LITERARY STYLE AND AESTHETICS

Author: PIÑEIRO COSTAS TRINIDAD.
Year: 2004.
University: SANTIAGO DE COMPOSTELA.
Place of defense: FACULTADE DE FILOXÍA.
Place of preparation: FACULTADE DE FILOLOXÍA.

Author: RIERA GUIGNET ALEJANDRO.
Year: 2004.
University: BARCELONA.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: U.DE BARCELONA . FACULTAD DE FILOLOGÍA.

Summary: Until this paper, the image of the writer Emilio Carrere was the bohemian of Madrid early twentieth century. Our writer, but he lived until 1947 and this research has focused on the last 9 years of his life to try and show the evolution of political thinking of literati. With our work we have put in the light, after the mask of the bohemian, the author of Madrid, is sliding toward the political right in a process leading to its accession to the Francoist regime. Such developments edeológica the manifest in his literary work and its numerous newspaper articles.

Author: VIDAL VILLASUR BELÉN ISABEL.
Year: 2005.
University: VALENCIA.
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis explores the different ways to build, interpret and rewrite the past in contemporary cinema, the film questioning period from the field of film theory and cultural studies. The academic interest in the film era has focused mainly on the transformation of various forms of language film scripts (through historical issues of representation, translation and adaptation). That argument, however explores possible ways of conceptualizing what visually and writing, that is, as a bearer of textual elements to nullify the immediacy ontological, the realism of the plane cimematrográfico in the context of the film narrative. Through a comparative analysis of films such as Howards End (James Ivory, 1992), The Age of Innocence (Martin Scorsese, 1993) The House of Mirth (Terence Davies, 200) The Portait of a Lady (Jane Campion, 1996) Artemis (Agnés Merlet 1997) or those who love (Isabel Coixet 1998) This thesis investigates the ways in which the film era goes beyond the conventions of narrative realism, reescribiento last through the loan, lusión and mediation intertextual .

Author: AMELIA PERAL CRESPO.
Year: 2005.
University: ALICANTE.
Place of defense: FACULTAD FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD FILOSOFÍA Y LETRAS.

Summary: The literary work of Hélène Cixous has been the subject of several studies in recent years, especially by the feminist critique French and Anglo-American. In our country, his literary output was hardly tested, so this dissertation is the first argument that is made in Spain for writing Hélène Cixous.Partiendo a large body comprising his many works of fiction, we analyzed exhaustively the multiple relationships implicit or explicit intertextual both of which feeds his writing. We have an emphasis on the various manifestations intertextual that Cixous implements through quotations, allusions, references ... We have highlighted his own conception of writing that, in Cixous, can not be separated from these voices that accompany it and nourish in their scriptural. All these voices, these various "Yos" writing evening, are revealing to him after the metatextual process of the construction work becomes a game intertextual that enriches their ficciones.Nos entering the much controversial practice of intertextual rewrite. The rewrite in practice scriptural of Cixous has also allowed us to enter the space intratextual in his novels. The area of rewriting, while also reflecting a rereading, has led us to make inroads into the fantastic world of certain biblical and classical myths that we have in conjunction with their own process escritural.Analizamos so thorough rewrite the underlying and nearly evening , rewriting macrotextual intratextual level that has allowed us to unravel the overlapping text in their escritos.Demostramos that escritura-reescritura Hélène Cixous feeds the friendly voices that forging their own network intertextual within their own fictions, and that space intertextual his writing is a large, rich and varied dialogue between the different voices that transcend beyond the literary field

Author: RION TETAS ROSANNA.
Year: 2005.
University: POMPEU FABRA.
Place of defense: DEPARTAMENTO DE HUMANIDADES.
Place of preparation: INSTITUTO UNIVERSITARIO DE CULTURA.

Summary: The interpretation that this work makes the work eliotiana is the biblical prophets not only a source of inspiration or a reference of certain appointments, but an aesthetic, a style and treatment of some subjects, own writing prophetic. This thesis wants to prove that aesthetics is the prophetic prevailing in the literary work of Eliot and mark it as your style and theme. This aesthetic, according to theologian Tillich, it is understood as it preaches a change in society, an improvement that will come from the collective rapprochement between God and men. This will analyze both poetry and drama eliotinao, since one another and complement and reinforce, confirming and explaining the allegations to be proposed. The critical work of the poet will also give his place in this study, since it is relevant clarifications vision that we want to convey.

Author: VISA BARBOSA JOAN MIQUEL.
Year: 2005.
University: LLEIDA.
Place of defense: UNIVERSITAT DE LLEIDA.
Place of preparation: UNIVERSITAT DE LLEIDA.

