HISTORY OF ART

Author: García Gómez Francisco José.
Year: 2002.
University: VALLADOLID [More theses of this university] [www.uva.es].
Place of defense: Facultad de Filosofía y Letras.
Place of preparation: Facultad de Filosofía y Letras.

Summary: Full catalog of Romanesque heritage of the province of Soria updating and supplementing the existing so far. The catalog includes all the artistic elements, from architecture to the meager remnants painting, sculpture and through his iconographic study. It also stresses the historical introduction that covers all social, economic and political environment in the history that unfolded in the Romanesque the current province of Soria. This paper concludes with an extensive analysis of state assets and cataloged the remains of a study of all the literature that has addressed the issue since the eighteenth century.

Author: MOURE CAO GLORIA.
Year: 2003.
University: BARCELONA [More theses of this university] [www.ub.es].
Place of defense: BELLAS ARTES.
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: This thesis is a journey through the works of Polke in the last twenty years, with occasional incursiciones in the previous phase, which began in the mid-sesenta.Si though the link is the Viejas (1812) of the Goya mature, this figure is projected broadly and deeply about the creative approach Polke as shown in the thesis in detail, so as to meet both within the tradition antipositiva and antideterminista of modernity that has its origin in the Romanticism and lasts until today contoda consistency and relevance, including it in the Fluxus movement, whose events and actions are a major factor in the formative stage of Polke.Esto makes many of the issues that are inferred from the connection between Polke and Goya found often in a strengthening trend as Romanticism or figures like Ernst and Picabia and Polke use as previous figures Duero or Leonardo, thereby reinforcing the presence of attitudes advocating the advent of modernity antidiscursiva.

Author: GARCÍA PÉREZ NOELIA.
Year: 2003.
University: MURCIA [More theses of this university] [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: This investigation arises for the purpose of inicarnos in a field of study barely touched as is the female patronage in Renaissance Spain, personified in the figure Mencía Mendoza, artistic paradigm of this phenomenon, trying to venture into the complex world of power and the high female culture. Our work and focuses on two main blocks: the one devoted to devise a theoretical framework on the major issues relating to art patronage female subsequently submitted to a scrutiny of the contributions that are valid for the case and Spanish analiar extent to which you can subscribe to the marquis Zenete within patronage female models commonly accepted. And the second, focusing on Mencía Mendoza, reconstruction detailed biography, the study of his collection of works of art, business and artistic cultural initiatives, as well as its role in the world of artistic relations between Spain and Flanders . The work is complemented by an extensive annex documentary incorporates new information most relevant to the development of the work, as well as some documents already issued but essential for the development of research. Depending on the reasons widely argued over the text, we can say that we are facing one of the first collections of Renaissance Spanish art, unique for several reasons: his early pregnancy and date of consolidation, which can be set between 1530 and 15248 ; quality of the works and their vast numbers and prestige of the artists who carry them out, as Gossaert, van Orley Heemskerch or Vermeyen. Moltivos all of which make the collection of Mencía Mendoza of the most important Renaissance Spanish, and certainly one of the most prominent of the European scene. Higher number of works, including paintings, many of his contemporary and similar in quality of the pieces, the collection of the Marquise of Zenete has an absolute value independent of their gender or name it stands as a precursor of the great collections of the eighteenth century.

Author: PALOMARES SAMPER JOSE ANGEL.
Year: 2003.
University: MÁLAGA [More theses of this university] [www.uma.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFIA Y LETRAS.

