LANGUAGE AND LITERATURE (2)

Author: ALMÁRCEGUI ELDUAYEN PATRICIA.
Year: 2004.
University: ZARAGOZA [www.unizar.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FILOSOFÍA Y LETRAS.

Author: TEJERO ALFAGEME MARIA PILAR.
Year: 2004.
University: ZARAGOZA [www.unizar.es].
Place of defense: FACULTAD DE FILOSOFIA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFIA Y LETRAS.

Summary: The original thesis of this work was to ascertain that such seemingly disparate works, such as microrrelatos of J112n Jose Arreola (Varia Invention (1949) and Confabulario (1952)) and Maghrebinische Geschichten (1953) by Gregor von Rezzori and Die Tante Jolesch oder der Untergang des Abendlandes in Anekdoten (1975) Friedrich Torberg go back to reality in the tradition of anecdote as a literary genre. The word microrrelato is actually a concept that includes only one feature: brevity. The literary criticism today emphasizes the originality and innovation of this kind, wanting to see him ónicamente the emergence of the movement that revolutionized avant-garde literature of the twentieth century. After reading the works of many authors who are deemed to write microrrelatos (Huidobro, Torri, Borges, Bioy Casares, Monterroso, to name a few, since the list is endless) discovered that under this term fit many genres: apothegms, anecdotes , bestiaries, exempla, jokes, jokes, cases, news. Understanding gender means a study in its evolution and its mystification with other genres, as well as question the status filosófico-histórico it. Therefore, to understand the microrrelato and defend their relationship with the story, we are not another remedy was to study it in its decisive moments, as is the transition from oral to the writing on the world stage agónica of our traditions. Thus, we discover, first, that microrrelato not only relates to the story, but also with all genres brief that emerged from the decomposition of the story (joke, joke or deception, particular case), and secondly, in our Western culture, the centuries including late Middle Ages and Humanism first are essential to the development of these genres. In the first chapter of the thesis do a review of theoretical picture on the story. We produced a critical study, establishing clear lines of thought and taking into account the different theoretical schools studying anecdote as a literary genre. This chapter is divided into two blocks. In the first study the different theories of anecdote from a histórico-filosófico, distinguishing three basic stages: Humanism, and the birth of modernity (German Classicism and Romanticism), and the maturity of modernity (the twentieth century). In a second section, which we called "Deslinde gender-dedicate ourselves to the study of the different answers that have given theorists at the time to analyze the story in its relationship with other genres minors, as the joke, joke or the literary tale. In the second chapter we studied the anecdote in antiquity, inserted into three major areas or genres, because at this stage the anecdote does not appear independently: gender simposíaco, compilations and encyclopaedic history. In the third chapter we studied the erosion folk tale and its disintegration in other genres minors, which took place at the end of the late Middle Ages and the first European humanism. The corpus of selected works for this is as follows:-Erasmus, Colloquia (1518-1529). Mensa philosophica (first half of the thirteenth century-1480). - Torquemada, Symposia satirical (1533) and Flower Garden curious (1569). Ii-Novellino (centuries XIII-XIV). - Francesco Sacchetti, 11 Trecentonovelle (late fourteenth century). Gian-Francesco Poggio Bracciolini Liber facetiarum (1380-1495). - Sebastian Brant, Das Narrenschiff or The ship of Follies (1494). - Heinrich Bebel, Facetien (1508-1512). - Michael Lindener, Rastbüchlein und Katzipori (1558). - Jakob Frey, Gastengesellschaft (1556). - Georg Wickram, Das Rollwagenbüchlein (1555). - Johannes Pauli, Schimpf und Ernst (1522). - Santa Cruz, Floresta Spanish (1574). - Timoneda, Overall notice and Portacuentos (1564) and The Sobremesa relief and walkers (1563). - Sebastian Mey, Fabulario (1613). - Juan Lara of Evil, Philosophia Vulgaris (1566). We believe that the most interesting conclusions of this chapter are: having a rough concept of gender, as well as story, particular case, 8 joke or ffe mockery and anecdote; bear in mind that words like story in Spain, in Italy novella , schwank in Germany and facecia in literature written in Latin are actually different words for the same phenomenon that occurred in Europe during the first Humanism: the mystification and descanoni7ación of genres minors from the decomposition of the folk tale, and finally try to identify the most important mechanisms for this mystification. The conclusions of the thesis we gave a perfect definition of the sexes, which tries to meet the aesthetic requirements of each, including: primary education in the story, the experience of an ancestor on his relationship with the gods in the case ; banish the stupidity of the realm of the human person at the joke and mockery; dignification of the wise and witty hero who rebels against the new values resulting from the inequality in the festive story. But, as we have pointed out, it would be normal in these works of the late Middle Ages and early Humanism find these genres mixed. So in theory find definitions like: cuentos-anécdotas copies; anecdotes festivosatíricas; stories burlesque; event particular-burla, etc.. That is, the most important feature of these genera is its mainstreaming and proteísmo, and the most important mechanisms that make it possible transmigration would be: the location in space and time, the strength of a player, ie heroificación; different treatments of laughter (whether folk, satirical, destructive, etc.). resistance or justification for what is obscene, and the treatment or processing of traditional values, such as ingenuity, generosity, generosity, the concept of what fabulous. In the fourth and final chapter apply the conclusions taken from the body of the thesis to study comparing the story between the years 1930 and 1960. Arreola takes up the rhetorical tradition of works encyclopaedic knowledge dissemination. But in his collections are not an anecdote exemplary and didactic, but an anecdote festive belonging to the aesthetics that advocates a new humanism. Torberg and Rezzori, however, seek the establishment of an idyll through anecdotes. They create an imaginary country that is based on the defunct Austro-Hungarian Empire (the union of East and West) and they do it through these genres brief from the erosion of the folk tale. In our view, this argument assume three challenges: first, the task of retrieving evolutionary study of values in their great eras, from the perspective of the philosophy of history, revelándonos against the division of science and knowledge in areas of times close, among which there is the permeability of ideas, and second, understand the story, not only as a brief and witty occurred in the historical reality and has a moral order, but as a genre that has a folk origin and which responds aesthetic themselves to the needs of the passage of world traditions from the historical societies, and third, to discover the huge interest in a wide range of genres from minor wear, sometimes degradation, the folk tale, to bring new tasks, as the study of the same story, microrrelato or trial since a new aesthetic perspective.