Author: MARTÍNEZ OLMO M. PILAR.
Year: 2005.
University: NACIONAL DE EDUCACIÓN A DISTANCIA.
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The survey presented offers a reconstruction of the gallery The theatrical Spain Dramatic published by the Commercial Literary Circle between 1849 and 1881 and a survey of works published in it, taking into account different points of view. It is studying the editorial and commercial construction, describes some characteristics of literature and discusses aspects of the sociology of theatrical fact. The collection consists of 340 works that were managed by following various business processes: acquisition of unpublished text, administration rights of representation, incorporating full galleries that already part of the publishing market, and so on. Both in the formal characteristics of the print and in the dissemination and management developed by the commercial publishing company can find the features of the new post of editor that was emerging in Spain in the mid-nineteenth century. In terms of literary studies the originality of the text, literary genres, works in prose and verse, and so on., And within elements related to the theater, analyzes the theatrical spaces, the art director, the release dates and data offer works on the process of censorship. These different approaches have helped provide a very complete vision of a theatrical collections that served as a vehicle for the dissemination of literature in the nineteenth century Madrid and the methodology can be applied to other galleries of the same period. The study of Spain Dramatic allows us, on the one hand, have a very diverse body of texts to be offered to readers as a unique collection, and, better understand the scene Spanish and dissemination of plays in the nineteenth century.

Author: GOMEZ ALVAREZ SILA MARIA.
Year: 2005.
University: CÓRDOBA.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFIA Y LETRAS.

Summary: This thesis examines the critical views that the author of this book has prompted scholars in the literature, since his appearance until the early twentieth century, at which time there was a significant proliferation of papers and studies on its overall work . The generic heterogeneity of their works and the time in which he carried out his work. The "Baroque", which have become an object of study of particular interest to investigators in recent times. Moreover, his facet of teorizador "concept" (cf. art Sharpness and ingenuity, 1648) has attracted additional interest, since it offers many keys to understanding delas poetic compositions author of the stature of Góngora or Quevedo . We believe that the analysis of the previous stages of receiving their works can help us better understand many of the ideas that have full force today. To undertake this work have followed the dictates methodology established by the critical theories.

Author: CAÑAMARES LEANDRO FERNANDO.
Year: 2005.
University: AUTÓNOMA DE MADRID.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: The thesis "Ortega y Gasset and the novel Nova Novorum" deepens the relationship between the approaches of Ortega and the five novels that are part of this collection, which arose between 1926 and 1929 within the editorial "Revista de Occidente": "Vespers of Bliss" (1926), Pedro Salinas, "Professor useless" (1926 and "Paula and Paulita" Both Benjamin Jarnés "Pinto Bird" (1927) and "Moon crown," Antonio Espina. Parallel and in a broader perspective, is a presentation of the concept and development of the literary school known as "new novel", which during the twenties and thirties sought, discussed successful, articulate a response to the realism nineteenth century aesthetics. thesis includes in addition to the study of the five novels, a summary of the aspects of thinking orteguiano more applicable to the literature, a summary of the theory put forward by the authors of novels and, finally, a review of the major studies relating to critics the works, which is the start of articles published in the press coetánea.

Author: MOLINA GONZÁLEZ MANUEL.
Year: 2006.
University: NACIONAL DE EDUCACIÓN A DISTANCIA.
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis explores the figure of Niceto Alcalá (1877-1949), who was president of the Second Spanish Republic (1931-1936) from the point of view of his literary creation. Most of creation has to do with the memorialismo and autobiography. These two aspects are studied in relation to the generation to which he belonged, in 1914. It therefore includes the study of the various autobiographies of actors of this generation. He then studies the author's literary works in detail, with particular attention to the published in the Argentine exile.

Author: CALZÓN GARCÍA JOSÉ ANTONIO.
Year: 2006.
University: OVIEDO.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA DE LA UNIVERSIDAD DE OVIEDO.

