CRITICISM OF TEXTS (4)

Author: SALAZAR ANGLADA ANIBAL.
Year: 2006.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The investigation conducted has as its primary objective the study of Argentine poetry anthologies published between 1900-1950, preceded by a scenic route by the nineteenth century from the time of Independence. Based on a corpus determined, it is intended to demonstrate how they operate within the system literary anthologies and its projection in the poetic canon. Far from thinking this representation as immutable, static, it is working under the assumption variability, taking into account the ongoing rectification of which is the subject of the fee. Modifications which are subject to the historical essence of the conception of literature and a different idea of culture, which will not only shaped through different times and vary depending on the socio-political change. It also, at the opening of a synchronous usually more or less arduous debate about cultural imaginary place since certain agencies, generally aligned with the dominant ideology within the intellectual field. Transformations of literary canon show tensionadas the two forces operating in their midst: the durability needed pair establishing a model that espejarse and through who teach (in this case would be a model representative poetic the values, which are generated by girls promotions like others who become a rereading of the tradition. anthology is undoubtedly the most recurrent genre through which convey different proposal aimed at fixing an image representative of the past and present poetic. In the case of Argentina, this is one of the countries most prolific area Hispanic in the realization of such complications.

Author: GAROSI LINDA.
Year: 2006.
University: CÓRDOBA [www.uco.es].
Place of defense: FACULTAD DE FILOSOFIA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFIA Y LETRAS.

Summary: The present study deals with the Italian and Spanish literature from the late nineteenth century until the beginning of the twentieth century from a comparative perspective. The study is divided into two key moments: a theoretical reflection on the history notions of "Generation 98", "Modernism" Spanish, and "Decadentismo" Italian., And another to approach the artistic personalities and text highlights period. Behind labels so abused, as outlined earlier, hid some literary landscapes of great interest. Both, by their nature border, have a mixture of different ingredients that are hard redirect within a system conceptual-estético organic, but as a whole are some distinctive poetic, modernist and decadentista, that arise under conditions sociohistóricas related patent and leave some similar phenomena. It offers evidence of this, the area where the narrative widespread reaction anti-realista and anti-positivista, which connotes deeply poetic new lines, accompanied by a reflection on gender, for the gradual overcoming of the molds and aesthetic order nineteenth century. Among the "issues" that define the new narrative form can be highlighting the new type human and literary center space fictional, the "inept" to life. One figure who know a great development in the leftovers of the twentieth century, but which is already individualized texts between centuries in a manner representative and extra significance that are part of the peculiar historical phases of the "Modernism" and Iberian "Decadentismo" Italian especificándola. For this purpose, provides a detailed comparative study of representative works particularly as: II Pcacere (1889) by Gabriel D'Annunzio, Sonata eOtoño (1902) Ramon del Valle-Inclán, II fu Mattia Pascal (1904) of Luigi Pirandello and Niebal (1914) by Miguel de Unamuno.

Author: Pagès Cebrián Joan.
Year: 2006.
University: AUTÓNOMA DE BARCELONA [www.uab.es].
Place of defense: Facultat de lletres.
Place of preparation: Facultad de letras.

Summary: Mythographus Homericus is the name that is called the hypothetical author of a collection of Greek myths that existed for a long period of seniority and who disappeared in transit to the Middle Ages. The papirología has managed to recover some evidence of this ancient text. In addition, much of this work was added to the collections of escolios Homer. The thesis is an attempt to return the text, which is presented in critical edition from the remains that have been preserved in medieval manuscripts and fragments papiráceos. It outlines in its introductory part of the criteria employed for the return of text, as well as the complete inventory of all evidence. The critical edition is presented with critical apparatus individualized for each of the myths reported by the mitógrafo recorded significant textual variants. A comment mitográfico concluded its work, with a comparative study of the content and features of this text in relation to the whole of the literature mitográfica Greek.

Author: MORÓN ESPINOSA ANTONIO CÉSAR.
Year: 2006.
University: GRANADA [www.ugr.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS DE LA UNVIERSIDAD DE GRANADA.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS DE LA UNIVERSIDAD DE GRANADA.

Summary: The key starting point of this thesis is that the theater is entertainment. So I keep away from the vision and analysis traditional philology brings to the knowledge of the same, with the intention to learn from a new perspective and critical theory that the world drama is set in the theater of Jose Marin Remember, developing a historiography of the different mounts that have been made of his work. His first stint as a playwright I called grenadine stage, which involves the learning period of our author in terms of staging and dramatic writing. Its second stage is the stage I call Madrid, which represents the beginning of his professional journey (as that author) within the show. Thirdly highlight a stage which comes mainly constituted by the fall of the regime and outside of a dictatorship, thus, the transition from one political system to another is going to be an effect on everything in terms of sociological aspect of receiving the works by this author. In the chapter to the findings, I intend to develop an axiomatic idea of how scenic biography of Martin Recalls mark his footsteps as a playwright, and so, using theories and ideas that have been emerging over the thesis work, make a division of his work around three criteria that I may guide production of the playwright as follows: lyric theater, tragedies and dramas historic ambience. If we bear in mind that the first truly professional debut for Martin recalls one of his leftovers is "wild Bridge in San Gil," directed by Luis Escobar in 1963, we may realize that: 1 - The works of lyric theater (which and those characters are defeated by the socio-political circumstances), were all written before 1963). 2-Their tragedies, however, are written both before and after 1963, and, prior to that date, as presented characters that defeated the lyric theater, which will end in tragic death, while subsequent to that date, presented characters who rebel against the socio-political circumstances that drown because they themselves have been carnalizado, transformándose characters in the fight against what. 3-hysterical atmosphere Their dramas are all written after 1963; note, on the one hand, the characters are reflected exactly the same way that destacábamos earlier, on the other hand, we realize the complication of language and scenario it is proposed from the dramatic text. After analyzing the historiography of mounts Jose Martin Remember, I have concluded that he is subtracting universality to this playwright, from the scenic point of view because the mounts that have been made of his work have always been too subjects or we could call the author's intentions, as well as the schedules set by the first directors of his dramas. What should be done, from my point of view, is losing respect for the texts dramatic turn for the tragedies of this author in a scenic reality, charged and creative interpretations by the directors present, able to send us as public today, all the energy and lucid thinking about that dela society and the human being in society, it makes one of the greatest authors of our theater and literature of the twentieth century.

