HISTORY OF ART (4)

Author: GONZALEZ CASTREJON SARA.
Year: 2005.
University: CASTILLA-LA MANCHA [www.uclm.es].
Place of defense: FACULTAD DE HUMANIDADES DE TOLEDO.
Place of preparation: FACULTAD DE HUMANIDADES DE TOLEDO.

Summary: This dissertation certain representations of musical instruments in the arts century xvii and in the context of the Spanish monarchy are linked to the image of power. The era of Philip III, Philip IV and Charles II assists the development of the emblematic literature, a genre associated with the advice and moral examples involved the sovereign in the form of proverbs, emblems, companies or hieroglyphics. The long political and economic crisis being experienced by our country during this century ago has been published a long list of taxes, treaties and mirrors of political princes, many of which are illustrated with prints, following the fashion in Alciato opened by his work Emblemata, published in Augsburg in 1531. They often find expressions like "similar to harp is a republic" or "the prince prudent temple ropes", together with pictures of musical instruments with image of the kingdom fair and ammonium, incarnation of the modern state, which show how that different strings 3 / 4 subjects 3 / 4 must keep the proper line, each playing the role that he has spent Díos within their society 3 / 4 while the leader is presented as the perfect musician, capable without tuning of the strings break and achieve a "suavísima harmony." These reasons iconographic pass book engraving other artistic expressions, such as architectures and ephemeral decorations on holidays citizen dedicated to the monarchy. The theme allows us to get closer to understanding the cosmos and the rule of the time, as well as increase our knowledge about the art of music-related mythology (with characters such as Mercury or Orpheus, government representatives temperate) or Vanitas ( nature dead with musical instruments as an expression of political dissent).

Author: Hermida González Luis.
Year: 2005.
University: A CORUÑA [www.udc.es].
Place of defense: Escuela Técnica Superior de Arquitectura.
Place of preparation: Escuela Técnica Superior de Arquitectura.

Summary: This thesis develops the study of one of the architects most unique and representative of the Baroque galician. It takes into account the social, economic and cultural development of the early eighteenth century in Galicia, as well as possible connections between the Baroque master galician, influenced by scholars at the master builders and structure of the union groups linked to the world the construction. The precise surveying charts 6 of his works allow a rigorous approach to the understanding of the architectural work of this great architect of the XVIII. These uprisings graphics are also a valuable contribution which will undoubtedly affect subsequent work on Baroque architecture in Galicia.

Author: CALVO LUIS MARÍA.
Year: 2005.
University: PABLO DE OLAVIDE [www.upo.es].
Place of defense: FACULTAD DE HUMANIDADES.
Place of preparation: FACULTAD DE HUMANIDADES.

Summary: The Hispanic American colonial city, to a large extent, had its origins in a trace from which they were constructed fisonomías and different urban landscapes; to neutral geometry of the initial trace overlapped the materialization of life experiences and original, activated by the interaction environmental conditions and human variety. The thesis is based on the assumption that among those experiences, domestic architecture was determinant in the construction of the fabric and urban identities, and that the various human and material circumstances of the broad American space interacted in an original way in every situation. The thesis proposes the construction of knowledge about a case urban Argentine -Santa Fe-, whose colonial tissue has disappeared completely. To offset this shortfall has been made an exhaustive study of the sources of attorney and explored an appropriate methodology to be applied to other situations similar to reconstitute intellectual tissue disappeared. The thesis proposes dealing with the processes of formation of domestic types in a reading articulated their physical indicators, social and cultural rights, and investigate the variables of these types of associations and their impact on the generation of fabric and urban landscape. Depending on the time of the investigation, the reading of the local event is in conjunction with other cities in the region or in Latin America for the purpose of clearing questions about the degree of originality or uniqueness of some of its characters and to activate the understanding of procurement through the recognition of similar and what is different, the continuities and ruptures.

Author: Salvador Ventura Francisco.
Year: 2005.
University: MURCIA [www.um.es].
Place of defense: Depart. de Hist.del Arte, Fac. de Letras.
Place of preparation: FACULTAD DE LETRAS.

