HISTORY OF LITERATURE

Author: VEGA MANSILLA GENARO GUSTAVO.
Year: 2003.
University: BARCELONA [More theses of this university] [www.ub.es].
Place of defense: FILOLOGIA.
Place of preparation: UNIVERSIDAD DE BARCELONA FAC. FILOLOGÍA.

Summary: These theses collects almost all authors of creative works and poetic resource-based creative visual character held in Spain dese 1970-1995. This is a period that had not sufficiently significant general studies. It provides an important clarification of concepts and nomenclature; goes overview of authors and works, presents the ranorámica History in deep, as well as a rigorous arrangement of differences ways of doing within the framework of a comprehensive package.

Author: CAMPS ARBÓS JOSEP.
Year: 2004.
University: AUTÓNOMA DE BARCELONA [More theses of this university] [www.uab.es].
Place of defense: FACULTAD FILOSOFÍA Y LETRAS.
Place of preparation: ESCUELA DE POSTGRADO.

Author: GHANEM DEҏSSEM.
Year: 2004.
University: OVIEDO [More theses of this university] [www.uniovi.es].
Place of defense: DPTO. DE FILOLOGÍA ESPAÑOLA (FACULTAD DE FILOLOGÍA).
Place of preparation: DPTO. FILOLOGÍA ESPAÑOLA - FACULTAD DE FILOLOGIA.

Summary: The definition of this theory may be, the study of a search. Through seven novels of the Argentine author, Osvaldo Soriano, has tried to follow in the footsteps of the author over his personal and professional life to understand its objectives and methods. To summarize the methods used by the writer can cite one that encompasses what almost all his novels: Although Soriano's work can not be classified as historical, if we can catalog as a witness as reported, and this is one of the fundamental objectives of author, abuses of some politicians and their consequences suffered by the Argentine people. Therefore, we saw a need to contextualize the works, politically speaking before transferring to an analysis of the author's narrative and show that the character is a category that usually hosts structured on the steps of a journey is internal (within the psychology of it), be outside, wandering on the roads of Argentina. In the course of this trip, there is a process of learning and change on the part of the character. But we readers come to a conclusion that having followed in the footsteps of several characters and the players put the final piece of the puzzle, reveals the author's own image. Osvaldo Soriano.

Author: GARCIA DIAZ ALBA.
Year: 2004.
University: OVIEDO [More theses of this university] [www.uniovi.es].
Place of defense: DEP. FILOLOGIA ESPAÑOLA.
Place of preparation: UNIVERSIDAD DE OVIEDO. DEPARTAMENTO DE FILOLOGIA ESPAÑOLA.

Summary: The body of Josefina Aldecoa narrative takes as a basic reference for their life experiences into literary field. Discusses the use of memory as an engine of creation, which is reflected in their stories in the form of autobiographical fiction through two techniques that most mainstream titles: the literary autobiography (the first-person character narrates his own life ) and fiction with autobiographical elements. Both are subject to the search for identity (personal and socio female) who pursue achieving awareness, in this triple aspect, as ultimate goal of his work.

Author: HERRAN ALONSO EMMA.
Year: 2004.
University: OVIEDO [More theses of this university] [www.uniovi.es].
Place of defense: DEP. FILOLOGA ESPAÑOLA.
Place of preparation: FACULTAD DE FILOLOGA.

Summary: The Cavallería Heavenly and "divine". The gentlemanly spiritual narrative of the sixteenth century ", is a closer look at a group of works written in the second half of the sixteenth century, before seldom studied in a systematic manner by critics, and that tradition had called" books of chivalry to the divine . "Research is divided into three sections: 1. proposed survey of the works under the marbete generic" gentlemanly spiritual narrative of the sixteenth century, "most realistic textual works, supported in the analysis of each the texts, its generic characterization and relationships that provide, on the one hand, with different literary traditions earlier, and on the other, with books of chivalry Castilians of the sixteenth century; 2. critical edition of the book that was considered critical decimonónica the most representative of these readings, the book titled Heavenly Cavallería foot of the fragrant Rosa, (Valencia, c. 1552-1554) from single preserved in the Library Braidense Milan; 3) The development of a Descriptive Catalog the narrative gentlemanly of XVI century, which gives an account of the different impressions, releases and statements kept copies of some books that have not seen the light since they left the printers peninsular sixteenth century.

