AESTHETICS

Author: MARTÍ JUFRESA FELIPE.
Year: 2003.
University: BARCELONA [www.ub.es].
Place of defense: FILOSOFIA.
Place of preparation: FACULTAT DE FILOSOFIA.

Author: IBAÑEZ PUIG XAVIER.
Year: 2003.
University: BARCELONA [www.ub.es].
Place of defense: FILOSOFIA.
Place of preparation: UNIVERSITAT DE BARCELONA.

Author: CORRO PENJEAN PABLO.
Year: 2004.
University: BARCELONA [www.ub.es].
Place of defense: FILOSOFÍA.
Place of preparation: FACULTAD DE FILOSOFIA , UNIVERSIDAD DE BARCELONA.

Summary: The thesis identifies and builds through the philosophy of gracious existence of thought and aesthetic post-structuralist the formation of a story cinematografíco unique representative of the crisis of contemporary meanings. The investigation is related genetically to the movies with the philosophy of existence through intend fenomelológica and the crisis of metaphysics and through the ontological priority both give appearances, is considered the aesthetic destiny of contemporary thought and dominant visual culture. The model of this dramatic film marked by the crisis of the action and ambigà ¼ age point of view and the term is interpreted as an indirect transfer of postmodern culture of the story in the image, as when the spirit.

Author: SUÁREZ FERNÁNDEZ JOAQUÍN EDUARDO.
Year: 2004.
University: OVIEDO [www.uniovi.es].
Place of defense: FACULTAD DE FILOSOFÍA.
Place of preparation: DEPARTAMENTO DE FILOSOFÍA UNIVERSIDAD DE OVIEDO.

Summary: This research philosophy is structured into three main sections. In the first, "Proposals for the development of a Marxist literary canon," explores Lukács's position in the debate on the interpretation of the writings of Marx and Engels on art and literature and presents and discusses the ideas of philosopher Hungarian on the historical novel, the realism of the nineteenth century (Balzac, Zola, Tolstoy, Dostoevsky, Gottfried Keller, Dickens, etc.). literature and the twentieth century (vanguardismo, critical realism and socialist realism). In the second, "ontological Delimitation of the literary work," explores how Lukács understand the relationship between literature and other areas of social being and knowledge as everyday life, science, the region and ethics. It is also studying how to address problems such as the durability and beauty or revocation of literary works. It also outlines his thoughts on the literary genres: relationships between literature and cinema and main differences between epic and drama. The third considers the presence of thinking Lukács in the debate in recent decades has occurred in the United States on the literary canon. This on the one hand Lukács compare ideas with the ideas of the most significant thinkers influenced by Marxism and multiculturalism, such as Raymond Williams, Terry Eagleton, edward Said, representatives of the so-called "New historicism" or Hohn Guillory, and the other, the principles of conservative thinkers such as Harold Bloom. Upon completion, includes an annotated bibliography in which, from a philosophical perspective, a brief comment of one of the books on the issue of royalties. The central thesis of this research is that the main problems with which one is when it is necessary to decide which model cananon literary want for today's society are not filológicos but philosophical. These problems are presented to us through two fundamental questions: What is literature? Â And how have to establish the relationship between the individual and society? The theory Lukács on the canon is a philosophical theory, it attempts to answer these questions. However, this work shows how you can answer these questions from a different philosophical perspective, while respecting the aesthetic value of royalty and the ability of citizens to form literary critics and politically responsible. Moreover, in the conclusion, with the aim of clarifying the differences between the scientific study of the philosophical and literary canon, briefly analyze the example of the polysystemic theory, one of the most fertile areas of research in recent decades in literary studies.

Author: MORENO NAVARRO IGNACIO.
Year: 2004.
University: DEUSTO [www.deusto.es].
Place of defense: FACULTAD DE FILOSOFÍA Y CIENCIAS DE LA EDUCACIÓN.
Place of preparation: Facultad de Filosofía y Ciencias de la Educación.