Summary: STUDY RAISED AN ANALYSIS INTERDISCIPLINAR OF THE PÍCARA JUSTINA "FROM THE IDEA OF ENUNCIACIÓN AS SINGLE USE OF LANGUAGE AND NATURE RECURSIVA OF COMMUNICATION TO CREATE THE MULTIPLICIDAD OF VOICES Or POLIFONÍA ON THAT ARTICULA ESPECIALLY THE NARRATIVA. WELL, THE RESEARCH CONSISTS OF BIG THREE PARAGRAPHS. IN THE FIRST OF THEM ARE REFLEXIONA FROM ONE POINT OF VIEW THEORY ABOUT THE ENUNCIACIÓN, ALTERIDAD AND POLIFONÍA IN GENERAL AND THE NOVELA INCLUDING. IN THE SECOND IS PROPOSING AN ANALYSIS FOR THE TAXONOMY INTERRELACIÓN AMONG VARIOUS BODIES ENUNCIATIVAS THAT EVIDENCIAN ANY KIND OF PRESENCE IN "THE PÍCARA JUSTINA" WITHIN THE SHAFT EMISIÓN-RECEPCIÓN. FINALLY, ON THE THIRD OF SECTIONS ARE RAISED A STUDY SEMIOLÓGICO OF POLIFONÍA IN THIS WORK, FROM THE PRISM SINTÁCTICO (ANALYSIS OF THE STRUCTURE TO SUSTENTA THE INTERRELACIÓN AMONG VARIOUS AGENTS WITH ANY ROLE COMMUNICATIVE) SEMÁNTICO (STUDY OF THE DIFFERENT MECHANISMS REPRESENTATION OF UNIVERSOS UP FROM THE ENUNCIACIÓN, IN TEXT WITH AN APPROACH TO THE PROBLEM OF PERSPECTIVE) AND PRAGMATIC (RESEARCH AROUND THE ACTORS IN THE PROCESS THAT MEDIAN COMUNICATIVO, SUCH AS THE EDITORS, OR THE CRITICAL TRANSLATORS; ANALYSIS OF THE RECEPTION OF TEXT AND PARADIGM OF CHANGE IN CRITICAL AND STUDY OF THE POLIFONÍA FROM APPROACHES SOCIOLÓGICOS, PSICOANALÍTICOS AND CULTURAL).

Author: FERNÁNDEZ GALLO M. CRISTINA.
Year: 2006.
University: NACIONAL DE EDUCACIÓN A DISTANCIA.
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: In 2005 have been fulfilled 50 years after the death of shell Espina, a great writer of a European, whose works were read and admired in Spain and Hispanoamericana, and was deserving of the three big prizes from the Royal Academy of Language: Espinosa and Cortina, Fastenrath and the National Prize for Literature, as well as a candidate, twice, for the Nobel Literature Prize, which did not succeed in the absence of a single vote, specifically that of the Spanish Royal Academy. Since his literary vocation and his personal situation, wrote incesablemente for more than 50 years, which was dedicated wing novel, short stories, poetry, drama and the biographies, all of this in addition to his journalistic activity as partners in national and foreign press. Concha Espina, born in Santander in 1989, he moved to Madrid to begin his literary career soon after she separated from her husband, accompanied by her 4 children. Before that he lived in Chile, and crossed the Atlantic on two other occasions, as a representative of the Spanish culture. The experiences of these trips, the harshness of his life during the Civil War, part of which took place for her in his home in Mazcuerras, the town of Cantabria in which veraneaba, and their interest in the landscape of their land and the world feminine, emotional, intellectual and working, are reflected in all his works. His complete works were published on three occasions, most recently in 1970. This work aims to evoke the figure of writing santandarina, whose works were up part of oblivion, and have been studied chronologically, according to the stipulations of the biographical writer, which, in part, are reflected in them. The extent of all his work allows complete study of it in a doctoral dissertation, so it focuses on its extensive novels, which are more fame and reputation provided, most in form and substance chaired by Poetry, genuine original vocation the writer. The research is particularly widespread and intense in those novels that, precisely, are not those for which he was most widely recognized Concha Espina: The sphinx maragat and metal from the dead, in which the criticism, at the time, paid special attention. It examines, for the first time, in his case for the consolidation of one of his works, and refers to other literary genres that the author addresses the same issues, different time, with different goal or in another format. The validity of some of its themes, its linguistic wealth, its ability to paint with words landscape and the people she met, many of whom can be identified after reading his work, deserve this investigation is currently seeking a study of the author and his novels that seemed necessary for both were valued from an objective point of view and modern, you get closer to readers with a very important body of work, full of reprints, which has been used as a model for Spanish speakers in English literature, carried adapt as the cinema or opera libretto, but that, above all, deserves to be appreciated from a current prism