Summary: The relationship between cinema and Antigà ¼ age documents from the first steps of the Seventh Art until today and come to live their golden age during the sixties. Several directors of Mediterranean origin are close to the old world with an attitude different from the usual, in line with what has been termed as "auteur films." The purpose of this study was an analysis of five films such directors, arranged by chronological approach the date of realization: "Electra" by M. Cacoyannis, "Simon desert" of L. Bñuel, "Medea" PP Pasolini, "Fellini-Satyricon" F. Fellini and Socrates R. Rossellini. A corpus appearance as heterogeneous meets a series of caracterísitcas common or distinguish it from other contemporary productions. They can be summarized in two broad lines: high stringency that has presided over its development, together with the extensive freedom for which have governed the creators. The outcome of the study is the consideration of such fimes as masterpieces of so many other artists, which has an attitude of dialogue with key interpretative themselves of contemporaneity.

Author: VAZQUEZ DE AGREDOS PASCUAL MARIA LUISA.
Year: 2005.
University: VALENCIA [www.uv.es].
Place of defense: FACULTAD DE GEOGRAFIA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFIA E HISTORIA.

Author: CÓRDOBA SALMERÓN MIGUEL.
Year: 2005.
University: GRANADA [www.ugr.es].
Place of defense: FACULTAD DE FILOOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: The Society of Jesus come to Grenada in mid-sixteenth century, beginning in the city work contrarreformista, which will focus at first on the evangelization of the Moriscos, under the patronage of Archbishop D. Pedro Guerrero and that would spread throughout the city based on his preaching and education in the wake of the founding of the College, creating a large architectural which housed a rich heritage, which will be resettled in one of the two major routes communication of Modern Grenada. The long process of building such a great package, allows us to develop an important line of inquiry that will be determined by the mentioned, militancy contrarreformista of the Order and its rigorous design, which will define, together with a new religious practice, held in high regard in the era, a new conception of religious space, as well as new horizons for the design and decoration associated with a methodology requires a profound impact on the local decorators transition. The structure of the research we have to say that is divided into two major sections: the first historic  we have come to call 'Approach to the Company and its action social ", without which we could not understand how it was developed and its constructive process the collection of works that were made for him, and the second fully dedicated to the artistic, under  "The Jesuits and the footprints of his art in the city of GranadaÂ." The second of the blocks in which we have divided this work is entirely devoted to the arts, comprising five of the eight chapters consisting of the study. In the first one, which corresponds with the fourth chapter,  "The redefinition of the modern city on new meanings. The space and tipologías ', we conducted an analysis of the centuries XVII urbanism, along with the space chosen by the Society of Jesus to settle permanently in the city, which will join a study of the various phases of construction and the reforms that came under the aforementioned joint collegial. The fifth we are going to devote to Bartholomew Veneroso, thanks to which it was possible to complete the constructive works of the church, to make the founding of the chapel as âigualmenteâ contributed to the decor of this space. The next step is to focus on all our analytical capacity, as it deals with the renewal of the language ornamental for breaking it into five sections. Thus, the first of which will make a decorative description of the entire College, being in the temple today, while for the home and schools have sought references when it was inhabited by the Jesuits, then, we turn to programs retablísticos, studying primarily the biggest and the four of the cruise, but we speak, to a lesser extent, those located in the chapels. With the following paragraph,  "Introduction to yesería in Granada ', we would stress that, despite the fact that we have not been many examples of this art in the city, if there was, taking in the sacristy of the church and the vault House one of the most beautiful examples. The two following, will become part of this primary research is not the attempt to recover the sculptural and pictorial program of the College. The seventh chapter was dedicated to one of the most important social events: the cult of saints and relics, around which is going to carry out a major artistic production, which will âdentro the city 8 d of Gra 3 f0 nadaâ one of its máximes exponent of the Church of St. Paul College. In the fifth and final chapter of this block, develops one of the most important anthropological phenomena of full baroque, the feast and, in particular, we will focus on the artistic development of some of the beatifications and canonizations of saints Jesuits.

Author: GARRIDO OLIVER EMILIA.
Year: 2005.
University: GRANADA [www.ugr.es].
Place of defense: UNIVERSIDAD DE GRANADA.
Place of preparation: GRANADA.

