SPECIALIZED HISTORY

Author: MOYA VALDÉS CONCEPCIÓN.
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: Because of the breadth of the subject, we had to be structured in a first block, which contains the text, the background material, Cartography and Documentation, and a second comprising Illustrations and the necessary indexes. The text opens with an Introduction followed delos chapters dealing with the Crusades, the Crossfire Art in Palestine, the Arts Crossfire in the territories of Armenia-Cilicia, Rhodes, Cyprus and Greece Franca, which follows one in which we talk about relations between East and West (from the point of artistic seen) completed the Cruzadas.Finalmente adds the background material or bibliography relating to the respective chapters. It also includes correspondence tables onomastic and tables tipológias allowing group works chronologically, which allows us to know their sequencing, as well as formal elements that compose (plants, elevations, etc.). The series of maps made at enable view main places which are mentioned in the text.

Author: BLANCO BRAVO M. PALOMA.
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFҍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFҍA E HISTORIA.

Summary: The main objective of this work investigaciÃÂ ³ n is conducting a anÃÂ ¡lisis crÃÂtico the concept of the public art pÃÂ seventh allowing us to determine quÃÂ © can be understood by the same, quÃÂ © has come to this prÃÂ ¡ctica and which has been his evoluciÃÂ charges and their derivations along the three ÃÂ eighth latest dÃÂ © target. To this end, we shall review cÃÂ ³ mo the concept of art and its so manipuloso adjective "pÃÂ fourth the public" can take new and very difernetes meanings if we take into account the possibility to reflect on aa asociaciÃÂ ³ n art and the public what pÃÂ fourth "considered as prÃÂ ¡ctica social commitment polÃÂtico. As for the concept of "pÃÂ fourth the public" while construcciÃÂ ³ n ideolÃÂ ³ gica, a question that we harÃÂ ¡lead to one of the fundamental questions of this thesis ÃÂ Do quÃÂ © functions polÃÂticas fulfills the call to make the public art pÃÂ eighth, ie polÃÂtico?

Author: INIESTA LÒâPEZ IVҁN.
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE MEDICINA.
Place of preparation: FACULTAD DE MEDICINA.

Summary: For two thirds of his life FiÃÂ ³ dor M. Dostoyevski (1821-1881) sufriÃÂ ³ epilepsy. Throughout his extensive literary characters have been going on which reflected the disease. Establishing a parallel between ficciÃÂ charges and actually look cÃÂ ³ mo the epilÃÂ © psia runs his literature and his life. The Patron, (1847), Humiliated and Ofendidos (1861), The Idiot (1868), The Demons (1872), Diary of a Writer (1873-1881) and the Brothers Karamazov (1879-1880) form the backbone in the that ties the story patogrÃÂ traffic of the writer, starting with the protagonist epilÃÂ © ptico of the first-mentioned work (Murin), who gave him his witness to Helena (Nelly), in turn, transfigured in the prÃÂncipe Myshkin, who by asÃÂ say, transmitirÃÂa his epilepsy to suicide Kirillov, through the voice of the affected (chronicler), to result in a sort of compilaciÃÂ charges, which brings together those traits of the disease that habÃÂan been exhibiting their predecedores; SmerdiÃÂ ¡kov. The biografÃÂa enciclopÃÂ © dica Joseph Frank has served as guÃÂa along our route, starting from the children's writer and transcurriendo up their ÃÂ eighth past aÃÂ ± os of its existence. The Correspondence, in separate translations of Joseph Frank / David I. Goldstein (Al inlgÃÂ © s) and Jaques Catteau (at francÃÂ © s), and the testimony of their ContemporÃÂ ¡schemes in a survey by Peter Sekirin complete our journey, acompaÃÂ ± ando life and work of a sick person who knew how to react transforming his illness in creaciÃÂ ³ n literary. By The Falling Sickness of Owsei Temkin we placed in the context histÃÂ ³ rico and the environment cientÃÂfico the novelist. By ÃÂ fourth Finally, the series of artÃÂculos published in relaciÃÂ ³ n a disease Dostoyevski (Freud-Alajouanine-gastaut-Voskuil-Gastaut) have agreed on seÃÂ ± alar value mÃÂ © dico-literario contained in their stories, recognizing the aportaciÃÂ ³ n cientÃÂfica who deparado their great literary insights. KEYWORDS; Creatividad-Epilepsia-PatografÃÂa

Author: ZARCO RODRҍGUEZ JULIO VICENTE.
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of preparation: FACULTAD DE MEDICINA - UCM.

