PRESENCE OF PROUST EN LA OBRA DE MERLEAU-PONTYAuthor:
FARRÉS FAMADAS GLÓRIA.
Year: 2004.
University:
AUTÓNOMA DE BARCELONA.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: ESCUELA DE POSTGRADO.
Summary: This work revolves around the development and evolution of Merleau - Ponty's work based on the assumption that the works of Proust has had a very important role in defining the last ontology of the philosopher. The goal is to analyze the presence of Search evening with a view to interpret some of the most enigmatic of recent writings. If it is true that Merleau - Ponty's work focuses initially on the question of vision and perceptive analysis of the body, then comes the interest in the process as a word derived from the perceptual world that the power tool signifier of the body. The corporal expression and lingüstica define the ontological structure that determines the organic links that the subject has with the world. The experience of this mutual dependence between internal and external elements, visible and invisible, draw a Being porosity. This step of a phenomenology of perception to an ontology of the vision is carried out largely on the idea quiasmo (finish taking the rhetoric). The style of Proust despunta precisely because it describes in detail the elements quiasmáticos that link experience with that in visible where it plunges the look and realizes the latent background that pervades all experience. The small musical phrase or the taste of magdalena (By way of Swann) are not caused ideas from the subject but they occur in living, naturally arise from it, that is why i Merleau - Ponty called sensitive ideas. Such ideas are a backbone of support for the sensitive: no evidence that what we have is a fission who give birth the visible and invisible at the same time, one on the other, are the expression of a non idealidad is foreign meat, but on the contrary, gives its axis, its depth and its dimensions. From a certain moment, the philosopher assumes the need to abandon an eloquent language to pass a language that allows indirect significance, following the path blazed by Proust, deepening wealth dela multiplicity sensitive (think the descriptions water from the pool at L'Oeil et l'Exprit, red color of the tissues, the morning woke up, and so on. in Le et l'invisible visible). The philosopher takes up this organic style to define an ontology of sensitive than found in works of Proust l', especially in sensitive and ideas in the background of passivity, some episodic cemented the final wording of quiasmo. In light of style proustiano, perceptual experience that becomes Merleau - Ponty describes a specific way of Being i reveals a definition of quiasmo from l'creative act. The work shows that consistent stylistic, confronting the texts of the two authors from the way, and above all, from the bottom where both are immersed. Beyond trace the philosophical substrate of a work of fiction, it delves into what the literature i philosophy can pass one another.