Summary: The first part of this research work is divided into five chapters. The first is devoted to the biography of the architect, discusses his academic record result of its passage through the Schools of Architecture in Madrid and Barcelona and stay in the cities of Ceuta and Round as municipal architect. The second, called Historicismos and Modernismos in the town of Ronda, delimited between the years 1900 to 1920, which impacted on the work performed by Sanguinetti but also be discussed prior to the arrival of modernism, as well as others made after which exposing the neomudéjar, plateresque, regionalism and art deco. The third chapter is devoted to the performance of the architect in the city of Ceuta, where he will be the first civilian municipal architect with the city that has, from the year 1911 to 1930. It examines the work of the military engineers who preceded him and the relationship with others that coincided with the figure of Gaspar Blein, between the years 1926 and 1930. Priority themes are analyzing the civil and military powers in the field of urban design for a city eminently military convened for the first time a place of municipal architect civilian and analysis of socio-cultural and economic context of the city at the beginning of the twentieth century. The attachment of the various projects, both public and private records to the different architectural has helped establish a trend in the artist's work. This has been crucial to emphasize the need to recognize the variations of modernism in Spain and in the practice of the architect of a free and creative eclecticism allowing forms of international modernism in Round and in the city of Ceuta, where the link to the models secessionist allowed to reach the esquematización formally linking figurative art deco with prerracionalismo. In the fourth and fifth chapter deals with the style and analysis of his work and conclusions, respectively. The second part of the work is devoted to the list of projects, unpublished, designed by architect (271) in the two cities, which is accompanied by a scanned image of each of them, and collected all documentation pertaining to authoring the same, it being ordered chronologically.

Author: Forteza Oliver Micaela.
Year: 2005.
University: ISLAS BALEARES [www.uib.es].
Place of defense: Facultad de Filosofía y Letras.
Place of preparation: Facultad de Filosofía y Letras.

Summary: This thesis aims to serve as a case study on wood engraving in Majorca during the lengthy period that ran Printing Guasp, specifically, 1576 to 1958. This exceptional circumstance has allowed at present we can enjoy the Collection Guasp, comprising 1590 arrays xilográficas, real jewels of graphic art, valued not only for the quantity, but also by the variety and quality of many of their pieces. In general it may be said that the woodcuts cover the long period from the late fifteenth century or early sixteenth to XX, with a predominance of the eighteenth century, and addressed a wide range of subjects and different typologies. While the most substantial part of the collection is made up of religious images, especially representations of advocaciones Majorcan more popular than we allow a thorough tour by the religious iconography more common on the island, there is no shortage profane images of all kinds (typographical elements , heraldry, cartography, playful prints, etc.). very interesting for different disciplines. All this makes the Collection Guasp one of the most valuable collections of Spain, and possibly in Europe and, of course, makes it a documentary and artistic heritage for the invaluable historical Majorcan. Therefore, I believe that it was imperative detailed documentation of all its parts, and that catalog and raise awareness of this important collection will certainly contribute to increasing its valuation and historical museum, but also mean promoting a policy of control and conservation heritage

Author: SANCHEZ LUQUE MARÍA.
Year: 2005.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE FILOSOFIA Y LETRAS.
Place of preparation: DE MÁLAGA.

Summary: The essential approach of this dissertation is to place the city manager in the task of protecting the historic city. According to a conceptual analysis and research of the legal texts are looking to draw proposals for improving the management of urban cultural heritage in the city context.

Author: ARJONES FERNÁNDEZ AURORA.
Year: 2005.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS DE LA UNIVERSIDAD DE MÁLAGA.
Place of preparation: DEPARTAMENTO DE HISTORIA DEL ARTE DE LA UNIVERSIDAD DE MÁLAGA.

Summary: The genealogy of the values of the monuments in the method riegliano in all the theoretical works of art history Aloà ¯ s Riegl focuses on the fourth phase of its method, between the years 1901-1905. These works are: "The art industrial Tardorromano" (1901); "Project for the reorganization of the legal and protection of the monuments" (1903) "A law for the protection of monuments" (1905); "The ancient friends and Modern Art "(1905). Of these works, "The modern cult of monuments" is the work of synthesis in which Aloà ¯ s Riegl defines concepts and principles from which would develop the relationship between man of the twentieth century with the monuments. The modern condition for the care of monuments. The theory riegliana the values of the monuments to the findings of the commission Franceschini, both from the mid-sixties, which renews the concept of the monument from the beginning as the cultural authenticity and social use the same , gives the discourse of the discipline of art history of an instrument from which to work as a social science in interdisciplinary framework of the theory of cultural property that has defined the commission Franceschini.

Author: GARNELO DÍEZ M. ISABEL.
Year: 2005.
University: MÁLAGA [www.uma.es].
Place of defense: FACULTAD DE CIENCIAS DE LA COMUNICACIÓN.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS DE LA UNIVERSIDAD DE MÁLAGA.