Summary: The thesis is a proposal for a new discipline in the traditional Museology, focusing on the analysis of Cultural Tourism within the museum, under the name of Museology Tourism. Defines as its main objective the establishment of a body to pursue the theoretical presentation of cultural property as defined tourism resources, salvaguradando a holding tourist balanced and conservationist, and to obtain the full satisfaction of the experience of turisma cultural experience in their MHC by the adoption of the media, services and facilities that the museum can pretar, according to its institutional nature. The methodological procedures have resulted in the precise definition of princiapales terms involved in the relationship studied here in his particular job -turismo and cultural tourism, leisure and cultural entertainment, culture and museo-, in the statement of a specific history of cultural tourism on his relationship with the museum, taking a historical perspective of the phenomenon traveler and consumer culture, the Antigà ¼ age to the present day, and in the analysis of the current phenomenon of tourism in the consumer society, from a personal perspective as an individual-tourist - social, geographical and economical. The findings have been developing a taxonomy of the public visiting the museum as a tourist, characterizing groups with a more passive or active regarding the consumption culture in the museum, and the subgroups with a more passive or active regarding the cultural consumption at the Museum, and subgroups that can be set, with their aspirations, needs and expectations. Just as their impact on the planning of hosting services to the museum, which includes the publication and creation of a "brand image" as a unique cultural offerings to position in the tourist market, the provision for use of their services complemetnarios -tiendas - bookstores and cafeterías-restaurantes-, cash architectural design in its interior and exterior, the provision of adequate information to tourism in the institution, and the requirements of comfort public compatibilizados with the preservation and safety of the collections protected.

Author: FERNÁNDEZ LILLO ISABEL.
Year: 2003.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [More theses of this university] [www.uned.es].
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA - UNED.

Summary: This thesis focuses on the study of the stories of travelers who crossed the Crown of Aragon between the late fifteenth century and early seventeenth century, with the main purpose of which was to know that the urban image imprinted in their stories. The objectives of this work are: * Analyze aspects describing travelers to learn which features are intrinsic to the story of travel, in general, and the descriptions urban areas, in particular. * Compare the subject of stories with other works related to the city, whether "stories of cities", "choreographies" and pictures urban and establish what similarities and differences arise between them. * Know which was the image abroad of each of the cities in the territory under consideration. * Examine the different models of city that appreciates the traveler and compare them with the valuation carried out in other cities and mainland Europe.

Author: MARIN TOVAR CRISTOBAL.
Year: 2003.
University: COMPLUTENSE DE MADRID [More theses of this university] [www.ucm.es].
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD GEOGRAFÍA E HISTORIA UCM.

Summary: In our work on the Casa de Barajas we wanted, first, to establish rigos genealogy of Zapata, to focus posteriromente in the branch of the family which is based in Madrid. Once installed Zapata de Cisneros in the capital, we have to investigate and document their emprio real estate and the most significant works carried out under the patronicio of successive counts Barajas, from the first to hold the title, Don Francisco Zapata for Cisneros, until the transfer of title to Fernán Nunez, in the nineteenth century. We found documentary artists who worked for them for recognition in both constructions top civilian and religious, although one can not speak of a genuine work of patronage by the Counts of Barajas. Through the various inventories can talk about the artistic taste of the members of the lineage, as well as giving reference to numerous works of art in its possession, distributed among its different possessions. Within these, contained the castle of La Alameda, which is still preserved remains of great interest, and analyze the different states making up the making of Barajas. We have also emphasized the role of one of the most outstanding members of the family Zapata, Cardinal Antonio Zapata gift Mendoza, particularly his work as ambassador in Rome and his tenure as viceroy in Naples between 1620 and 1622.

Author: VÁZQUEZ CASILLAS JOSÉ FERNANDO.
Year: 2003.
University: MURCIA [More theses of this university] [www.um.es].
Place of defense: UNIVERSIDAD DE MURCIA.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: This dissertation is intended to make a justification of the broad and rich field of action that is in the most contemporary photography in the region, to serve as a starting point for new interpretations of our fotohisoria. Thus, the project that we have developed is circumscribed the photographic world, which happens in the region, in the temporary space between 1975 and 1999, covering both aspects such as socio-cultural artistic creative where they have different desenvuelto photographic attitudes. In the same way, it has surpassed the barrier time and it was felt that the creative process generated up to the present, with the intention of exposing the foundations on which evolutionary moves our present fotografíco. Therefore, under this structure, our work is formed around three main axes: first, a historical contextualization of photography in Murcia from Spanish to the postwar transition, second, a study of social and cultural context that Murcian beginning with the creation of the state of the authorities and continues until today, and thirdly and finally, an analysis of the evolution and development of the plastic photographic between 1975 and the arrival of the new century. All this preceded by a state of the issue to try where we make an análsis on the various investigations that have taken place around the fotográia and its history, from the mid-seventies until the end of the twentieth century in Spain . Over the thesis, each section is headed by a general introduction that lets raised the highlights that have occurred in this area in the country, with which our entire investigation is not limited to a localist approach, but the connect directly with all developments in the world of photography contemporánera.