Summary: In the present study we conducted a anÃÂ ¡lysis of the work of narrative GA BÃÂ © cquer from the perspective of PsicologÃÂa Arquetipal GA BÃÂ © cquer writer romÃÂ ¡ntico espaÃÂ ± ol of the late nineteenth century presents a narrative framed in gÃÂ © nero fantÃÂ ¡stico and supernatural. This material literary subject to anÃÂ It is lysis of the psicologÃÂa arquetipal James Hillman. This American author, heir to the PsicologÃÂa AnalÃÂtica of CG Jung develops a teorÃÂa where he is the archetypal protagonist and imÃÂ ¡primigenias genes. This mÃÂ © all working imaginal applied to the texts of BÃÂ © cquer us mostrarÃÂ Let the world arquetipal author's own that estÃÂ We clearly relaciÃÂ charges with the imaginary universal putting asÃÂ apparent hidden aspects of its psicologÃÂa, trends and impulses. The psicologÃÂa arquetipal feeds on various fields of knowledge, such as the simbologÃÂa, mitologÃÂa and psicologÃÂa analÃÂtica. His mÃÂ © all working estÃÂ ¡based on mÃÂ © all fenomenolÃÂ ³ gico. In this anÃÂ ¡lisis de la obra de BÃÂ © cquer shows that the dominant archetype in its work BÃÂ © cquer shows that the dominant archetype in his work is the ÃÂ nima, appearing with great insistence as other archetypes are Old Wise, the Great Mother, etc., reflecting a proyecciÃÂ charges of feminine elements of the author in his producciÃÂ ³ n literary.

Author: LÒâPEZ FERNҁNDEZ M. CARMEN.
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFҍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFҍA E HISTORIA.

Summary: The thesis is presented that raises a revisiÃÂ ³ n of the image of women in the painting espaÃÂ ± wave of the late nineteenth century and early twentieth century, from articulaciÃÂ ³ n of the main female types that appear in the picture artÃÂstico espaÃÂ ± ol the elegant, the emancipated, the worker, the prostitute, Gypsy, or mendiga Blessed, among others, which are presented as a counter to a new ideal female clÃÂ ¡sico and mediterraneista, which starts at the beginning of the century popularizarse XX. These rates show no sÃÂ ³ what the sintonÃÂas and distances between art and life, but mainly cÃÂ ³ mo female image is constructed from a series of tÃÂ ³ peaks and prejudices, developed by mÃÂ © dicos, antropÃÂ ³ logos and cientÃÂficos generally that is disseminated mainly travÃÂ © s novels or of the press illustrated.

Author: CORRAL ADANEZ SATURNINO M..
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FARMACIA.
Place of preparation: FACULTAD DE FARMACIA.

Summary: The Doctoral Thesis comprises seven chapters through which explores the scientific biography and the work of Alfonso Lemon Montero, a doctor of the eighteenth century, in particular the "Mirror of Crystal Waters of Spain." The first two chapters reflect the personality scientific Lemon Montero, describing his preparation intelectural and all works written by him, completing all with the knowledge chemical, and hydrological doctors of the time. The third chapter is to examine the impact of the work cited, whereas in the two following is a detailed study of it. The fourth chapter describes the methodology followed by Lemon Montero in the "Mirror of Crystal Waters of Spain", in addition to the justification of the work, cited by authors and censures him. In the following two chapters is a study bromatológico and therapeutic each source, and thermal water bath mentioned and / or estudianda, both historical character as encilopédico, like what has been done by the Lemon Montero and collaborators, many of them doctors . Notably statistical study performed on the large number of authors who mention Lemon Montero and that based on the large number of claims reflected in his work, stressing the appointment for a pharmacist contemporary D. Francisco Velez of Arcinega. To crown this study shows the echo ceased considered by the "Father of Hydrology in Spain," procediéndose a description of the thermal waters cited by him and that even in the actulidad are basic hydrological therapeutic treatments.