Summary: The philosophical work of Professor Alfonso Lopez Quintás has, within its broad range of issues, a primary objective: the model of critical thinking that has dominated Objectivist knowledge along Western Modernity and the proposal for an alternative which is capable to do justice to the richness of the real. In doing so, this thinker emparenta with some of the most significant philosophical movements of the twentieth century, especially the personalism as Gabriel Marcel and thinking existential Jaspers and Heidegger. This dissertation takes the invitation is clear from the work of Professor to extend their thinking to all aspects of thinking. In particular, attention is given to the music, an area that for the same Lopez Quintás represents, as art in general, one of the major occasions for the development of the human spirit. But closer to the philosophy of music being proposed calls for a desire for intellectual consistency, clarifying the first coordinates of the investigation, especially when the whole of the author's work deserves thorough consideration that reveals its importance. Therefore, this thesis takes a spiral structure that is approaching its core through stages increasingly specific. The first part is devoted to understanding the philosophy of Lopez Quintás in dialogue with the movements mentioned above, both in its critical stage against Objectivist scheme as in providing positive alternatives for the ontology and epistemology. The discovery and analysis of what superobjetivo constitutes the core of this work, because from this explains the real in-depth teoría analéctica- and provides the philosophy of flexibility and robustness that, additionally, make it capable of comprehend in all its richness. From this necessary theoretical framework, the second part begins by addressing the philosophy of art in general following the same texts Lopez Quintás highlighting the role of creativity as a central element of aesthetics. Finally, the specific outlines of a new philosophy of music that meets every advanced earlier. Above all, the emphasis is on taking music as a language open nature of poetic and symbolic, as well as its ability to create time. As a practical illustration of the entire route, is the latest chapter in the study, according to an analysis method consistent with the findings of a musical work specifically, the Canticle spiritual Amancio Prada, based on the text of St. John of the Cross. The wealth of this work allows portray it as a manifestation of the theoretical results of the investigation: the music is an area of free communication in which we put into play the maximum potential of the human and, therefore, a privileged field of humanization.

Author: SORIA ALEMANY ANTONIO.
Year: 2004.
University: VALENCIA [www.uv.es].
Place of defense: FACULTAT DE FILOSOFIA I CIÈNCIES DE L'EDUCACIÓ.
Place of preparation: FACULTAT DE FILOSOFIA I CIÈNCIES DE L'EDUCACIÓ.

Summary: THROUGH A SUMMARY AROUND THE VARIOUS STAGES BIOGRÁFICAS OF COMPOSER JOAQUÍN TURINA (1882-1949): "PHASE PRELIMINARY (1882-1907), PRIME SEPTENIO CREATIVE (1907-1914), 2Â th STAGE CREATIVELY. MADRID BETWEEN WARS (1914-1936 ), THIRD STAGE CREATIVELY: THE DECADE FINAL (1939-1949), "THE INTERPRETER OF THE FIRST WORLD RECORDING OF THE COMPREHENSIVE ITS WORK PIANÍSTA IN 16 CDs (DOCUMENT FONOGRÁFICO WITH 33 FIRST WORLD RECORDS IN A TOTAL 19.32 H. WITH REGARD TO PRÁMETROS THAT DEFINED THE MUSICAL INTERPRETATION IN GENERAL, WITH SPECIAL ATTENTION TO THE PIANÍSTICA, ANTONIO SORIA ANALYSIS THE WORK OF COMPOSER WITH SPECIAL ANTENCIÓN TO OP. 32 "THE SALE OF CATS" (LEGEND BECQUERIANA). ALONG THE THESIS DEFINED THE KEY OF MODERNISM MUSICAL, DECÁLOGO SUMMARY IN AN END AS A CONTRIBUTION TO THE RELEVANT OVERVIEW OF RESEARCH MUSICAL. PROVIDING A NEW VISION OF BEAUTY TURINIANA DEN LE FRAMEWORK OF MODERNISM MUSICAL.

Author: ALCARAZ LEÓN MARÍA JOSEFA.
Year: 2005.
University: MURCIA [www.um.es].
Place of defense: DEPARTAMENTO DE FILOSOFÍA.
Place of preparation: DEPARTAMENTO DE FILOSOFÍA.