Author: GARCÍA LÓPEZ ÁLVARO.
Year: 2004.
University: MURCIA [More theses of this university] [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MÁLAGA.

Summary: Poetry is so undefinable as definable apparently in the process. The thesis has been realized in the process of interpreting the experience in the poem. To investigate the nature of this interpretation work is divided into seven chapters desgranan the idea of "totality" of the experience and the obstacles encountered in tension exerted so vital beforehand. Also, the fact that the stimulus provided by the fact that they circumstance: apprehension of the real material or as a tool that integrates with other ingredients strictly lingüsticos. The conclusion is that poetry, rather than copy or record or expression of life and their feelings, has the procedures of the living -aparición and disappearance; volatility; energy that transformed the horizon of its own procedure, which opens vision and reality sets as artistic self.

Author: SÁNCHEZ MARTÍNEZ SONIA.
Year: 2004.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [More theses of this university] [www.uned.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: UNED.

Summary: The first part of the work lies in the name Paloma Pedrero in the current theater scene and determines what are the scenarios of contemporary playwrights, courtroom alternatives, but, fundamentally, it underlines the importance of women in the theater and proposals and claims of dramaturgas in recent years. In the second part of our investigation we have applied the method semiológico because we think it is one that provides a more complete view of the fact theater. So we have analyzed 18 pieces dramatic written between 1984 and 200 l. This methodology and graphically illustrated exemplary behavior of the characters and development of the intrigue. The investigation semiológica all the works have the same structure as we divided into three sections: semantic, syntactic, and pragmatic. The semantic analysis, we look at space and time. You make a personal interpretation of the characters and put them demonstrate their ownership or antagonism in the works. In our work, we noted that dramaturgas peers and playwrights of Paloma Pedrero continuing flow of critical realism and looking for their works marginal characters. We have emphasized as an essential fact, the issue of metateatralidad because of the importance it attaches Paloma Pedrero in constructing his dramas, and close analysis of some drama with a very subjective explanation of the title of the piece are often loaded with symbolism. In parsing, the same set of functions and structure situations, the division into scenes, the scheme semióticas syntactical sequence, the model actancial a box presence of the characters on stage and the signs are not lingüsticos. The pragmatic analysis, the theater has always been linked to the framework social-cultural both at the time of its writing and in the reception it, collect criticism from the premiers and crafting a summary of what was in the making scene in the works analyzed. In conclusion we would like to stress the importance of Paloma Pedrero in the current theater scene and stress his work as a woman accomplice to the change that feat in the theater. Demands be heard and recalmada to authors living scenarios public since they are the example shown in its social and texts time in which we live. In addition, claims for the same woman playwright regard to the employer's private theater than their male colleagues. His voice is heard often in theatrical circles, in the press and on the stage. His theater is full of poetic truths, ironies and social grievances.

Author: SÁNCHEZ MARTÍNEZ RAFAEL ÁNGEL.
Year: 2004.
University: MURCIA [More theses of this university] [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: The Doctoral thesis is a study of all aspects of the theater business in the city of Murcia in the late sixteenth century until the eighteenth century. It provides data on pens comedies, actors and theater companies in aurisecular time, in addition to a tour of the feast of Corpus Christi in Murcia. The first stage space that existed in Murcia at the dawn of the Baroque was one of the courtyards Hospital of Our Lady of Grace and Buen Suceso. Representations were made from the year 1593 to 1609. In 1609 they built the theater Toro, a large house comedies of municipally owned aimed to cope with the demand for theater in the city. In 1633 the theater moved to a building in the Plaza de Santa Catalina in this city until 1636 that the house comedies del Toro returns to operate until the nineteenth century. The theater companies, through contracts notarized, it avenían with the landlord's house comedies to represent. Murcia was inserted in routes used by comedian when recorrían part sur-levante of the peninsula. In Murcia represented the most prestigious companies of the era as Alonso Riquelme, Juan de Acacio Bernal, Pedro Valdes, Alonso de Olmedo, Vallejo, etc.. The feast of Corpus Murcia in the eighteenth century representations of the cars were the sacramental professional theater companies coming from other cities expressly to perform this work. Apart from the theatrical performances at the feast of Corpus developed other activities parateatrales: parades of tarasca, for the Giants and conducting dances. The theater in Murcia in the seventeenth century was a form of mass entertainment, and both a commercial phenomenon that was installed in the society of the city.