Author: Vigueras Fernández Ricardo.
Year: 2005.
University: MURCIA [www.um.es].
Place of defense: Facultad de Letras. Universidad de Murcia.
Place of preparation: Facultad de Letras. Universidad de Murcia.

Summary: The Doctoral Thesis deals with the study of fifteen works: seven novels and a volume of short stories of American Steven Saylor, five novels also of American John Maddox Roberts, finally, two novels of Spanish writer Joaquin Borrell. There has been searching for the classical sources, a review of these humanistic and literary works applied to the following major items to each devoted an entire chapter of the thesis: the city of Rome, forces of law and order, Mythology , Religion and world of the dead, Characters historical, military and armies Battles, Art and Architecture, Food & Drink, Circuses and gladiators. The conclusions that we have reached are: 1. Various vision of historical fact: Revisionism of Saylor versus traditionalism of Maddox. While Maddox is more faithful to the classical sources and follow feet juntillas As Cicero said, Salustio and Plutarch, Saylor part of the same sources for reinterpretarlas and thus create a 'argumentum', ie, an interpretation invented on a bottom of the period. Maddox, however, is more faithful to the official view of history. 2. Verosimilitud the figure of exquiriente or detective. The authors use the ambigà ¼ age to create a historical personage detectivesco to remain true to our vision of the traditional detective while being overly historical plausibility. They are based mainly on the testimony of informers, monitor, tresviros capital and the routine use by Cicero informants. 3. Americans of Antigà ¼ age and Americans today. The two authors with different intent, establish a parallelism between the Roman Empire and the modern American Empire. This comparison is not meant to be scientific or fundamentalist, is subtle and didactic, illustrative. 4. Different use of the time frame. Saylor invents more history, while Maddox invents more between history. There is a substantial difference in goals: Saylor looking for the creation of a fresh historical, while Maddox addresses a number of times. 5. There is extensive documentary research by the authors. The documentary research of the authors is acknowledged and tourism. It serves both as classic works of modern texts. 6. This illuminates the past. The view is modern, as well as ideological narrative. There is a strong influence of films on the work of these authors. 7. Rigor and invention of literary style. Modern translations of "Satiricón", Petronio was consitituyen as an influential model of inspiration for these modern authors by drawing characters and environments.