Summary: THE MAIN GOAL IS FOR REVIEW AND EVALUATE THE THEORY OF ART OF ARTHUR C. DANTO. UNDER CONSIDERATION WILL THEREFORE, IN CHAPTER I USE AND VALIDITY OF THE EXPERIMENT OF INDISCERNIBLES THAT A. DANTO HAS PROPOSED AS A METHOD FOR TACKLING THE PROBLEM OF THE DEFINITION OF ART, PAYING SPECIAL ATTENTION TO THE DEBATE ON THE DESIGN OF THE PERCEPTION THAT SUBYACE THE FORMULATION OF EXPERIMENT. OWNER UNDER CONSIDERATION IN THE DEBATE BETWEEN INTERNISMO And EXTERNISMO PERCEPTIVO. ALSO IS DISCUTE THE RELEVANCE OF THE EXPERIMENT OF INDISCERNIBLES FOR AN OVERVIEW ON THE DEFINITION OF THE ARTISTIC TAKING INTO ACCOUNT THE CRITICAL OF PARTICULAR R. WOLLHEIM. IN CHAPTER II, SE NOCIÓN DISCUSSES THE "WORLD OF ART" ADVANCED BY DANTO IN THEIR FIRST TENTATIVAS OF DEFINE THE ARTISTIC. ASSISTANCE GIVEN IN PARTICULAR ATTENTION TO ITS ROLE ONTOLÓGICO-EN AS DETERMINING WHAT IS THE ARTÍSTICO- AND ITS ROLE EPISTEMOLÓGICO-EN BOTH DETERMINING THE PROPER INTERPRETATION OF THE WORK OF ART. FURTHER ASSISTANCE GIVEN NOCIONES ATTENTION TO THE IDENTIFICATION OF ARTISTIC AND PREDICADO ARTISTIC MADE BY DANTO IN THEORY OF ITS SUBSEQUENT DEVELOPMENTS. CHAPTERS IN III AND IV SE DISCUSS THE TWO CONDITIONS PROPOSED BY DANTO TO DEFINE THE ART: THE CONDITION OF "BEING ON SOMETHING" -ABOUTNESS- AND THE STATUS OF "ENCARNAR A MEANING" -EMBODIMENT-. BOTH CHAPTERS COMPARTEN A SAME STRUCTURE. AT FIRST, HE ATTEMPTS TO THE CONTENT OF THESE PRECISAR NOCIONES AND IN SECOND PLACE, IS DISCUSSES ITS VALIDITY FACE POSSIBLE CONTRAEJEMPLOS. EVALUATES ARE FINALLY IN GENERAL TERMS OF THE NOCIÓN "MEANING ENCARNADO" -EMBODIED MEANING- AND ITS RELATIONSHIP WITH THE BEAUTY OF THE ARTISTIC DESIGN.

Author: GONZÁLEZ MENÉNDEZ ANA.
Year: 2005.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE FILOSOFÍA.
Place of preparation: FACULTAD DE FILOSOFÍA DE LA UCM.

Summary: The musical production philosophical TW Adorno allowed to perceive the significance of the emergence of Expressionism in the musical fabric. Works such as Night (written in homage to Alban Berg), Reaction and Progress, New rhythms .. , And showed the central level which then would be treated in the new philosophy of music (although this piece was, first and foremost, a study of two composers, Schà ¶ nberg and Stravinsky, representing, respectively, for Adorno, progress and restoration). It is therefore noted the need to return to normal but disputes considered under a philosophical questioning, rooted in a reflection aesthetic that reveals what were the most significant and influential for the development of a musical aesthetic thinking, thinking that it is not the the margin of society, but constitutes a channel whose expressive concerns germ is found in the experiences of individuals. The tour route along these pages pretend to be, first and foremost, an outline of inquiry filosófico-estética through relations between two areas not subordinates, but usually underestimated, as are music and philosophy. From an analysis filosófico-crítico, raised from a philosophical turn aesthetic, it is possible to meet the open space of knowledge for reflection frankfurtiana, following the initial draft interdisciplinary outlined by Adorno and Horkheimer. Thus, taking as a starting point the writings of Adorno musical, it will be noted the importance of artistic expression, and more specifically musical expression, it has had over the development of societies in general and in individual . KEYWORDS Aesthetics, atonalidad, Viennese School of Music.

Author: OLIVEIRA COSTA ANTONIO AURELIO.
Year: 2005.
University: DEUSTO [www.deusto.es].
Place of defense: FACULTAD DE FILOSOFÍA Y CIENCIAS DE LA EDUCACIÓN.
Place of preparation: FACULTAD DE FILOSOFIA Y CIENCIAS DE LA EDUCACIÓN.

