HISTORY OF LITERATURE (2)

Author: HERMOSILLA SÁNCHEZ ALEJANDRO.
Year: 2005.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: The thesis attempts to link the history of Argentina with the work of Ernesto Sabato, connecting these two subjects (Argentina and Sabato) with a reading of the two key gnostic. To get to achieve this task, is a study of gracious figure of the exiled European come to Argentina to be symbolically identifies with the biblical Cain and the overlapping and contrasts with that of Abel and Yahweh in order to understand the formation process Argentina today, killing indigenous and why the behavior of the various governments and ruling classes in this country. Focusing on this vast field of study and under these purposes, the thesis attempts, finally, to answer the why, to promote better understanding of events in Argentina in the recent December 20, 2201. Here is the basic reading gnostic carried out the work because Sabato leads to a more acute understanding of this situation as at the same time raise a reading desconstructiva the same allowing illuminate the hope for the soul so often punished the citizens of that country. The thesis is divided into five parts (The tower of loneliness, the route of Cain, the voice of Yahweh, the gold and creative Cain), which related to its lengthy prologue and epilogue final attempt to chart a path that could allow construction of a utopian Jerusalem, according to the American reading that the author of the thesis makes the work of Argentine Sabato and history can only arrive when the man ends imposed by the law and impose the creative task as the right , duty and fruit to be designing for and disposing of their liberty with full responsibility.

Author: ZAPLANA BEBIA BEATRIZ.
Year: 2005.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: The configuration of the universe of fiction novels of Jose Donoso is paired with an antropomorfización space. The study of the house, the garden, the physical limits of the latter and his confrontation with the outside shape of a poetic inside and outside. Such polarization generate a hierarchy of power behind the characters in the novels: the center of the house radiates distribution order, which identifies itself with the beings that inhabit it. When this strict concentricity is fractured (characters who violate the limits space allocated to them according assumption social represented within the space of the house) becomes chaos. The humanization of the environments in which they operate most of the stories of Jose Donoso is contaminated with the beings that inhabit. The study on space physical environments are equated with the characters that inhabit: These are slaves of where they are assigned and any attempt to break this order will lead to the abandonment of the no-lugar, the uprooting. The spaces in which concentrates the study are also in the house as proper environment inside and center for the order, the garden with its emotional implications (desire for escapism in a nature subject), the boundaries, which separate the interior abroad, which are inhabited but not destroyed, outside which involves punishment and spaces in which private property is concentrated: drawers, trunks, corners under beds, including parallel realities, as the theory of the third dimension in the the characters recreate the universe desired. All of this space vision carries a projection of intimate desires for defense, meditation and protective Gaston Bachelard studied from a phenomenological perspective, and that is applied to images of intimacy behind the literary imagination dela narrative Jose Donoso.

Author: MAURIZIA ROLFO.
Year: 2005.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: Analysis and study of a manuscript preserved in the National Library of Madrid and registered with the title of "travel and Italy. Anonymous." This is a notebook of a Spanish journey whose name does not appear in the text, which landed in Trapani, recorrela Sicily in the north and in Messina pass to go up the narrow peninsula along the Tyrrhenian Sea and reach Naples, Rome, Siena and Florence. Crossbred region Emolia Roman to reach Venice, Lombardy and Piedmont. Then crosses the border with France in Perpignan and the journey is interrupted. The manuscript is made up of 69 numbered pages. The author points out in an accurate way miles that separate one from another stop, the number of people in each city and other details. Draw fortifications and defenses, measured wall, rooms, bastions and calculates the impact on them would cause the gun. Investigates the defense and attack cities, notes the economy and the area's resources. It investigates the nature and status of the language they use, topographical data and historical characters and cited states that the text belongs to the sixteenth century written by a military engineer who traveled all places and forticaciones cited.

Author: MIRA ORTIZ ISABEL.
Year: 2005.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: That thesis explores the cultural events of Easter through the liturgy, customs, traditions and peculiarities of each site, held in those days defined by the Church as holy. It has been the first apostolic times and evangelicals in which structured a nascent Way of the Cross, as well as the structuring of the Liturgy of Lent and Easter. In its projection penitential originated in the sixteenth century, has been summarized the birth of the brotherhoods and brotherhoods pasionarias, core in the formation of cults and processions to the figures of the Passion of Christ. Being raised this argument in two parts, the first sets out the facts of a more descriptive, chronologically as to the origin of parades and performances of the Passion, while the second examines the texts that these actions have resulted and they have inspired, being exposed by Literary genres of them and stressing its contribution lyrical, historical, artistic and historical, basically. Through these documents are released and ethnographic and anthropological aspects that Easter is celebrated with a wealth of outfits túnicos, each with its symbolic contribution, its concrete forms and modes of expression of popular religiosity that is what driving these demonstrations.

Author: GALÉ CASAJÚS ENRIQUE.
Year: 2005.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: Divided into two parts, the thesis provides a comprehensive approach to the form and thematic Pilgrimage Pedro Manuel de Urrea along with a first critical edition of this text Renaissance, which was believed missing after the ban inquisitorial. The "Introductory Survey" includes an update of the literature on Urrea and literature of travel of the first Renaissance, a novel and documented biography of the author and a detailed recreation of the European pilgrimage of the time. Complete the "Study" the literary analysis of the book: formal structure, sources used by the author, key aspects formal and thematic and an analysis of "Pilgrim's songbook" insert. The critical edition, preserving the particularities of printed graphics, corrects errors introduced during the printing process. A large section of character socio-literario accompanying notes to the edition and several appendices devoted to specific vocabulary, Greek prayers, the route followed by the author.