Author: MERCHAR RUIZ JUAN CARLOS.
Year: 2005.
University: LEÓN [www.unileon.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: The thesis examines the originality of the poetry of Carlos de la Rica, which started from the lead in the post-war years. In the poetic essence of author reveals a literary humanism in which combines Christian perspective and presence worldwide greco-latino. The thesis anliza books and poetry stages of Carlos de la Rica from a chronological approach, commenting on the characters and appreciate his style, as well as its major themes. Throughout this investigation have been associated traits singularizadores of poetry with which the author presents his play and his writings in prose.

Author: SANTANA QUINTANA MARÍA DEL PINO.
Year: 2005.
University: LAS PALMAS DE GRAN CANARIA [www.ulpgc.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The present study focuses on the literature of traveling Bill Bryson, an author of American origin who has lived on horseback between two distinct worlds, England and the United States. The study begins with an introduction to the genre, from its beginnings to the present, realizing each one of the most significant stages of the book of travel and their compliance with the various historical periods, social and literary. We present a detailed analysis of the formal and stylistic trends of gender in the last three decades, bringing together authors agree that a number of topical and respond to common interests and motivations, while at the same time rely on the inspiration of generations of travelers earlier. He then carried out an approach to the genre, in the case of defining the travel book in its structure and content and differentiating, while other forms of literature related. The second chapter is an overview of receiving academic book travel. We pause in the commentary of the various anthologies, dictionaries, monographs and journals that have dedicated their pages to this kind of narrative. Also, we approach the concepts of self autobiographical and cosmpolitismo on gender. The third and fourth chapters are focused exclusively on the book by Bill Bryson. After a detailed study of each book travel, work addresses the issue in his prose cosmopolitan traveler. There are two fundamental ideas: on the one hand, questioned the notion of the household and that of the foreign land as similar concepts, and secondly it is to decipher whether a foreign territory can become an area belonging to the passenger.

Author: ROCAMORA TORÁ JOSE.
Year: 2005.
University: MURCIA [www.um.es].
Place of defense: FACULTAD DE LETRAS.
Place of preparation: FACULTAD DE LETRAS UNIVERSIDAD DE MURCIA.

Summary: The thesis "Analysis temático-textual of propaganda campaigns in referendums in 1976, 1978 and 1986 in the press of Murcia" is organized into eight chapters: the first addresses the objective of the study approach and working assumption, followed chapter two, devoted to the analysis of non-competitive elections, referendums and plebiscites, from the perspective of its international practice and experience in Spain. Chapter three discusses the Referendum of the Political Reform Act of 1976 (political landscape of Spain and Murcia in 1976, the structure of the media period, the legal framework in which they announce the referendum campaign and the results), while the fourth chapter focuses on the referendum of the Spanish Constitution of 1978: the profile of the party system in Spain after 15 J structure national and regional media Murcian: the campaign itself and the electoral results of the referendum. In Chapter 5 is undertaking research Referendum on the permanence of Spain into NATO of 1986, following the same analytical process used in the study of previous referendums. The remaining chapters are dedicated to the findings, in the peer-reviewed literature by thematic areas and the annexes. The investigation noted for the originality of theme translated into object and methods of study, poorly analyzed from the perspective historiográfica in two fundamental aspects of the thesis: in its interdisciplinary analytical perspective (mainly provided by the Lingüstica / Semiotics and History) and the confrontation and mobilizing diverse sources, especially the press, audiovisual media and oral testimony. As the referendum an instrument quantitatively little used in democracies such as Spanish, and poorly studied, the relevance and necessity of this thesis contributes positively to their attention. The author, throughout the work, subject to the socio-political reality verbal analytical prism of scientific research on their side antopológica and lingüstica-humanista, lingüstico-historia, ultimately, and has resulted in the elucidation of many renovecos of oral intricate maze of political discourse of referendums within the historical context contemporary Spanish, depending on the texts published in the press of Murcia. Excel, meritoriamente, presentation estadística-cuantitativa of various parameters analyzed, as well as the argumentario semantics of speeches. Working doctoral research invaluable and ambitious as interdisciplinary research, which suggests, and the expectations generated on many of the issues raised therein.