Author: FERNANDEZ ZAMORA ANA MARIA.
Year: 2003.
University: JAÉN [More theses of this university] [www.ujaen.es].
Place of defense: FACULTAD DE HUMANIDADES Y CIENCIAS DE LA EDUCACION.
Place of preparation: FACULTAD DE HUMANIDADES Y CIENCIAS DE LA EDUCACION.

Summary: The dissertation consists of a theoretical part, with the title Leisure and Tourism: New areas of management of cultural heritage, offers an overview of cultural tourism with its lights and shadows, and products that are offered for this activity . The second part, under the title Project for San Andres and its urban environment, proposes a methodology and proprietary products applies to this heritage site in the city of Jaen.

Author: Reus Morro Jaume.
Year: 2003.
University: ISLAS BALEARES [More theses of this university] [www.uib.es].
Place of defense: Facultad de Filosofía y Letras.
Place of preparation: Facultad de Filosofía y Letras.

Summary: The interest of our research has focused on two complementary aspects of the work by Joan Miro, between the period 1939 and 1945. One is the artistic production and the other is the process autoreflexivo. This latest record through the notebooks and correspondence. The special circumstances through the notebooks and correspondence. The special circumstances surrounding contextual both respects, are marked by an individual internal exile, which lays a production whose main unifying theme, but not the only one, is the breakout. The period of the pattern of life and professional object of analysis, the most emotional strain for the artist and his family, marked by significant nuances, but also by continuities. Miro, immersed in the strictest anonymity, was able to overcome the oppression of a hostile environment due to a severe self-discipline in the workplace, a recapitulation on the same artistic language and a process of self-reflection unpublished writing. As regards to the production, we highlighted with a special meaning two rounds: Constellations (1940-41) and Sèrie Barcelona (1941-1944). The work done during this period is one of the most interesting examples of the characteristics evasive, absurd or touched by his special humor grotesto, is a counterweight to the heavy atmosphere that surrounds it. This is a work marked by nature, music and poetry, in which the dimension espritual, which has always been important in his career, achieves a deeper significance.

Author: CRESPO RODRIGUEZ MARIA DOLORES.
Year: 2003.
University: SEVILLA [More theses of this university] [www.us.es].
Place of defense: FACULTAD DE GEOGRAFIA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA, SECCIÓN HISTORIA DEL ARTE, UNIVERSIDAD DE SEVILLA.

Summary: The work deals with the research on housing in the city that was de Los Reyes (current Lima, Peru) between 1535 the date of its fundación- until 1570, after the city had been destroyed by the terrible earthquake of 1746. It analyzes housing Lima period identified as a Hispanic original creation capable of responding to a broad and complex set of needs and requirements. Satisfizo the requirement functionality of the clientele, responded to the climate and the characteristics of the earth (earthquake), the needs of them had their inhabitants; aspects, together with the constraints of the medium and the ability of builders to combine materials and techniques, would form a specific type of architecture that is analyzed here.

Author: MADERUELO RASO JOSÉ JAVIER.
Year: 2003.
University: ZARAGOZA [More theses of this university] [www.unizar.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD DE ZARAGOZA.

Summary: The thesis delves into the origins of the concept of "landscape" to establish how developed and when it is mature in European culture. The methodology is based on historiography and relies on a range of methods for distillates disciplines such as lingüstica, phenomenology, hermeneutics, anthropology, geometry or mapping, thus building a history of sight as part of the history broader European culture. To find out how the concept has emerged landscape has crawled through its manifestations, such as designing and building gardens, the indication in the literature of nice landscapes, pictorial representation of actual places, the appearance of the buildings and loggias verandas from which to contemplate the scenery, and above all the consolidation of a term to name the concept of "landscape" on the idea that until that particular word emerges and is not used, the concept has failed in a cuajar culture. This thesis has been intended investigate processes and cultural changes and perceptive that activated or slowed down ideas related to the conceptions of the landscape, from its origins to its consolidation in the beginning of the seventeenth century. Not only has researched the painting and architecture but has been extended to the field research of other arts, such as poetry, tratadística and gardening, certain techniques, such as mapping and agriculture, certain cultural habits and anthropological such as religion, and the wider world of ideas spanning the field of philosophical speculation.