Author: ATTOU NORIA.
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of defense: FILOLOGÍA.
Place of preparation: FILOLOGÍA.

Summary: Ibn Nubata was a Syrian preacher at the court of Sayf al -Dawla al-Hamadani. His sermons were broadcast in both east and in the West. The manuscript of Ibn Nubata is one of the manuscripts found in the village of Almonacid de la Sierra. This finding was crucial for studying the religious life of the Moriscos Aragoneses. This work contains the following items: * General introduction to the era. * A description of the manuscripts used (manuscripts of the Board of the Institute of Philology of the Higher Council for Scientific Research in Madrid, manuscriton de El Escorial, manuscript Rabat and the printed edition of Beirut). * A general description of the discovery of Amonacid de la Sierra and the latest studies on it. * Analysis of the doctrinal content of the sermons. Some of them have demonstrated the false attribution of Ibn Nubata. * Study the style of the author and copyist. * Reflection end. * Spanish translation with annotations necessary. * Abbreviations used in the literature and research. * Indexes. * Critical edition of the Arabic text. The sermons Ibn Nubata have served as a manual for spiritual Muslim worshipers of the time. It was also comforting that helped them overcome the inquisitorial persecution. The sermons Ibn Nubata constitute a masterpiece of prose written in rhyming Arabic.

Author: MESA FERNÁNDEZ ELISA.
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The content of Kitaba al-Agani or Book of songs containing information going back to s.VI continues and has the X, which was elaborado.Gerográficamente, data are presented in what is now known as the Middle East , and develop, in its payor, in the luxurious atmosphere of the courtly own caliphs. However, in many instances it appears proprietary information to lower social classes, a phenomenon which allows a comparison of the various groups. The study of cultural diversity that takes place in this thesis is based on the clothing and on the external aspects in general, through which it is possible to develop a social scenario quite completo.El attire not only presents itself as a social element differentiator , geographic, religious and gender, but tembién will reveal a close relationship with your carrier suited to take certain actions, either alone or together with the rest of the community. The study would not be complete without a reference to the different types of fabrics and garments, different aspects of everyday clothing, the colors and their meaning and body adornments.

Author: FLOREZ ASENSIO M. ASUNCIÓN.
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: UNIVERSIDAD COMPLUTENSE (MADRID).

Summary: The músiea is of fundamental importance in the theater Spanish courtier century xvn until that point, his constant presence and relevance in lasobras theatrical court is going to differentiate into different genres theatrical works for the palace from which they were originally intended for corrals public. But furthermore, Â ¡elteatro courteous to the development of musical theater because of the emergence within the framework of the representations to the court of new genres músico-teatrales, but are not limited to forms large, but due to the design of the theater as a "theatrical feast." Allowed and even promoted calving new genres brief was also the importance they component mUsical.Pero for the theatrical feast fully attains its objectives, it is necessary that the works can be represented in the best possible conditions and highly professional qualified to ensure an interpretation of the highest quality. There is a mutual influence between the space within which takes place representation, professionals and starring the musical content of the works. In regard to space, the construction in 1640 of the Coliseum del Buen Retiro reveals vital because it allowed since fechasmuy early introduction to the theater courtier madrilefio innovations escenografic Italian. To which must be added the novelty of her dual capacity theater and courteous public, as shown by their spatial arrangement and its bureaucratic organization mixed. As for the actors because the profession is already well established in the last quarter of the sixteenth century, and its status as main transmitters of a political ideology and religion, are presented to us as a cohesive social and professional group, with a perfectly organized I considerable influence on the society of the time. His high qualification will enable them to meet the challenges posed by the musical theater since his mastery of the technique in the art of actoyse added especially in the case of musicians company and the aclrices- mastery of the musical abilities. The participation of professional actors in the musical theater courtier is encouraged by the fact that it remains within the Hispanic theater tradition in which music had already ui: 1agran importance, because it served a wide variety affecting both the plot to the characters. In the theater courtly music helps to highlight the content ideblógico text using musical forms typically Hispanic based on repetition, as the tune, whether polyphonic (especially in the 18.mita4del century) as "just tunes "remain closely linked to popular music Hispanic, which allows theater courtier,, tdirigido in principle to the public more refined and worship of the court, retaining also joined the tastes of the public's most popular pens. The importance attached to the theater to the correct Spanish phrase in the text fuvorecerá a concept of "belcantismo" Hispanic looking for more proper expression of the text that the beauty of the melody sung, which results in a musical theater courtier Hispanic cOn some features own that distinguish it clearly from other European models.