Author: Vidal Rodríguez-Sabio María.
Year: 2005.
University: A CORUÑA [www.udc.es].
Place of defense: Facultad de Filología.
Place of preparation: Facultad de Filología.

Summary: The dissertation is based on a method of teaching English language to Spanish, using a "short story" Scottish paara each teaching unit designed. It includes a first section on the importance of the English language, the development of teaching methods used in Spain, and the use of literature for parendizaje a second language. The second block is the exposure and explanation of the method created including teaching units created (exercises and theory), the explanation of the development of its implementation, and results. Among the appendices are included valuation didactic other "short stories" with the Scottish which can be applied the method, the sound recording of a class with students from kindergarten, a video recording with students from Primary and recording stories read .

Author: Agelvis Carrero Valmore Antonio.
Year: 2005.
University: A CORUÑA [www.udc.es].
Place of defense: Facultad de Filología.
Place of preparation: Facultad de Filología.

Summary: Semiotic analysis, framed in an interdisciplinary itinerary of the cartoons of Venezuelan Pedro Leon Zapata. Based on a corpus of reference 1215 cartoons, the author makes a representative selection of the 40 years during which the Zapata has been publishing his cartoons in the Caracas daily El Nacional. The study conducted a tour of the passions, as a phenomenon focused on the processes semiotic significance of confrontation and disqualification from politics.

Author: GAYA CATASÚS JAUME.
Year: 2005.
University: BARCELONA [www.ub.es].
Place of defense: FACULTAD DE PEDAGOGÍA.
Place of preparation: FACULTAD DE PEDAGOGÍA.

Summary: From the context of discourse analysis and literary studies, and from a systemic perspective, we have developed this theory to study the Non-Verbal Communication in a literary text narrative. The main objective is based on the classification morfológico-descriptiva and Functional Systems No. Verbale closest to the human body-Kinésica and Proxémica- in a literary, specifically in Gatopardo. To this end, we have developed a model of Semiótico Transcription of the Non-Verbal Communication in Literature. To demonstrate its viability, given the breadth of the subject, we decided to narrow our field of research, ciñéndonos the Functional Classification Categorial and the facial expression in the novel above. All of this is aimed at trying to improve the reading, adding a new approach to the analysis of literary works, making the reader aware of the possibility and strategies of the Non-Verbal Communication in a literary text. The ultimate goal of our work is to help the reader to develop the capacity to assess the reading and recognized as a source of cultural enrichment and personal pleasure. The thesis is divided into three levels of analysis: A Prime-Level Analysis exposed the methodological basis of our argument, and we try to express the resources No Verbal Communication at Gatopardo as well as a study of facial expression. B-In a second level of analysis show graphically the numerical values and percentages of those aspects of facial expression. C-And in a Third Level Analysis perform Classification Categorial and Interpretation of all cases of each of the 28 Expressions Facial registered in the novel. We finished our work with the conclusions that we have obtained from the objectives of our thesis, both general and specific, responding to questions Research we have made in the process of developing this thesis. Finally, we set a number of general conclusions that are repeated so systemic in the 28 expressions Facial registered in Gatopardo. Taken together, these findings have led us to determine the importance, indeed, is not Verbal Communication in a literary text.