Summary: Creating a conceptual framework parala understanding, management and explanation dela contemporary photography of public and private funds. It delves into the international, national, regional Andalusian and, finally, in the local context of the city of Malaga, to clarify the circumstances that permit since 1982. The picture starts to form part of funds traditionally consist of painting, sculpture or taxed. This process of inquiry will allow us to learn about the production and social structures surrounding the contemporary photography, after the final analysis of the funds according to variables such descriptive, technical and conceptual, able to show whether the funds selected for analysis, or not fall within the category of creative photography, and to be able to clarify both the reasons and differences that are inherent.

Author: DOMÍNGUEZ GÓMEZ EVA M..
Year: 2005.
University: EXTREMADURA [www.unex.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: Research on the state of graphic design in the wine sector Extremeño. Through a preliminary study delves into the treatment of graphic design labels in the holds Extremadura, which should, on the other hand, will be responsible for analyzing contextualize the picture of the labels on wines from 1970 until our extremeños day (2005). Based on a total disregard of the development of this piece commercial graphics in Extremadura, elaborates the developments that the labels have had over three and a half decades. The methodology used for the development of the analysis was the Content Analysis, as defined three categories central to the analysis code lexográfico, code graphic and color code.

Author: FERNÁNDEZ GONZÁLEZ ALBERTO.
Year: 2005.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: The research work on the figure of the Baroque architect Fernando Homes and Novoa is a paper that documents, analyzes and explains his entire artistic output. It also takes full account the cultural context of his time, his biography, his intellectual and artistic training, and possible models for inspiration. The first part of the thesis is devoted to biographical aspects. The next block, by far the longest, deals with the important religious work of the architect. After an introduction that seeks to define some features of the cathedral chapter compostelano mentality and the work that relates directly to homes planned by the motivations and interests dela institution that promoted and funded, explores their different artistic interventions in the cathedrals of Santiago and Lugo . The orders in monasteries and convents are discussed below, ending the party referred to the religious book with a chapter that explores other actions of the teacher in Compostela, in the city of A Coruna, and a number of parish churches. Its civil work focuses on the third block. The fourth is dedicated to three significant technical evaluations. Completing the research work last two chapters powers and denials and the fortune of artistic criticism.

Author: GARCÍA FILGUEIRA MARTA.
Year: 2005.
University: SANTIAGO DE COMPOSTELA [www.usc.es].
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: In this thesis we look at the architectural work and planning done by the architect in Galicia Sunday Sesmero Rodriguez and master Alejandro Rodríguez-Sesmero between 1871 and 1899. His works are studied within some broader contexts which help to determine the specific work done in this community. First explores developments in the course of the nineteenth century the Galician cities, two of which -Vigo and Pontevedra takes place most of the work of these professionals. In this first block, we look at the architects and teachers who worked in Galicia in the period studied and their contributions. We also advance of the problems mentioned in the nineteenth century between the two professions had technicians under study: architects and master builders. Exhibiting the situation of architecture in Galicia in the context of Spanish and European architecture. The second approach the biographical trajectory of each of these two professionals and make a brief statement about their careers. We analyze the works planned or carried out before and after his stay in Galicia and devote a section to study the production written stopped. In the third chapter proceed to individualized analysis of the works that took place in Galicia. The typological analysis is preceded by a study in which we take into account all the constraints on his work: legal, sociological, economic, material or stylistic. Finally, we include an appendix documentary texts minutes, reports and project files works as well as texts collected from the press at the time.