Author: DELGADO GARCIA MUÑOZ ANA BEATRIZ.
Year: 2006.
University: CASTILLA-LA MANCHA [www.uclm.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS.

Summary: This thesis examines the potential of biopgrafía literature as a contribution to the consolidation of cultural icons of a national literature, in this case the Anglophone Canadian literature. That potential is seen here from a purely literary approach, so that the apparatus tropológico the biographical narration is the main vehicle configuration cultural icons.

Author: BOUBA KIDAKOU ANTOINE.
Year: 2006.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The XVIth and XVIIth centuries, known in Spain as the Golden Age, were particularly significant for the western people’s maritime opening in general and specially for the Iberian Peninsula; leading to an explosion of travel activities. Besides the pilgrims, the traders, the ambassadors and knights errant who have already travelled through many parts of the world since the Middle Ages, the conquerors and the missionaries would lengthen the list of these travellers. After or during their voyage, they generally left written evidences of their experiences. However, that corpus remains little attended by literary critics and, one of the main objectives of the research we have undertaken here is to contribute to the best knowledge of some aspects of the Spanish Golden Age travel literature which is not related to Latin America. The most original contribution of the research is its orientation at the Black Africa, a geographical zone which is scarcely mentioned in the travel accounts attended by critics. Thanks to the application of a synthetic method consisting of a combination of the semiotics in its suitable aspects, and provisions of other methods, the analysis carried (in the studied travel accounts) laid emphasis on the motivations of voyages to Black Africa, as well as the personality of the travellers who wrote these books. The representation of the black people and their spaces by these eyewitnesses is another main objective of the work. Some observations on these accounts, at the end of the analysis, show dichotomy between the disdainful position and global vision of the XVIth century travellers and much more sociological procedure of those of the XVIIth century, in their ways of describing black realities. Another interesting observation is the distribution of these accounts in the black African space: the kingdom of Abyssinia was the main destination of the Iberian travellers, due to historical, cultural and religious reasons. Finally, it’s shown in the work that many specific studies are needed on the Golden Age travel accounts on Black Africa to fill the gap in the Spanish literature on the issue.

Author: GARCÍA CUETO PEDRO.
Year: 2006.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA DE LA UNED.

Summary: This is a study of the poet from Bucharest, taking into account their main works in prose and in response to the emergence of high ethical and aesthetic sense. The importance of the aesthetic is evident in their desire to get through the style emotion of the reader. Moreover, the ethical sense may noticed, in its involvement in the society of his time, particularly after the emergence of armed conflict involving the Spanish Civil War. The poet of Alcoy had a clear mission critical to the war and all kinds of violence and helped form the magazine "Time." The work aims to investigate all topics that appear in his spare: his passion for painting, music, history, etc.. Let us not forget that he was a man of great culture and a great lover of luxury, understood as a discipline of life. In the second part, I look, through d compared read on other poets past, contemporary and post their work, the influences and the differences between them and work of JuanGil-Albert. Finally, I draw some routes after work on a book as is the prolific writer of Alcoy. I have not forgotten in the argument, the many tributes to his work, by friends and major critics, professors and poets of our pious as Guillermo Carnero, Peter J.de la Peña, Francisco Briens and many others.

Author: Viúdez Beltrán César.
Year: 2006.
University: CARDENAL HERRERA CEU [www.uch.ceu.es].
Place of defense: Facultad de Ciencias Sociales y Jurídicas.
Place of preparation: Facultad de Ciencias Sociales y Jurídicas.

Summary: The overall objectives of the study are threefold: To deepen the constants for which Vargas Llosa has led over his personal and professional life. Define the writer's poetic journalism: that is, their particular vision of journalism, values, theories and approaches that are governed and resources (technical and language) used in the exercise of this profession. And an analysis of "Stone Tap," the column that publishes the newspaper El Pais every two weeks, usually on Sunday, since December 2, 1990. In chapter I, we approach the character. In Chapter II, provides an overview of how and how he assumes Vargas Llosa journalism. In chapter III, it reveals the writer's opinion about the necessity and usefulness of literature for the journalist (and society). In chapter IV, and journalists are listed benchmarks professional Vargas Llosa admires in the exercise of journalism. In Chapter V, elaborates on one of the distinguishing characteristics of "Tap Stone," journalism as' opposition '. In Chapter VI, in accordance with one of the concerns of Vargas Llosa (journalism departs increasingly Literature), we studied the weight of this discipline "Stone Tap." The chapter is divided into two parts: a) "literary genius" and b) "Literatos and books." In Chapter VII, in relation to another issue of concern to the writer (journalism departs increasingly Culture) includes ideas and opinions that Vargas Llosa described in "Stone Tap" around his time. In Chapter VIII, underscores how much the writer's argument works. In chapter IX, reflecting the most significant findings. In Chapter X, are detailed bibliographic references.