Author: KARAGIANNIS STYLIANOS.
Year: 2005.
University: GRANADA [www.ugr.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD DE GRANADA.

Summary: In the first part of the thesis is an examination of the theory Ortega of metaphors and gives examples of the two poets reviewed here. The second part addresses the following issues: the question of literary communication, the theme of world figures, metaphorical and development in the two poets. In the last of the thesis, a comparative analysis and provides a model for the study of metaphors in Juan Ramon Jimenez and Seferis from a semantic and lingüstico at the same time.

Author: De Salvo Mimma.
Year: 2005.
University: VALENCIA [www.uv.es].
Place of defense: Facultad de Filología.
Place of preparation: Facultad de Filología.

Summary: This thesis is carrying out a study on women in the practice of scenic Siglos de Oro. Its goal is to reconstruct the route traveled by professional women on the stage at the time, charting and investigate all possible alternatives that allowed the actresses, musicians and authors of comedies of the time, access and stay in that space professional. The study of the activity carried out by women as professional theater, not only learn more about the status of women at the time, the moral and social about it and that was necessarily weighed on consideration of the professional actress, but contribute to a better understanding of women in the workplace in general, and theater in particular, because it lets us know about the mechanisms that consented or refused access of women to theatrical motion and retention in the . In turn this study of the activity of theatrical actress at the time, contributes to a better conocimeinto of theatrical companies at the time, its organization and functioning, infrastructure and working methods, better understanding, in short, an aspect key activies dramatic at the time, not so far studied as a whole.

Author: SUÁREZ TEJERINA LORENA.
Year: 2005.
University: LEÓN [www.unileon.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: UNIVERSIDAD DE LEÓN.

Summary: This dissertation is part of the Rhetoric Contrastiva. In particular, it aims at the identification and interpretation of the similarities and differences between English and Spanish regarding the evaluation strategies (praise and criticism) in the reviews of books published in academic journals and macrostructure typical this genre literally. In order to ensure comparability of the texts, most of the work of contrast between the two cultures written focuses on the comparison intralingüstica of macrostructure by textual study of two academic disciplines, history and law. Through this kind of rhetorical comparative analysis, the thesis aims to: a) reach a better understanding of the reviews of academic books, a genre rarely studied him in the past, b) clarify the still poorly defined concept of evaluation in the speech, Specifically, how the writers shared with readers his criticisms and praises of academic books in the context of a review and c) to determine the role of evaluation in macrostructure of the reviews. This thesis shows that the writers English and Spanish share similar expectations on the conventions of writing reviews of academic books, which would affirm that reviews academic constitute a genre in their own right. For example, recensores tend to organize their reviews according to a set of functional units textual defined and recognizable: 1) introduction, 2) description of the parts of the book, 3) evaluation of certain aspects or parts, and 4) final verdict . Another common feature seems to be a tendency to concentrate on specific sections of evaluative comments of the review, the third and fourth. In addition, recensores of the two cultures tend to open and close the review with positive evaluation of the book. Moreover, the negative assessment focuses on the central part of the review, there was more room for justification, discussion and mitigating the negative evaluation. It also shows, among other things, that resources such as the adverb perhaps- quizá- are used in both cultures written to soften criticism of the book recensionado. They also noted that relations adversativas (type but- pero-) are often involved in carrying out strategies combination criticism and praise, in order to mitigate criticism. On the other hand, this dissertation reveals some interesting differences between the English and Spanish that reviews should be attributed to cultural preferences. For example, not only have the British reviews much evaluation, but also show that most critical reviews Spanish. To a lesser extent, have revealed differences attributable to trends specific disciplinary specific cultures. For example, recensores Spanish law seem to be much more reluctant to express negative assessments that recensores Spanish history. This research has important applications in the teaching of reading and writing academic reviews in English and Spanish as a foreign language. Similarly, the results of this study may be useful for designing future patterns writers.