Author: CÓRDOBA SALMERÓN MIGUEL.
Year: 2005.
University: GRANADA [www.ugr.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRA.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: The Society of Jesus come to Grenada in mid-sixteenth century, beginning in the city work contrarreformista, which will focus at first on the evangelization of the Moriscos, under the patronage of Archbishop D. Peter Guerreo and that would spread throughout the city based on his preaching and education in the wake of the founding of the College, creating a large architectural which housed a rich heritage, which will be resettled in one of the two major routes communication of Modern Grenada. The long process of building such a great package, allows us to develop an important line of inquiry that will be determined by the mentioned militancy contrarreformista of the Order and its rigorous design, which will define, together with a new religious practice, of great prestige in the time, a new conception of religious space, as well as new horizons for the design and decoration associated with a methodology requires a profound impact on the local decorators transition. The structure of the research we have to say that is divided into two main sections: The first historic we have come to call "approach to the Company and its social action", without which we could not understand how it was developed and its constructive process collection of works that were made for him, and the second fully dedicated to the artistic, under the heading "The Jesuits and the traces of their art in the city of Granada." The second of the blocks in which we have divided this work is entirely devoted to the arts, comprising five of the eight chapters consisting of the study. In the first one, which corresponds with the fourth chapter, "The redefinition of the modern city on new meanings. Space and typologies", we conducted an analysis of the centuries XVII urbanism, along with the space chosen by the Society of Jesus to settle permanently in the city, which will join a study of the various stages of construction and reforms which came under the aforementioned joint collegial. The fifth we are going to devote to Bartholomew Veneroso, thanks to which it was possible to complete the constructive works of the church, to make the founding of the chapel as igualmente contributed to the decor of this space. The next step is to focus on all our analytical capacity, as it deals with the renewal of the language ornamental for breaking it into five sections. Thus, the first of which will make a decorative description of the entire College, being in the temple today, while for the home and schools have sought references when it was inhabited by the Jesuits, then, we turn to programs retabilísticos, studying primarily the biggest and the four of the cruise, but we speak, to a lesser extent, those located in the chapels. In the following section, "Introduction to yesería in Grenada," we want to emphasize that, despite the fact that we have not been many examples of this art in the city, was there, taking in the sacristy of the church and in the vault theater one of the most beautiful examples. The two following, will become part of this primary research is not the attempt to recover the sculptural and pictorial program of the College. The seventh chapter was dedicated to one of the most important social events: the cult of saints and relics, around which is going to carry out a major artistic production, which is within the city of Granada one of his máximes exponent of the Church of St. Paul College. In the fifth and final chapter of this block, develops one of the most important anthropological phenomena of full baroque, the feast and, in particular, we will focus on the artistic development of some 8 the beat 2ca ificaciones and canonization of saints Jesuits .

Author: IBARRA GROTH FEDERICO.
Year: 2005.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE GEOGRAFIA E HISTORIA.
Place of preparation: FACULTAD DE GEOGRAFÍA E HISTORIA.

Summary: In this thesis looks at the history of one of the oldest Mexican orchestras. It belonged to one of the most prestigious universities in America, their history has been inevitably affected by the political, social economic and cultural faced by the country, which are reviewed in order to understand and integrate the development of the organization. The analysis of its programming, recordings, a series of appendices relating to the documents obtained, the biographies of their directors holders, the list of directors and soloists and the general programming of the period covered by his study complement this work. To illustrate the analysis of the recordings of the orchestra includes a CD with the book Sensemayá, Silvestre Revueltas in four different versions. The first chapter provides a framework for the historical foundation of the orchestra, as it looks at similar institutions in Mexico since its independence until the present time. The second chapter provides for the unique life he went through the University at a time of change and transformation, the causes that gave rise to their autonomy, the separation of the Conservatory and the creation of the School of Music and his orchestra. The third chapter shows the picture of the first 25 years of the partnership, which examines various internal aspects of the orchestra, such as its relationship with the institution that blanket, programming distinguishes this period, the problems faced for consolidation and scenarios for presentation at university and other public settings, the constitution of its workforce orchestral and external aspects that helped his development as promoted the boards for this purpose. The following chapters are devoted to reviewing the history of the group in stages and the subsequent analysis of key aspects of the orchestra; its programming and recording disks. Finally, based on historical data collected and the analysis of specific aspects of the grouping, the final chapter is raised as an analysis of the orchestra at the time and its current projection of future.

Author: GARCÍA MALLO MARÍA DEL CARMEN.
Year: 2005.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE GEOGRAFÍA E HISTORIA.
Place of preparation: GEOGRAFIA E HISTORIA.

Summary: The research developed in this dissertation takes as a starting point and centerpiece of a fund scores, mostly printed, as compiled by Anselmo Gonzalez del Valle and Gonzalez Carvajal (* Havana, 26-X-1852; Oviedo , 15-IX-1911) over the past deceniso nineteenth century and early twentieth century, and now belongs to the Department of Musicology (Institution "and Milá Fontanals") of the Higher Council for Scientific Research in Barcelona. This library includes scores of nine thousand, and this mainly - according to the instrumentation presented themselves works for solo piano and piano four hands, but also contains duets, which, like the rest of formations camerísticas that quote include almost always a part of piano- trios, quartets, quintets, sextetos and septetos, reductions operas for voices and piano, and some works for orchestras with and without choir. Its contents have a wide range of composers, genres, forms, and publishing houses, all of them exceptional features, in the case of a private collection. In this way, starting from a basic inventory of the contents of the library, it is exposed, contextualized and valued within the time and environment in which it was compiled. The study was completed with the analysis of a group of compositions considered representative of the music originally written for piano by Spanish authors kept in fonfo, which includes works by John Chrysostom Arriaga, Marcial's Adalid Jose Inzenga, Celestino Vila de Forns, Adolfo de Quesada Damaso Zabalza and Roberto Segura.

