PSYCHOANALYSIS

Author: MAIA MURIBECA MARIA DAS MERCÉS.
Year: 2003.
University: AUTÓNOMA DE MADRID [www.uam.es].
Place of defense: FACULTAD DE PSICOLOGÍA.
Place of preparation: FACULTAD DE PSICOLOGÍA.

Summary: Using the Theory of Native Charm and Traductiva of repression, Jean Laplanche "Reading Hans (with) a theory of child sexual castration to a psychoanalytic theory desvalorizante of the feminine" is a work of destraducción of translation done by Sigmund Freud on the theory of child sexual castration, conducted by the little Hans and Freud transformed directly into a theory metapsicológica which aims to give an account of the origins of the construction of the psicosexualidad human.

Author: DELGADO MONTERO FRANCISCO.
Year: 2004.
University: SALAMANCA [www.usal.es].
Place of defense: FACULTAD DE PSICOLOGIA.
Place of preparation: FACULTAD DE PSICOLOGIA.

Summary: METHODOLOGY AND OBJECTIVES: The objectives of this research are:-the study of the psychological stages of development madurativo's protagonist, Lazaro de Tormes, text-analysis from the point of view of psychoanalysis: the unconscious of the text. The method used in the analysis of the text of the following phases: 1-Encuadre sociohistórico of the work, with the description of the most important issues of the sixteenth century Spanish and European. 2-Analysis of the structure and language of the narrative, from the psychoanalytic perspective. 3-Synthesis and subdivided into conclusions from the findings from psychology and psychoanalysis. CONCLUSIONS: From psychology concluded that the text of the story of the life of Lazarus de Tormes affirms the importance of childhood experiences in learning later adult life and the way of carrying out the roles adults: work, marriage , decision making. Through the narration of the character, the narrador-autor manifest critical to the scale of political and religious values of Spain Charles V. The point of view of psychoanalysis realizes what subconscious of the text, both pulsional development of the protagonist, Lazarillo, as the conflict with the structure edípica ending story.

Author: GARCÍA MARCOS AZUCENA MARIA.
Year: 2005.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE PSICOLOGÍA.
Place of preparation: FACULTAD DE PSICOLOGÍA.

Summary: That argument is framed in the field of applied psychoanalysis, where one of their objects of study may be the literary or artistic work, discussed in the light of psychoanalytic theories. Halfway between a position hermeneutics and descriptive, the thesis takes aim consider the so-called "event Goya," at a time when there is a broad interest in today's culture by the work of Goya, and its possible influence on what with proper license, might be called the "event Freud." The thesis is a speculative essay, but rigorous and well documented on Goya, his vine woe work, and to what extent anticipates an expressive language that can be the subject of a psychoanalytic reading. One issue relevant and current, about renewed and widespread interest that the work of Goya raises in today's society. The thesis takes as a question investigaicón the initial exploration of the trauma happens in the biography of the painter: the successive deaths of his brothers during childhood, and a possible maternal depression consistent with these deaths, which seem to function as a puzzle that the traumatic painter will try to resolve along the path of life, and that was expressed in his artistic production. Mindful that the method proposed speculative, the author considered part of the artwork as similar to other products where you mentally unsatisfied desire plays a crucial role. It also explores the importance of the visual component in the representation and value regressive. And finally, from the points discussed above, is defined a method of working with traces of resemblance to the one used by Freud in the study of dreams. After a tour by the works of Goya, which are related biographical data, trends and processes conceptual art, a series of turning moments in the life of Goya approach to understanding the way in which faces its surroundings, his enigma, his work embodied in the work. The results are in relation to the timing of historical and cultural painter, trying to define the "code goyesco" or personal style of expression, which includes a brand regressive defined by the weight acquiring visual versus verbal. This is a very careful, and well illustrated. The thesis contained in his findings in the light of all the data, the likely consequences of that initial trauma. The "psychic skin", which in his childhood should have been closed through the relationship with her mother, remains open as a result of the trauma of origin. Figures emerge as a parent need, but at the same time threatening and the presence of the brothers killed cbrará a persecutory nature. Goya is thus exposed to trauma and trauma and his painting will become an attempt to suturing its damaged skin psychic. In this attempt should try to shape the original human being, that own newborn, prior to education. The thesis documenting how through artistic creation of Francisco de Goya, it is able to connect with their trauma initial question initiative of mankind: Â What lies beyond?. And thus their fears originate, are articulated with those of every human being and are embodied in two art objects. This constant research in the original trauma in the first on the "event Goya" to what nearly a century after Freud had termed unconscious and with it the emergence of psychoanalysis.

Author: NÚÑEZ RONCHI CRISTINA L..
Year: 2005.
University: COMPLUTENSE DE MADRID [www.ucm.es].
Place of defense: FACULTAD DE PSICOLOGÍA.
Place of preparation: FACULTAD DE PSICOLGOÍA.

Summary: Psychoanalysis seems to be not currently measure to respond to the criticism addressed to you both the scientific community and society in general because it has a tradition systematic empirical inquiry that will enable to test their hypotheses and build a body of theoretical and clinical validation . Indeed, while psychoanalysis based on their clinical listening to the patient, not grants, pardójicamente in its investigations, rather than a minor role in the clinical texts (ie, the dialogue that takes place between the patient and therapist) , preferring to build their case histories on clinical notes (ie, the notes taken by the therapist about happened in the meeting), and thus deprived of their object of the first empirical study. However, the study of clinical practice -tradicionalmente privileged because of its heuristic value-could not ignore the texts clinical occurring within or, better, that are as practical. The recent development of treatment methods automatic language has promoted a widespread interest in the texts, encouraging that psychoanalysis began timidly to record its meetings with the goal of trying to solve the problem epistemological reflecting its lack of empirical research. However, investigations of clinical texts do not give them a true empirical treatment of the subject, since they are based on theories and strategies semantic analysis not recovered texts as units of meaning, operating on them (re) constructions apriorísticas. This work has made it possible to confirm this hypothesis in a body composed of 31 research articles on clinical texts, showing that, in the constitution of the text as an object of a clinical study in its semantic analysis, research (re) constructing texts form apriorística (through textual mutilation, desconextualizaciones of semantic units, replacement or additions textual not justified: in short, by not plausible readings). This study of the theoretical and methodological perspective that provides semantic interpretation of François Rastier a unified semantic theory, differential and componencial, which has been shown to constitute one of the most powerful tools for the description of all kinds of texts, and that can be estimated also very valuable for the analysis of textual data in clinical psychoanalysis.