Author: GONZALEZ DE SANDE ESTELA.
Year: 2005.
University: SALAMANCA [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: The interest of Leonardo Sciascia, a Sicilian writer born in Racalmuto in 1921 and died in Palermo in 1989 by the Spanish culture arises when it has barely sixteen years and coincides with the outbreak of the Spanish Civil War. This event will arouse the curiosity of the writer for the most varied aspects of our country and you will pronounce the phrase "the avevo Spagna nel cuore" collection in which he considered his first book I parrocchie di Regalpetra; a phrase emblem of feeling Spain esteem that accompany him throughout his life. As interest in the Civil War joined the discovery of big names in Spanish literature such as Ortega y Gasset and the writers of the two great generations of 98 and 27. And similarly will aim at those bridges that share the Spanish culture and Sicilian. The two territories have a common history since in 1282 the King of Aragon, Peter the Great, was apoderase Sicily turning it into Spanish domination until the eighteenth century. The Civil War, the shared history Sicilian and Spanish and Spanish literature are recurring themes in the works of Leonardo Sciascia. The manner in which manifests the presence of this system Spanish culture in the production of literary Sicilian leads to a comprehensive study by a typical methodology of comparative literature as in the descriptive analysis and critical, I present in my Doctoral Thesis.

Author: RODRIGUEZ PANIAGUA LUIS ROGER.
Year: 2005.
University: SALAMANCA [www.usal.es].
Place of defense: FACULTAD DE FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGIA.

Summary: This paper discusses various aspects related to the gender of mirrors princes (mirror for princes, fà ¼ rstenspiegel, miroir, nasihat), which is common to most of the literatures of Europe and some of the oriental.

Author: RAMOS SABATÉ JOAN MARC.
Year: 2005.
University: BARCELONA [www.ub.es].
Place of defense: FACULTAD DE PEDAGOGÍA.
Place of preparation: FACULTAD DE PEDAGOGÍA.

Summary: Based on a review of current trends in the teaching of literature and the study of teachers' conceptions of literature, it is proposed an alternative focused on integrating gender as a literary axis. The implications didactic where development intertext, the format of reading strategies and observation process reader occupy a central place. The thesis is created, experiences and discusses two examples of teaching sequence (one based on the reading of texts and other dramatic when comparing different versions of the myth of Dracula) in a real - SCS from the methodology the research. The results of all the work contributes to the validity of the transposition of a new educational training model in which the literary historicism and all the classic lines of intervention are in the service of a comprehensive training focused on the development of intertext of readers and his taste for literary texts.

Author: PIANACCI ADRÁN Rómulo.
Year: 2006.
University: VALENCIA [www.uv.es].
Place of defense: Facultad de Filología.
Place of preparation: Facultad de Filología.

Summary: The aim of the thesis is an analysis of the different versions dramatúrgicas found in the Antigone of Sophocles, produced in Latin America during the period 1952-2004. Many of the versions are analyzed unpublished and have not been studied previously, with a holistic approach historical context of social production.

Author: NASCIMIENTO COURAS FÁTIMA MARÍA.
Year: 2006.
University: LEÓN [www.unileon.es].
Place of defense: FACULTAD DE FILOSOFÍA Y LETRAS.
Place of preparation: FACULTAD DE FILOSOFÍA Y LETRAS.

Summary: Grounded theory by the Renaissance Historical context, the thesis presents the Art of Poetry Christopher Figueroa who was judge, and poet and soldier who took office underlined in the government of King Philip II. Composed of 5 chapters: 1) The poet biography, intellectual training, their cultural and friendly poet, soldier and jurisconulto. 2) Areas thematic poetry of Christopher Mosquera of Figueroa. 3) The poetic language. 4) genres poetic. 5) The poetry in context Literary SEvilla in the Golden Age. Conclusion, bibliography and appendices.