Author: GARCÍA FERNÁNDEZ M. INÉS.
Year: 2003.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE EDUCACIÓN.

Summary: From personal initiative to the social conscience there is a temporary slow progress, which allows limited human testing of this phenomenon. In the late nineteenth century, through Congress and individual achievements were defended physical education as a means of education. Alongside were created in Spain institutions médico-pedagógicas, pedagógico-médicas special education classes. The needs and inquitudes of the population have been shaped, and, today, through educational reforms, are beginning to implement the objectives of a hundred years ago. Consider, among others, education differential depending on the personality as a common aspect of the educational system. The integration of special education and physical education as a specialty options at all levels of education / training, are confirming the efforts of our predecessors teachers to be taken into account in the formation of an educator. And the experiences of the upcoming demonstrations parolímpicas make interest in the Physical Education and Sport, has been overwhelmed, included, regarding the Handicapped Sports, confirming once again that physical appearance is not a sign of elite, but having skills developed that allow optimum performance. Therefore, in helping to promote social awareness of the need for physical activity as a key factor in education, health, physical performance and development of the great virtues / social values, in general and special situations, is the great goal of this investigation.

Author: CEREZO SAN GIL GLORIA MARISOL.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: This study focused on the house Santisteban Harbor during his long viceroyalty Italian at the end of the seventeenth century, is an example of hoarding artistic nobility in the last decades of Baroque Hispanic. It addresses not only the items that really had artistic nature of the collection and utensils that shaped concrete alhajamiento of residency Madrid, but also those activities that have emerged from the exercise of a patronage, as well as interventions by various architects work linked to that family . The political career of the IX Counts Santisteban in Italy, led to this lineage contact with the experiences of alien civilization baroque and debug your liking to the art. Most of the documentation that we bring illustrates how the practice of patronage in the manor or sensitivity towards hoarding artísitco was changing at home Santisteban to open its biased view of the world with these trips outside the scope peninsula. Moved by the fanfare gentleman who lgoraron a very high position in the Court, entered part of the Hispanic world of collecting, from the moment that their purchases saturaron spaces initial location preference and their interests toward obradores and architects whose style did special collection. All these reasons materialized to a greater or lesser degree the art collection we face. In the first chapter, we move to the personal, social and ideological's viceroy Francisco de Benavides and his family. With his politics get the grandez apara its title and a deserved spot in the history of our country. The house Santisteban sosteía a set of residences or offices, halls and religious pantheons relatives scattered across different states. The conservation of this heritage has been dealt with in the second chapter which details the alhajamiento the church of this heritage has been dealt with in the second chapter which details the alhajamiento the church convent of Cocentaina, company which surrendered himself viceroy with the donation of a series of artworks. The remaining chapters are devoted to artistic utensils treasured primarily on life marriage as a vision equipment spirit of ostenatación and supoder purchasing. Different items have been addressed according to the two most important periods of his inventario-tasación (1967-1716). Abultados codes of silverware and jewelry (about 2400 pieces) are a clear example of the work of obradores virreinales and Hispanics and goals reached by silversmiths in types, functions and designs. The gallery consisting of 302 works pictorial looks to Italy in atribuicones, number of originals and issues represented. The 83 works of Luca Girodano light in a special way and this collection demonstrates the close relationship between the gestada in Naples viceroy and the painter. Cycles historiados in Flemish tapestries, cloths arms around forty sculptures and more than a dozen watches wore stays, as well as other property that shaped moblaje home and ceremonial life. Some items of property had a fleeting life to a greater or lesser degree. Most of the pieces of silverware and jewelry came in relief of the economic needs of the noble house or dispersed entrehijuelas, various social undertakings and forced gifts. However, the best brushes, safeguard is in the shape of the firstborn and the mayorazgo the title until Medinaceli. Repairing historical oblivion, any leftovers are identified in private collections and current headquarters of the House of Medinaceli, for the enjoyment of the same visual be definitively linked to the figure of quines were their owners. We have tried, therefore, give the house Santisteban a mercido hole in the artistic heritage Hispanic.