Author: STONE JOHN.
Year: 2005.
University: BARCELONA [www.ub.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Author: CARRO CARBAJAL EVA BELEN.
Year: 2005.
University: SALAMANCA [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This work focuses on the issue and the study of loose sheets poetic Spanish sixteenth century religious themes. Its primary purpose is to raise awareness of the compositions that are dumped on them, offering an edition etymologically cared. The investigation comprises three main parts: the first considers the production religious transmitted loose sheets, taking into account the social, ideological and espiritual-religioso, as well as other issues considered of vital importance, as censorship inquisition, the perpetrators of specifications and its public rhetoric and formal variety, "popular" and the so-called "religiosity useful", and also includes a thematic study of these forms, classified into cristológicos, Marian, hagiográficos of miracles and apparitions, Christian doctrine and Christian morality. The second part provides the code library (328 records), including not only by sheets loose poetic religious sixteenth century to be preserved, but also by those news direct or indirect justify the existence of loose sheets that have not come up us; problems configuration corpus and the sort of the entries are detailed at length, although the resulting classification is fixed parameters temático-formales, adding to the aforementioned groups: "extravagant" and "difficult assignment" . The third edition of the forms the loose sheets religious verse edited or not published to date, a task that has been developed after establishing criteria filológicos serious and rigorous.

Author: GONZALEZ ALVAREZ JOSE MANUEL.
Year: 2005.
University: SALAMANCA [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This study aims to provide key conceptual writing narrator Argentine Ricardo Piglia (1940) in the segment of the past three decades, stressing texts relegated at the same time critical to understand the poetry of the author and many aspects of contemporary narrative argentina . It insists on a slope dumped in fragmentary texts and brief sketches narrative that we enter the hibridismo generic, one of the most burning issues of critical debate today. Thus, we propose a structured analysis in chapters dealing with each of the areas most relevant to their textualidad, focusing here on a novel. Faced with some case studies on the writer affecting novels and platitudes well known, we try to shed light on Piglia from other angles, one of the chapters shows the variables of the writer links with the edges of the postmodern literary and metaficción; Alternate his point is referred from the mixture of genres to deepen after the intersecting ensayo-crítica-ficción. Other novel nor beyond our investigation as parody, pastiche, the mood of "cachada Buenos Aires," "critical strategic or management of the newspaper as narratively autoficcional. In order to provide a critical contribution original, we apply a methodology for combined analysis. On the one hand, the texts are examined under the textual criticism of Gérard Genette, and palimpsestos transtextualidad, on the other hand, complement the study with the procedures of comparative literature: it allows us to go framing their literature in an Argentine tradition, River Plate, Hispanic-American and Hispanic, and then connect with authors of other languages as Ítalo Calvin, or John Berger Claudio Magris. In addition to achieving a broader analytical horizon, the aim is to illuminate the figure of the writer from parameters not implemented so far, so his books are also studied in the light of the tension autobiografía-autoficción to provide a multilateral working, capable of correcting the vacuum existing literature on certain sector of the work pigliana.

Author: CIFO GONZÁLEZ MANUEL.
Year: 2006.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: The Doctoral Thesis entitled Rodrigo Rubio: Life and literary represents an approach to the work of narrative and Essay writer Rodrigo Rubio, born in Montalvos (Albacete) on March 13, 1931, who is the author of 25 novels, 11 books of testing and 13 books of short stories, as well as a lot of stories collected in several volumes antológicos, in the press and magazines. One writer who has won prizes as well known as the Gabriel Miró, the Planet, the Novels and Stories, Hucha Gold and Alvarez Quintero, among others.

Author: GÓMEZ APONTE JOSÉ FELIX.
Year: 2006.
University: MURCIA [www.um.es].
Place of defense: UNIVERSIDAD DE MURCIA.
Place of preparation: FACULTAD DE LETRAS.

Summary: The study aims at forming a picture that embodies in the history of Puerto Rican theater one of its main aspects: the staging of the texts. To achieve this goal, and as a conceptual framework outlined first, the emergence of the concept of staging in the area Hispanic; that notion was linked to the figure of the stage director, and briefly outlined developments and trends over time.

Author: MANSOUR AL-HAJIRI FAHAD.
Year: 2006.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: UNIVERSIDAD DE MURCIA.

Summary: The doctoral thesis, entitled "Culture and theater in Kuwait: origins and development. Schools, authors and directors" represents an approach to the Kuwaiti culture to the Western world. Through the leitmotif of his young dramarturgia, are showing changes in the country due to strong foreign influence, and the parallel emergence of the theater with cultural development, having been introduced as a teaching tool in schools, teachers from Arab countries with more teaching experience.

Author: LAGANÀ ALESSANDRO.
Year: 2006.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The thesis discusses the similarities that exist in the thought and works by Luigi Pirandello and Miguel de Unamuno. The work is divided into three parts: The first is devoted to the study of biographical similarities between the two authors. The second compares the literary theories that were developed. The third focuses on thematic analysis and caracterizaicón of the characters in his works. The aim of the thesis is on the one hand to demonstrate the possibility of a reciprocal knowledge, direct or indirect, between priandello and unamuno, on the other hand, highlight the incredible resemblance between the two works that until now have not been thoroughly studied since a Comparative Perspective.