Author: GUTIÉRREZ GARCÍA MERCEDES.
Year: 2006.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis was about the travel literature of fiction in ten American contemporary novels. THE leftovers selected are: On the road Jack Kerouac, A Good Day to Die for Him Harrison, Not Fade Away from Jiom Doge, Anywhere but here Mona Simpson, Long Division Anne Roiphe, The Powwow Highway of Davil Seals, The Widows' Adventures of Charles Dickinson, Travesty John Mawkes, The monsquito Coast by Paul Theroux and Hearts of Hilma Wolitzer. Its structure is tripartite. The first part provides a definition of travel and travel literature from a variety of interpretive and shows that the "real" in the journey and in the literature of travel were invalidated. Passengers also defines, in particular by using two criteria qualifiers; speed and landscape. The second part presents the relationship between drivers both sexes and fellow / as travel and establishes three groups: relationships based on family relationship, relationship between the partner to travel traditional and driver / driver relationship ay / to states with the / passenger / a transitional / and / or / passenger / as non-human. Finally, the third part focuses on the type and travel in three of the ten selected works in order to prove that the journey of man and the woman are different in nature and acquire a recognition that socially inequitable.

Author: REBOLLO PRIETO JESUS.
Year: 2006.
University: NACIONAL DE EDUCACIÓN A DISTANCIA [www.uned.es].
Place of defense: FILOLOGIA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: The work consists of upgrading, expansion and reorganization of the primary and secondary literature of authors or deceased intervened during these 400 years in the geographical area that now corresponds to the Autonomous Community of Castile and Leon. The main objective is to provide a reliable first-search tool for researchers interested in the field of study historical or literary reclined with writing female Golden Age. This is done by the information in a hierarchical system of separate files, organized alphabetically, with a structure that responds, in that order, the following points: original handwritten works imperas, citations previous historical documentation secondary, and finally, secondary literature. A brief critical apparatus supplements, from the bottom, each sheet.

Author: FERNÁNDEZ ALCAIDE MARTA.
Year: 2006.
University: SEVILLA [www.us.es].
Place of defense: FACULTAD DE FILOLOGÍA.
Place of preparation: FACULTAD DE FILOLOGÍA.

Summary: This thesis is divided into two major parts. The first, contained in the second volume, which corresponds to the transcription and editing of a total of 640 letters deprived of the Spaniards who emigrated to India aimed at family members in the Peninsula, dated in the second half of the sixteenth century and from all over American territory uncovered and occupied until then. For the edition was on the other conducted by a historian who gave problems and that it was not useful for the study of historical linguistics; nevertheless served to locate documents in the Archivo General de Indias, which has prepared the new edition, which is organized according to linguistic criteria, and those who have not found others added by the historian and that was unpublished. The second part of the thesis is that contained in the first volume. It consists of eight chapters framed by the introduction, which can be explained by the side lines of investigation have been taken into account, and, secondly, the objectives and working methods, and conclusions. As these eight central chapters, we can also divide into two blocs and show a closer look at the texts from the most external to the depths. In the first block, corresponding to the chapters of 1 to 4, has responded to the location of the documents, their external features as its conservation status and the various types of writing they used their authorship, the description sociological their issuers, all of this in chapter 1, phonological aspects arising from the use of scripts, chapter 2, the characteristics of the issue and problems that have been raised especially with the score, Chapter 3, and finally , has done an analysis of rhetoric that approximates the current studies on the traditions discursive want to justify certain linguistic and structural features in the genre of the letter privately. In the second block of Part Two is where it has conducted a detailed study of syntax. The first two chapters syntax extraoracional make a review of all the language resources in the service of cohesion, it is special markers speech, chapter 6, which has always sought to connect with social issues and had their gramaticalización has been also under review. The last two chapters have been devoted to parsing intraoracional: 7 to the juxtaposition and coordination and 8 for subordination. In these two chapters have been reached conclusions relevant to the historical and linguistic connection with the immediacy and distance communication, and therefore with the oral and writtenness concepcionales.