Author: SALVAGO LOBATO CONSUELO.
Year: 2006.
University: SEVILLA.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The study of the poetics of Angel Gonzalez tried to examine the author's work on such issues as the essence of creation, the role of literature, incentives to encourage writing, the relationship between literature and life, the attitude of or how aesthetic poet who chooses to write. We have tried to discover their fundamental ideas, both from his poetic as the implicit explicit. We intend here to identify the ideas that serve as a literary genesis to the poetic work of Angel Gonzalez. Identificarla and check its consistency and determine its effectiveness, to the extent possible, it has been our goal. Clearly, the relationship between their own life experience and literary creation. That is why we have devoted special attention to the relationship between literature and life, without ever forgetting that every lyric manipulate reality. With regard to literary creation, we have analyzed the formal mechanisms of its poetic language. The analysis of the rhythm of the verse as well as the expressive resources of its most significant expression helps us understand the extent to which proposes a new aesthetics within the time and the tendency to fall. His admiration for Antonio Machado is evident from the studies you spend. Here part of the elements highlighted in a poetic teacher to explain that the relationship between poetry and life giving the keys of an attitude to the literary work, which in turn will show us his vision of the world reflected in the poems. While the evolution of his work can be divided into three stages, it is worthwhile to note that there are a number of constants over all their work. To call Angel Gonzalez is the basic material from which consists poetry, which exists only in the poem: hence the importance it attaches to form, and hence also entitled to their complete works on Word word. In this hidden by the word not found or baroque virtuosity, but rather an aesthetic use of colloquial language, so the reality static rooted in the reality that some of the language. Share with the authors of the group of the fifties a number of characteristics which already put in a new era, which exceed the budgets romantic still prevailing in the previous decade. The poetry as a means of knowledge is complemented by the critical role of social commitment and that starts with your attitude poetic. Relacionamos games perspective, in a dialogue disémico, multidimensional and plurisignificativo, with the dialectical attitude with which face the world, in that line of anti governing all his work. The sense of temporality is the key element to understand his work, anchored in reality, which is the history of man.

Author: GARCÍA MORILLA FRANCISCO JOSE.
Year: 2006.
University: SEVILLA.
Place of defense: FACULTAD DEFILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The literary work of Jose Manuel Caballero Bonald, is an attempt to approximate critical knowledge of reality from the experiences stored in memory. You may also wish to say that their literature responds to the budgets of the poetics of knowledge. The cognitive conception of literature is not just an element of poetic Caballero Bonald, it is the axis on which tour, since it contains the fundamentals which fixes its literary theory; agaán knowledge, the moral commitment of the literary and personal experience as a source of artistic creation, the obsession with the language and stylistic concern. In addition, the knowledge of poetic Caballero Bonald has important implications not only conceptual, but also in his literary practice, which represent a decisive contribution to the renewal of contemporary literature. The consideration of the literature as a method of knowledge implies that the literary text is conceived as an artistic creation open, it contains no absolute truths, as it is part of the belief that there is the possibility that human beings get an absolute knowledge in reality, but offers revelations partial, fragmented and on. Thus, the literature is a vehicle to facilitate the road to knowledge, but not as a closed, but as a cognitive learning process in which both the author and readers. From this perspective, the literary text is not intended as a repository of meaning and stable closed because involve the existence of a unique and real meaning that the writer would be knowledgeable and that the reader should arrive, but is conceived as plurisignificativo. D In this way, favors a diabetic towards the discovery of reality and fosters an attitude transgressive: introducing a vision of the world fragmented and unresolved, the text creates a literary perspective vision of reality that enables a critical mood, opposition against what they do not agree, either for personal reasons or collective. This notion of reality produces a very different from the realism that offers a unique look and closed on the real. This is not a realistic level, which merely superficial appearances, but a realism with depth. Caballero Bonald creates a new literary reality that enriches the reality of that is a good example of this, because here we find elements of realism configurators symbolic bonaldiano: memory, as a creator genesis, and cognitive relativism, which leads to a pluralistic vision of gracious Indeed, the stylistic concern and the use of unja technical narrative based on the superposition of significant levels by reiterating a number of reasons that have a realistic appearance, but because of an elaborate artistic treatment that transcends acquire a sense symbolic the tale. It is the wine and climate in two days of September, the space Ágata eye of a cat and disease in Field Agramante.

Author: MORENO PEDROSA JOAQUIN.
Year: 2006.
University: SEVILLA.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The thesis is the systematization of literary thought of the poet from Granada. It examines the changing historical and literary context in which it develops its creative work, comparing the theoretical budgets of successive movements poetic with those maintained by the author studied. Then, reflects those formulations explicit that the same Antonio Carvajal has said about his poetry and poetry in general. In addition delos authors and movements who have expressed a preference, the highlights of his literary thought to be those concerning their conception of poetry, and mission wing attached to it. It will also separate mention delos general principles that shape their particular vision of genetic phenomena metric. In addition, this thesis contains a study of the poetry implicit in the work of Antonio Carvajal. It describes the main influences in his poetry, the great issues that shape their world view, the job carried out by the metric forms and the outlines which falls in the evolution of her poetry. Finally, he realizes the existing repertoire literature on the work of Carvajal, and other aspects relating to the study of his poetic theory.