Author: OLIVA BERNAL ALEJANDRO.
Year: 2004.
University: MURCIA [More theses of this university] [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: This work aims to study the birth of the information soccer in the press of the city of Murcia between the years 1990 and 1930, given that in those decades appears in the form of incipient mass phenomenon. As preliminary issues examines the historical context and journalistic those years and the origin of football as a sport in the entire world, in Spain and in the region. The study of the information published in newspapers football is divided into two parts. The first section gives a detailed description of the news emerging, increasingly, in the newspapers of the city of Murcia. The second addresses such information from a lingüstico is considered his lexicon, the figures of the language used and the style of the first chroniclers.

Author: MORCILLO IBÁÑEZ FRANCISCO.
Year: 2004.
University: GRANADA [More theses of this university] [www.ugr.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: Cataloging and study of the elements of classical Greek world that appear throughout the work kostas várnalis. The first part muestan the historical characters, mythological, literatiors and elemntos geography. The second part discusses the topics (literary, historical, society, philosophy, etc.). The third section looks at the events in ancient Greek or modern Greek, the final conclusions are focused on the treatment of elements used the classical world, in the ideology in the selection of characters and fonts, and finally, in the teaching of former world.

Author: PEREZ SALAZAR LUIS ALFREDO.
Year: 2004.
University: SALAMANCA [More theses of this university] [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Author: SARMIENTO SANDOVAL PEDRO.
Year: 2004.
University: SALAMANCA [More theses of this university] [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: The Doctoral Thesis magazine Myth in the transit of literary modernity to postmodernity in Colombia, is a rereading of the modernization process of Colombian literature. As considers most of the literary criticism, the emergence of the journal Myth (1955-1962) the mid-twentieth century crystallizes this process in the country. In this regard, Myth has been established as a border between old and new in the evolution of the letters in Colombia. The emergence of Myth - making, thus giving it a turn "adamítico" and becomes a new product, which may be explained by the genius and modernity of their managers and not by the dynamic and centenarian who has been in the process of modernizing the country literary and social. And it is in such a distortion of the legacy of the publication where the problems arise that are to understand the plural meaning. Identifying critical of their contributions and limitations as a tool for renewal has been replaced by a fragmented, piecemeal exaltation of their achievements. The fact that it has been erected on the border that separates the anachronistic and contemporary literature that suggests that moves have been completed to set up "a myth of the journal Myth": a kind of fetish which owe taxes and no analysis and discussion. The "mythology" of the publication, carries, likewise, a glorification of the writers who made it possible. They are considered <<genios>> those who promoted the project and puts them above the creators who preceded them in the order that the country and its literature speak the language of the contemporary world. In this context, research proposes a new reading of the magazine in which it is not regarded as the solitary company of a group of poets and intellectuals enlightened, but primarily as a genuine product of its time and the realization a process of evolution of the Colombian literature, which goes to the early days of what has been called "the new postmodern condition." It tries to prove, then, that Myth is a cultural one hand, riding on a "tradition" of modernity, aupada works and authors who contributed to the momentum renovator is not stopped, and even suffered at the same time in obvious anachronisms, and who, on the other hand, reflect the first signs of progress of culture and postmodern literature.

Author: LOBATO RODRIGUEZ FLORA.
Year: 2004.
University: SALAMANCA [More theses of this university] [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This research paper focuses on the figure of Edgar Neville, referred in his dual creative: literature and cinema. The thesis is based on the analysis narratológico some of their adaptations, and this compares filmic and literary texts, in response to their narrative structures.