Author: RODRÍGUEZ VELASCO MARIA.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA - UNIVERSIDAD COMPLUTENSE.

Summary: The Bible Avila (National Library, Madrid, Vit. 15-1) was an Italian manuscript, in all likelihood made in school umbro Roman towards 1160-1170, reading and decorating are completed after the arrival of codex to Espña. The theory part of a general assessment of the Bible among monastic manuscripts and episcopal the twelfth century to focus on two blocks after differentiated to cater for the Italian side and Spanish. On the first, there has been a comparative study with other codices peers consulted at the libraries of Rome, Milan, Turin, Trento and to chart the evolution of geometric style dominant in the Italian part of the Bible de Avila from their precedents in the bibles context of the Atlantic as to the works connected to the same workshop manuscript abulense and receiving his most direct influence, especially in centers of Rome and Milan. Based on a detailed analysis of the initials of the Bible thesis complete with a comparison of the figures and decorative elements of the manuscript with certain sets of Roman wall painting to strengthen the link of the origin of the Bible to the school, within reform Gregory VII. In parimer block ends with a detailed examination of the initial complete the decoration of the Italian part of the Bible Avila. The second major block focuses on the initial and scenes added to the arrival of the codex to the Cathedral of Avila, possibly from 1175. To contextualize this miniature elaborates the particular historical situation of the Cathedral who lives a very remarkable artistic reconstruction in the late twelfth century. The question arises how the iconography selected to the scenes of the Old and New Testament appeared to reflect this historical situation, as well as show a liturgical. As in the Italian side establishing a parallel with mural paintings in this casok with the apse of San Justo Segovia. The thesis demonstrates that the Bible Avila is not oblivious to the trends románcio European and configured, in his comprehensive study, a manuscript that materializes the relationship between the scriptoria Italians, in particular umbro Romans, and the Castilians. In this regard the Bible Avila also expresses the character of the itinerant miniaturist, and hence the transmission and exchange of models between different European centers. It also highlights, through his study, the significance of the manuscripts in the Middle Ages because of its effect on society as transmitters of the rich tradition of the Church through art.

Author: ROS LARENA ROSARIO DE GEMA.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FAC. GEOGRAFÍA E HISTORIA - HISTORIA DEL ARTE II (MODERNO).

