which provide brief overviews of the characters that appear cited in the letters. Complementing the edition contained a chronological index of the Epistles, a onomástico index of the characters and works cited and other illustrations. The preliminary study on the issue aim to set out the intellectual biography of the character; the first three paragraphs are in chronological order: first, discusses his formative years in Spain, then the fascinating world Roman Azara knew as a politician and as a humanist; thirdly, how he faced the collapse of the Old Regime after the French invasion of Italy in 1796, with his departure to Paris as ambassador to Spain before the first directory to the consulate and later in this stage also explores his vision of the Parisian cultural life. The next chapter explores the spaces and forms of sociability diplomat, which are deducted from their individual tastes and practices. Then they look at the opinion that Azara deserved their peers and how they have been treated by historians, philologists and art critics. The subsequent chapter examines the correspondence of the eighteenth century, with a review of the postal system and a comprehensive taxonomy of the letter from edited. A special section is devoted to poetry and rhetoric of letters edited, whose code epistolary discussed, as well as the mechanisms peculiar style. The study concludes with the findings, or ideological portrait of the complex character: skilful diplomat, loyal officer regalista and reformist, great gentleman of letters and arts and propagator of the new classicism. A separate section describes the sources and explains edited whose location has been impossible, and another explains the criteria

Author: GLÚA GINÉS ISABEL.
Year: 2004.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: ESCUELA DE POSTGRADO.

Summary: The idea that this work is structured as follows: the work of narrative Gabriel Miró feeds on a topic, the centrality of sight, it is absolutely critical to the culture finisecular and therefore the work mironiana participates in plain in speeches cultural end of the century. To show this hypothesis work devotes the first chapter to rebuild what I consider the main lines of the culture finisecular; my description of the end of the century - that purport to be exhaustive in any way - suggests that modernity is a time of metamorphosis of sight: opens with a ocularcentrismo positive and optimistic that drift into a crisis of perception and subjectivity - which call ocularcentrsimo deceptivo- fact that the basis of culture finisecular. If you look historically been defined as the most noble of the senses and their perception was associated with values of truth and raciocino, modernity will erode this equation and the end of the century, quite simply, this divorce is used as a basis for projects aesthetic. Look and truth and objectivity look, and look really are dissociated and the end of the century draws aesthetic advantage of this new concept. Defined finisecular the period, the second chapter is destiando to show the relevance of that adjective in the draft aesthetic mironiano. To that end, I have focused on the study of theoretical texts of Gabril Miro, essentially "Sigà ¼ enza and the lookout blue." The entire text, displays, in my opinion, and so I tried to prove it, a program that collects the best aesthetic of poetic aestheticians the end of the century, repensándolas from afar and ensamblándolas one way aboslutamente original. Therefore this chapter covers the theoretical texts mironianos but read them alongside their intertextos what I consider essential: Ruskin, Pater, Wilde and Guyau, in particular, with the intention of breaking the image of isolated writer who for many years has surrounded Miró . At this point, the connection of the project and the work mironiana with the culture of the end of the century, just as it should be confronted with the reading and interpretation of the texts in order to show how this ocularcentrismo deceptivo is treated literary. The result of the re-lectura of the work mironiana is as follows: if the finisecular culture and the aesthetic project of Gabriel Miró discover that the look is a way of relating to the world, which is neither transparent nor objective, the literary work tematizar is dedicated to time and again that look at two aspects: the gaze as an area subject to manipulation and at the same time, as a manipulative force. The vicissitudes of sight are matched in the work mironiana, the question of identity and subjectivity. The identity as something marked: marked mainly by gender. Gender identity and look devienen three axes that are combined to form incisive novel in the works of Gabriel Miró and that intersect in innovative ways, so that the work of Miró narrative can be seen as a lucid reflection on gender and identity.

Author: CLAUSELL NÁCHER CARMEN.
Year: 2004.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of preparation: ESCUELA DE POSTGRADO.

Summary: The spread of Spanish Free clones of F. Fiximenis represent the seven manuscripts of the Book of Donuts (Siglo XV) and the edition of the cart donuts, published in Valladolid in 1542. In this thesis is published latter, with a notation referring to the traadición handwritten fifteenth century. It gives also a preliminary study on the sources and authorship.