Author: RODRÍGUEZ MARTIN BARBARA.
Year: 2005.
University: LA LAGUNA [More theses of this university] [www.ull.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: The thesis defines and exhumina corpus hemerografico published by Juan Maria Gutierrez in various organs editorials Argentina, Uruguay and Chile between 1833 and 1852, and analyzes mind coordinates personal, cultural and historical writing.

Author: VERA MÉNDEZ JUAN DOMINGO.
Year: 2005.
University: MURCIA [More theses of this university] [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: Our research project has sought to deepen the formation of the canon of Spanish literary period that critics have dubbed Noventísmo around the years 1907-1925. And this course defined literary aesthetic, because despite defend that durèes of periods literary speeches are not rigid rules which underlie canonical aesthetic, but living unfolding process, creating a literary canon in permanent constitution and continuously shifting, one of mechanisms generative core of every culture, as pointed Lotman and Uspenski, is the inherent requirement that has to be renewed even assuming the same appearance, but also to organize in early unit to be self-consciousness, and that the literature is provided through the works, magazines, anthologies and literary stories. In that sense, in the case of Novecentismo, I will defend a fee as a polissitema cultural and literary aesthetic that encompassed multiple processes simultaneously lived, as the last years of modernism nonspecific still circulating in Spanish literature until 1918, the year precisely when one of the first skirmishes of the vanguard, ultraísmo, irrumpía with great strength and would eradicate: the return to the Spanish literary tradition, largely due to the work of philological Menendez Pidal, the development of regional literature , which since the last decade of the nineteenth century, had become a literary model in any way negligible and in some regions was the fuse for ideological development of nationalism, and a renewal of epistemological letters desgranó literature more reflexive to delve into a new aesthetic education. Too many literary aesthetic trends which are explained in any way under the literary period of Novencentismo born in the heat of the "Generation of 1914", who conceived his visit in the letters Spanish as a place capable of nest different aesthetic purposes since 1907, the year in which the latter two magazines modernist, Renunciamiento and The New Mercury, they realized that modernism was already an aesthetic capable of being historiada, and when they founded the Board for Expansion of Studies and Scientific Research (JAE), a state agency which created to modernize the scientific studies and humanities at the common European style and to reconcile a country with its own tradition until 1925, the year where treaties like the European avant-garde literature, Guillermo Torre, the dehumanization of art and Ideas on the novel, Ortega y Gasset, a crystallized consciousness, in historical perspective, and the vanguards of the new epistemology artística-literaria Spanish.

Author: MOLINA JIMÉNEZ MARÍA BELÉN.
Year: 2005.
University: MURCIA [More theses of this university] [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: It forms the core of this research study demonstrations músico-teatrales that are developed during the seventeenth century in Spain. Specifically attend four comedies Calderon de la Barca: Jealousy air even kill, the purple of the rose, The Laurel Apollo and The Gulf of sirens, designed as the first two operas and the following two as zarzuelas, and inserted into part of the Baroque Theater Festival. The thesis is divided into two parts, the first of which is the theoretical basis which underpins the second: The textual analysis of the aforementioned comedies. Thus, the first part places the study in his historical, social, economic, religious, etc., and in the environment of crisis and decline that defines life in the seventeenth century Spanish. However, this decadent atmosphere provides a large hatch in the field of art, that are part of the brilliant work of the Spanish authors, as Calderon. In addition, d observation of this unique situation in the arts, discusses the manifestations of musical theater that arise from the beginning of the century. Far from being a mere imitation of activity operística Italian, are configured with a specific characteristics and motivations Hispanic. This outline is completed by the theoretical study of the major trends involved in the commentary text: Musicology, Semiotics, Rhetoric, Poetics and Comparative Literature. There is also a space for the examination of the mainstream in terms of Semiotics Musical concerns. The second part of the thesis and object of study of the same, develops analysis of the texts that make up the four comedies cited Calderon de la Barca, focusing virtualities of the music with which he endows his writing, showing the musical intent of these obras- of Calderon participates conscientemente-, since the design and construction of the story. Alongside this main goal is studying other elements of the drama calderoniana: mythological arguments, themes, topics and reasons, the special structure of the dramatic comedy, dialogues and its features, the characters and their characterization through their actions and relations, space, time and the various musical elements that dot these manifestations of the first Spanish musical theater.