Summary: From time Muslim, "older streets," joining the gates of the fortress, opened as the tracks most important cities. It will be in the Middle Ages cristinao when puda start talking of urbanism of the street, reaching its maximum height during the Modern Age, and his decandencia with urbanization policies of reaming cities in the nineteenth century. In this overview, place the main road of Madrid, the subject of this thesis. During the Renaissance will be solidifying the structure of the street with the elevation of the most interesting buildings, but will be mainly during the baroque, where the main road becomes the first figure of urban Madrid. A call from great length and smaller width, which will be emerging between irregular and labyrinthine urban fabric of Madrid. In his substantial role as a liaison between the Royal Palace and the main exit of the town, adding that other factors that engrandecen and make you earn the title of Calle Mayor. On one hand the different architectural types on both sides of the street stand: religious buildings (Iglesia del Buen Suceso, Convent of San Felipe Real, San Churches Bran, nuns of the Monastery of Constantinople, Church of St. Mary); palaces such as the Conde de Oñate, the Duke of Abrantes and the Duke of Uceda, public buildings, such as City Hall and prison Villa, which aglutinaron in the Plaza de la Villa entire funicón public and government of city, and an architecture that meets nobility, about monarch, at the moment most illustrious families, and an abundant domestic architecture that enseñoreba and engalanaban the elapse of the main road. Plazuelas, doors, sources .. salpicaban in the path of the street. Moreover, the main road of Madrid concentrates and fulfills a number of functions vital to the city: commercial, religious, entertainment, administrative, and the most important of all the street life as a scene of Madrid, with its continuous celebrations tickets real processions, masks, bullfights. This thesis is, ultimately, to raise the evolution, structure, function and role of the main road of Madrid during the Modern Age.

Author: VALLEJO GARCÍA-MAURIÑO POLO.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: The thesis, focuses on the one hand, in the place of music in the life of this African society, namely the music in terms of socio-cultural context and, secondly, in-depth analysis of its sitemática music, ie how their music is constructed, with special attention to those codes using processing techniques similar to hoquetus of polyphonic the Western tradition. GENERAL INTRODUCTION Sample material obejto this estudo: media manuscripts, audio, video and multimedia have served as source material for the proposition. It also discusses the line methodological carried out in the field, from theoretical arguments and practical tools that have facilitated the systematic study of music gogo. In the first part, the WAGOGO: IDENTIFICATION, is a description of the people gogo: their identity geographical, historical, ethnic, lingüstica and cultural fields. In the second part, CONTEXT, spells out the role of music in society, specifying the role or the circumstances in which it operates. Once the cognitive process and mechanisms from which the musician gogo conceived and organized his musical universe, is passed to the revelation of this, your body breaking down music into categories and codes, taking into account the social function, the interpreters, the use of voice and / or instruments, as well as establishing the parameters of musical language and procedures plurivocales. At the end of the chapter we approach the useful sound: voices and instruments and describes the different groups of instruments. The third part, SINTEMÁTICA MUSICAL, shows the structural principles upon which it was founded, the musical heritage gogo regarding semiológico system, will now proceed to the identification and description of the parameters in relation to the musical heights (melodic and harmonic intervals, typology scale criteria tuning), time (pulse and its subdivision, period, rhythmic patterns), the procedures for change and processing techniques plurivocal. At this point, there is a dichotomy between what should be and what not, seen as polyphony and shows the complete set of procedures plurivocales ruling in wagogo, focusing especially on the hoquetus (cilumi). To uncover the code for which the gogo determines the mechanisms of development and combination of materials melódico-rítmico is the transcript of their music and the modeling paradigm. From the analysis determines the set of rules governing its music system but who remain involved. In secció Models Poly, shows a series of transcripts of each of the codes in polyphonic versions plants and equivalents. ANNEX proposes a guide audicones with musical examples that illustrate each of the codes gogo.

Author: CARABANTES ALARCÓN DAVID.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE MEDICINA.
Place of preparation: FACULTAD DE MEDICINA - UNIVERSIDAD COMPLUTENSE.

Summary: INTRODUCTION Internet has been established as one of the information systems and communication more important. It presents a number of characteristics inherent disadvantages, benefits and utilities in various fields, including the health sector, which assumes importance espeical accreditation of the quality offered in this field, emerging different systems to perform this function, but relative effectiveness. MATERIALS AND METHODS Making a literature review and consultation electronic models of existing accreditation allowing establish quality indicators, from which was used to design different questionnaires on paper to hear the viewpoint of general users and professionals. The initial version was put to a test with an analysis of Web resources, critical review by experts, establishment of the value of each item by professionals in the field and determining the reliability. The final model was implemented in electronic form for use, demonstrating its validity through the analysis of a series of Web pages on drug, and its effectiveness was contrasted with other existing systems on the Net. RESULTS Developing an effective tool in the assessment by the user of quality health on the Internet based on criteria established by professionals in the field. DISCUSSION The state of quality assessment on health on the Internet, calls for the creation of alternatives to the existing ones, such as the development d eun instrument valuation resource site on health, taking into account all those involved in the system, and its electronic version easy to use, allows for greater dissemination and feedback of the instrument created to adapt to changing needs. CONCLUSIONS The design and validation of a system for evaluating the quality of health on the Internet by the user and the application in drug allows exemplify its validity, show the situation on the subject, and support of this form of self-regulation Network.