Author: ÁLVAREZ ARGUDO MIGUEL.
Year: 2006.
University: VALENCIA [www.uv.es].
Place of defense: FACULTAT DE FILOSOFIA I CIÈNCIES DE L'EDUCACIÓ.
Place of preparation: FACULTAT DE FILOSOFIA I CIÈNCIES DE L'EDUCACIÓ.

Summary: THESIS ON THIS IS ANALIZÁN DIFFICULTIES TECHNICAL PIANÍSTICAS ON THE WORK OF THE PIANO FOR COMPOSERS OF VALENCIA FOR INTEGRARLOS IN A FRAMEWORK REFERENCIAL (LOGSE) And PODERLOS INTEGRATE IN THE PROGRAM OF TEACHING PIANO IN CONSERVATORIOS OF VALENCIA. SE CLASIFICAN THESE WORKS IN THE VARIOUS LEVELS ELEMENTARY, MIDDLE AND UPPER AND LANGUAGE IS RECUPERAN IN A NUMBER OF COMPUTER WORKS MANUSCRITAS FOR PIANO. DEPUTY IS RECORDING WORKS VALENCIANAS FOR VISUAL MONITORING.

Author: LULL NAYA TRINIDAD.
Year: 2006.
University: VALENCIA [www.uv.es].
Place of defense: FACU. DE FILO. I CIÈNCIES DE L'EDUCACIÓ.
Place of preparation: FACULTAT DE FILOSOFIA I CIÈNCIES DE L'EDUCACIÓ.

Summary: THESIS THIS MAKES A MINUCIOSO STUDY ON THE FIRST STAGE GREAT COMPOSER VOCAL WRITTEN BY THE FRENCH OLIVER MESSIAEN (1908-1992). PROVIDER IS "POÈMES POUR MI, IN ITS FIRST VERSION FOR SOPRANO AND PIANO, WHO WORK TO ITS WOMEN CLAIRE DELBOS, COMPUESTA IN 1936. SUCH STUDY HAS BEEN ISSUED BY THE MUSICAL ANALYSIS TOOL AS MAJOR RESEARCH MUSICOLÓGICA. PARTIENDO ANALYSIS OF THE COMPREHENSIVE PARTITURA, HAS DEVELOPED A COMPARATIVE STUDY BETWEEN THE LANGUAGE MUSICAL EMPLOYEE IN THIS WORK AND THE LANGUAGE EXPLICADO THE AUTHOR IN ITS FIRST TECHNICAL TREATY. THE OPPORTUNITY WITH A TEXT OF CONTAR WRITTEN BY OWN THE COMPOSER, HAS BEEN AN ACT TO DECISIVE WHEN EXCLARECER AND CONFIRM THE TRUE MEANING OF THE NINE CONCIONES. AS A RESPONSE TO THE NEED FOR ENCUADRAR And SITUAR ANALYSIS MUSICAL IN A GLOBAL AND INTEGRATED FRAMEWORK OF COMPOSER, THE BIOGRAPHY OF WORK INCLUDE AN ORIGINAL, ASENTÁNDOSE IN THE MOST SIGNIFICANT SOURCES BIBLIOGRÁFICAS.

Author: ACHAGA ARNEDO KOLDO.
Year: 2006.
University: PAÍS VASCO [www.ehu.es].
Place of defense: FACULTAD DE CIENCIAS SOCIALES Y DE LA COMUNICACIÓN.
Place of preparation: F. DE CIENCIAS SOCIALES Y DE LA COMUNICACIÓN.

Summary: This Doctoral Thesis combines three concepts in relation to advertising activity: typography popular art and urban space. These three factors come together in the commercial labels of local commerce that are displayed along our streets. We advocate the knowledge and appreciation of some parts landscape that transcend its advertising function and, as an expression of popular culture and a reflection of our collective history, play an instrumental in the creation of a sense of place. Given the lack of graphics files documentary on the commercial signs we mark a first objective inventory of the various options that, as of 2005, are displayed in the streets of Bilbao. The field contains more than 7000 photographs.

Author: CLARAMONTE ARRUFAT JORDI.
Year: 2006.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOSOFÍA.
Place of preparation: SALA 217 DE LA FAC. DE EDUCACIÓN.