Author: ALMANSA MORENO JOSÉ MANUEL.
Year: 2005.
University: PABLO DE OLAVIDE [www.upo.es].
Place of defense: FACULTAD DE HUMANIDADES.
Place of preparation: FACULTAD DE HUMANIDADES.

Summary: The study of the mural painting is relatively recent; this is due to several factors, particularly the slow process of location or discovery of the same, and that much remains hidden. It is the ignorance of this artistic manifestation of the key conservation. As we know, the mural painting is an art seriously endangered by its very nature associated with the architecture that supports the relentless deterioration of time, the seismic movement, the action of men and wanton destruction for the sake of modernity cause of that loss. This research work has been structured in a series of five blocks in which examines the major manifestations of mural painting in the historic territory of New Granada (now Colombia), as well as aspects related to the society that created these works of art . The topics covered are as follows: 1-Historical Introduction. 2 - The Mural, the skin of architecture. 3-An art for evangelism. 4, mural-painting and architecture convent. 5-Mural in domestic areas. It includes working with an inventory of murals whose chronology is among the early centuries XVI and XIX.

Author: DOMENCH PÉREZ IGNACIO.
Year: 2005.
University: PAÍS VASCO [www.ehu.es].
Place of defense: FACULTAD DE BELLAS ARTES.
Place of preparation: F. BELLAS ARTES/F. FILOLOGÍA, GEOGRAFÍA E HISTORIA.

Summary: The fundamental objective of this research is to show as a symbolic production, which only through the network has been able to take place, is capable of responding affective and cognitive through implementation technology to the needs conectivas and communicative of a community-human -; revealed, in turn, able to experiment with new models of social construction and distribution of knowledge. Models that are based on the simultaneous establishment of a common area of public-red. This symbolic production is the result of practices that range from an art sociopolitical seemingly innocuous and some techno modes of action in social and incurred on the network itself from the hacker. Practice motivated by the urgent need to configure other types of relationships and life, which has allowed people who are usually the receiver side as mere spectators or users assume their own management of the real criticism inside and outside the network. Criticism that requires knowledge and disorders arising from a user community Co-producers, which simultaneously generates, shaping the social imaginary. The study also aims to demonstrate the principle of brotherhood between two fields, whose subjectivation processes are in constant upheaval and turmoil productive. Although different in their origins, are united in response to the exclusive possession of knowledge and culture. (1) A ámbito-arte in its inherent level more socially critical-autocrítico- and (2) a ámbito-hacker born of a vision of procomún software. We like the parallelism of the two fields is not only in the happy coincidence of pursuing some collective purpose, but in the symmetry of procedures and strategies -simbólicas, performative and legales- above all, to the extent that its concepts are extended and beyond their specific discipline, converging with each other. It was also defends the thesis that these tools -dispositivos technological development is inclinarán towards a free for the benefit of society as a whole and particularly for the benefit cognitive and creative conceptual and formal user's co-producer: artists, activists, critics, etc.. That is, the use of free software tools will benefit the practice of these actors, and therefore the community-even anticipating the need to overcome in the fight against deprivation of knowledge management, a stadium in some precarious productive areas. Venue which will last until the normalization of assimilation social situation procomún knowledge and culture. We believe therefore that a guarantee of independence for the producer symbolic, in the use of the means of production, passes through their voluntary secondment to the free tools, and from here we anticipate their commitment especially to the extent that the law could dangerously if, in the future, less lax.

Author: SÁNCHEZ LÓPEZ ANDRÉS.
Year: 2005.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE GEOGRAFIA E HISTORIA.

Summary: That argument implies the study of nature dead in Spain during the eighteenth century. It analyzes trends, influences and collecting. In addition to artists, both Spanish and foreign, which were devoted to this genre on the peninsula during the period mentioned. It is structured into two distinct parts that correspond to the two halves of the century. Likewise these are analyzed by regional schools among which, in particular, the Court, Andalusia (with Seville as most important center), Barcelona and Mallorca in the first half of the century, the Court again, Valencia and Barcelona in the second. Several chapters also engaged wing influence and impact it had on gender both the Academy of Fine Arts of San Fernando as manufacturing tapestry of Santa Barbara and porcelain del Buen Retiro. The thesis was complete with the biography of the most important painters of that devoted to the genre (with the exception of Luis Melendez). Alongside them features a reasoned catalog of his paintings. Finally, it includes an appendix documentary and reproduction of the most important works.