Author: MALMIERCA HERNÁNDEZ ALMUDENA.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: It is a critical study of historiography on April Art Manuel, who writes in 17 publications and articles on aesthetics analysis artists art, between the twenties and thirties. He is best known for the critical weekly made between 1930 and 1936 in White and Black. His figure has been recognized since 1995, when it is done in the MNCARS, the exhibition on the artists Iberian Society, of which he was director from 1925 until 1932. In chapter I have worked biography, which took place from indirect sources, and that data on the critical are very rare. In Chapter II discusses its main theoretical approaches, which are based on Kant, Schopenhauer and are influenced by, Kandinsky, Claudel and Bergson. April studied in depth the role of intución as a means of knowledge production and artistic. The intuition is the tool of the intellectual process that allows deep understanding of the art vanguard. It comes as April Manuel introducer of fovismo, expressionism, cubismo- with knowledge agudísimo on John Gris-, surrealism and abstract art. The catalog of volume II contains the concise and accurate reviews of critical. The annex is a documentary source of the most relevant articles critical.

Author: MORENO ATANCE ANA MARIA.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: Cemeteries comtempóraneos in Spain in the late eighteenth century to the root of Real Cédula Carlos III enacted in 1787.La reform is a measure hygienist with a view to removing the problems of infection caused by the saturation of corpses in Iglesias.Estos first cemeteries are generally a poor architectural identity. A lo largo del siglo XIX, there is a change of concept of death linked to romance and social changes resulting from the beginnings of insdustralización. At the moment the first cemeteries are replaced with larger architectural monumentality with the language of its construction time: academicism, and eclecticism modernismo.La bourgeoisie populate these compounds monuments in tribute to the late and locations for the feeling and reflection. The thesis: Cemeteries murcianos.Arte and Architecture deals with the construction of cemeteries in the region, analyzing the construction cementeriales conducted in populations importantes.Se has done an exhaustive field work to locate sites, pantheons, sculptural monuments and mausoleums . The study has continued with the study of existing documentation in archives local (municipal and parish), regional (civil and ecclesiastical) and nacionales.Además was crawled information in print hemerotecas in public and private. The work begins with an introductory analysis about this type of construction in Europe and in Spain in order to contextualize what happened in the Region Murcia.El body of work is composed of a series of monographs on the cemeteries in Murcia, Cartagena, Lorca , Caravaca, Jumilla, Totana, Cieza, Mula and The Unión.Finalmente with the information contained in these chapters and the other relating to other populations is a synthesis about the aspects that define cemeteries Murcian: problems in promoting the precincts, involved professionals (architects, engineers, artists and artisans) and the way it works, sculptural and architectural language, iconography of the same.

Author: LLORENTE SANTACATALINA SONIA.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD CIENCIAS DE LA INFORMACIÓN.

Summary: It presents a thesis on the description of the documentary contents of the first Spanish medical journals in the period between 1736 and 1808.Además produces a catalog colectico of medical journals stop him period 1736 and 1850 by describing the seats bibliográficos.Para It uses two types of sources: registries and bibliographic catalogs and / or files bibliotecas.Y within the library and spent the period illustrated and those related to medicine. The paper outlines the background of the journals of medical information along with the concept of medical documentation, as well as the introduction of modern science in Spain, communication tools in medical research, birth d in the medical press in the world and in Spain, together the stages of journalism Spanish doctor. It concludes with the contribution of magazines in the coverage of its activities and medical institutions where they are valued illustrated from the concerns of doctors illustrated translation of the medical texts until the subscription system, the work of booksellers, printers and publishers, through the role of the various scientific institutions to finish with an overview of the Spanish libraries in the eighteenth century.