Author: SAGARRA PRADO JUAN JOSE.
Year: 2004.
University: SANTIAGO DE COMPOSTELA [More theses of this university] [www.usc.es].
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: Interpretive Story about the building done in Vigo between the dates cited and their players. Engrace generational style environment: eclecticism, modernism, regionalism, deco, first rationalism. Urbanism. Details about the theoretical style. Extract introductory.

Author: LOUZAO MARTÍNEZ FANCISCO XABIER.
Year: 2004.
University: SANTIAGO DE COMPOSTELA [More theses of this university] [www.usc.es].
Place of defense: FACULTAD DE XEOGRAFIA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFIA E HISTORIA.

Summary: Studying the silverware in the western half of the Bishopric of lugo, based on the pieces preserved in the parroqueias it up, and other instituciones.Asimismo dela organization of teachers silversmiths lucenses over the centuries, from the sixteenth. Their way of life, hallmarks workshops and production. Without forgetting the importance of foreign silverware, as represented by abundant and prestigious pieces.

Author: SERRA MASDEU ANNA ISABEL.
Year: 2004.
University: AUTÓNOMA DE BARCELONA [More theses of this university] [www.uab.es].
Place of defense: DEPARTAMENTO DE HISTORIA DEL ARTE.
Place of preparation: UNIVERSIDAD ROVIRA I VIRGILI.

Summary: The dissertation revolves tonro the transfer of baroque architectural fashion to the arrival and dissemination of the basic artistic academics. It looks like it was accepted and parish religious architecture reflected the gradual substitution of the early baroque architectural addressed by the guidelines by the Royal Academy of Fine Arts of San Fernando in Madrid in the Tarragona area. Damage studied focus, roughly from the second half of the eighteenth century to the early years of the nineteenth century in the city of Tarragona and the peoples of its influence. The investigation has attempted to show the slow and difficult path to be followed by the construction of a religious building parish; dede that people in a population met to decide who wanted a new church until they chose a few cups of a teacher or another and finally visuraba and bless the new building. For emptying documentary these procedures has served to clarify points or new ways to build these monuments, we are referring to, among others, the location of these monuments, the destruction of old churches, the wages of teachers and their problems with entrepreneurs from factories parish. In the course of the argument have come to light issues until ahor by little analyzed as the prominent role that took the guilds as propagators of Baroque art, or why the people, the users of this type of architecture preferred architectural style to another. The documentary analysis has provided a unique and important list of construction professionals and their work poorly studied and disseminated. We refer equally to the work of the teachers union bricklayers. The aruqitectos academics, engineers, geómetras, friars dedicaso also to the construction rivalizaban and at the same time enriched the complex art scene of the second mitada eighteenth century. They are professionals like family Miralles, architectural lineage of Tarragona or academic architects as Josep Prat, Joan Antonio Rovira or Andreu Bosch. The work concludes with a comparative analysis of these buildings and tipológico: plants, elevations, facades, towers, domes, etc. where they are trying to differentiate the more formal characteristics of substrate baroque architectural local front to advance the ideals art scholars in this area Catalan .

Author: TINTERRI VANIA.
Year: 2004.
University: BARCELONA [More theses of this university] [www.ub.es].
Place of preparation: FACULTAD DE BELLAS ARTES.

Summary: The thesis witness an analysis of the contemporary artistic production, produced by women and in which the body plays a central role. The thesis develops this panoramic through the procedure of interviews and a personalized analysis of the literature exsigente The thesis is complemented by a CD-ROM that becomes a work of art.

