SPECIALIZED HISTORY, 3

Author: PELTA RESANO RAQUEL.
Year: 2005.
University: BARCELONA.
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES DE LA UNIVERSIDAD DE BARCELONA.

Author: AZCARATE ORMAEACHEA MARIA LOURDES.
Year: 2005.
University: PAÍS VASCO.
Place of defense: FACULTAD DE FILOLOGIA, GEOGRAFIA E HISTORIA.
Place of preparation: F. DE BELLAS ARTES/ F. FILOLOGIA, GEOGRAFÍA E HISTORIA.

Summary: It is a journey from the Enlightenment, when he would emerge the new values of the modern world, until today, which seeks to determine the survival or extinction of these securities, with particular impact on the architecture. The investigation concludes with an analysis of today's society, where there are some traits manifestly contrailustrados, and in which the architecture is shown as the most suitable for projecting symbolically, the face of the powers that govern it. In this architecture 'mark', 'photogenic', 'superlative', 'innovative', designed to show both in their forms as for the materials they use. Its characteristic buildings are called 'containers' or' containers masses'. Architecture is a 'global' which has resulted in a uniform city in the Western world.

Author: AGUADO MORALEJO ITZIAR.
Year: 2005.
University: PAÍS VASCO.
Place of defense: FACULTAD DE CIENCIAS ECONÓMICAS Y EMPRESARIALES.
Place of preparation: FACULTAD DE CIENCIAS ECONÓMICAS Y EMPRESARIALES.

Summary: In this Doctoral Thesis, we offer an analysis of the Local Agenda 21 and its achievements in the pursuit of sustainable development, thanks to bet on progress of these programs. To this end, we have focused first on the conceptual and institutional framework of sustainable development, conducting a tour of the Theory of Economic Growth and Development. Below is the singularities which affect the process of Local Agenda 21, analyzing the methodological background and the political fabric that surrounds these programs to proceed with further study of the current situation of Local Agenda 21 in three fields of application: at the international level, showing a particular interest in the European level, a region that has emerged as a leader and chief promoter of these processes on a global scale, at the state level, making a comparative analysis of the proceedings and funding granted by the different Autonomous Governments, both of which are considered of vital importance to the dissemination of Local Agenda 21 and in the framework of the Autonomous Basque Country, which impacted both in proceedings conducted by the Basque government, such as those developed by the Regional County Councils and the municipalities involved. Subsequently, we conducted an evaluation of the policies of Local Agenda 21 for the Historical Territory of Bizkaia, mitigating the Multiple Factor Analysis and Cluster Analysis System on Sustainable Development Indicators defined on the basis of the proposed by the County Council of Bizkaia. Finally, we highlight the most significant findings, highlighting various weaknesses appreciated in these processes, and suggest several proposals for improvement which we believe can be useful in these processes.

Author: RODRÍGUEZ GALLEGO M. JESÚS.
Year: 2005.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE GEOGRAFIA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFIA E HISTORIA - UCM.

Summary: This thesis deals monograph on the life and work of this contemporary artist of great relevance, traveling and exploring their creative path, from 1930-1999, in its historical context and providing new data presenting it as an example of artistic and research productivity plastic continuous, alongside his concern for society. The contacts with individuals associated with the painter and testimonies real experienced have been instrumental, along with the artist as a source novel, which have made it possible to provide a vision for research firsthand, varied and interesting. For investigaicón artist and his recovery historiography, addresses follow the thread of his life and work according to the Spanish historical overview, emerging issues depending on the context and assessing the impact of their contributions through analyzing its production pictorial. The blocks are structured around the thesis according to their artistic starting line as the axis significant historical periods of Spain. It follows the format in chronological receive each time the look of the artist. In the second chapter broad span a period of high production during the Franco dictatorship, divided into periods of time since its formation in full until the end of the postwar system. Following is seeing its artistic evolution and its new social commitment parallel during the transition years and finally the fourth chapter concludes with the end of the twentieth century. Emphasize the Razonado exhaustive catalog of his extensive work and work and bibliographic full documentary from 1930 to 1999, which can be seen throughout its evolution and ongoing research. It includes a chronology of the life and work relationship with their solo and group exhibitions. This is an artist who intrudes deeply into the social problems of their time and reflect on an ongoing basis in their artistic work, but is also active and their struggle is not alone in his daily task of the painter, but leaves to the street and says collecting two worlds such as Art and Society. Artist committed an artist society.

Author: FOLCHI DONOSO MAURICIO.
Year: 2006.
University: AUTÓNOMA DE BARCELONA.
Place of defense: DEPARTAMENTO DE ECONOMÍA E HISTORIA ECONÓMICA.
Place of preparation: ECONOMÍA E HISTORIA ECONÓMICA.

Summary: The remarkable performance of the Chilean copper industry over the nineteenth and twentieth centuries has been made possible largely by a steady technical progress of the operations of x traction and profit, progress has enabled it to achieve and sustain good results high levels of competitiveness in the international copper market. If we technological progress as the axis of the history of the copper industry in Chile over the nineteenth and twentieth centuries, we see clearly that it has two faces: one is the face of growth and economic success, the other is the face of environmental damage caused by these innovations. Each step forward in technological terms improved production conditions (with consequent effects on the performance of the sector), but at the same time, resulted in some detriment to the quality of the environment and, therefore, to health or conditions of reproduction material mining communities not located in the same territories or its vicinity. The origin of such damages to be sought in technological systems adopted by the industry at every step of its development. During the nineteenth century was the system cast dispersed, practiced in reverberatory furnaces fueled with wood, which resulted in the destruction of forests: at the beginning of the nineteenth century was the development of techniques for flotation concentrate minerals low Act what led to the contamination of soils and rivers with the tailings, and during the second half of the twentieth century was the construction of large foundries that acquired the production of a relatively large region where two valleys polluted farm.