Author: PEREZ GARCIA GUADALUPE.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD CIENCIAS DE LA INFORMACIÓN.

Summary: This research analyzes the speech informative and propagadístico that Spain, Morocco and to a lesser extent France and the Polisario developed over the last stage of Franco in colonias-provincias of Ifni and Sahara.El IIP covers the years since the war 1957-1958, in francesese Spaniards will face a Liberation Army controlled by Morocco, to the peaceful handover of Ifni in 1969 and the controversial abandonment of the Sahara to the Madrid Agreement of 1975 if Spain in the speech colonial Africa specialist enjoyed the support and influential sectors of the population lacked the margins to put under discussion in the fifties, fifteen years after its failure was almost complete on the issue of Sahara.Los Spaniards, as is now evident, never digirieron the Madrid Agreement and formulas communicative were then deployed contradictory. By contrast, in Morocco can be seen a line of propaganda that some support in the war Ifni-Sahara fueled ocn the momentum gained in the recent independence of 1956.En the seventies, the message will clamorosamente unanimously during the March Verde.El successful propaganda Hassan II coincided exactly with the collapse of Africanism Spanish. In Ifni Morocco also achieved its territorial objectives, but in the Sahara this propaganda war will not generate the same saldo.Los international forums imposed democratizing dynamics opposed to the Franco or Hassan II.La Saharan population, neglected for years by propaganda Franco, voice acquired late to reclaim their independence and created a sicurso that, being himself, was overwhelmingly accepted face of foreign messages.

Author: GARCIA GARCIA PEDRO.
Year: 2004.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: This is an investigation that aims to fill a chapter in the history of Spanish Contemporary Architecture, including in it the sacred architecture in Madrid, from the 40's, not research done so far with the deepening and the overall meaning that the item needed. It begins with the study of the reconstruction of churches conducted by Regions Devastated in Madrid after the Civil War, then continue to study the evolution of religious architecture in the following stages: Years 40 '. Years 50. Stage postconciliar (1961-1982), in four phases: phase (1961-1966), 2nd stage (1967-1971); on the 3rd stage (1971-1977); 4aetapa (1978-1982). It includes, in addition, the stage of the years 1982 to 2003. It should be emphasized an extensive chapter devoted to conceptual analysis, and critical historiography of the churches built in Madrid at the beginning of 1940, a study conducted in each of the eight Vicarías covered by the current archdiocese of Madrid, former diocese of Madrid-Alcalá. Another important chapter is devoted to analyzing the design of plastic religious space: floors, raised and covered with new churches in Madrid, given the richness and variety that characterizes typological. In the type of plants dominate the square and rectangular shapes, but there is a huge variety and there are contributions not known. The new architecture Madrid sacred works of outstanding architectural quality, showing the concern of the architects for its adaptation to the new liturgy emanating from the Constitution on the Sacred Liturgy of the Second Vatican Council. With regard to "formantes forms," or ways there has been a sacred architecture in each period, in the twentieth century they are characterized by their variety, so there is no particular model of modern church. In many churches, the altar and the presbytery, separated from the rest of the classrooms in churches preconciliares, are now united with the sacral area of the church, but the altar becomes the preeminent part of the temple and the symbolic axis of sacred space. It is a novelty postconciliar unification space between the altar and the assembly, as well as the placement of ambón and places sacramental (baptism, penance, Eucharist). It highlights the role of light, as a means to "reclassify" the area presbiterial coordinator substantial classroom and sugeridora of the symbolic values of the altar and the presbytery. Moreover, the importance of natural light in the modern temples requires attention to the role of windows in new churches in Madrid, the issue that has been devoted a chapter. Along with churches built outside the value "significant" (rather than churches are theaters, conference rooms, etc.). Are many more houses built as God and assembly of the faithful, characterized by its sense cristocéntrico.