Author: FERNÁNDEZ BANQUE MARIONA.
Year: 2004.
University: BARCELONA [More theses of this university] [www.ub.es].
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: UNIVERSIDAD DE BARCELONA, FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: This thesis explores the life and work of sculptor Catalan Salvador Gurri Coromines (tona 1749 Barcelona 1819) discusses his art and ideology through artistic aspects to it conditioned its traditional training within the world trade union, the influential position he held as a teacher in Free Drawing School of the Lonja de Barcelona, the tight control exerted on supply sculpture of the city or individual customers who had. Furthermore, the thesis analyzes the evolution of their stylistic and iconographic works considarendo historical factors, social, economic and political world in which he lived, as well as native or alien aesthetic influences which determined the language of his art. Finally, we have investigated the relevance of the sculptor got during his time and the influences exerted their works and teaching, in order to determine the role that meant within the Catalan sculptural picture of the second half of the eighteenth century and early nineteenth.

Author: SOLER ALOMÀ M. ENCARNACIÓN.
Year: 2004.
University: BARCELONA [More theses of this university] [www.ub.es].
Place of preparation: UNIVERSIDAD DE BARCELONA.

Summary: The thesis deals with the relationship between the film and zarzuela, from the origins of the seventh art until his frustration regarding possible result in a film musical roots native. The thesis discusses the origins of the popular operetta, its gradual transformation and evolution, as well as the causes that engaged the lyric theater, spectacle centennial, a, rapid and inexorable decline after " 'civil war. Ownership of some configurators elements of the genre, originally equipped with characters and popular music, to a vision of the same esperpéntica by Franco, lead to zarzuela and achievements film that "she did what she has described as" Spanish " rejected by not tune at all or with previous generations, by the action of censorship, which, stripped of its essence, or the new generation, who saw in it a vision of a Spain esperpéntica anchored in the past.

Author: APRAIZ SAHAGUN AMAIA.
Year: 2004.
University: PAÍS VASCO [More theses of this university] [www.ehu.es].
Place of defense: F. FILOLOGÍA, GEOGRAFÍA E HISTORIA.
Place of preparation: F. DE BELLAS ARTES Y F. FILOLOGÍA, GEOGRAFÍA E HISTORIA.

Summary: The main objective of this thesis has been to introduce the history of art in the field of Industrial Heritage, through the study of the properties related to the fish processing industry. It will be analyzed for the three most economically significant ports Coastal Vizacaíno (Bermeo, Lekeitio and Ondarroa), with particular emphasis on its architects materials (businessmen, architects and master builders). Take into account, also, the importance of urban design in a dual leadership: the influence of its urban location in determining its architectural style, and the decisive footprint of the industrial architecture in urban design of these three villages crew.

Author: MARTINEZ MATIA AINARA.
Year: 2004.
University: PAÍS VASCO [More theses of this university] [www.ehu.es].
Place of defense: FACULTAD DE FILOLOGIA, GEOGRAFÍA E HISTORIA.
Place of preparation: F. DE BELLAS ARTES Y F. FILOLOGIA, GEOGRAFÍA E HISTORIA.

Summary: Through the study of the industrial architecture of the Villa de Bilbao and neighboring towns, is intended to give a new vision of the Industrial Revolution Biscayan added to the study s historical and socioeconomic a reading from the history of art. This research has focused on the lesser known areas of industrialization bilbaíno environment, with particular emphasis on the food sector, which by its nature is better suited to the methodology of Art History. Grouped by sector, have been analyzed examples included in a broad time frame, from protoindustrialización began in the last decades of the eighteenth century until the outbreak of the Spanish Civil War, leaving the imprint see that the various artistic and architectural styles - from Neoclassicism the Movement Moderno- have left in our industrial architecture.

Author: SANZ DIAZ CARMEN MERCEDES.
Year: 2004.
University: OVIEDO [More theses of this university] [www.uniovi.es].
Place of defense: GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFIA E HISTORIA - DPTO. DE HISTORIA DEL ARTE.

Summary: The dissertation deals with the study treatment of Cultural Heritage received in the Principality of Asturias, in the area of the museum, with special attention on the teaching activity of museums, while institutions dedicated to his guardianship, conservation and study, and the awareness of society Asturian d through appropriate programs, which develop a set of values. Based on the analysis of the phenomenon of generic museum as a resource for education and taking as regards the Italian school of theoretical Museology, which includes a comparative study of the Italian regions (Tuscany and Umbria), provides a detailed study of the situation current museums Asturias, within the existing legal framework in this autonomous region and offered suggestions for the exploitation of teaching in the same cultural heritage.