Author: GUESMI GUESMI CHEDLI.
Year: 2005.
University: BARCELONA [More theses of this university] [www.ub.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: SUMMARY: Finnish criticism, with introduction and commentary, based on the unique manuscript preserved (Escorial 916), a treaty astrometeorologia, written by an astrologer Moroccan principios del siglo XV named Abu Abd Allah al-Baqqar. The treaty has mentioned the interest of conserving materials astrological andalusíes have not been retained in another source, and among them some who are a remarkable antigà ¼ age. Thus, it contains the most complete version preserved in Arabic astrological prediction system called "system of the crosses," known in the Spanish version alfonsí book, the Cruzes, which previous studies conducted by J. Vernet and J. Samsó considered orige Latino and the subject of an Arabic version in the Iberian Peninsula at the beginning of s. IX. the oldest preserved. The same book also contains nearly a hundred verses due Ibn al-Jayyat, an astrologer mid - eleventh century who was serving several monarchs taifas. Moreover, the importance of the text is highlighted in the analysis of the sources used. Gasi all are the same as those available in the s. XI in Toledo, scientists emphasize corno Sáid al-Andalusí and al-Istiyí. The new sources, not known for Sáid, is the Kitab al-Mugni Ibn Hibinta (astrologer Christian Baghdad's s. X, whose work is not disseminated in the West Islamic) and the Kitab al-bari you ahkam al-nuyum of Ibn Abi-I-Riyal (translated into Spanish in times of Alfonso X with the title of Book conplido in iudizios of stars), almost contemporary Sáid. The work of al-Baqqar contains valuable information on astrological techniques for predicting rain and the impact of the rains! Drought in agricultural production and price shocks.

Author: PÉREZ LÓPEZ ANA MARIA.
Year: 2005.
University: MURCIA [More theses of this university] [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: The objective of this PhD thesis has been the study and systematic approach of loving concepts that are present in the novel Spanish Restoration (using as a reference point the works of Benito Perez Galdos), especially when it comes to a idealistic vision, and a two-pronged. 1 - The importance of loving speech to the formation of these structural and thematic works, because it is an essential component in shaping emotional, moral and intellectual of the characters involved in them and, in many cases, will be a key factor the pattern of life and argumentative of the characters and structural elements of the framework for action novelistic. 2 - The underlying ideologies, through the commentary and exegesis of the relevant texts can detect, as they relate to the loving conceptions of the authors of the time. We have set in sinterinfluencias of the major currents of thought in the late nineteenth century (Idealism, Positivism, Pragmatism and Espiritualismo), and their translation and development in the novel Restoration Spanish, with special emphasis on aspects that affect the formulation of the theories that inspired love. We have conducted a study that contrastive departed from the metaphysical platonic, to continue its evolution over the great works of literature on the topic, basically, loving, and that led to a comparative study (rooted in Anglo-Saxon) with the Spanish novel of the last third of the nineteenth century and early twentieth century, which we addressed as well, the reflection on the projection crítico-literaria these ideological, heavily "polluted" by the positivist philosophy inherent to the Spanish Realism and Naturalism the time. We approached the study of "Espiritualismo" author emblematic of the novel Restoration (Perez Galdos, Pardo Bazán, Juan Valera ..), which have basically been analyzed from the tenets of Realism and Naturalism, and so reverse, we explained the amendments made by these currents, clear trend positivist, the romantic Idealism (a neoplatónico) and the Realism distorted, own the Spanish literary tradition precedent. In line with this, we reflect on the following points: 1 - The confluences and differences between Anglo-Saxon literature of the time and culture of the Restoration, taking into account the peculiarities of the realistic and naturalistic movements in Spain and translating and development late and persistent doctrine idealistic German. 2-Investment, distortion, criticism or parody of topical amorous classics. 3-Housing and loving experience as a reflection of morality in society of the time. 4 - The conflictual relations between intellectual knowledge and love exist, and the disastrous consequences that lead to the characters involved in these novels.