Author: DÍAZ OLAYA ANA M..
Year: 2006.
University: MÁLAGA.
Place of defense: FACULTAD DE CIENCIAS DE LA EDUCACIÓN.
Place of preparation: FACULTAD DE CIENCIAS DE LA EDUCACIÓN.

Summary: The argument presented is focused on the study of the daily lives of miners, as well as the singers cafes in the city of Linares, from the Sexenio Revolutionary period, until the end of the First World War in 1918. The work begins with a series of reflections histórico-conceptuales that focus, first, in the nineteenth century Spain and first third of the century, and later, in the town of Linares, and aimed at the contextualization of the issue of study. He then analyzes the conditions of daily life and the mining activity cafes singers from photographs, local newspapers, and various types of documents from the time widely described in the annexes.

Author: IZQUIERDO LABELLA LUIS.
Year: 2006.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.
Place of preparation: FACULTAD DE CIENCIAS DE LA INFORMACIÓN.

Summary: The thesis makes a tour of the main events of the period and examines how they were treated in the newspapers of biggest circulation and influence in the country. All of this is framed in the historical and social contexts of Spain in the late nineteenth century and early twentieth century. It also makes a small incursion in the press and the treatment of anarchist violence.

Author: ABDULLAH ALQARNI AWAD.
Year: 2006.
University: COMPLUTENSE DE MADRID.
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This Doctoral Thesis makes editing a manuscript unique and unprecedented that are preserved in the Library Asafiya Hyderabad (India), which contains a summary of the famous (Mujatasar) treaty Poetry and Literary Criticism compound in the first half of the eleventh century, Ibn Rasiq, entitled al-'Umda. It is therefore a Mujtasar scope 'umda, and which in this case has been attributed to the author Andalusian Abu Bakr Ibn Sarray al-Santarini. The edition is accompanied by an extensive annotation, which is a contribution to the study not only him Mujtasar al-'Umda, but also - and this is most important - the very al-'Umda, a work whose importance is highlighted in the Thesis . The thesis studied and runs the assigned authorship of Mujtasar al-'Umda: values and explains the contents of this work, and highlights the major contribution to literary criticism by the Arab writers, including the pro-al-Andalus during the medieval centuries.

Author: VENTAJAS DOTE FERNANDO.
Year: 2006.
University: MÁLAGA.
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS (UNIVERSIDAD DE MÁLAGA).

Summary: This research falls in line with studies of local, provincial and regional History of the Cinema, focusing on the production sector, which have intensified in recent decades and comes to fill an important gap in the historiography malacitana. In addition, a valuable contribution not only to the knowledge of the relationship that has kept and maintained with Malaga film, but also for a future regional survey and documented on the History of Cinema in Andalusia. The thesis, presented in 2 volumes, begins with a. INTRODUCTION In that addresses various aspects and work goals, novelty of the proposal, prior assumptions, methodology and sources consulted, organization of content .. The body of the same is divided into 11 chapters are grouped into three parts or thematic. PART Chapters I to VIII is devoted to the argument or fiction films that have been shot in the province of Málaga, from the first films documented in the 1920s until December 2005, when the latter which closes the investigation. In the first chapter, which by their very nature can be read both at the beginning and at the end of this topic, can be dealt with general issues as interesting quantification of production and its development for decades, the breakdown by nationalities, producers, directors , technicians and interpreters who have worked most relevant scenarios in Malaga, film genres and main topics, censorship in the productions of the period Franco (1937-1975), award-winning movies and other prominent tapes, principal places of shooting (scenarios and historical times samples of architecture "fictitious" or "ephemeral" of cinema, etc.). film and figuration. In the following chapters an analysis of production according to a chronological order, for decades, although previously referred to the historical context and film of the time. The study of the films has always tried to follow the same methodology: chip técnico-artística, interpreters and main argument, general data to the production stage (the date of issuance of the permit or authorization interim shooting timeline of tasks film, locations, motion picture studios used, and so on.), peculiarities of the filming in our province (dates, time, locations and scenarios chosen by the producers, anéctodas shooting), valuation by criticism after their release, provided they are available this information, and awards received. THE SECOND PART That coincides with the chapter X, focuses on the production of fiction and biographical taped for television (mainly TV series and chapters series). THE THIRD PARTY includes the features, documentaries and film shorts filmed in the geographical framework object of this study, which was discussed in the last two chapters. Specifically in chapter X is an approach to the study of production conducted by and for the entity called "News and Documentary Film NO-DO." Finally, in Chapter XI mentioned other documentary film funded by various producers, and also paints the picture that introduced short fiction, modality that has experienced an extraordinary boom since the mid-1990. The thesis closes with paragraphs of. CONCLUSIONS AND SOURCES Used (records, hemerográficas, literature, websites and databases available on the Internet), followed by an extensive Appendix Documentary, a chronological appendix of the film analyzed, and two indexes, one film (feature films, serials TV and TV) and the other directors of feature films for easy reference.