Author: MANJÓN-CABEZA CRUZ DOLORES.
Year: 2005.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [More theses of this university] [www.uned.es].
Place of preparation: FACULTAD DE FILOLOGÍA UNED MADRID.

Summary: After the Civil War, Barcelona, it is important cultural center and publisher, was forced to the use of Spanish, a number of mechanisms were put into operation from January 1939 to conduct a replacement ideological and lingüstica, whose range reaches our days. The poetic works of Barcelona during the ten years after the end of the war had not been atendidad by hsitriadores of literature, despite the considerable amount of publications that are made in Barcelona and despite the relevance of some of the poets there were forged, as Juan Eduardo Condal and despite the relevance of some of the poets and poetry books emerged in Barcelona from 1939 to 1950, contextualizándolos sono also poetry magazines (Deliveries of poetry and Green Wind), or cultural magazines artistic in which poetry played a major role (Leonardo Dau to September), general information magazine in which pormocionaron certain poetic lines (the main destination, but also Maricel, Sitges, or magazines in the SEU Alert and Style), edijtoriales collections (poetry in hand, Azor, New Barca, Cobalt, etc.), acts such as those organized by the Ateneo Barcelonès, talk shows, etc.. The main conclusions that have been reached are as follows: 1. The importatísimas work of promoters and entertainers like Luys Santa Marina, Felix Ros and especially Juan Ramon Masoliver and Rafael Santos Torroell. 2. Support for the task of launching a "new posesía" other than that advocated by the madrileñasa Escorial and Garcilaso by Dionysius Ridruejo and Cesar Gonzalez Ruano since 1943, when both were established in the vicinity of Barcelona. 3. The existancia a large group of poets living in Barcelona during the years 1939-1950, born between 1912 and 1922, Fernando Gutierrez, Jose Crustel Manuel Segalá, July Garces, Juan Eduardo Cirlot, Diego Navarro, Susan March, Francisco Jose Mayáns, Jose M. Fonollosa, etc.. Most saw their poems published in the journal Delivered poetry 1944-47 led by Juan Ramon Masoliver, Fernando Gutierrez and Diego Navarro 4. The dominance, since theoretically backed Destination, Alert and Style, a surreal beauty of nature, as opposed cosncientamente to "Garcilasista" advocated by Madrid. 5. The dissolution of the group since 1948, pushing other poets more jovénes (the so-called "School of Barcelona") and the triumph of a realistic aesthetic and social. The thesis is supplemented by several annexes, indexes of major poetry journals, interviews with actors and witnesses of the poetry of the mid-forty-an anthology of poems by the authors more representative. It has also developed an index mático for ease of reference.

Author: ABOAL SANJURJO MARÍA ISABEL.
Year: 2005.
University: MURCIA [More theses of this university] [www.um.es].
Place of defense: UNIVERSIDAD DE MURCIA.
Place of preparation: FACULTAD DE LETRAS.

Summary: The work aims to be an objective approach to an important part of the work of Alfonso Sastre, one of the most important playwrights of the second half of the twentieth century in Spain. A survey of his work recreation mythical covering more than two dozen dramas (almost half of its production dramatic), mostly unknown to the general public and neglected by critics: The banquet, The cube set aside Bread in all, La cornada, terror exercises ...... It consists of a theoretical introduction on the development of its dramaturgy and on the myth and the process of rewriting and recreation, and in its central part develops a detailed analysis of the elected body, in response to the constituents in each piece: space, time, characters, language .... It then analyzes the relationship of the work with the myth from which, noting the differences and similarities between them, to find the motives that have led Sastre in the election of myth and the prospect chosen. This allows to draw general conclusions and systematize. The works have been distributed according to their mythical theme rather than its structure, drama or form of approach to myth, and to work to provide for greater consistency. This is because they are looking for a model recreational mythical to transfer the borders of the evolutionary stage and intent, and show what Sastre contributions to the universe of myth and its relationship to the theater. These thematic clusters are: myths of the antigà ¼ grecolatina age, myths of the Spanish literary tradition, biblical myth, revolutionary myth, the myth of Saturn, myths and myth of terror of death.